Neck Door Quotes & Sayings

Tentatively she curled an arm around his neck and relaxed against him as she held the lantern to light their way.
He was silent as he climbed the stairs with her, and though she kept her gaze averted, she could feel his eyes on her. In a few moments they were in the corridor leading from the wing, and with unerring direction, he turned down the hall toward her bedchamber.
Erienne was most observant of that fact and remembered the night he had paused outside her door.
"You seem to know your way quite well through this house. Even the way to my chamber."
"I know where the lord's chambers are and that you're using them," he replied, meeting her gaze.
"I don't think I'll ever feel safe in this house again," she replied with more truth than sarcasm.
A devilish grin gleamed back at her.
-Erienne & Christopher — Kathleen E. Woodiwiss

Light like thin grey soup seeped through the windows. The door opened and Mrs. Dark came in, followed by her sister, who had no head, only the white bone of her spine protruding from her raggedly severed neck. — Cassandra Clare

I'd wander for days in the fog, scared I'd never see another thing, then there'd be that door, opening to show me the mattress padding on the other side to stop out the sounds, the men standing in a line like zombies among shiny copper wires and tubes pulsing light, and the bright scrape of arcing electricity. I'd take my place in the line and wait my turn at the table. The table shaped like a cross, with shadows of a thousand murdered men printed on it, silhouette wrists and ankles running under leather straps sweated green with use, a silhouette neck and head running up to a silver band goes across the forehead. And a technician at the controls beside the table looking up from his dial and down the line and pointing at me with a rubber glove. — Ken Kesey

He kept coming back to the silence. It was so big. And surprising. Even when a donkey brayed somewhere in the same valley - loud, long and loaded with loneliness - it did not change the silence, it enhanced it. Like jewels around a beautiful neck. Ed smiled. You can be at the poshest hotel in the country, on the planet even, but a farmer can still put a lonely donkey in the field next door.
In the same way he couldn't control what arose in his mind - or appears in the world around him - but he could give it space. — Matt Padwick

The hairs on the back of her neck tingled and she shivered. She turned toward the door and blinked once. Twice.

The sexiest man she'd ever seen in her life stood in the doorway.

No, stood wasn't a good word, not with the way his presence filled the shop. Dear Lord, was she panting? His broad shoulders were encased in a suit that had t cost more than her rent, but she didn't care about that. His thick chest tapered into a trim waist and strong thighs. Just the thought of those thighs made her clench her own. He had his hands fisted at his sides, and oh God, those hands. Large, thick and they looked so out of place compared to his classy suit. It looked as if he actually used his hands rather than merely sitting behind a desk as his attire suggested, — Carrie Ann Ryan

The ubiquitous palace servants opened the door for Neverfell as she approached, and Zouelle was suddenly stung by the thought of the guards perhaps calling Neverfell 'my lady' the same way they had addressed her. Immediately the honour of that title cheapened in her mind, like a piece of tinsel that had adorned the neck of a puppy or piglet. — Frances Hardinge

He stalked through the narrow streets and wound his way down an alley between two buildings to an old, rotting wooden door. He paused to knock at it, three measured strokes followed by two quick ones, and it opened at once. Her batman, Sark, stood on the other side of it. The fellow reminded Espira of a hunting spider - he was warriorborn, tall, gaunt, with long, slender limbs and hands that seemed a little too large for the rest of him. His hair was black and short, and covered his face, head, neck, and what showed of his hands in a sparse, spidery fuzz. Sark had the feline eyes of his kind, one of them set at a slight angle to the other, so that Espira could never be sure precisely where the man was looking. — Jim Butcher

Once upon a time, the great big world outside Bridgeton had seemed like Xanadu - miles of golden road lined with smiling people, waiting to usher me through hundreds of open doors. There was nothing out there but bright light and possibilities. There were big dreams of other places, other people, even other boys.
There had even, for two hours in April, been somebody else.
He was a glimpse of the future, where I would live and breath and love far, far away from this place. A future where behind a closed door, on Saturday mornings, a boy I hadn't met yet would wrap an arm around my waist and exhale damp heat into the curve of my neck. Where we would keep our eyes closed, pull the covers closer, burrow down and deeper to escape the nine-o'clock sunshine, and the sound of heavy breath echoing along the rusted steel confines of a pickup truck would be nothing but a memory. — Kat Rosenfield

He registered the empty room a split second before she dropped on him from the storage shelf above the bathroom door, nearly knocking him off his feet.
"Hey. Stop that." He tried to twist to get hold of her, but his temple caught her sharp elbow and he saw stars. He staggered toward the bed and flipped her down at last, but she managed to hook her leg behind his neck and he ended up on the boom somehow, with her sittinbg on his chest.
Her wild, shoulder-length waves framed cheeks pink from effort, her chest heaving as she leaned forward to pin his hands next to his head on each side. She ended up with her fine breasts inches from his lips.
He could have subdued her in two moves, but he liked her on top of him. — Dana Marton

If that door opens now, of course," he murmured in her ear, "I can step away and only the flush in your cheeks will raise suspicion." His hands continued to chart a dangerous course over her body. He stroked her, caressed her, until she strained against him. He kissed the back of her neck. "So I think we should remove any doubt as to what is happening. — Courtney Milan

I don't remember falling asleep on you but I do remember waking as you laid me on a pile of buffalo hides and buckled you against my side in the lodge they loaned us at the edge of the camp. Your breath was warm against the back of my neck. The door flap was open and the last thing I saw, high in the heavens, was a star shooting across the glittering ceiling of the sky. — Lucy Inglis

