New Narrative Quotes & Sayings

December 29, 1946: Snowing this morning. The year seems to be dying in a light white blanket. Only three more days of this year, then comes a new one. Then, what? No one knows.
Diary of Bertha Kate Gaddis who passed away 6 months later, age 78, West Lafayette, IN. — Angie Klink

Once we truly grasp the message of the 'New Testament', it is impossible to read the 'Old Testament' again without seeing Christ on every page, in every story, foreshadowed or anticipated in every event and narrative. — Michael Horton

I recently asked more than seventy eminent researchers if they would have done I their work differently if they had thought Darwin's theory was wrong. The responses were all the same: no. I also examined the outstanding biodiscoveries of the past century: the discovery of the double helix; the characterization of the ribosome: the mapping of genomes; research on medications and drug reactions: improvements in food production and sanitation; the development of new surgeries; and others. I even queried biologists working in areas where one would expect the Darwinian paradigm to have most benefited research, such as the emergence of resistance to antibiotics and pesticides. Here, as elsewhere, I found that Darwin's theory had provided no discernible guidance, but was brought in, after the breakthroughs, as an interesting narrative gloss. — Philip S. Skell

The telling and the hearing of a story is not a simple act. The one who tells must reach down into deeper layers of the self, reviving old feelings, reviewing the past. Whatever is retrieved is reworked into a new form, one that narrates events and gives the listener a path through these events that leads to some fragment of wisdom. The one who hears takes the story in, even to a place not visible or conscious to the mind, yet there. In this inner place a story from another life suffers a subtle change. As it enters the memory of the listener it is augmented by reflection, by other memories, and even the body hearing and responding in the moment of the telling. By such transmissions, consciousness is woven. — Susan Griffin

The Bible is not, in other words, simply a list of true doctrines or a collection of proper moral commands - though it includes plenty of both. The Bible is not simply the record of what various people thought as they struggled to know God and follow him, though it is that as well. It is not simply the record of past revelations, as though what mattered were to study such things in the hopes that one might have one for oneself. It is the book whose whole narrative is about new creation, that is, about resurrection, so that when each of the gospels ends with the raising of Jesus from the dead, and when Revelation ends with new heavens and new earth populated by God's people risen from the dead, this should come not as a surprise but as the ultimate fulfillment of what the story had been about all along. — N. T. Wright

The narrative that Peter Jackson has put into 'The Battle of the Five Armies,' it stands alone as a film. Rather than just finishing off the story, it's like a whole new adventure all of its own. I'm very excited about it. — Richard C. Armitage

I grew up thinking that renting is perfectly normal. And then, strangely enough, I never did buy a house. I live in New York City, and I'm still renting. My own personal narrative shows that it is possible to live a respectable life without ever having owned a home. — Edmund Phelps

I think a great book - leaving aside other qualities such as narrative power, characterization, style, and so on - is a book that describes the world in a way that has not been done before; and that is recognized by those who read it as telling new truths - about society or the way in which emotional lives are led, or both - such truths having not been previously available, certainly not from official records or government documents, or from journalism or television. — Julian Barnes

By entwining the story of his life with verses from the Quran and an acknowledgment of the new Christian terms to which he must adapt, Omar ibn Said created less a tale of conversion than a syncretic narrative: Like that of so many others, his is a story not of the religious remaking of a people but of a people remaking religious traditions to serve their altered circumstances. — Peter Manseau

Radio, or at least the kind of radio we're proposing to do, can cut through that. It can reach people who would otherwise never hear your work, and of course I find that very notion inspiring. Radio stories are powerful because the human voice is powerful. It has been and will continue to be the most basic element of storytelling. As a novelist (and I should note that working my novel is the first thing I do in the morning and the very last thing I do before I sleep), shifting into this new medium is entirely logical. It's still narrative, only with different tools. — Daniel Alarcon

