Nature Writer Quotes & Sayings

We have to look at the figures of speech a writer uses, his images and symbols, to realize that underneath all the complexity of human life that uneasy stare at an alien nature is still haunting us, and the problem of surmounting it still with us. Above all, we have to look at the total design of a writer's work, the title he gives to it, and the his main theme, which means his point in writing it, to understand that literature is still doing the same job that mythology did earlier, but filling in its huge cloudy shapes with sharper lights and deeper shadows. [p.32] — Northrop Frye

We have a tendency to describe the human condition in lofty terms, such as a quest for freedom or striving for a virtuous life, but the life sciences hold a more mundane view: It's all about security, social companionships, and a full belly. There is obvious tension between both views, which recalls that famous dinner conversation between a Russian literary critic and the writer Ivan Turgenev: 'We haven't yet solved the problem of God,' the critic yelled, 'and you want to eat! — Frans De Waal

When one chooses to be a writer, psychologically there's a reason for that because you like the isolation and you like to be by yourself and you are by nature timid. — Woody Allen

There are ... otherwise quite decent people who are so dull of nature that they believe that they must attribute the swift flight of fancy to some illness of the psyche, and thus it happens that this or that writer is said to create not other than while imbibing intoxicating drink or that his fantasies are the result of overexcited nerves and resulting fever. But who can fail to know that, while a state of psychical excitement caused by the one or other stimulant may indeed generate some lucky and brilliant ideas, it can never produce a well-founded, substantial work of art that requires the utmost presence of mind. — E.T.A. Hoffmann

I am practical by nature, and I'd heard that being a writer or an artist is a good way to starve! So I was an economics major at Oklahoma State, and then received an M.S. from Cornell in Agricultural Resource and Managerial Economics. I knew if I wanted to write I would do it on my own, but I knew I wouldn't make myself study economics on my own. — Ally Carter

The child destined to be a writer is vulnerable to every wind that blows. Now warm, now chill, next joyous, then despairing, the essence of his nature is to escape the atmosphere about him, no matter how stable, even loving. No ties, no binding chains, save those he forges for himself. Or so he thinks. But escape can be delusion, and what he is running from is not the enclosing world and its inhabitants, but his own inadequate self that fears to meet the demands which life makes upon it. Therefore create. Act God. Fashion men and women as Prometheus fashioned them from clay, and, by doing this, work out the unconscious strife within and be reconciled. While in others, imbued with a desire to mold, to instruct, to spread a message that will inspire the reader and so change his world, though the motive may be humane and even noble
many great works have done just this
the source is the same dissatisfaction, a yearning to escape. — Daphne Du Maurier

We talk of literature as if it were a mere matter of rule and measurement, a series of processes long since brought to mechanical perfection: but it would be less incorrect to say that it all lies in the future; tried by the outdoor standard, there is as yet no literature, but only glimpses and guideboards; no writer has yet succeeded in sustaining, through more than some single occasional sentence, that fresh and perfect charm. If by the training of a lifetime one could succeed in producing one continuous page of perfect cadence, it would be a life well spent, and such a literary artist would fall short of Nature's standard in quantity only, not in quality. — Brenda Wineapple

Since each story presents its own technical problems, obviously one can't generalize about them on a two-times-two-equals-four basis. Finding the right form for your story is simply to realize the most natural way of telling the story. The test of whether or not a writer has defined the natural shape of his story is just this: After reading it, can you imagine it differently, or does it silence your imagination and seem to you absolute and final? As an orange is final. As an orange is something nature has made just right. — Truman Capote

I think a writer is a describer. She describes society and human nature as she sees it. She has to be both typical of that society and alone within it. — Amity Gaige

At the inauguration of each sentence, the writer commences with an optimistic sense of curiosity. Similar to an inquisitive explorer, a writer begins each thoughtful decree with an appreciative sense of the unknown and ends with a reverent regard for the unanswerable. Repeating this instigating act of discovery by placing a combination of sentences down on paper creates a unique verdict. The writer's compilation of pronouncements expresses their interpretation of life. Replicating this creative endeavor in the futile effort to say it all imitates the revolving mystery of life where physical reality and mysterious forces of nature operate upon humankind. — Kilroy J. Oldster