To do it right, you need three people," he explained. "One to hold em' up. One to pocket the cash. And one to wait in the car. Like the Father, the Son and the Holy Ghost. Hang on a second," he said, cutting himself off. He pulled over to the side of the road, shifted into park, opened the door, leaned his head out and puked. It sounded like he was giving birth through his neck. — Adam Rapp

Writing, too, is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you wrote, it pours out of you. If you can capture that reality around you, your writing needs nothing else. You don't only listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck.
Listening is receptivity. The deeper you can listen, the better you can write. You can take in the way things are without judgment, and the next day you can write the truth about the way things are."
...If you can capture the way things are that's all the poetry you ever need. — Natalie Goldberg

Without warning, Packard reaches out
I think he's going to touch my cheek, but he slides his hand around the nape of my neck and pulls me to him, kissing me warm and strong, lips soft, breath like coffee. The kiss takes me by surprise. My whole body wants to follow deeper into him, but he pulls away, and we're looking into each other's eyes, and the moment stops. And everything seems to fall out beneath me.
"Good luck," he whispers.
"Packard
"
He opens the door. "It's okay."
I stare at the open door. It feels like a closed door. And I leave. — Carolyn Crane

Shh." I squeeze his hand. His palm feels clammy. "We have to keep it down, okay? We don't want my dad coming in."
He grits his teeth against more shivers. "Always knew I'd end up in your bed ... and hear you say those words one day." He manages a smirk.
Jeb snarls. "Unbelievable. Even when he's at death's door he's a tool." He arranges a pillow beneath Morpheus's neck. "Why don't you keep your mouth shut while we help you."
Morpheus laughs weakly, his skin flashing with blue light. "What say Alyssa"
his breath rattles
"give my mouth something else to do? — A.G. Howard

Molly! I've got to ask you your question first!" "Arthur, really, this is just silly. . ." "What do you like me to call you when we're alone together?" Even by the dim light of the lantern Harry could tell that Mrs. Weasley had turned bright red; he himself felt suddenly warm around the ears and neck, and hastily gulped soup, clattering his spoon as loudly as he could against the bowl. "Mollywobbles," whispered a mortified Mrs. Weasley into the crack at the edge of the door. "Correct," said Mr. Weasley. "Now you can let me in. — J.K. Rowling

Ringer's scrunched into a corner of the room with good angles on the windows and the door coming in from the lobby. A hand on her neck, and that hand is gloved in blood. I have to look. She doesn't want me to look. I'm like, "Don't be stupid, I have to look." So she lets me look. It's superficial, between a cut and a gouge. I find a scarf lying on a display table and she wads it up and presses it against her neck. Nods at my torn sleeve. "Are you hit?" I shake my head and ease down on the floor beside her. We're both pulling hard for air. My head swims with adrenaline. "Not to be judgmental, but as a sniper, this guy sucks. — Rick Yancey

Dinnertime!" It was Isabelle, standing framed in the door of the library. She still had the spoon in her hand, though her hair had escaped from its bun and was straggling down her neck. "Sorry if I'm interrupting," she added, as an afterthought.
"Dear God," said Jace, "the dread hour is nigh."
Hodge looked alarmed. "I - I - I had a very filling breakfast," he stammered. "I mean lunch. A filling lunch. I couldn't possibly eat - "
"I threw out the soup," Isabelle said. "And ordered Chinese from that place downtown."
Jace unhitched himself from the desk and stretched. "Great. I'm starved."
"I might be able to eat a bite," admitted Hodge meekly. — Cassandra Clare

She came quickly over to me and held out her hand. I looked at her full of distrust. Was she doing this freely, with a light heart? Or was she doing it just to get rid of me? She put her arm around my neck, tears in her eyes. I just stood and looked at her. She offered me her mouth but I couldn't believe her, it was bound to be a sacrifice on her part, a means of getting it over with.
She said something, it sounded to me like "I love you anyway!" She said it very softly and indistinctly, I may not have heard it correctly, perhaps she didn't say exactly those words. But she threw herself passionately on my neck, held both arms around my neck a little while, even raised herself on tiptoe to reach well up, and stood thus.
Afraid that she was forcing herself to show me this tenderness, I merely said "How beautiful you are now!"
That was all I said. I stepped back, bumped against the door and walked out backward. She was left standing inside. — Knut Hamsun

The promise feels like a death sentence, a cell door slamming shut, a stone around my neck that's destined to carry me down — Rick Yancey

A few minutes later, John got up, put his clothes back on, palmed his liquor bottle, and left.
As the door clicked shut, Xhex pulled the duvet over herself.
She did nothing to try to control the shakes that rattled her body, and didn't attempt to stop herself from crying. Tears left both of her eyes at the far corners, slipping out and flowing over her temples. Some landed in her ears. Some eased down her neck and were absorbed by the pillow. Others clouded her vision, as if they didn't want to leave home.
Feeling ridiculous, she put her hands to her face and captured them as best she could, wiping them on the duvet.
She cried for hours.
Alone. — J.R. Ward

