New Novel Quotes & Sayings
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Top New Novel Quotes

The book [Joyce's "Ulysses"] can just as well be read backwards, for it has no back and no front, no top and no bottom. Everything could easily have happened before, or might have happened afterwards. You can read any of the conversations just as pleasurably backwards, for you don't miss the point of the gags. Every sentence is a gag, but taken together they make no point. You can also stop in the middle of a sentence
the first half still makes sense enough to live by itself, or at least seems to. The whole work has the character of a worm cut in half, that can grow a new head or a new tail as required. — C. G. Jung

For indeed when painters themselves wish to represent sirens and satyrs [20] by means of especially bizarre forms, they surely cannot assign to them utterly new natures. Rather, they simply fuse together the members of various animals. Or if perhaps they concoct something so utterly novel that nothing like it has ever been seen before (and thus is something utterly fictitious and false), yet certainly at the very least the colors from which they fashion it ought to be true. And — Rene Descartes

I'll never forget reading Chekhov's "A Doctor's Visit" on a train to Hawthorne, New York, and I got to the end - the scene where the patient says goodbye to the doctor and she puts a flower in her hair as a kind of thank you to him - and I felt like a cowboy shot from a canyon's top. This is a different experience from reading a novel, I think. The emotional effect is cumulative. Let's just hope market forces don't send short fiction the way of the dinosaur, because their sales are paltry compared to the novel and this is truly unfortunate. — Adam Ross

Being with Demetri wasn't the absence of pain, it was the added presence of peace, making it easier and easier for that little part of my heart to heal again.
From Pull: A Seaside Novel — Rachel Van Dyken

The reviews on it, and the new novel, Honky Tonk Samurai have been awesome, though I'm of the school if you believe the good ones you got to believe the bad ones, it's been mostly good ones. The previewers seem to be very happy and excited about it. I know I am. There are plans to continue if it does well. — Joe R. Lansdale

Will you have any regrets once she's dead?
Brooklyn's question and her voice echoed in my head as I watched her walking to her house, her hips swaying tantalizingly at every step. A heavy weight fell on my shoulders because I didn't have to ponder that question to find the answer. — Stephanie Witter

It was a pity that most people didn't actually go to libraries anymore, not when they could sit in the comfort of their own quarters and access files electronically. Want to read the new hot interstellar caper novel, or the latest issue of Beings holozine? Input the name, touch a control, and zip - it's in your datapad. . . .
There were, of course, old-fashioned beings who would still actually trundle down to where the files were. On some worlds the most ancient libraries kept books - actual bound volumes of printed matter - lined up neatly on shelves, and readers would walk the aisles, take a volume down, sniff the musty-dusty odor of it, and then carry it to a table to leisurely peruse.
There weren't many of those readers left, and they were growing rarer all the time . . . But there were some who still knew how to actually turn a page - and for those who were willing to do so, the rewards could be great indeed. — Michael Reaves And Steve Perry

The pleasure of writing fiction is that you are always spotting some new approach, an alternative way of telling a story and manipulating characters; the novel is such a wonderfully flexible form. — Penelope Lively

I am writing about people who are alive in the city of New York during mid-20th-century America. And these people are like a character in a play or they are figures in a short story or a novel. — Gay Talese

Satisfaction involves an active pursuit- it is the emotional reward we get after adapting to a new situation or solving a novel problem. — Mark Andrews

Every time she meets him, she feels like he was a new paper ready to be drawn. And she could clearly remember how the first time she met him, he was like a sketch paper filled with grey and blue and black, all mixed up together forming a confusing storm, — Basma Salem

The action of the child inventing a new game with his playmates; Einstein formulating a theory of relativity; the housewife devising a new sauce for the meat, a young author writing his first novel; all of these are in terms of definition, Creative, and there is no attempt to set them in some order of more or less Creative. — Carl Rogers

Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools. — Daniel Alarcon

Elisabeth Sheffield's new novel is multilayered, smart, beautifully written, and funny. I was taken in by the first paragraph and held firmly through the roller coaster of a ride. The depth of the novel was evidenced by the constantly shifting meaning of the title itself. In fact, the entire work never changes its meaning, but somehow, seamlessly, simply means more. This is a rare and memorable piece of work. — Percival Everett

I know California isn't a real destination. You can't get there from New Jersey, not simply by following a line drawn on a map. The process of arrival is more subtle and complex. It involves acts of contrition. You must appease the gods. You must find novel forms of penance. You must tattoo your children and look at the wonder. It's about conjuring and awakening and intuitions you wish you never had. — Kate Braverman

