National Narrative Quotes & Sayings

This isn't to deny that there were fierce arguments, at the time and ever since, about the causes and goals of both the Civil War and the Second World War. But 1861 and 1941 each created a common national narrative (which happened to be the victors' narrative): both wars were about the country's survival and the expansion of the freedoms on which it was founded. Nothing like this consensus has formed around September 11th ... Indeed, the decade since the attacks has destroyed the very possibility of a common national narrative in this country. — George Packer

Sound
That stealeth ever on the ear of him
Who, musing, gazeth on the distance dim,
And sees the darkness coming as a cloud
Is not its form
its voice
most palpable and loud? — Edgar Allan Poe

When you truly have fun on the set it translates into a funny show on tv. — Olivia Stuck

Our nation is today a powerful nation. — Mahmoud Ahmadinejad

Of course one's sense of identification with the nation is inflected by all kinds of particulars, including one's class, race, gender, and sexual identification. ... But [regarding] national character ... , aside from references to a national aesthetic - literary, musical, and choreographic, there are two poles I reference: minimalist and maximalist. I love them both - the cryptic poems of Emily Dickinson folded up in tiny packets and hidden away in a box, the sparse, understated choreographies of Merce; but also the "trashy, profane and obscene" poems of Whitman and Ginsberg, [and] Martha Graham's expressionism. I am, myself, a minimalist. But I love distortion guitar and the wild exhibitionism of so many American artists. Also, these divisions are false. Emily Dickinson, in fact, can be as trashy and obscene as the best of them! Anyway, Dickinson and Whitman are at the heart of this narrative. They are the Dancing Queen and the Guitar Hero. — Barbara Browning

Because of the way human beings relate to narrative, we tend to identify with those characters we find appealing. We try to see ourselves in them. The same I.D.-relation, however, also means that we try to see them in ourselves. When everybody we seek to identify with for six hours a day is pretty, it naturally becomes more important to us to be pretty, to be viewed as pretty. Because prettiness becomes a priority for us, the pretty people on TV become all the more attractive, a cycle which is obviously great for TV. But it's less great for us civilians, who tend to own mirrors, and who also tend not to be anywhere near as pretty as the TV-images we want to identify with. Not only does this cause some angst personally, but the angst increases because, nationally, everybody else is absorbing six-hour doses and identifying with pretty people and valuing prettiness more, too. This very personal anxiety about our prettiness has become a national phenomenon with national consequences. — David Foster Wallace

Nature cannot be commanded except by being obeyed. — Francis Bacon

You will be happy only when you will chose to be. — Debasish Mridha

My definition of an intellectual is someone who can listen to the William Tell Overture without thinking of the Lone Ranger. — Billy Connolly

Paul Rudnick is a champion of truth (and love and great wicked humor) whom we ignore at our peril. — David Sedaris

Part of the reason I actually preferred Twin Peaks's second season to its first was the fascinating spectacle of watching a narrative structure disintegrate and a narrative artist freeze up and try to shuck and jive when the plot reached a point where his own weaknesses as an artist were going to be exposed (just imagine the fear: this disintegration was happening on national TV). — David Foster Wallace

This is extremely significant. Knowing something of when the Pentateuch came to be, even generally, affects our understanding of why it was produced in the first place - which is the entire reason why we are dipping our toes into this otherwise esoteric pool of Old Testament studies. The final form of the creation story in Genesis (along with the rest of the Pentateuch) reflects the concerns of the community that produced it: postexilic Israelites who had experienced God's rejection in Babylon. The Genesis creation narrative we have in our Bibles today, although surely rooted in much older material, was shaped as a theological response to Israel's national crisis of exile. These stories were not written to speak of "origins" as we might think of them today (in a natural-science sense). They were written to say something of God and Israel's place in the world as God's chosen people. — Peter Enns

Of one thing, though, she was sure: "I want to travel," she confessed.
Books were making her restless. She was beginning to read, faster, more, until she was inside the narrative and the narrative inside her, the pages going by so fast, her heart in her chest - she couldn't stop... And pictures of the chocolaty Amazon, of stark Patagonia in the National Geographics, a transparent butterfly snail in the sea, even of an old Japanese house slumbering in the snow... - She found they affected her so much she could often hardly read the accompanying words - the feeling they created was so exquisite, the desire so painful. — Kiran Desai

People are afraid of an unorganized, wasteful government. — Hill Harper

When you have the national narrative being "crack is awful and black people are using it," why go against that narrative when you want to get that publication in The New York Times or wherever? It encourages people to play right into it. — Carl Hart

I thought about majoring in Math, Chemistry and English, but Math had the fewest requirements, so I went with it. I knew I wanted to teach, and Math was my field, so I studied Math. — Tom Lehrer

If we couldn't laugh at ourselves, that would be the end of everything. — Niels Bohr

Presidents are also always storytellers, purveyors of useful national mythologies. — Rick Perlstein

[Thoreau's] famous night in jail took place about halfway through his stay in the cabin on Emerson's woodlot at Walden Pond. His two-year stint in the small cabin he built himself is often portrayed as a monastic retreat from the world of human affairs into the world of nautre, though he went back to town to eat with and talk to friends and family and to pick up money doing odd jobs that didn't fit into Walden's narrative. He went to jail both because the town jailer ran into him while he was getting his shoe mended and because he felt passionately enough about national affairs to refuse to pay his tax. To be in the woods was not to be out of society or politics. — Rebecca Solnit

It is God's giving if we laugh or weep. — Sophocles

National Standards was not a narrative of past events but was leftwing revisionism and Political Correctness. — Phyllis Schlafly

Culture is a powerful force that influences our perceptions, our mindsets and even our domestic and foreign policies. The rich, messy complexity of 1,400 years of Islamic civilization and 1.6 billion Muslims has been reduced to token stereotypes. We are either avatars of destruction or the good Muslim who helps the national security narrative. But the overwhelming majority of us live in the giant middle - the grey zone - where impressions exist in more colors than just black and white." * — Rabia Chaudry

To even be called the 'teen queen' is crazy. — Victoria Justice

If haters hadn't made me angry and made me practice, I wouldn't have gotten this good. — Bebe