Today is one of the days when Ma is Gone.
She won't wake up properly. She's here but not really. She stays in Bed with the pillows on her head.
Silly Penis is standing up, I squish him down.
I eat my hundred cereal and I stand on my chair to wash the bowl and Meltedy Spoon. It's very quiet when I switch off the water. I wonder did Old Nick come in the night. I don't think he did because the trash bag is still by Door, but maybe he did only he didn't take the trash? Maybe Ma's not just Gone. Maybe he squished her neck even harder and now she's -
I go up really close and listen till I hear breath. I'm just one inch away, my hair touches Ma's nose and she puts her hand up over her face so I step back.
I don't have a bath on my own, I just get dressed.
There's hours and hours, hundreds of them.
Ma gets up to pee but not talking, with her face all blank. I already put a glass of water beside Bed but she just gets back under Duvet. — Emma Donoghue

Are you sure about that, Mrs. Maddox?"
"Are you ever going to stop calling me that? You've said it a hundred times since we left the chapel."
He shook his head as he held the cab door open for me. "I'll quit calling you that when it sinks in that this is real."
"Oh, it's real all right," I said, sliding to the middle of the seat to make room. "I have wedding night memories to prove it.
He leaned against me, running his nose up the sensitive skin of my neck until he reached my ear. "We sure do. — Jamie McGuire

He looked up. "Is it time already?" She nodded.

He rose and waited as she gathered her things. The dog followed them out the door, but then he bounded down the stairs to the drive. The animal sniffed intently at something on the ground and then rolled, happily rubbing his head and neck in whatever it was.

Lord Swartingham sighed. "I'll have one of the stable boys wash him before he enters the Abbey again."

"Mmm," Anna murmured thoughtfully. "What do you think of 'Adonis'?"

He gave her a look so full of incredulous horror that she was hard-pressed not to laugh. "No, I suppose not," she murmured. — Elizabeth Hoyt

There was some sort of commotion going on outside, and I decided I'd had enough. I went to the door and stuck my head out. Marco was gasping for breath on the sofa, and two of the guards were bent over a cell phone.
"What are you doing?" I demanded.
"Trying to record this," the smart-ass from the shopping trip told me. "Nobody is going to believe us otherwise."
"Well, cut it out. It isn't funny!"
"On what planet?"
I glared at him, which did no good,because he simply went back to to tinkering with the phone. So I looked at Marco. "Can't you do anything with them?"
Marco flopped a hand at me, tears streaming down his reddened cheeks, and tried to say something. But all that came out for several moments were asthmatic wheezes. I bent over his prone form, starting to worry about him, and he put a hand on my neck and pulled me down.
" It ... is ... funny," he gasped. — Karen Chance

His arms closed around them. While the storm raged outside,he held them protectively. Anna buried her face in one side of his neck,David in the other. His hands cupped the backs of their heads,pressing them closer.Things were hurled against the cellar door with such impetus that David's small fist gripped a handful of his shirt. And he knew that this was what mattered. They mattered. He mattered to them. All the rest of it all the rest of it evaporated into insignificance.. — Sandra Brown

He crowded right up into her space, pressed his body against hers - trapping her against the glass of the door behind her, plunged his hands into her hair until he was cupping the nape of her neck, and devoured her lips with his. — Laura Kaye

It's like a door open at the side of the house and this cool breeze is blowing in over the back of my neck. The breeze is Death whispering and that door is open for me to go through anytime I want. And I want to go through. I want the confusion to stop
no, not only confusion but pain too. — Walter Mosley

The key to the Shadow Fold is finally within our grasp, and right now, I should be in the war room, hearing their report. I should be planning our trip north. But I'm not, am I?" My mind had shut down, given itself over to the pleasure coursing through me and the anticipation of where his next kiss would land. "Am I?" he repeated and he nipped at my neck. I gasped and shook my head, unable to think. He had me pushed up against the door now, his hips hard against mine. "The problem with wanting," he whispered, his mouth trailing along my jaw until it hovered over my lips, "is that it makes us weak." And then, at last, when I thought I couldn't bear it any longer, he brought his mouth down on mine. His — Leigh Bardugo

The man called Gareth was laughing into his mobile phone as the door opened. There were gold rings on each of his fingers, chains dangling from his neck and wrists. He wasn't tall but he was wide. Rebus got the impression much of it was fat. A gut hung over his waistband. He was balding badly, and had allowed what hair he had to grow uncut, so that it hung down to the back of his collar and beyond. He wore a black leather trenchcoat and black T-shirt, with baggy denims and scuffed trainers. He already had his free hand out for the cash, wasn't expecting another hand to grab it and haul him inside the flat. He dropped the phone, swearing and finally taking note of Rebus. — Ian Rankin

Travis came up behind her, his hat brim bumping her head as he nuzzled her neck. She giggled and danced away, feeling playful yet oddly shy at the same time. Travis gave chase, his husky laughter blending with hers as the two of them darted out of the barn. When they neared the porch, he grabbed her about the waist and lifted her off her feet. Meredith squealed. "You can't escape me," Travis murmured in her ear as he gently settled her back on the ground. Meredith turned in his arms to face the man she loved. "I've no desire to." His eyes darkened, and for a moment she thought he would kiss her. But then he scooped her into his arms and carried her up the porch steps. The front door proved more of a challenge to conquer. Travis had to juggle his hold on her a bit before he could get the latch open. Meredith laughed in delight, endeared by his awkward efforts. Once the door was cracked, he kicked it wide with his boot and carried her over the threshold. "Welcome home, Mrs. Archer. — Karen Witemeyer

I don't supposed you'd take on a new job as a nanny?"

