Narrative Writing Quotes & Sayings

The novelist in me is probably hiding behind all the stories I write, looking for ways to connect them and continue the conversation with readers. Maybe I'm writing one long narrative, and each book, however different from the last, is just a chapter. — Joanna Scott

I do think that the abiding mystery of my origins has definitely had a profound effect upon my writing. There is that thing in the back of my mind where I think I don't really know who I am. And it may make it a little easier to shift around in my narrative voice. — Gillian Welch

The medium of comics is not necessarily about "good drawing"--"It's just an accident when it makes a nice drawing," Spiegelman explained to a curator at the MoMA--but rather about what Spiegelman calls picture-writing and Satrapies calls narrative drawing: how one person constructs a narrative that moves forward in time through both words and images. — Hillary Chute

Novelty. Security. Novelty wouldn't be a bad title. It had the grandness of abstraction, alerting the reader that large and thoughtful things were to be bodied forth. As yet he had no inkling of any incidents or characters that might occupy his theme; perhaps he never would. He could see though the book itself, he could feel its closed heft and see it opened, white pages comfortably large and shadowed gray by print; dense, numbered, full of meat. He sensed a narrative voice, speaking calmly and precisely, with immense assurance building, building; a voice too far off for him to hear, but speaking. ("Novelty") — John Crowley

It's my contention that each book creates its own structure and its own length. I've written three or four slim books. It may be that the next novel is a big one, but I don't know. — Don DeLillo

I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want. — Vivian Gornick

Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city's underneath go to, anyhow? I grab a headlamp and head in. It's long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That's what we're after, isn't it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel's length, and see what meaning can be made of what remains? — Ander Monson

You know that this vignette and that vignette belong side by side, you know that a certain turn of phrase you've been saving will probably work best within a given section of the narrative. As in a jazz performance, writing lives or dies by what's produced in that moment. But that moment is attended by long preparation. — Teju Cole

One of underestimated tasks in nonfiction writing is to impose narrative shape on an unwieldy mass of material. — William Zinsser

At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes. — Nic Pizzolatto

Now the second common characteristic of fiction follows from this, and it is that fiction is presented in such a way that the reader has the sense that it is unfolding around him. This doesn't mean he has to identify himself with the character or feel compassion for the character or anything like that. It just means that fiction has to be largely presented rather than reported. Another way to say it is that though fiction is a narrative art, it relies heavily on the element of drama. — Flannery O'Connor

a novelist's work is often a strategy (I don't mean the author need be aware of this) for dealing with some personal dilemma. Not just that the dilemma is "worked out" in the narrative, as critics often tell us, but that the acts of writing and publishing and positioning oneself in the world of literature are all part of an attempt to find a solution, however provisional, to some deep personal unease. — Tim Parks

I wrote six nonfiction books before getting into narrative fiction with 'Robopocalypse,' including 'How to Survive a Robot Uprising.' My goal all along was to start writing fiction, and I guess one day I'd just had enough. — Daniel H. Wilson

Story should be a descent
the feeling that there is an intense gravity to the narrative that draws you down, down, down. — Chuck Wendig

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

My writing has always been what you call 'narrative fiction' in the sense that it's got very strong plots and twists at the end. — Anthony Horowitz

I believe one of the important differences between creating literature and just telling a story around the campfire is that in literature you're recreating the experience of life, not just relaying a 'this happened, then that happened' kind of narrative. The specific details and layers of depth that make the world of the story - and what the character is experiencing in that world - as real as possible are elements I love as a reader and, consequently, elements I strive to use effectively as a writer. — Lara Campbell McGehee

Allowing alternative narrative modes in popular entertainment may seem obvious, yet when you turn a pilot into the people upstairs and the main character isn't after what she wants by the top of page two, you get treated as if you've failed at writing. — Andrea Seigel

Oftentimes, when people don't respond to text messages or emails, I just start writing long, long in-depth essays and diatribes where characters start to appear and narrative threads begin. — Lucas Neff

Writing a novel is an incredibly free experience. One puts one's self in a narrative mode. You can go off in any direction - the past, the future, or go laterally, or include one's own beliefs. It's total freedom. — David Mamet

Although selfhood depends causally upon the existence of the brain, it amounts to something far more than the brain. This something is vague and intangible, and might best be described, I think, as a semi-fictional narrative that is in constant need of writing, editing, and preserving. — Neel Burton

I have this natural thing in my head that when I sit down to write something serious, I tend to make jokes. I can't help it. I can't help but desire for the narrative to be as complicated and as truthful as possible. That's just the way my head works. — Justin Simien

Writing plays supplied for me everything that painting didn't, which is the ability to tell stories in real time, in a real space, in three dimensions, in flesh and blood. I realized I had been trying to cram all this narrative into my paintings, but ultimately painting was a static medium. So it just opened up this whole new door. — Beau Willimon