There is one final point, the point that separates a true multivolume work from a short story, a novel, or a series. The ending of the final volume should leave the reader with the feeling that he has gone through the defining circumstances of Main Character's life. The leading character in a series can wander off into another book and a new adventure better even than this one. Main Character cannot, at the end of your multivolume work. (Or at least, it should seem so.) His life may continue, and in most cases it will. He may or may not live happily ever after. But the problems he will face in the future will not be as important to him or to us, nor the summers as golden. — Gene Wolfe

Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form. — Marleen S. Barr

I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader's mind so that the mind, like the author's, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness. — Philip K. Dick

On occasion he would think back to the fiercest passion it had been his pleasure to experience and reflect on what might have been. He would look upon the woman who occupied the opposite half of his bed and feel his life had not quite lived up to the promise of another day. These moments would be mercifully brief, or so he hoped. — Roy L. Pickering Jr.

You will stay up all night reading this brilliant and devastating novel the way you might have with a new best friend in junior high-one whose revelations thrilled and terrified you, and whose raw, hard-earned wisdom remade the way you saw the world. It evokes the genius of Angela Pneumans canonical progenitors: Flannery O'Connor, Katherine Anne Porter, Walker Percy. Lay It on My Heart is a gorgeous, riveting, and unforgettable book. — Julie Orringer

With James Reese's vivid and chilling novel, readers will gain a whole new appreciation of two gothic landmarks, Dracula and Jack the Ripper. Not only does The Dracula Dossier grip us with its fast paced hunt for history's most notorious killer, it also enchants us with sophisticated and lyrical recreations of its unique period and strong characters. A daring achievement. — Matthew Pearl

Talk to me. Say something, anything," he pleaded quietly as if he was trying to tame a wild animal.
"There's nothing to say."
He looked up and lowered his eyebrows on his eyes. "Why did you kiss me? — Stephanie Witter

One of the things about writing that inspires
and impresses me, is the music words can make. And, like music, the spaces between the notes can mean as much as the notes themselves.
The Jesus Horse — Melinda West Seifert

I closed my eyes and immediately I pictured Brooklyn's full lips parted on a moan, her eyes glassy and her pupils dilated, her cheeks flushed and her body ... her smoking body bared only for me. — Stephanie Witter

Sometimes I come across as superficial. Of this I am aware. However, you may be confident that inside my head I am forever plumbing new shallows, finding novel ways to express the obvious, reheating old jokes. — John Dolan

Before 1975, if you knew the name Howard Sackler it was because he was the author behind the 1969 Broadway play The Great White Hope, which won Sackler the Tony and New York Drama Critics Circle award as the year's Best Play as well as the Pulitzer Prize for Drama. A friend of film producer David Brown, Sackler accepted the offer to do a re-write on Jaws author Peter Benchley's script for the film version of his novel. Sackler's main contribution to the story was the back story that the shark fisherman, Quint, derived his hatred for sharks from having survived the sinking of the U.S.S. Indianapolis in July of 1945 (in the film, Quint errantly states the date as "June the 29th, 1945"). — Louis R. Pisano

If there is a connection between Harry Potter and my new novel, it's my interest in characters. — J.K. Rowling

A failed short story is a few weeks of fruitless work; a failed novel is a dead child. — The New York Writers Workshop

When a colleague of mine had a notable New York Times book, I said, turn one of the chapters in the collection into a pitch for a novel and sell it to your publisher. — Julianna Baggott

If there is anything in writing that comes easy for me it's making up metaphors. They just appear. I can't move two lines without all kinds of images. Then the problem is how to make the best of them. In its geological character, language is almost invariably metaphorical. That's how meanings tend to change. Words become metaphors for other things, then slowly disappear into the new image. I have a hunch, too, that the core of creativity is located in metaphor, in model making, really. A novel is a large metaphor for the world. — William Gass

Where do you think my new novel is? In the waste basket. I can see myself that it's no good on earth, and when a loving author realizes this, what would be the judgment of a critical public? — Jean Webster

The word creativity is closely linked to the word genius, since both words have the root meaning 'to give birth.' Essentially, creativity designates the capacity to give birth to new ways of looking at things, the ability to make novel connections between disparate things, and the knack for seeing things that might be missed by the typical way of viewing life. — Thomas Armstrong