"Live in?" he asked, "I'm not so sure. My grandmother's right next door. She might not approve of the arrangement. Or are we talking about another role-playing game?" He burrowed his chin between her shoulder and neck and whispered into her ear. "Because she wouldn't need to know about that. — Paula Altenburg

I hammered on the Poes' front door like Alaric on the gates of Rome. Poe said that a gaudy figure of speech was a silk cravat around a dirty neck. He didn't say whether the truth lay in the plain thing or in its fancy. — Norman Lock

Let's see! I'll put you to work right away! Aye! No - first I'll give you a tour! No - I'll introduce you to my crew! No - I'll let you rest! No - I'd better get you into uniforms! Aye! It's important that everyone aboard wear a waterproof uniform in case the submarine collapses and we find ourselves underwater! Of course, in that case we'll need diving helmets! Except Sunny because she can't wear one! I guess she'll drown! No - she can curl up inside a diving helmet! Aye! The helmets have a tiny door on the neck just for such purpose! Aye! I've seen it done! I've seen so many things in my time!"
"Excuse me," Violet said, "but could you tell us who you are? — Lemony Snicket

She didn't know Matt had followed her until he grabbed her shoulder, halting her headlong rush to nowhere. He turned her into his arms, pulled her against his chest, crushed her mouth in a searing kiss.
"Shane," he said when he raised his head from hers. "I love you. I love you."
Her heart opened and the wall inside her trembled as she clung to him. "Burn me up, Matt," she said, her voice a ragged whisper. "Burn it away. Please, please, burn it all away."
She heard him growl deep in his throat and he lifted her into his arms in one swift movement.
As he carried her back across the parking lot and through the door of her room, she rained kisses on his neck and the hard line of his jaw. His skin was warm and damp and tasted of salt and desire. — Jane Taylor Starwood

The dark edge of the moor and the Cow and Calf rock are crisp against the blue-black sky. I can't see anyone outside, watching us. As I shut the door behind me, I hear a noise. It came from the hall. I feel the hairs rise on the back of my neck. — Sanjida Kay

Whenever I get dumped, I nail the door shut so that no one can come inside, get a towel and clip it around my neck so it's like a Superman cape, take off my shoes so I can slide across the room, and ... get a fake mic, like a celery stick or a pen, and I play any record that features the vocalist Ronnie James Dio. And you can just pretend you're Dio, because on every album he does, he has minimum one, usually three, *EVIL WOMAN LOOK OUT!*- songs. And if you wanna point like Dio, it's a three-finger point. (heavy metal voice) 'The exit is that way. Evil LURKS! Evil lurks in twilight! Dances in the DARK! Evil woman! Just WALK AWAY! — Henry Rollins

There was no wind, and, outside now of the warm air of the cave, heavy with smoke of both tobacco and charcoal, with the odor of cooked rice and meat, saffron, pimentos, and oil, the tarry, wine-spilled smell of the big skin hung beside the door, hung by the neck and all the four legs extended, wine drawn from a plug fitted in one leg, wine that spilled a little onto the earth of the floor, settling the dust smell; out now from the odors of different herbs whose names he did not know that hung in bunches from the ceiling, with long ropes of garlic, away now from the copper-penny, red wine and garlic, horse sweat and man sweat died in the clothing (acrid and gray the man sweat, sweet and sickly the dried brushed-off lather of horse sweat, of the men at the table, Robert Jordan breathed deeply of the clear night air of the mountains that smelled of the pines and of the dew on the grass in the meadow by the stream. — Ernest Hemingway,

What do you have planned to do tonight?" Ruxs said on a huff. Burying his nose in that stimulating scent at the base of Green's neck. "I plan to do you tonight," Green said back with complete seriousness. "So let's go get this shit over with." Ruxs reluctantly let Green go, both of them groaning at their hard cocks, and walked out the door. — A.E. Via

Every nerve ending in my body is awake. I've never felt so alive or so desperate in my life, and I'm sure if she could hear what I'm thinking right now, she'd run out the door and never come back.
Because I want her.
Now.
Here.
Everywhere.
I want nothing between us.
I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can't help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. — Tahereh Mafi

zoegirl: on the phone, angela kept saying, "is it cuz tonnie's prettier than me? IS it?" i feel so bad for her. mad maddie: did she say anything to rob when she saw him? and did he see her? zoegirl: he saw her, all right. angela said he stared at her for like ten seconds, and then he turned to tonnie and started talking really animatedly, even though a blush had spread from his neck all the way up his face. zoegirl: angela grabbed chrissy and her mom and jerked them out the door, and then she burst into tears. mad maddie: that asshole — Lauren Myracle

Take what's yours and get the fuck out. I can't deal with this right now." "Fine," he bellowed back and rushed me. "I'll take what's mine and go." For a second I had no idea what was happening, but then realisation hit me. This motherfucker was trying to lift my pregnant arse up. "Kane!" I screeched when he hooked his arm behind my knees and slid his arms around my waist and lifted me. My arms instinctively went up into the air then tightly wrapped around Kane's neck. "What the hell do you think you're doin'?" I asked on a gasp. He walked towards the door of our apartment. "You said to take what's mine and get the fuck out. I'm doing exactly that. — L.A. Casey

Her conviction wavered further. "I told you; don't try to own me."
"I don't want to own you."

She swiveled her neck to meet his gaze. "Then never speak of sending me away again. I am not yours to do with as you will."