A few have become acquainted with Orwell's 1984; because it is both difficult to obtain and dangerous to possess, it is known only to certain members of the Inner Party. Orwell fascinates them through his insight into details they know well, and through his use of Swiftian satire. Such a form of writing is forbidden by the New Faith because allegory, by nature manifold in meaning, would trespass beyond the prescriptions of socialist realism and the demands of the censor. Even those who know Orwell only by hearsay are amazed that a writer who never lived in Russia should have so keen a perception into its life. — Czeslaw Milosz

When he was in a bad mood, The Writer went to the park. The only place he considered friendly. Not the bookshops crammed with titles, with those harsh lights and those piles of books that seemed like barricades, not the street with its narrow, dirty pavements overhanging the traffic, not the noisy restaurants stinking of fried food, not the sweltering buses, not the deserted shops with their assistants waiting for customers like hungry cannibals, not the cinemas with numbered seats in which it only took one transgressor to screw up the whole auditorium, but the park. — Filippo Bologna

The truth seems to be, however, that, when he casts his leaves forth upon the wind, the author addresses, not the many who will fling aside his volume, or never take it up, but the few who will understand him, better than most of his schoolmates and lifemates. Some authors, indeed, do far more than this, and indulge themselves in such confidential depths of revelation as could fittingly be addressed, only and exclusively, to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer's own nature, and complete his circle of existence by bringing him into communion with it. — Nathaniel Hawthorne

...there are no new themes for a writer, only new ways of setting down old themes, new eyes to wander among old rocks. — Jim Crumley

Why should a novelist not also be a historian? To force unnatural divisions within the English language is to work against its capacious and accommodating nature. To expect a writer to produce only novels, or only histories, is equivalent to demanding from a composer that he or she write only string quartets or piano sonatas. — Peter Ackroyd

How she listened, the first time, to the sonorous lamentations of romantic melancholia echoing out across heaven and earth! If her childhood had been spent in the dark back-room of a shop in some town, she would now perhaps have been kindled by the lyric surgings of nature which only normally reach us as through the interpretation of a writer. — Gustave Flaubert

Would it not be better if they spent more money on wholesome things like oranges and wholemeal bread or if they even, like the writer of the letter to the New Statesman, saved on fuel and ate their carrots raw? Yes, it would, but the point is that no ordinary human being is ever going to do such a thing. The ordinary human being would sooner starve than live on brown bread and raw carrots. And the peculiar evil is this, that the less money you have, the less inclined you feel to spend it on wholesome food. A millionaire may enjoy breakfasting off orange juice and Ryvita biscuits; an unemployed man doesn't. Here the tendency of which I spoke at the end of the last chapter comes into play. When you are unemployed, which is to say when you are underfed, harassed, bored, and miserable, you don't want to eat dull wholesome food. You want something a little bit 'tasty'. There is always some cheaply pleasant thing to tempt you. — George Orwell

Of the total creative effort represented in a finished work, 75 percent or more of a writer's labor goes into designing the story designing story tests the maturity and insight of the writer, his knowledge of society, nature, and the human heart. Story demands both vivid imagination and powerful analytic thought. — Robert McKee

He who has experienced the mystery of the nature is full of life, full of love, full of joy. Radiance emanates from the whole existence itself, it does not know the meaning of holding back. It is pure giving-giving of love. For the great writers, love is like holding ice in hand, it just turns to water and they lose out their role but for a mystic the moment ice transforms to water love starts to flow. — Maitreya Rudrabhayananda

A writer can live by his writing. If not so luxuriously as by other trades, then less luxuriously. The nature of the work he does all day will more affect his happiness than the quality of his dinner at night. Whatever be your calling, and however much it brings you in the year, you could still, you know, get more by cheating. We all suffer ourselves to be too much concerned about a little poverty; but such considerations should not move us in the choice of that which is to be the business and justification of so great a portion of our lives; and like the missionary, the patriot, or the philosopher, we should all choose that poor and brave career in which we can do the most and best for mankind. — Robert Louis Stevenson