There are only so many stories in the world ... Duplication of plots is bound to happen because most writers have read very extensively in their genre and have become aware they are adding an extra layer to the meta-narrative, finding a new spin on the original. — Kerry Greenwood

I came to New York, and it was a really cool time. People like Jim Jarmusch and Spike Lee were making their first movies, and they were making movies that were personal narratives. — Christine Vachon

I'm not a new-agey person, but narrative is ancient and wise and generous. — Jim Crace

To get the whole story of Jesus, we must be regularly reading and teaching the whole book - New Testament and Old, narrative, poetry, Gospels, apocalyptic, Epistles, Wisdom Literature, prophecy - all of it! All the parts work together, in God's providence, to feed us fully on this one who comes and tells us that he is the living water and the bread of life. — Gloria Furman

My places were emotional, primarily. I wrote of locales in which I had lived, or in which I imagined I could live, but the topography was primal and sexual and terminal. It bore no distinct architecture or design or dialect. It was merely human and in peril, which is to say universal. But on Royal and Coliseum and Vista--streets I cannot relinquish--I found my places and I dreamed a narrative. Can I go there and find it again?"--Tennessee Williams — James Grissom

The "new" Anglo-American feminist theory argues that too little mothering, and, in particular, the absence of mother-son connection, is what engenders both sexism and traditional masculinity in men. (...) This perspective positions mothering as central to feminist politics in its insistence that true and lasting gender equality will occur only when boys are raised as the sons of mothers. As the early feminist script of mother-son connection required the denial of the mother's power and the displacement of her identity as mother, the new perspective affirms the maternal and celebrates mother-son connection. In this, it rewrites the patriarchal and early feminist narrative to give (...) voice and presence to the mother and make mother-son connection central to the redesign of both traditional masculinity and the larger patriarchal culture. — Andrea O'Reilly

The Princess Bride
S. Morgenstern's
Classic Tale of True Love
and High Adventure
You had to admire a guy who called his own new book a classic before it was published and anyone had a chance to read it. — William Goldman

If a few nations step forward and begin changing the narrative of 'us and them' to 'everyone,' we will see a new dawn. If a few nations begin actually making operational a verification system we can all depend upon and push to bring all into such a system, we will all benefit. — Jonathan Granoff

A great thing is happening on cable TV. You see characters change in stories over years, like in Tolstoy. That's a whole, thrilling new form that I really enjoy. They are Tolstoy-an in their endless character development and narrative changes ... a show like 'Breaking Bad' is astonishing. — Mike Nichols

No one is better placed or more philosophically suited than Obama to construct the new counter narrative as we go forward in our new New Deal. But many masters of the old universe, including quite possibly his chief economic adviser, can't recognize that the world has changed or should change. — Frank Rich

By calling into question the very ideal of a universal, autonomous reason (which was, in the Enlightenment, the basis for rejecting religious thought) and further demonstrating that all knowledge is grounded in narrative or myth, Lyotard relativizes (secular) philosophy's claim to autonomy and so grants the legitimacy of a philosophy that grounds itself in Christian faith. Previously such a distinctly Christian philosophy would have been exiled from the 'pure' arena of philosophy because of its 'infection' with bias and prejudice. Lyotard's critique, however, demonstrates that no philosophy - indeed, no knowledge - is untainted by prejudice or faith commitments. In this way the playing field is leveled, and new opportunities to voice a Christian philosophy are created. Thus Lyotard's postmodern critique of metanarratives, rather than being a formidable foe of Christian faith and thought, can in fact be enlisted as an ally in the construction of a Christian philosophy. — James K.A. Smith

I live in Harlem, New York City. I am unmarried. I like 'Tristan,' goat's milk, short novels, lyric poems, heat, simple folk, boats and bullfights; I dislike 'Aida,' parsnips, long novels, narrative poems, cold, pretentious folk, buses and bridges. — Langston Hughes