Michael Palin : "I am sorry to interrupt you there Dennis, but he's crossed it out. Thomas Hardy here on the first day of his new novel has crossed out the only word he has written so far and he is gazing off into space. Ohh! Oh dear he's signed his name again."
Graham Chapman: "It looks like Tess of the D'Urbervilles all over again."
- Matching Tie and Handkerchief, "Novel Writing — Graham Chapman

Lionel Essrog, the twitching, barking, gabbling narrator of Jonathan Lethem's new novel, 'Motherless Brooklyn,' is no movie-of-the-week novelty grafted onto a noir mystery. Maybe his Tourette's is a gimmick, but it's a gimmick with depth, with soul. — Gary Krist

The English social anthropologist Geoffrey Gorer, in his 1965 Death, Grief, and Mourning, had described this rejection of public mourning as a result of the increasing pressure of a new "ethical duty to enjoy oneself," a novel "imperative to do nothing which might diminish the enjoyment of others. — Joan Didion

Hi, I have just added my new novel, "Incessant Expectations" for your reading enjoyment. It is about commercial salmon fishing on the Oregon coast circa 1976. It is fiction. The industry doesn't exist anymore. A young farmer from the dry country in Southwestern Colorado visits the wet Northwestern Oregon coast, seeking a summer job after his dad's farm is sold in the spring. He has spent his first 22 years in isolation, doing hard labor on the family farm. He knows hard work but has little social experience. During his summer of 1976 he learns about the ocean, fishing, and women. — Kenneth Fenter

My science teachers always encouraged their classes to 'go out and discover something' because all scientific endeavors depend on observation and experimentation. Through such pursuits, anyone can find something new to science, and if it's truly novel, the entire edifice of science might have to be restructured. — Greg Graffin

Art is fueled by rebellion: the need, in some amounting to obsessions, to resist what is, to defy one's elders, even to the point of ostracism; to define oneself, and by extension one's generation, as new, novel, ungovernable. — Joyce Carol Oates

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

Day after day we read about them, each new man more brilliant than the last. They were not just an all-star first team, but an all-star second team as well. There were counts kept on how many Rhodes scholars there were in the Administration, how many books by members of the new Administration (even the Postmaster, J. Edward Day, had written a novel, albeit a bad one). — David Halberstam

APM's core purpose of creating innovative new products and services means dealing with constant technological and competitive change, generating novel ideas, and continually reducing product development schedules. — Jim Highsmith

Yell: "I'm beginning to read Italo Calvino's new novel!" Or if you prefer, don't say anything; just hope they'll leave you alone. — Italo Calvino

The novel is the privileged vehicle of two ways of being: narrative and freedom: to be new (novel) in a speech open to all, and to be free in a speech that never concludes. — Carlos Fuentes

And you can tell the writers who do it - Robert Stone, for example, who with each new novel is doing something new. I appreciate that in other writers. — Tobias Wolff

Wow! tarnished drew me right into the diabolical world of Dale and Isabel. They are two of the most coldblooded killers the medical profession may have ever produced. --- Valerie Graves of New York - an Internationally known Advertising and Marketing Executive who also was creative consultant for the '92 Clinton/Gore campaign — Willie Stewart

Life managed without males for its first billion years, much of which was passed as single cells in a series of warm ponds. Then, in some ancient and neutral Eden, the fruit of the tree of sexual knowledge - a new mutation - persuaded members of a particular clone to fuse with cells from another, and then to divide. That ingenious idea is good news for the novel gene, as it doubles its rate of spread, but is a lot less so for those who receive it, who are obliged to copy the extra DNA. At once, two factions emerge, one keen to force itself upon the other. Thus sex was invented.
Soon one contestant began to cheat. Large cells are expensive, but are better at dividing because they have more food reserves. Small cells are cheaper to make, but cannot afford to split. Their sole chance of success hence lies in fusion with a large cell. The first males had appeared on the scene. — Steve Jones

Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously. — Junot Diaz

Dear Diary:
I have a confession to make: I've become a total idiot over French pastries.
They're my new favorite food.
My new-found edible souvenir.
My new favorite sin.
Dunkin Donuts is so yesterday. — Kimberley Montpetit

But at [soccer] tournaments you tend to see novel, unanticipated trends coming through, with everyone watching each other like hawks and immediately copying anything new. What is really important for every team is to be aware of its own capabilities and find a style which plays to one's own strengths. — Michael Ballack