For me, before I learned how to read I was really interested in story and in landscape and nature. I decided to become a writer almost as soon as I learned to read. — Rebecca Solnit

Part of my life no longer made sense. A life of meetings stretched between appointments, half listening to people, always running late. A life dictated by clocks and money and computers and cars, without hawks and lakes and wild roses. A world increasingly without surprise or humor. I thought of how we as a species have endangered not only animals and plants around us but the wild nature of our own lives. We have fabricated this world, to paraphrase the writer Phillip Sherrard, and our punishment is that we have to adapt to it. — Norah Gallagher

The writer by nature of his profession is a dreamer and a conscious dreamer. He must imagine, and imagination takes humility, love and great courage. How can you create a character without live and the struggle that goes with love? — Carson McCullers

We must perpetually try to distinguish, however closely they get entwined by the subtle nature of the facts and by the secret importunity of our passions, those attitudes in a writer which we can honestly and confidently condemn as real evils, and those qualities in his writing which simply annoy and offend us as men of taste. — C.S. Lewis

I regretted the solitary nature of the writer's life - other people, normal working people, spent their days with co-workers, rode the subway home with a crowd, walked through thronged streets. I worked at home, all by myself. — Kate Christensen

Occasionally, noticing an exact identity of thought between what I felt but could not articulate and the clearly expressed idea of a writer, I was so carried away by emotion that, dropping the book, I would stand up and pace the room for a while to compose myself before continuing to read. In this way my mind was moulded by degrees as much by my own inborn ideas about the nature of things, developed by the exercise of reason in the healthy atmosphere of literature, as by the influence of the great thinkers whose ideas I imbibed from their works. — Gopi Krishna

It is insight into human nature that is the key to the communicator's skill. For whereas the writer is concerned with what he puts into his writings, the communicator is concerned with what the reader gets out of it. He therefore becomes a student of how people read or listen. — William Bernbach

Perhaps no terms have been so injurious to the profession of the novelist as those two words, hero and heroine. In spite of the latitude which is allowed to the writer in putting his own interpretation upon these words, something heroic is still expected; whereas, if he attempt to paint from Nature, how little that is heroic
should he describe! — Anthony Trollope

All art points to others with whom the writer argues about what is ... He must have models with which to agree ... or outright oppose ... for Nature seems to remain silence. — Charles Bartlett Johnson

I am a loner by nature, and then I'm a writer, which makes me twice a loner. — Gustavo Perez Firmat

To struggle against censorship, whatever its nature, and whatever the power under which it exists, is my duty as a writer, as are calls for freedom of the press. I am a passionate supporter of that freedom, and I consider that if any writer were to imagine that he could prove he didn't need that freedom, then he would be like a fish affirming in public that it didn't need water. — Mikhail Bulgakov

We know much of a writer by his style. An open and imperious disposition is shown in short sentences, direct and energetic. A secretive and proud mind is cold and obscure in style. An affectionate and imaginative nature pours out luxuriantly, and blossoms all over with ornament. — Henry Ward Beecher

As for my being a horror writer, I actually think horror is a very conservative genre. The horror comes when you do something wrong--when you challenge religion or society or nature--and then you must pay. I personally consider myself a radical, but I publish conservative material. That's quite a paradox. — John Coyne

When I was very little, say five or six, I became aware of the fact that people wrote books. Before that, I thought that God wrote books. I thought a book was a manifestation of nature, like a tree. When my mother explained it, I kept after her: What are you saying? What do you mean? I couldn't believe it. It was astonishing. It was like
here's the man who makes all the trees. Then I wanted to be a writer, because, I suppose, it seemed the closest thing to being God. — Fran Lebowitz

My favorite times were spent in his backyard where he and his roommates had "let nature take its course," the weeds towering above our heads. We placed two chairs in the middle of that jungle and discussed what we didn't know we were discussing: What brings a writer and an engineer together? How can we reconcile our diverse interests into a pointed goal, a single aphorism on life? More simply stated: Why are we falling in love? — Megan Rich