Finally, our new brain needs a purpose. A purpose is expressed as a series of goals. In the case of our biological brains, our goals are established by the pleasure and fear centers that we have inherited from the old brain. These primitive drives were initially set by biological evolution to foster the survival of species, but the neocortex has enabled us to sublimate them. Watson's goal was to respond to Jeopardy! queries. Another simply stated goal could be to pass the Turing test. To do so, a digital brain would need a human narrative of its own fictional story so that it can pretend to be a biological human. It would also have to dumb itself down considerably, for any system that displayed the knowledge of, say, Watson would be quickly unmasked as nonbiological. — Ray Kurzweil

The New York Times must write from the position of highest authority, like the voice of an overlord and colonial master, which it cannot if the matter is discussed on foreign terms. — Thorsten J. Pattberg

It is thus not so much the transformation of reality that the reader senses as the remaking of the order and the position in which common elements of human experience occur and coalesce. The recording of simultaneous but different actions in the same narrative space, the concept of the vasos comunicantes, in which two dialogues spatially and temporally independent are interwoven into one, the running together of thought processes in the form of interior monologues and stream of consciousness, and the fragmenting or refracting of everyday occurrences-these are some of the techniques that change one level of reality into another, that help create one reality out of another, that invent a new reality and invite the reader to be part of it. — Myron I. Lichtblau

Especially in the Christian cult (wine and bread on the altar-tomb as the mystical body of Him Who Was Crucified, Who died and Who
was resurrected; the sacrament of new life and resurrection through food and drink). In the cultic redaction all elements of the complex appear not in a real but in a sublimated form, and are linked with one another not via a real-life narrative, but through mystic-symbolic links and interrelationships, and the triumph of life over death (resurrection) is accomplished not on a real and earthly plane but on a mystical one. — Mikhail Bakhtin

As Razam so aptly demonstrates, a new kind of traveler is emerging-one that embarks into the mysterious and uncharted domain within, where they aim to conquer their own hearts. Written in the tradition of a great adventure narrative, Aya Awakenings is a timely story for a new emerging era. — Yossi Ghinsberg

I don't really think in terms of the future of literature. I think literature will be around "forever" - but in a relatively niche way, like jazz and poetry, although probably more widely consumed than jazz and poetry since it's fundamentally a narrative form. And I think that's important and places like Word Riot and The New York Tyrant and n+1 will be responsible for keeping it alive. — Nick Antosca

Public education is not broken. It is not failing or declining. The diagnosis is wrong, and the solutions of the corporate reformers are wrong. Our urban schools are in trouble because of concentrated poverty and racial segregation. But public education is not 'broken.' Public education is in a crisis only so far as society is and only so far as this new narrative of crisis has destabilized it. — Diane Ravitch

When you have the national narrative being "crack is awful and black people are using it," why go against that narrative when you want to get that publication in The New York Times or wherever? It encourages people to play right into it. — Carl Hart

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor — Ben Lerner

But most of all I was inspired by the stirring examples of all the other runners. In some pictures they would seem like tiny dots in a mosaic, but each had a separate narrative starting a few months or a lifetime earlier and finishing that day in the New York City Marathon, the race with 37,000 stories. — Mark Sutcliffe

We need a change in consciousness to go with this technology platform. We need a new narrative: we need to shift from geopolitics to biosphere consciousness in one generation. The biosphere is understood here as what goes from the biosphere to the depths of the ocean 40 miles where all living beings interact with all chemicals to create a very complex choreography that we call "life on earth". That is biosphere that is our indivisible community. — Jeremy Rifkin

For new media reactionaries ... the problem is technology, the endless distractions of the Internet, the breakdown of authority in an age of blogs and Twitter, the collapse of narrative in a hyper-linked, multi-networked world. — David L. Ulin

Bookstores contain the residue of thousands of people who went in there to find an experience, a narrative that guided them to a new place or reinforced what they were doing. — Lauren Leto