There were also books of fairy tales, The Arabian Nights, James Payn's work, Anthony Trollope's Vicar of Bullhampton, Thomas Hardy's Desperate Remedies, a pile of Wilkie Collins - The New Magdalen, The Law and the Lady, The Two Destinies, and a new Jules Verne novel titled Child of the Cavern that she itched to get her hands on. And then, there it was - A Tale of Two Cities. — Cassandra Clare

And that to me is something. Coming to an understanding of who you are in the midst of discovering who you aren't. — Brian Azzarello

Don't Shoot is a work of moral philosophy that reads like a crime novel - Immanuel Kant meets Joseph Wambaugh. It's a fascinating, inspiring, and wonderfully well written story of one man's quest to solve a problem no one thought could be solved: the scourge of inner city gang violence This is a vitally important work that has the potential to usher in a new era in policing. — John Seabrook

None of us laughed at Helen. Maybe because in 1970 we listened more to new ideas, however sentimental or foolish they sound all these years later in the harsh light of the millennium's end. We wanted to find new answers for old questions, or we just thought there were new answers. And even with all the death that came daily, the death that would come to our gathering in the meadow, life in America felt as if it were being recast, reshaped, even redeemed by some transcendent thing. — Scott Lax

Creativity is the quality that enables us to generate novel approaches to situations and to discover new and improved solutions to problems. — Thomas Vogel

For all the social changes in China can be traced to their early beginnings in the days when the new tools or vehicles of commerce and locomotion first brought the Chinese people into unavoidable contact with the strange ways and novel goods of the Western peoples. — Hu Shih

I'm writing a novel about two actresses who go to New York, because that's what I know about. One has lost touch with reality, disappears and is picked up by a man. — Julie Walters

Every time I write a new novel about something sombre and sobering and terrible I think, 'oh Lord, they're not going to want to go here'. But they do. Readers of fiction read, I think, for a deeper embrace of the world, of reality. And that's brave. — Barbara Kingsolver

When we're done with it, we may find - if it's a good novel - that we're a bit different from what we were before we read it, that we have been changed a little, as if by having meet a new face, crossed a street we've never crossed before. — Ursula K. Le Guin

One grim Weltanschauung for this new era was well expressed by the Venetian nationalist demagogue in Michael Dibdin's novel, Dead Lagoon: There can be no true friends without true enemies. Unless we hate what we are not, we cannot love what we are. These are the old truths we are painfully rediscovering after a century and more of sentimental cant. Those who deny them deny their family, their heritage, their culture, their birthright, their very selves! They will not lightly be forgiven. — Samuel P. Huntington

Everyone always talks about the magic of books being able to take you to other places, to let you see exotic worlds, to make you experience new and interesting things. Well, do you think words alone can do this? Of course not! If you've ever thought that books are boring, it's because you don't know how to read them correctly. From now on, when you read a book, I want you to scream the words of the novel out loud while reading them, then do exactly what the characters are doing in the story. Trust me, it will make books way more exciting. Even dictionaries. Particularly dictionaries. — Brandon Sanderson

The Chicago Way is a wonderful first novel. Michael Harvey has studied the masters and put his own unique touch on the crime novel. This book harkens the arrival of a major new voice. — Michael Connelly

When I'm trying a new form- trying to do something I'm not used to doing, which was true of the novel. — Lydia Davis

A large part of the art of instruction lies in making the difficulty of new problems large enough to challenge thought, and small enough so that, in addition to the confusion naturally attending the novel elements, there shall be luminous familiar spots from which helpful suggestions may spring. — John Dewey

Why, I've seen Kentuckians who hated whiskey, Virginians who weren't descended from Pocahontas, Indianians who hadn't written a novel, Mexicans who didn't wear velvet trousers with silver dollars sewed along the seams, funny Englishmen, spendthrift Yankees, cold-blooded Southerners, narrow- minded Westerners, and New Yorkers who were too busy to stop for an hour on the street to watch a one-armed grocer's clerk do up cranberries in paper bags. Let a man be a man and don't handicap him with the label of any section. — O. Henry

I was beginning to understand something I couldn't articulate. It was a jazzy feeling in my chest, a fluttering, a kind of buzzing in my brain. Warmth. Life. The circulation of blood. Sanguinity. I don't know. I understood the enormous risk of telling the truth, how the telling could result in every level of hell reigning down on you, your skin scorched to the bone and then bone to ash and then nothing but a lingering odour of shame and decomposition, but now I was also beginning to understand the new and alien feeling of taking the risk and having the person on the other end of the telling, the listener, say:
Bad shit at home? You guys are running away?
Yeah, I said.
I understand, said, Noehmi. — Miriam Toews