Well, I'm a writer by nature, and I got a little bit - a little taste of a daily fast-paced writing job, writing career, and I loved it. — Victoria Gotti

The more genuinely creative [the writer] is, the more he will want his work to develop in accordance with its own nature, and to stand independent of himself — Dorothy L. Sayers

I'll tell you a thing that will shock you. It will certainly shock the readers of Writer's Digest. What I often do nowadays when I have to, say, describe a room, is to take a page of a dictionary, any page at all, and see if with the words suggested by that one page in the dictionary I can build up a room, build up a scene. ... I even did it in a novel I wrote called MF. There's a description of a hotel vestibule whose properties are derived from Page 167 in R.J. Wilkinson's Malay-English Dictionary. Nobody has noticed. ... As most things in life are arbitrary anyway, you're not doing anything naughty, you're really normally doing what nature does, you're just making an entity out of the elements. I do recommend it to young writers. — Anthony Burgess

Why, then, make a show of the poverty of our life and our sad imperfection, unearthing people from the backwoods, from remote corners of the state? But what if this is in the writer's nature, and his own imperfection grieves him so, and the makeup of his talent is such, that he can only portray the poverty of our life, unearthing people from the backwoods, from the remote corners of the state! So here we are again in the backwoods, again we have come out in some corner! — Nikolai Gogol

The values ascribed to the Indian will depend on what the white writer feels about Nature, and America has always had mixed feelings about that. At one end of the spectrum is Thoreau, wishing to immerse himself in swamps for the positive vibrations; at the other end is Benjamin Franklin, who didn't like Nature. [p.91] — Margaret Atwood

It was not in my nature to be an assertive person. I was used to looking to others for guidance, for influence, sometimes for the most basic cues of life. And yet writing stories is one of the most assertive things a person can do. Fiction is an act of willfulness, a deliberate effort to reconceive, to rearrange, to reconstitute nothing short of reality itself. Even among the most reluctant and doubtful of writers, this willfulness must emerge. Being a writer means taking the leap from listening to saying, Listen to me. — Jhumpa Lahiri

The writer is a secret criminal. How? First because writing tries to undertake the journey toward strange sources of art that are foreign to us. "The thing" does not happen here, it happens somewhere else, in a strange and foreign country. The writer has a foreign origin; we do not know the particular nature of these foreigners, but we feel they feel there is an appeal, that someone is calling them back. — Helene Cixous

I am comfortable calling myself a writer of suspense, or a writer of thrillers; both terms are sort of interchangeable to me. I think that came from a sense of being at conflict with my true nature throughout my youth, and being afraid of discovery, and feeling as if I didn't belong. — Christopher Rice

In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumulation of facts and then speculation about their meaning is the nature of authorship in both mediums. — Peter C Bunnell

People, fearing their own extinction, are willing to accept and perpetuate hand-me-down answers to the meaning of life and death; and, fearing a weakening of the tribal structures that sustain them, reinforce with their tales the conventional notions of justice, freedom, law and order, nature, family, etc. The writer, lone rider, has the power, if not always the skills, wisdom, or desire, to disturb this false contentment. — Robert Coover

Whether or not these ideas alone would solve any of the problems discussed, I look forward to the day when SLA is more widely recognized as the serious and socially responsive discipline I believe it can be. Chapters like this one (unpleasant for writer and assuredly some readers alike) would no longer be needed. One could instead concentrate on the genuine controversies and excitement in SLA and L3A: the roles of nature and nurture; special and general nativism; child-adult differences and the possibility of maturational constraints; cross-linguistic influence; acquisition and socialization; cognitive and social factors; resilience; stabilization; fossilization, and other putative mechanisms and processes in interlanguage change; the feasibility of pedagogical intervention; and, most of all, the development of viable theories. — Michael H. Long

In the nature of things, a person engaged in the flimsy business of expressing himself on paper is dependent on the large general privilege of being heard. Any intimation that this privilege may be revoked throws a writer into panic. — E.B. White