In liminal space, one meets the unknown, the marginalized, the synchronistic, the other, the unconscious edge of one's former narratives. At this point, the possibility to try out new narratives, to reframe one's story, becomes critical. Through narratives of participation the center of gravity shifts from fear and defensiveness to curiosity, creativity, and celebration. One begins to take a stand to validate one own's affects and doubts while at the same time interrogating them. The effect of such a shift is that the area of questioning about the self, the world, and the use of narrative language begins to widen noticeably. We can no longer assume there will be an outcome of homogeneous accounts through dialogue. The frames of narratives of participation anticipate heterogeneity rather than accord. — Helene Shulman

What reading does, ultimately, is keep alive the dangerous and exhilarating idea that a life is not a sequence of lived moments, but a destiny ... the time of reading, the time defined by the author's language resonating in the self, is not the world's time, but the soul's. The energies that otherwise tend to stream outward through a thousand channels of distraction are marshaled by the cadences of the prose; they are brought into focus by the fact that it is an ulterior, and entirely new, world that the reader has entered. The free-floating self
the self we diffusely commune with while driving or walking or puttering in the kitchen
is enlisted in the work of bringing the narrative to life. In the process, we are able to shake off the habitual burden of insufficient meaning and flex our deeper natures. — Sven Birkerts

Simply raising the theme of animals in the Third Reich means that our narrative is no longer only an account of what human beings have done to one another, but also about our relations with the natural world. If,viewed against the magnitude and terror of historical events, our personal lives appear almost trivial, the lives of animals may seem more so, and even
to raise the subject can at first seem either insensitive or pedantic. At the
same time, this new dimension places the events in an even vaster perspective still, one in which even the greatest battles and horrendous
crimes can begin to fade into insignificance. This is the standpoint of evolutionary time, in which humankind itself may be no more than a
relatively brief episode. Perhaps the focus on animals may help us to find
a more harmonious balance between the personal, historic, and cosmic
levels, on which, simultaneously we conduct our lives. — Boria Sax

We think that it's the big moments that define our lives-the wedding, the baby, the new house, the dream job. But really, these big moments of happiness are just the punctuation marks of our personal sagas. The narrative is written every day in the small, the simple, and the common. In your tiny choices, in these tiny changes. In the unconsidered. The overlooked. The discarded. The reclaimed. — Sarah Ban Breathnach

Janet Murray's book Hamlet on the Holodeck: The Future of Narrative in Cyberspace is a spirited and unrelentingly optimistic defense of new styles of interactive storytelling made popular in the wake of the PC revolution of the early 1990s. Most of the appeal of Murray's book lies in her lively and engaging descriptions of her own experiences with stories written — J. Robinson Wheeler

The strange, wonderful stories of Doctor Olaf van Schuler's Brain introduce us to the tremendously gifted Kirsten Menger-Anderson, a writer whose subject is nothing less than the diagnosis and cure of the human malady. We follow twelve generations of New York City's Steenwycks family through their forays into phrenology, mesmerism, radium therapy and similar misadventures, a historically rich narrative that Menger-Anderson delivers in striking, elegant prose and with a sure eye for detail. This is a remarkable debut by a writer to watch. — Ben Fountain

The Old Testament contains fabulous elements. The New Testament consists mostly of teaching, not of narrative at all: but where it is narrative, it is, in my opinion, historical. As to the fabulous element in the Old Testament, I very much doubt if you would be wise to chuck it out. — C.S. Lewis

The only modern narrative that handles the conundrum semi-successfully is Richard Kelly's Donnie Darko, where schizophrenic heartthrob Jake Gyllenhaal uses a portal to move back in time twelve days, thereby allowing himself to die in an accident he had previously avoided. By removing himself from the equation, he never meets his new girlfriend, which keeps her from dying in a car accident that was his fault. — Chuck Klosterman