Emma, you and your poetry, me and my acting--what are we trying to do? We can't top this city. We poor would-be artists can't compete with or improve on the rich density of human experience on any random, average, slow summer night in New York--who are we trying to kid? In the overheard conversation in the elevator, in the five minutes of talk the panhandler gives you before hitting you for the handout, in the brief give-and-take when you are going out and the cleaning lady is coming in--there are the real stories, incredible, heartbreaking and ridiculous, there are the command performances, the Great American Novels but forever unwritten, untoppable, and so beautifully unaware. — Wilton Barnhardt

The new novel is sought more eagerly, and devoured more greedily, the New Testament. — Thomas Guthrie

Was happiness (which was perhaps achieved not by getting what you wanted, but rather, by obtaining what you didn't know you wished for until it was in hand) a hologram that would continually change appearance with the slightest shift of perspective? Or maybe happiness by definition was a temporary state of being recognizable only in hindsight. It was impossible to catch what always managed to be overrun and end up in the rear view mirror. — Roy L. Pickering Jr.

Anthony Ryan is a new fantasy author destined to make his mark on the genre. His debut novel, Blood Song, certainly has it all: great coming of age tale, compelling character, and a fast-paced plot. If his first book is any indication of things to come, then all fantasy readers should rejoice as a new master storyteller has hit the scene. — Michael J. Sullivan

After reading Edgar Allan Poe. Something the critics have not noticed: a new literary world pointing to the literature of the 20th Century. Scientific miracles, fables on the pattern A+ B, a clear-sighted, sickly literature. No more poetry but analytic fantasy. Something monomaniacal. Things playing a more important part than people; love giving away to deductions and other forms of ideas, style, subject and interest. The basis of the novel transferred from the heart to the head, from the passion to the idea, from the drama to the denouement. — Jules De Goncourt

Well I think after leaving prison, and having written three diaries about life in prison, it became a sort of a new challenge to write another novel, to write a new novel. — Jeffrey Archer

Take a table and I'll join you in a second.'
When he walked away I did something I couldn't be scolded for doing.
I checked out his ass in his jeans and ... that looked good. — Stephanie Witter

You are about to begin reading Italo Calvino's new novel, If on a winter's night a traveler. — Italo Calvino

ANTHONY DOERR is the author of the story collections Memory Wall and The Shell Collector, the novel About Grace, and the memoir Four Seasons in Rome. He has won numerous prizes both in the United States and overseas, including four O. Henry Prizes, three Pushcart Prizes, the Rome Prize, the New York Public Library's Young Lions Fiction Award, the National Magazine Award for fiction, a Guggenheim Fellowship, and the Story Prize. Raised in Cleveland, Doerr lives in Boise, Idaho, with his wife and two sons. — Anthony Doerr

The Sugar Frosted Nutsack is fantastic. It's volcanic and sexy and utterly unlike anything I've read before. It feels like the future in a dazzling way that has nothing to do with looking backward. It's been a long wait for a new novel from Mark Leyner, but worth it. Ten out of ten from me. — Douglas Coupland

Is it not superfluous to write more than one novel if the writer has not become, say, a new man? Obviously, all the novels of an author not infrequently belong together and are to a certain degree only one novel. — Karl Wilhelm Friedrich Schlegel

What we often take to be the new is simply the old under some novel form. — Henry James

How novel and original must be each new mans view of the universe - for though the world is so old - and so many books have been written - each object appears wholly undescribed to our experience - each field of thought wholly unexplored - the whole world is an America - a New World. — Henry David Thoreau

Look at them leaving in droves despite knowing they will be welcomed with restraint in those strange lands because they do not belong, knowing they will have to sit on one buttock because they must not sit comfortable lest they be asked to rise and leave, knowing they will speak in dampened whispers because they must not let their voices drown those of the owners of the land, knowing they will have to walk on their toes because they must not leave footprints on the new earth lest they be mistaken for those who want to claim the land as theirs. Look at them leaving in droves, arm in arm with loss and lost, look at them leaving in droves. — NoViolet Bulawayo

Why are you looking at me like that?' he asked, his hand tensing for a second on my hip.
"No reason.' I moved my hand up his chest and on the way his abs contracted.
He pushed me away abruptly, forcing me to sit up with him. With the scruff hiding parts of his cheeks I wasn't sure, but he seemed to be blushing. "You shouldn't touch a man like that in the morning,' he rasped, his hand hiding his crotch. — Stephanie Witter