When describing nature, a writer should seize upon small details, arranging them so that the reader will see an image in his mind after he closes his eyes. For instance: you will capture the truth of a moonlit night if you'll write that a gleam like starlight shone from the pieces of a broken bottle, and then the dark, plump shadow of a dog or wolf appeared. You will bring life to nature only if you don't shrink from similes that liken its activities to those of humankind. — Anton Chekhov

For until this morning I had known contemplation only in its humbler, its more ordinary forms - as discursive thinking; as a rapt absorption in poetry or painting or music, as a patient waiting upon those inspirations, without which even the prosiest writer cannot hope to accomplish anything; as occasional glimpses, in nature, of Wordsworth's 'something far more deeply interfused'; as systematic silence leading, sometimes, to hints of an 'obscure knowledge'. But now I knew contemplation at its height. — Aldous Huxley

My poems always begin with a metaphor, but my way into the metaphor may be a word, an image, even a sound. And I rarely know the nature of the metaphor when I begin to write, but there is an attentiveness that a writer develops, a sudden alertness that is much like the feel of a fish brushing against a hook. — Stephen Dobyns

The writer must be universal in sympathy and an outcast by nature: only then can he see clearly. — Julian Barnes

Every writer is obliged to create his own language, as every violinist is obliged to create his own "tone" ... . I don't mean to say that I like original writers who write badly. I prefer - and perhaps it's a weakness - those who write well. But they begin to write well only on condition that they're original, that they create their own language. Correctness, perfection of style do exist, but on the other side of originality, after having gone through all the faults, not this side. Correctness this side - "discreet emotion," "smiling good nature," "most abominable of all years" - doesn't exist. The only way to defend language is to attack it, yes, yes, Madame Straus! — Alain De Botton

Rarely will I write indoors, even if it means getting wet during rain, or my hands numb in winter. — Fennel Hudson

From ... the age of five or six, I knew that when I grew up I should be a writer ... I tried to abandon this idea, but I did so with the consciousness that I was outraging my true nature and that sooner or later I should have to settle down and write books. — George Orwell

A scientist or a writer is one who ruminates continuously on the nature of physical or imaginative life, experiences repeated relief and excitement when the insight comes, and is endlessly attracted to working out the idea. — Vivian Gornick

A writer should express criticism and indignation at the dark side of society and the ugliness of human nature, but we should not use one uniform expression. — Mo Yan

The process of writing can be a powerful tool for self-discovery. Writing demands self-knowledge; it forces the writer to become a student of human nature, to pay attention to his experience, to understand the nature of experience itself. By delving into raw experience and distilling it into a work of art, the writer is engaging in the heart and soul of philosophy - making sense out of life. — Georg Buhler

The danger for the writer who is spurred by the religious view of the world is that he will consider this to be two operations instead of one. He will try to enshrine the mystery without the fact, and there will follow a further set of separations which are inimical to art. Judgement will be separated from vision, nature from grace, and reason from imagination.
They are separations which we see in our society and which exist in our writing. They are separations which faith tends to heal if we realize that faith is a 'walking in darkness' and not a theological solution to mystery. The poet is traditionally a blind man, but the Christian poet, and storyteller as well, is like the blind man whom Christ touched... — Flannery O'Connor

Equally, the surrealists consider words as witnesses of life acting in a direct way in human affairs. To use words properly it was necessary to treat them with respect, for they were the intermediaries between oneself and the rest of creation. To abuse them was immediately to set oneself adrift from true being. Words need to be coaxed to reveal a little of their true nature, so as to close the breach that exists between the writer and the universe. The world is not something alien against which man is in conflict. Rather man and cosmos exist in reciprocal motion. We are not cast adrift in an alien or meaningless environment. The universe is intimate with us and, as Breton insisted, it is a cryptogram to be deciphered. — Michael Richardson

An excess of development can undermine the most ephemeral but distinctive tool a writer possesses: authorial voice. A writer's voice is as individual and marked as a thumbprint, and is a playwright's truest imprimatur. It is as innate as breathing, and can be as unique as any genetic code. By its very singular nature, it is seldom born in the act of collaboration. True authorial voice always pre-dates the first rehearsal of a text. And it is - and will always be - an author's most distinguishing and valuable feature. — David Wright