Every person born into the world represents something new, something that never existed before, something original and unique ... If there had been someone like her in the world, there would have been no need for her to be born.
Martin Buber as quoted in Narrative Means for Sober Ends, by Jon Diamond, p.78 — Martin Buber

Fear of being wrong paralyzes people. Get over it! If you're wrong, invent a new narrative and move on. - L. R. W. Lee — L.R.W. Lee

Concentrate your narrative energy on the point of change. This is especially important for historical fiction. When your character is new to a place, or things alter around them, that's the point to step back and fill in the details of their world. — Hilary Mantel

FDR created today's 30 percent coalition. Obama wants to finish the job by turning it into a permanent ruling majority. There's nothing new about the Obama Narrative. It is the FDR Narrative on steroids. It is intended to lead to greater statism and political gain. — Arthur C. Brooks

The narrative songs were well-written, like an article in The New Yorker. They're nice and pat. They're more like I'm just showing I can do that when I write a song like that. It's not my true calling. — Stephen Malkmus

To be in Christ is to be a living exegesis of the narrative of Christ, a new performance of the original drama of exaltation following humiliation, of humiliation as the voluntary renunciation of rights and selfish gain in order to serve and obey. — Michael J. Gorman

My design was not so much to contribute new facts as to shape the narrative in such a way as to emphasize relations of cause and effect that are often buried in the mass of details. — John Fiske

Probably the biggest influence on my career was the late John Hersey, who, while he was at 'The New Yorker,' wrote one of the masterpieces of narrative non-fiction, 'Hiroshima.' Hersey was a teacher of mine at Yale, and a friend. He got me to see the possibility of journalism not just as a business but as an art form. — Hampton Sides

Life is never static. Despite catastrophic tragedies, life has persisted in evolving new varieties of unimaginable forms. I find comfort in the narrative of evolutionary history. — Greg Graffin

I believe that suffering is part of the narrative, and that nothing really good gets built when everything's easy. I believe that loss and emptiness and confusion often give way to new fullness and wisdom. — Shauna Niequist

Thus, while not all Scripture is generically narrative, it can reasonably be claimed that the story Scripture tells, from creation to new creation, is the unifying element that holds literature of other genres together with narrative in an intelligible whole. — Ellen F. Davis

Instead of focusing on isolated objects and events, we can expand our fixed perspective and allow the deeper process (often taking the form of a mythic narrative of some sort) that is animating events to reveal itself. Instead of superimposing our limiting ideas and beliefs onto the waking dream, we can allow life to show its dreamlike nature to us. — Paul Levy

The construction of a new body of knowledge always bears direct connection to the ideology in which it operates. Historical insights that diverge from the narrative laid down at the inception of the nation can be accepted only when consternation about their implications is abated. This can happen when the current collective identity begins to be taken for granted and ceases to be something anxiously and nostalgically clings to a mythical past, when identity becomes the basis for living and not its purpose - that is when historiographic change can take place. — Shlomo Sand

Usually at the end of each story we're thrown clear out of the story's world and then we're given a new world to enter. What's unique about a linked collection is that it can deliver both sets of narrative pleasures - the novel's long immersion into character-world and the story anthology's energetic (and mortal) brevity - the linked collection is unique in its ability to be both abrupt and longitudinal simultaneously. — Junot Diaz

The novel is the privileged vehicle of two ways of being: narrative and freedom: to be new (novel) in a speech open to all, and to be free in a speech that never concludes. — Carlos Fuentes

In truth, neither the narrative of oppression and exploitation nor that of 'the White Man's burden' completely matches the facts. The European empires did so many different things on such a large scale, that you can find plenty of examples to support whatever you want to say about them. You think that these empires were evil monstrosities that spread death, oppression and injustice around the world? You could easily fill an encyclopedia with their crimes. You want to argue that they in fact improved the conditions of their subjects with new medicines, better economic conditions and greater security? You could fill another encyclopedia with their achievements. Due to their close cooperation with science, these empires wielded so much power and changed the world to such an extent that perhaps they cannot be simply labelled as good or evil. They created the world as we know it, including the ideologies we use in order to judge them. But — Yuval Noah Harari