Khalid's features smoothed knowingly. "How right you are. You are not mine." He dropped his palm from the door. "I am yours. — Renee Ahdieh

Give us privacy," James told him, his voice sharp. The man beat a hasty retreat. James shut and locked the door behind him. Handy that, a lock. He started loosening his tie. When it was untied, he hooked a finger into the hoop at my neck. He pushed my back to the wall. Or rather, the door. He reached above my head and I looked up. There was a coat hanger above me, hooked over the top of the tall door. James was tying his tie to it with swift, sure motions. He pulled my arms up and together, wrapping the tie around them, tying more swift knots around my wrists. This took longer, and I watched those skillful hands with rapt attention. "This is going to get loud, Bianca. I'm going to fuck you so hard that you scream my name. And you are going to scream so loudly that nobody will doubt just why you're screaming. Would you like to tell me what you and Roger were talking about before I'm inside of you? Or will this be a mid-fuck confession? — R.K. Lilley

The moment the door closed behind him, Tessa was in Will's arms, her hands locked about his neck. "Oh, by the Angel," she said. "That was mortifying."
Will slid his hands into her hair and was kissing her, kissing her eyelids and her cheeks and then her mouth, quickly but with fervor and concentration, as if nothing could be more important. "Listen to you," he said. "You said 'by the angel.' Like a Shadowhunter." He kissed the side of her mouth. "I love you. God, I love you. I waited so long to say it. — Cassandra Clare

The second I open my car door I'm ready to kill her. "Fucking shit!" I slam my hand on the roof. There, on the back seat, is a guy, eyes wide open and staring lifelessly at the ceiling. His head is at an odd angle, and his jaw is hanging open. She snapped his neck. What is she? Jackie-Fucking-Chan? — L.P. Lovell

The front door flew open, and Mary shot out of the house, jumping off the porch, not even bothering with the steps to the ground. She ran over the frost-laden grass in her bare feet and threw herself at him, grabbing on to his neck with both arms. She held him so tightly his spine cracked.
She was sobbing. Bawling. Crying so hard her whole body was shaking.
He didn't ask any questions, just wrapped himself around her.
I'm not okay," she said hoarsely between breaths. "Rhage ... I'm not okay. — J.R. Ward

She released him and Kleitos rubbed his neck, glaring at the two guards outside her door.
"And you do nothing?" he demanded.
Demetrius shrugged. "Our orders are quite specific, Chancellor - " "Never mind! — G.A. Aiken

To stop Maria before she ruined everything, he grabbed her about the waist, hauled her against him, and sealed his mouth to hers.
At first she seemed too stunned to do anything. When after a moment, he felt her trying to draw back from him, he caught her behind the neck with an iron grip.
"Oh," Gran said in a stiff voice. "Beg pardon."
Dimly he heard the door close and footsteps retreating, but before he could let Maria go, a searing pain shot through his groin, making him see stars. Blast her, the woman had kneed him in the ballocks!
As he doubled over, fighting to keep from passing out, she snapped, "That was for making me look like a whore, too! — Sabrina Jeffries

His demanding tongue tasted so damn good, and his piercing bit deliciously against her lip from the aggressive way he pursued her over and over. His hands tugged and massaged at her hair and neck. He just surrounded her. The difference in their height made Caden lean down over her. The way he forced her head back commanded her to open up to him. With the metal handle of the door pressing into her back, she felt completely enveloped in him, in his ardor, his scent. The world dropped away. There was just Caden. — Laura Kaye

He took her hand in his, caressed her palm with his finger."Duin an doras," he whispered hoarsely, feverishly."Fuirichidh mise."
Close the door. I'll stay.
Ellie flushed dark, her lashes fluttered shut. "I ... I don't know what you say," she murmured.
Liam dropped her hand, gently laid his at the base of her bare neck. Her skin was soft and warm against his callused palm, and he whispered in her ear,"I know." He moved his head; his lips whisked across hers, shimmering like a whisper of silk.
He breathed her in once more, made himself remove his hand from her heated flesh. — Julia London

I glanced in the first open door and stopped short. Desks. Four tiny desks. A wall of faded posters of alphabet animals. A blackboard, still showing the ghost of numbers. I blinked, certain I was seeing wrong.
Derek nudged my legs, telling me to get moving. I looked at him, and I looked at the classroom.
This was where Derek had grown up. Four tiny desks. Four little boys. Four young werewolves.
For a second, I could see them - three boys working at the three clustered desks, Derek alone at the fourth, pushed slightly away, hunched over his work, trying to ignore the others.
Derek nudged me again, whining softly, and I looked down to see him eyeing the room, every hair on his neck on end, anxious to get away from this place. — Kelley Armstrong

Stubble or what?"
Eyes still closed he chuckled. "I'm not shaving until our parents let us date again."
He kissed my cheek.
"What if it takes ... a ... while?"
I asked struggling to talk. He'd made his way down to my neck. His tongue circled there slowly.
"There are only six or seven weeks until August football practice starts right?"
"Hm." His mouth moved up my neck toward my ear. Oh.
"Will you be able to stuff your beard into your helmet?" I croaked.
In answer he put his lips on my ear.
I forgot the next joke I'd planned to make and lost myself in Adam. — Jennifer Echols

What is the scariest thing that can happen? A child can disappear without a trace. A man could follow you at night. Someone could hide behind your bedroom door. There is a small throw rug in the room. There is a wooden chair by the darkening window. There is someone hiding behind my bedroom door. Anything solid in my neck snaps, and I'm screaming, looking into this hideous face, like some dark mold, a toxic messy thing. There — Samantha Hunt