Collaboration is a nice change of pace from the often solitary nature of the writer's craft. — Edward M. Lerner

If reason be judge, no writer has produced such inconsistent characters as nature herself has. It must call for no small sagacity in a reader unerringly to discriminate in a novel between the inconsistencies of conception and those of life. As elsewhere, experience is the only guide here; but as no one man's experience can be coextensive with what is, it may be unwise in every case to rest upon it. — Herman Melville

The present writer had occasion, some time ago, to call attention to the succession of layers of "laws of nature," each layer containing more general and more encompassing laws than the previous one and its discovery constituting a deeper penetration into the structure of the universe than the layers recognized before. However, the point which is most significant in the present context is that all these laws of nature contain, in even their remotest consequences, only a small part of our knowledge of the inanimate world. All the laws of nature are conditional statements which permit a prediction of some future events on the basis of the knowledge of the present, except that some aspects of the present state of the world, in practice the overwhelming majority of the determinants of the present state of the world, are irrelevant from the point of view of the prediction. — Eugene Paul Wigner

It is the nature of the writer to question the validity of his world and yet rely on his senses to describe it. From what other tension can great literature be born? — Jeff VanderMeer

Maybe Laura's real problem came in admitting this: there was nothing new under the sun. To write a story would be, somehow deep down, to embrace her limits, to admit that, indeed, she would someday die - if not of a worm or a ceiling, then of something else. The very nature of a story admitted this reality. To be a writer was to say, yes, I am just another Murasaki, and it is quite possible that no one will remember my name. — L.L. Barkat

Boxing encompasses the very worst and very best of human nature and its beautiful brutality is a marvelous contradiction for a writer. It conjures up so many irreconcilably antagonistic feelings. — Brian D'Ambrosio

What was Dr. Mera's motive for murder? I don't need to tell that to a writer of detective novels such as yourself. You know well enough yourself that even without a motive, a murderer lives to kill. — Rampo Edogawa

It ought to be the first endeavour of a writer to distinguish nature from custom; or that which is established because it is right, from that which is right only because it is established; that he may neither violate essential principles by a desire of novelty, nor debar himself from the attainment of beauties within his view, by a needless fear of breaking rules which no literary dictator had authority to enact. — Samuel Johnson

No aphorism is more frequently repeated in connection with field trials, than that we must ask Nature few questions, or, ideally, one question, at a time. The writer is convinced that this view is wholly mistaken. Nature, he suggests, will best respond to a logical and carefully thought out questionnaire; indeed, if we ask her a single question, she will often refuse to answer until some other topic has been discussed. — Ronald Fisher

A comic writer should of all others be the least excused for deviating from nature, since it may not be always so easy for a serious poet to meet with the great and the admirable; but life every where furnishes an accurate observer with the ridiculous. — Henry Fielding

The writer is by nature a dreamer - a conscious dreamer. — Carson McCullers

The most important thing for a writer to do is to write. It really doesn't matter what you write as long as you are able to write fluidly, very quickly, very effortlessly. It needs to become not second nature but really first nature to you. And read; you need to read and you need to read excellent books and then some bad books. Not as many bad books, but some bad books, so that you can see what both look like and why both are what they are. — Augusten Burroughs

In general, dividing literature into prose and poetry began with the appearance of prose, for only in prose could such a division be expressed. By its nature, by its essence, art is hierarchical, automatically, and in this hierarchy, poetry stands above prose. If only because poetry is older. Poetry really is a very strange thing, because it belongs to a troglodyte as well as to a snob. It can be produced in the Stone Age and in the most modern salon, whereas prose requires a developed society, a developed structure, certain established classes, if you like. Here you could start reasoning like a Marxist without even being wrong. The poet works from the voice, from the sound. For him, content is not as important as is ordinarily believed. For a poet, there is almost no difference between phonetics and semantics. Therefore, only very rarely does the poet give any thought to who in fact comprises his audience. That is, he does so much more rarely than the prose writer. — Joseph Brodsky