The beauty of being a liberal is that history always begins this morning. Every day liberals can create a new narrative that destroys the past as it occurred. We have always been at war with Eastasia. — Ann Coulter

The joy of a road movie is its very simple narrative nature, which is that you know you're going to go through different places and you're going to meet new people. At the same time, you have to not make it feel too obvious and too crudely episodic. — Sam Mendes

In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy. — Sloane Crosley

If anyone has made you feel invisible or less-than, write a new narrative on your heart. — Jen Hatmaker

Christianity tells a big story. It allows us to see our own story in a new way. — Alister E. McGrath

Art brings a message into a room. It should make us perceive in a new way - either through color, form or narrative content - something we had not perceived before ... and perhaps reveal something to you about yourself. — Gloria Vanderbilt

Narrative secrets are not the same as human mysteries, a lesson that novelists seem fates to forget, again and again; the former quickly confess themselves, and fall silent, while the true mysteries go on speaking. — James Wood

Each new thing he encountered in life impelled him in a direction that fully convinced him of its rightness, but then the next new thing loomed up and impelled him in the opposite direction, which also felt right. There was no controlling narrative: he seemed to himself a purely reactive pinball in a game whose only object was to stay alive for staying alive's sake. — Jonathan Franzen

[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author's condition, as cryptically and oracularly as a dream, folklore is best left untapped. — Jane Yolen

I remember that the day I finished 'The Angels,' part three of 'The Book of Laughter and Forgetting', I was terribly proud of myself. I was sure that I had discovered the key to a new way of putting together a narrative. — Milan Kundera

Independent of politics, the changing narrative on immigration is directly correlated to the fact that we have new technologies that are allowing people to talk to each other and tell their own stories and organize themselves. — Jose Antonio Vargas

Maybe thinking you're supposed to 'have a life' is a stupid way of buying into an untenable 1950s narrative of what life *supposed* to be. How do we know that all of these people with 'no lives' aren't really on the new frontier of human sentience and preceptions? — Douglas Coupland

In his important work on the subject, Stephen Sizer has revealed how Christian Zionists have constructed a historical narrative that describes the Muslim attitude to Christianity throughout the ages as a kind of a genocidal campaign, first against the Jews and then against the Christians.12 Hence, what were once hailed as moments of human triumph in the Middle East - the Islamic renaissance of the Middle Ages, the golden era of the Ottomans, the emergence of Arab independence and the end of European colonialism - were recast as the satanic, anti-Christian acts of heathens. In the new historical view, the United States became St. George, Israel his shield and spear, and Islam their dragon. — Noam Chomsky

But I still don't have knowledge, interpreting the surprises that others don't know about, that will drive a new narrative. You have to work and think and stress and fret to surmise the surprises by first fathoming the pulse. — George Gilder

At length weariness succeeds to labor, and the mind lies at ease in the contemplation of her own attainments without any desire of new conquests or excursions. This is the age of recollection and narrative; the opinions are settled, and the avenues of apprehension shut against any new intelligence; the days that are to follow must pass in the inculcation of precepts already collected, and assertion of tenets already received; nothing is henceforward so odious as opposition, so insolent as doubt, or so dangerous as novelty. — Samuel Johnson

I had been thinking independently about our ability to forget things that happened, specifically, events that clearly were wrong, that crossed the line. It seemed to me during the 2000 election recount that the media's narrative was being orchestrated. Shockingly, after the Supreme Court decision, the media simply said, "Time to move on," end of reporting: "Here's the new story." And everyone forgot. — Robert Kane Pappas