This was to be my last trip. Sailing great distances was dangerous, and not very profitable in today's world. I walked down the worn wooden step to the captain's cabin, the creaking of the ship keeping time with my steps. Opening the door I found him bent over an old map.
"Where are we captain?" I asked, hoping it was close to home.
"See this spot, where it says "Here there be monsters"?" he said pointing to an image of a horrid beast.
"Certainly, but you and I both know such creatures don't exist!!"
The captain laughed, and looking up at me with an evil glint in his eye said, "Who's talking about sea monsters?". As he spoke the skin from one corner of his mouth fell loose, exposing a yellow reptilian skin beneath.
"What?" I yelled, and as I turned to run for the cabin door I heard screams and loud moans coming from the deck, and the crew quarters below.
I felt fetid breath on the back of my neck, "Aye matey, here there be monsters — Neil Leckman

Before Charlotte could utter a syllable, Tristan picked up her gloved hand and kissed her lightly on the
knuckles.
"Good day, Charlotte," he said.
"Good day," she answered. She turned to bid farewell to Lady Rosalind, but she seemed to have
disappeared.
Numbly, she descended the front steps toward a waiting Rothbury, who only had eyes for the Devines'
front door, looking quite like he wanted to murder someone.
"Perfection, dear brother," Rosalind proclaimed, while peeking out the little window next to the door.
"Utter perfection."
Slipping a finger inside his cravat to loosen it a bit, Tristan craned his neck from side to side, easing the
building tension. "If he kills me, I'll see to it that you get hanged for murder as well. — Olivia Parker

Hush Hattie!" I said, intoxicated with my success. "I don't want to go to my room. Everyone must know I shan't marry the prince." I ran to the door to our street, opened it, and called out into the night, "I shan't marry the prince." I turned back into the hall and ran to Char and threw my arms about his neck. "I shan't marry you." I kissed his cheek. He was safe from me. — Gail Carson Levine

What the hell is going on?" I demand, craning my neck to look at Jeanine. "We agreed-cooperation in exchange for results! We agreed--"
"This is entirely separate from our agreement," says Jeanine, glancing at her watch. "This is not about you, Beatrice."
The door opens again.
Tobias walks in--limps in--flanked by Dauntless traitors. His face is bruised and there's a cut above his eyebrow. He does not move with his usual care; he's holding himself perfectly straight. He must be injured. I try not to think about how he got that way.
"What is this?" he says, his voice rough and creaky.
From screaming, probably.
My throat feels swollen.
"Tris," he says, and he lurches toward me, but the Dauntless traitors are too quick. They grab him before he can move more than a few steps. "Tris, are you okay?"
"Yeah," I say. "Are you?"
He nods. I don't believe him. — Veronica Roth

The garage door slid open as we pulled into the driveway, registering the sensors Shaun and I wear around our neck. In case of viral amplification, the garage becomes the zombie equivalent of a roach motel: Our sensors get us in, but only a clean blood test and a successful voice check gets us out. If we ever fail those tests, we'll be incinerated by the house defense system before we can do any further damage. — Mira Grant

Writing ... is 90 percent listening. You listen so deeply to the space around you that it fills you, and when you write, it pours out of you ... You don't only listen to the person speaking to you across the table, but simultaneously listen to the air, the chair, and the door. And go beyond the door. Take in the sound of the season, the sound of the color coming in through the windows. Listen to the past, future, and present right where you are. Listen with your whole body, not only with your ears, but with your hands, your face, and the back of your neck. — Natalie Goldberg

I walked him to the door. "Is there anything else you want me to do? Check your mail? Water your plants?"
"My mail is being forwarded to my lawyer. And I'm watering my own plants."
"So, you feel safe in the Batcave?" The corners of his mouth curved into the hint of a smile. He leaned forward and kissed me at the base of my neck, just above my T-shirt collar.
"Sweet dreams." Before he left, he said good-night to Grandma, who was still in the kitchen.
"What a nice, polite young man," Grandma said. "And he's got an excellent package."
I went straight to her closet, found the bottle of booze, and dumped some into my cocoa. — Janet Evanovich

His heart slammed against his ribs, and joy flooded him, followed almost instantly by distress. Even from fifteen yards away he could see that she wore no makeup, and lines of fatigue were etched on her face. Her hair was restrained with a clip at the nape of her neck, and for the first time since he'd known her, she looked almost plain. Where was the Daisy who loved to primp and fuzz with her perfumes and powder? The Daisy who took such joy in dabbing herself with apricot scented lotion and raspberry red lipstick? Where was the daisy who used up all the hot water taking her showers and left a sticky film of hair spray on the bathroom door? Dry mouthed, he drank in the sight of her, and something broke apart inside him. This was Daisy as he'd made her. This was Daisy with her love light extinguished. — Susan Elizabeth Phillips

Minutes after Eve stepped into her office to coordinate her next move, Peabody rushed in.
"I've got the initial sweeper's report on the room the Lombards vacated - nothing," Peabody said hurriedly. "Canvassing cops found the bar - one block east, two south of the hotel. Door was unlocked. Zana's purse was inside on the floor. I have a team heading there now."
"You've been busy," Eve said. "How did you manage to fit in sex?"
"Sex? I don't know what you're talking about. I bet you want coffee." She darted to the AutoChef, then whirled back. "How do you know I had sex? Do you have sex radar?"
"Your shirt's not buttoned right, and you've got a fresh hickey on your neck."
"Damn it." Peabody slapped a hand to the side of her neck. "How bad is it? Why don't you have a mirror in here?"
"Because, let's see, could it be because it's an office? — J.D. Robb