[Patricia Highsmith] was a figure of contradictions: a lesbian who didn't particularly like women; a writer of the most insightful psychological novels who, at times, appeared bored by people; a misanthrope with a gentle, sweet nature. — Andrew Wilson

Most aspiring screenwriters simply don't spend enough time choosing their concept. It's by far the most common mistake I see in spec scripts. The writer has lost the race right from the gate. Months - sometimes years - are lost trying to elevate a film idea that by its nature probably had no hope of ever becoming a movie. — Terry Rossio

Being out in nature inspires me as a writer. — Jason Mraz

I wish more fantasy, especially the dominant fantasy that draws heavily on British and Christian lore, would wrestle with its own ethnospecific nature and what that means when the story is set somewhere where more than one belief system is in operation. If all you do is pay lip service to it, you can get the kind of thing where the writer has thrown one Hindu god into a Christianist fantasy (rendering said god by default a demon or otherwise inferior to the dominant religious system of the story, which is such an insult), and the hero is able to vanquish it by chanting a spell in church Latin. — Nalo Hopkinson

I know very well you can't help me," he said. "But I tell you, because unsuccessful and superfluous people like me find their salvation in talking. I have to generalise about everything I do. I'm bound to look for an explanation and justification of my absurd existence in somebody else's theories, in literary types - in the idea that we, upper-class Russians, are degenerating, for instance, and so on. Last night, for example, I comforted myself by thinking all the time: 'Ah, how true Tolstoy is, how mercilessly true!' And that did me good. Yes, really, brother, he is a great writer, say what you like!" Samoylenko, who had never read Tolstoy and was intending to do so every day of his life, was a little embarrassed, and said: "Yes, all other authors write from imagination, but he writes straight from nature. — Anton Chekhov

I always begin with a source of inspiration that comes from nature. The story comes from my research, volunteering, and meeting the people involved in that story world. I am an intuitive writer and an image, sound, experience can all inspire a scene or a plot twist! — Mary Alice Monroe

Twitter is incredibly useful. It's a great example of how the Internet is changing the way we engage with information and text. Above all else, this change in the nature of engagement is fascinating for me as a writer. — Steven Hall

When you are a writer the assist-to-turnover ratio ... there are a lot more turnovers than assists. It's just the nature of the beast. — Jeff Baena

All the while that Jean was listening to him, he was vaguely conscious that what gives literature its reality is the result of work accomplished by the human spirit, no matter what the material facts that may have stimulated it (a walk, a night of love, a social drama), of a sort of discovery in the world of the spirit, of the emotions, made by the human intelligence, so that the value of a book is never in the material presented by the writer, but in the nature of the operation he performs upon it. — Marcel Proust

My job as a writer is simple. Write a book I'm proud of, and present it as a gift to the world.
Some will love it.
Some will hate it.
That's the nature of art. — Kathleen Baldwin

The beachcomber goes looking for trouble, everything he finds is a sign of trouble. The writer is the same; without trouble he has nothing to work with, so he picks over the tide line, over the bits and pieces of people's lives with grim fascination. — Tim Winton

The serious writer has always taken the flaw in human nature for his starting point, usually the flaw in an otherwise admirable character. Drama usually bases itself on the bedrock of original sin, whether the writer thinks in theological terms or not. Then, too, any character in a serious novel is supposed to carry a burden of meaning larger than himself. The novelist doesn't write about people in a vacuum; he writes about people in a world where something is obviously lacking, where there is the general mystery of incompleteness and the particular tragedy of our own times to be demonstrated, and the novelist tries to give you, within the form of the book, the total experience of human nature at any time. For this reason, the greatest dramas naturally involve the salvation or loss of the soul. Where there is no belief in the soul, there is very little drama. — Flannery O'Connor

As the tragic writer rids us of what is petty and ignoble in our nature, so also the humorist rids us of what is cautious, calculating, and priggish
about half of our social conscience, indeed. Both of them permit us, in blessed moments of revelation, to soar above the common level of our lives. — Robertson Davies

It was the yearning she related to. Shriver seemed to understand the specific human pain of wanting and pushing away at the same time. It left her with a gorgeous ache, and when she turned the last page of the book and closed the cover, Norah's connection to the writer felt absolute. It was a breathless, consuming rapture.... — Ellen Meister