Post-modernism, which has probably lasted longer than modernism, is the process of interrogating the aesthetic discourse. Disrupting the narrative. Modernism says that things can be right. Post-modernism says that nothing can be right. So if you ever wonder why nothing new ever seems to happen any more, find a post-modernist and beat the shit out of then. Wyndham — Warren Ellis

The new narrative for Europe should be about the need to have a responsible organisation, the need to be able to defend our interests and promote our values, like human rights. — Jose Manuel Barroso

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist 'cultural revolution', is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form. — Fredric Jameson

Seventeen years after its intial release, The Empire Strikes Back is still as thrilling and involving as ever. Because of the high quality of the original product, it doesn't show a hint of dating. Neither [ Star Wars Episode IV: A New Hope nor Star Wars Episode VI: Return of the Jedi ] were able to match the narrative scope of Empire , which today remains one of the finest and most rousing science fiction tales ever committed to the screen. — James Berardinelli

I'm interested in ways that digital interfaces can be utilized as powerful narrative devices, and to engage people in new and exciting ways. — Aaron Koblin

Writers know - especially new writers - [that] a lot of it [creative process] is the prewriting stage, the talking, brainstorming, the narrative arc and the character sketches. — Jenna Bush

Historically, dust jackets are a new concern for authors; you don't see them much before the 1920s. And dust jacket is a strange name for this contrivance, as if books had anything to fear from dust. If you store a book properly, standing up, then the jacket doesn't cover the one part of the book that is actually exposed to dust, which is the top of the pages. So a dust jacket is no such thing at all; it is really a sort of advertising wrapper, like the brown paper sheath on a Hershey's bar. On this wrapper goes the manufacturer's name, the ingredients
some blithering about unforgettable characters or gemlike prose or gripping narrative
and a brief summation of who does what to whom in our gripping, unforgettable, gemlike object. — Paul Collins

This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling. — Rebecca Solnit

Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door. — Beau Willimon

Flannery O'Connor's writing is quite dark, but it is so because she believes in the Devil, and in the Fall, and in humanity as it is. Novels that avoid the horror of human existence in this time between Eden and New Jerusalem can reinforce a Christian's tendency to Pelagianism. The Christian gospel isn't "clean" and "safe" and "family-friendly." It comes to its narrative climax at a bloody Place of the Skull and in a borrowed grave. — Russell D. Moore

I believe that God is making all things new. I believe that Christ overcame death and that pattern is apparent all through life and history: life from death, water from a stone, redemption from failure, connection from alienation. I believe that suffering is part of the narrative, and that nothing really good gets built when everything's easy. — Shauna Niequist

We can instantly map the usage of the word 'raven' across the United States, in works of narrative poetry, written by men in their thirties. but only up to 1923. When it comes to the last century, save if new law affords entry, then the lawyer - dark-robed sentry - who is ever at our door, will yet whisper, "Nevermore! — Erez Aiden

In the Tea Party narrative, victory at the polls means a new American revolution, one that will 'take our country back' from everyone they disapprove of. But what they don't realize is, there's a catch: This is America, and we have an entrenched oligarchical system in place that insulates us all from any meaningful political change. — Matt Taibbi

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. — Grant H. Kester

For me, where genre ends and literature begins doesn't matter. What matters is whether a given novel hits me with high impact. If it does, it probably is fulfilling the purpose of fiction. It has drawn me into a story world, held me captive, taken me on a journey with characters like none I've ever met, revealed truths I've somehow always known and insights that rock my brain. It's filled me with awe, which is to say it's made me see the familiar in a wholly new way and made the unfamiliar a foundational part of me. It both entertains and matters. It both captures our age and becomes timelessly great. It does all that with the sturdy tools of story and the flair of narrative art. — Donald Maass

We are all immigrants, a glorious confection of races and beliefs, united by the rock that we live on. As the years wash over us and new generations march into the future, family histories are subsumed into the greater narrative. We become, simply, Americans. — Alex George