The novel, as a living force, if not as a work of art, owes an incalculable debt to what we call, mistakenly, the new psychology, to Freud, in his earlier interpretations, and more truly, I think, to Jung. — Ellen Glasgow

Words for completely novel concepts and technical breakthroughs are devised as soon as needed, explained with ease and absorbed with scarcely an effort by all who need them. This ability to innovate in language is crucial to every scientific advance, to our intellectual curiosity, to our originality as human individuals, because it is crucial to our ability to communicate new ideas and discoveries. — Andrew Dalby

What the Church needs to-day is not more machinery or better, not new organizations or more and novel methods, but men whom the Holy Ghost can use
men of prayer, men mighty in prayer. The Holy Ghost does not flow through methods, but through men. He does not come on machinery, but on men. He does not anoint plans, but men
men of prayer. — E. M. Bounds

Ethan: "I'm not asking you to continue that night."
Karis: "Then what are you asking?"
Ethan: "For a whole new night. — Monique DeVere

Anyway, several rewrites later, Del Rey Books did publish my first novel, and it did become the first work of fiction on the New York Times trade paperback bestseller list. — Terry Brooks

Many years from now when your children ask what New York City was like just after 9/11, this will be the book you give them in response. It's an exquisite novel full of heart, soul, passion and intelligence, and it's the one this great New York author was born to write. — Lee Child

Introduction!" And yet when a novel goes back to print for a new hardcover edition, there ought to be something new in it to mark the occasion (something besides the minor changes as I fix the errors and internal contradictions and stylistic excesses that have bothered me ever since the novel first appeared). So be assured - the novel stands on its own, and if you skip this intro and go straight to the story, I not only won't stand in your way, I'll even agree with you! The novelet "Ender's Game — Orson Scott Card

I find three basic characteristics that fundamentally distinguish the novel in principle from other genres: (i) its stylistic three-dimensionality, which is linked with the multi-languaged consciousness realized in the novel; (2) the radical change it effects in the temporal coordinates of the literary image; (3) the new zone opened by the novel for structuring literary images, namely, the zone of maximal contact with the present (with contemporary reality) in all its openendedness.
These three characteristics of the novel are all organically interrelated and have all been powerfully affected by a very specific rupture in the history of European civilization: its emergence from a socially isolated and culturally deaf semipatriarchal society, and its entrance into international and interlingual contacts and relationships. — Mikhail Bakhtin

When I receive a new novel from a hopeful publisher - "hoping that I like the book as much as he does" - I check first of all how much dialog there is, and if it looks too abundant or too sustained, I shut the book with a bang. — Vladimir Nabokov

Few people in one's life ever go quite away. They turn up again like characters in a Simon Raven novel. It is as if Fate is a movie producer who cannot afford to keep introducing new characters into the script but must get as many scenes out of every actor as possible. — Stephen Fry

What am I to you?'
Sophiel smiled.
'The sun. You are my sun, like Astrid said. My sun, that lights up my life. That looks after me with its fiery rays. I only have to turn towards it for it to set fire to my heart. — A.O. Esther

There is only one motive for writing a novel: to be published and read. To me there is no distinction between the mystery novel and the novel, only between good books and bad books. A good book takes the reader into a new world of experience; it is an experiment. A bad book, unless the writing is inept, reinforces the intransigent attitude of the reader not to experiment with a new world. Since there are criminals and psychopaths and sociopaths in all my novels they are in a way psychological thrillers. — John Franklin Bardin

'The New Jedi Order' was a pure publishing project: a single massive story - virtually one huge novel spread across multiple volumes - told by a succession of authors. — Matthew Stover

Other people's words are so important. And then without warning they stop being important, along with all those words of yours that their words prompted you to write. Much of the excitement of a new novel lies in the repudiation of the one written before. Other people's words are the bridge you use to cross from where you were to wherever you're going. — Zadie Smith

Just when you thought the mafia novel was dead, Tod Goldberg breathes new life into it. Gangsterland, the best mafia novel in years, is a dark, funny, and smart page-turning crime story. It's also a moving, thoughtful meditation on ethics, religion, family, and a culture that eats itself. I loved this book. — Sara Gran

Let us leave it to the reviewers to abuse such effusions of fancy at their leisure and over every new novel to talk in threadbare strains of the trash with which the press now groans. — Jane Austen