A writer has an inescapable voice. I think it's inherent in the nature, and I think that we don't control it anymore than we control what we want to write about. — Horton Foote

You know, writer can write about the Foreign Legion without ever having been in the Foreign Legion, but that doesn't necessarily mean that what he's written doesn't necessarily reflect the nature of him as an individual - or her. Using the male gender because it's me speaking. I don't mean to put down the female. — Rod Serling

A full night's sleep without money worries was a luxury. They were afraid to answer the door to strangers as they often could not pay the rent and had no TV license. They lived in fear of been brought to court for bad debts. They became master liars and a sarcastic tongue and cheeky nature were vital survival skills people learned in Wasteside. They pretended to officials at front doors they were child minders and they refused to accept or sign anything official or registered in case it was a summons — Annette J. Dunlea

Today I am an unemployed writer living as a recluse in the great Northwoods. — Daniel J. Rice

Designing story tests the maturity and insight of the writer, his knowledge of society, nature, and the human heart. Story demands both vivid imagination and powerful analytic thought. Self-expression is never an issue, for, wittingly or unwittingly, all stories, honest and dishonest, wise and foolish, faithfully mirror their maker, exposing his humanity ... or lack of it. — Robert McKee

I had become wiser, I tried to find out what irony really is, and discovered that some ancient writer on poetry had spoken of "Ironia, which we call the drye mock." And I cannot think of a better term for it: The drye mock. Not sarcasm, which is like vinegar, or cynicism, which is so often the voice of disappointed idealism, but a delicate casting of cool and illuminating light on life, and thus an enlargement. The ironist is not bitter, he does not seek to undercut everything that seems worthy or serious, he scorns the cheap scoring-off of the wisecracker. He stands, so to speak, somewhat at one side, observes and speaks with a moderation which is occasionally embellished with a flash of controlled exaggeration. He speaks from a certain depth, and thus he is not of the same nature as the wit, who so often speaks from the tongue and no deeper. The wit's desire is to be funny; the ironist is only funny as a secondary achievement. — Robertson Davies

I'm a writer who simply can't know what I'm writing about until the writing lets me discover it. In a sense, my writing process embraces the gapped nature of my memory process, leaping across spaces that represent all I've lost and establishing fresh patterns within all that remains. — Floyd Skloot

Writing when perched along a ledge of conscious awareness while simultaneously giving voice to the unconscious voice tumbling within allows a writer to tap into the external world of the known while also exploring the unconscious world of the unknown and the unknowable. For as long as I can stand the mounting pressure, I dance along this tremulous thin line separating sanity and insanity, mediating the conflicts between a lucid intellect and an impulsive, instinctual nature. Captivated in this submerged psyche space, disengaged from conscious tether of personal identity, and free from the jaundiced constraints and dictatorial commands of rational logic, I operate unencumbered by preconceived limitations. — Kilroy J. Oldster

A civilization without retail bookstores is unimaginable. Like shrines and other sacred meeting places, bookstores are essential artifacts of human nature. The feel of a book taken from the shelf and held in the hand is a magical experience, linking writer to reader. — Jason Epstein

The writer Richard Manning has argued that 'the most destructive force in the American West is its commanding views, because they foster the illusion that we command. — Phillip Connors

Themselves in such confidential depths of revelation as could fittingly be addressed only and exclusively to the one heart and mind of perfect sympathy; as if the printed book, thrown at large on the wide world, were certain to find out the divided segment of the writer's own nature, and complete his circle of existence by bringing him into communion with it. It is scarcely decorous, however, to speak all, even where we speak impersonally. But, as thoughts are frozen and utterance benumbed, unless the speaker stand in some true relation with his audience, — Nathaniel Hawthorne

to be a fiction writer, you also need to be a psychologist (understanding people's personalities and intentions), a philosopher (asking big questions about meaning and human nature), and a poet (breathing life into your words and the spaces between them). — Steven James

A writer walks in nature to wonder. — Lailah Gifty Akita