I see the pricks of blood the spear has left in his shoulder, and when Mutt slides the door shut, I spring on to Mutt and press my little switchblade to his great bulging neck. I can see his skin sucking in with his pulse. My knife lies right next to it. "I thought you said to beat you on the sand," Mutt says. corr slams the wall of his stall with his hooves. My voice hisses out through a cage of my teeth. "I also said ten drops of your blood for every drop of his." I want a pool of his blood around him like the one beneath Edana. I want him to lie against this wall and whimper like she does.I want him to know he'll never stand again. I want him to remember David Prince's death mask as he wears it for himself. — Maggie Stiefvater

Suddenly the dressing-room of La Sorelli, one of the principal dancers, was invaded by half-a-dozen young ladies of the ballet, who had come up from the stage after "dancing" Polyeucte. They rushed in amid great confusion, some giving vent to forced and unnatural laughter, others to cries of terror. Sorelli, who wished to be alone for a moment to "run through" the speech which she was to make to the resigning managers, looked around angrily at the mad and tumultuous crowd. It was little Jammes - the girl with the tip-tilted nose, the forget-me-not eyes, the rose-red cheeks and the lily-white neck and shoulders - who gave the explanation in a trembling voice:

"It's the ghost!" And she locked the door.

- Chapter 1: Is it the Ghost? — Gaston Leroux

As soon as she stepped in the door, the wonderful smell of books hit her, easing the tension from her neck and shoulders. This was a place of magic to her, where one selection could make you weep with despair and another might make you laugh for days. It was a world of possibility, intelligence, and inspiration, and she'd always secretly considered herself to be queen of this particular kingdom. — Beau North

Never coming back here, she thought.
With a groan, she levered herself into a sitting position and discovered a painful crick in her neck. Never ever. She launched herself off the bed and limped over to the door and put here eye to the viewer, was treated to a fish-eye view of a small, dapper, well-dressed man holding a bunch of white roses.
Okay. Man with flowers. Carey looked around the room. The windows opened on short tethers so guests couldn't throw furniture or each other out into the street, and she was too high to jump anyway. She looked around the room again, looking for possible weapons. There was a rickety-looking chair by the desk in the corner, but it would probably fall to bits even before she hit anyone with it. She looked through the viewer. The little man knocked again. Not urgently, not in an official we-have-come-to-take-you-to-the-gulag kind of way, but in the manner of a gentleman visiting his lady friend with a nice bunch of roses. — Dave Hutchinson

A few moments later the back door of one of the bungalows opened, and a figure in a broad-striped bathing suit flung down the paddock, cleared the stile, rushed through the tussock grass into the hollow, staggered up the sandy hillock, and raced for dear life over the big porous stones, over the cold, wet pebbles, on to the hard sand that gleamed like oil. Splish-Splosh! Splish-Splosh! The water bubbled round his legs as Stanley Burnell waded out exulting. First man in as usual! He'd beaten them all again. And he swooped down to souse his head and neck. "Hail, — Katherine Mansfield

Well, when I was a little girl we had 17 cats once. They all lived outside, and they kept having more kittens. My mom made us put little ribbons around each kitten's neck, put them in a wagon, and go door-to-door around the neighborhood to try to give them away. — Cheryl Hines

This is what you remember about him: not much, but then you have been assiduous in your forgetting. His red sweater, v-neck, cashmere; the clink of ice-cubes in a glass. He is shadow and voice, but you cannot recall his face. He is behind a closed door, in a forbidden room. He is asleep in his armchair, he is asleep in the driveway, asleep in your sandpit, face down, snoring but not harmless, even then. He is shouting, he is whispering, he is close but also remote as if at the end of a long hallway and you cannot hear him. His words never make any sense, he speaks some other language. His hands sometimes spin away from him like windmills, like pinwheels and Catherine wheels, snapping like firecrackers. There must be pain, but you cannot feel it.
Your skin bruises like apples. — Melanie Finn

Isaiah opens my car door and his warm silver eyes smile at me. "Hey."
I sweep my bangs from my eyes. "Hi."
He offers his hand and I accept. His fingers wrap around mine and heat surges up my arm, flushes my neck and settles into a blush on my face. He tugs gently and I slip out. I'm not sure if my body vibrates from the rumbling of the garage door closing or from the blood pounding in my veins.
Our fingers lace together, and his other hand smoothly cups my hip. I suck in a breath, surprised that someone touches me so easily and with such care.
"You look nice," he says.
"I'm in my school uniform." White button-down blouse, maroon-and-black plaid skirt, and a pair of white Keds. Nothing spectacular.
"I know." The seductive slide in his voice causes the back of my neck to tickle. — Katie McGarry

Philip stood with the tip of a sword pressed into Mr. Beaufort's throat. I saw another sword on the floor. Neither gentleman looked toward the door. Philip looked perfectly in control, his sword bending the skin of Mr. Beaufort's neck without piercing it. When he spoke, though, his voice sounded so fierce I hardly recognized it. "Tell me what you did to her."
"I made sure you wouldn't want her anymore."
"I will always want her," Philip said in a quiet, furious voice. "Always! There is nothing you could do to change that."
Mr. Beaufort sneered. "Then why do you want to know?"
"Because I would never make her say the words. And because I want to know how much I should enjoy running you through. — Julianne Donaldson

She had shins like fireplugs and hips as wide as an oven door. Her head was stuck directly onto her shoulders with the usual Prussian predilection for omitting the neck, and to watch her turn her head in the direction of Aunt Marvel's yodeling demands for attention was to watch a large and noble owl. — James Lileks

For the first time in my life i realize why hangers are called hangers, because after fifteen minutes of trying things on and throwing them aside, all i want to do is hook one to the top of my closet door, lean my neck into the loop, and let my weight fall. — David Levithan

It is only when she turns to close the door that I see a tattoo on the back of her neck, a black-and-white hawk with a red eye. If I didn't feel like my heart had migrated to my throat, I would ask her what it signifies. It must signify something. — Veronica Roth

Matilda?" he said softly as he lowered his head to mine, his eyes shifting to gaze at my lips, then back to my eyes.
He was going to kiss me.
( ... ) "Y-yes?" I breathed.
His lips were almost on mine. His body bent over me, closer, closer. I thought I'd burst for want.
I held my breath and closed my eyes.
His fingers squeezed the back of my neck, gentle and possessive.
"If you make me late," he murmured, his breath warm across my mouth, "I will throttle you."
Wait. What?
My eyes snapped open.
( ... ) By the time I pulled my thoughts together, he was already out the door. His voice floated back to me. "Move, Matilda. We're late."
That was it? No kiss? What was wrong with that man? He was sending off more mixed signals than a three-armed traffic cop. — Devon Monk

I don't know when love became elusive
what i know, is that no one i know has it
my fathers arms around my mothers neck
fruit too ripe to eat, a door half way open
when your name is a just a hand i can never hold
everything i have ever believed in, becomes magic.
i think of lovers as trees, growing to and
from one another searching for the same light,
my mothers laughter in a dark room,
a photograph greying under my touch,
this is all i know how to do, carry loss around until
i begin to resemble every bad memory,
every terrible fear,
every nightmare anyone has ever had.
i ask did you ever love me?
you say of course, of course so quickly
that you sound like someone else
i ask are you made of steel? are you made of iron?
you cry on the phone, my stomach hurts
i let you leave, i need someone who knows how to stay. — Warsan Shire

Choose.
She closed the door and stamped her feet on the icy ground, smiling as she drew in a deep breath of Russian air and felt her heart race. There was a future ahead, one that she and Chang An Lo would carve together. It was a risk, but life itself was a risk. That much she'd learned form Russia, that much she'd learned from Jens. With a farewell wave to Alexei and a final touch of the Chinese amulet around her neck to tempt the protection of Chang An Lo's gods one last time, she looped her bag onto her shoulder and headed for the gateway. — Kate Furnivall

Before she could let herself think, Clara burst from the door and bolted for the table. People just began turning when she grasped the guest and shoved him to the ground, the chair flying backwards. Wine and food spilled everywhere as he flung out his arms. For a moment, she felt a swift pressure, as if her hair was being pulled, before strong hands gripped her, flinging her to the floor. A boot pressed into her back and she felt the cold tip of blade on her neck above her slave's collar. — Suzanna J. Linton

One of his hands caught her knee from beneath, urging her leg higher against his, and he pushed strongly within her.
She shuddered, her body locked to him, and then a languorous warmth suffused her as she relaxed to his rhythm. Their clothes rustled together, crushed masses of silk and broadcloth and velvet, separating them everywhere except in the wet, naked heat of their loins. She leaned against the door, her body rising from each upward drive. She was utterly possessed by him, no longer caring about the risk they were taking, conscious only of the ecstasy of his flesh joined to hers. Muttering fiercely into the curve of her neck, he thrust faster, creating silken friction that finally drove her into a scalding orgasm. — Lisa Kleypas

She craned her neck, glared at me through the small opening, and took a step back.
And then she kicked my door in.
Was it any wonder I was falling for her?"
"Chapter 24 — Alyxandra Harvey

Don't pretend, Bianca," he said. "You're smarter than that, and so am I. I finally figured out what you meant when you left. You said you were like Hester. I get it now. The first time you came to my house, when we wrote that paper, you said Hester was trying to escape. But everything caught up with Hester in the end, didn't it? Well, something finally caught up with you, but you're just running away again. Only, he"-Wesley pointed to my bedroom door-"is your escape this time." He took a step toward me, forcing me to crane my neck even more to see his face. "Admit it, Duffy."
"Admit what?"
"That you're running away from me," he said. "You realized you're in love with me and you bailed because it scared the shit out of you. — Kody Keplinger

It was Sunday, and Mumma had gone next door with Lena and the little ones. Under the pepper tree in the yard Pa was sorting, counting, the empty bottles he would sell back: the bottles going clink clink as Pa stuck them in the sack. The fowls were fluffing in the dust and sun: that crook-neck white pullet Mumma said she would hit on the head if only she had the courage to; but she hadn't. — Patrick White

Sudden Light
I have been here before,
But when or how I cannot tell:
I know the grass beyond the door,
The sweet keen smell,
The sighing sound, the lights around the shore.
You have been mine before,
How long ago I may not know:
But just when at that swallow's soar
Your neck turn'd so,
Some veil did fall, - I knew it all of yore.
Has this been thus before?
And shall not thus time's eddying flight
Still with our lives our love restore
In death's despite,
And day and night yield one delight once more? — Dante Gabriel Rossetti

They would have been still more amazed if they had seen what Beth did afterward. If you will believe me, she went and knocked at the study door before she gave herself time to think, and when a gruff voice called out, "come in!" she did go in, right up to Mr. Laurence, who looked quite taken aback, and held out her hand, saying, with only a small quaver in her voice, "I came to thank you, sir, for ... " But she didn't finish, for he looked so friendly that she forgot her speech and, only remembering that he had lost the little girl he loved, she put both arms round his neck and kissed him. — Louisa May Alcott