It happened that I had just finished co-writing a screen adaptation of Beowulf, the old English narrative poem, and was mildly surprised by the number of people who, mishearing me, seemed to think I had just written an episode of "Baywatch." So I began retelling Beowulf as a futuristic episode of "Baywatch" for an anthology of detective stories. It seemed to be the only sensible thing to do. Look, I don't give you grief over where you get your ideas from. — Neil Gaiman

Having read several prize-winning novels, Fancy was confident that she now knew the recipe:
1. Write a simple narrative.
2. Make a long list.
3. Scatter the contents of your list throughout your narrative. — Jaclyn Moriarty

I'm a memoir writer. I try to understand the world by taking experiences I have and making them into a story, whether it's a narrative memoir, blogging for The Huffington Post, writing poems, or talking on the screen about what has happened to me and how that relates to the world at large. — Staceyann Chin

Like a small business, a novel cannot afford to carry dead weight, even if it is a close family member.
It is likewise unnecessary to introduce a mother and/or father into a narrative - usually through the medium of a long telephone call on the subject of 'How's things?' - to demonstrate that the protagonist does, like all mammals, have parents. — Howard Mittelmark

Over recent years I had increasingly lost faith in literature. I read and thought this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories... All these millions of paperbacks, hardbacks, DVDs and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not...

Fictional writing has no value, documentary narrative has no value. The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? — Karl Ove Knausgard

To me, music and songwriting is ... part of the intriguing thing is the creative process; you know, the creative thought process. Relying on that ... there is some sort of inspiration there and you can't always put your finger on where it comes from. So, it's always been important for me to have my own thing and, even though I'm inspired by and influenced by many different musicians and styles of music, I was very determined early on to have my own thing. So when I sit down to write I don't necessarily have a particular narrative or message in mind. I'm interested in language and in words. — Page Hamilton

It's pretty easy to think of the idea of a story, and maybe even to write a scene or two, but understanding the ebb and flow of a narrative, where to leave the little clues your protagonist (and reader) need, while playing fair, takes a lot more skill and patience than you might think. — Dennis Green

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

Writing is a process of discovering. I could never outline a narrative; that just sounds boring. There's no joy of discovery in what you're doing if that's your strategy. — Bob Shacochis

What's precious about somebody like Bill Vollmann is that, even though there's a great deal of formal innovation in his fictions, it rarely seems to exist for just its own sake. It's almost always deployed to make some point (Vollmann's the most editorial young novelist going right now, and he's great at using formal ingenuity to make the editorializing a component of his narrative instead of an interruption) or to create an effect that's internal to the text. His narrator's always weirdly effaced, the writing unself-conscious, despite all the "By-the-way-Dear-reader" intrusions. In a way it's sad that Vollmann's integrity is so remarkable. Its remarkability means it's rare — David Foster Wallace

As artists, we are so not in control most of the time of the content or the narrative of our characters, and sometimes writing takes a turn and it's not something we necessarily have control over. It's just a lot of random dumb luck, so when things click, you've just got to enjoy it. — Mike Colter

Flannery O'Connor's writing is quite dark, but it is so because she believes in the Devil, and in the Fall, and in humanity as it is. Novels that avoid the horror of human existence in this time between Eden and New Jerusalem can reinforce a Christian's tendency to Pelagianism. The Christian gospel isn't "clean" and "safe" and "family-friendly." It comes to its narrative climax at a bloody Place of the Skull and in a borrowed grave. — Russell D. Moore

Polly finished her huge narrative during the summer term. The day after she had finished it, she went round with the oddest mixture of feelings, pride at having got it done, sick of the sight of it and glad it was over, and completely lost without it. — Diana Wynne Jones

Logic might be imagined to exist independent of writing - syllogisms can be spoken as well as written - but it did not. Speech is too fleeting to allow for analysis. Logic descended from the written word, in Greece as well as India and China, where it developed independently. Logic turns the act of abstraction into a tool for determining what is true and what is false: truth can be discovered in words alone, apart from concrete experience. Logic takes its form in chains: sequences whose members connect one to another. Conclusions follow from premises. These require a degree of constancy. They have no power unless people can examine and evaluate them. In contrast, an oral narrative proceeds by accretion, the words passing by in a line of parade past the viewing stand, briefly present and then gone, interacting with one another via memory and association. — James Gleick

Our dreams and stories may contain implicit aspects of our lives even without our awareness. In fact, storytelling may be a primary way in which we can linguistically communicate to others - as well as to ourselves - the sometimes hidden contents of our implicitly remembering minds. Stories make available perspectives on the emotional themes of our implicit memory that may otherwise be consciously unavailable to us. This may be one reason why journal writing and intimate communication with others, which are so often narrative processes, have such powerful organizing effects on the mind: They allow us to modulate our emotions and make sense of the world. — Daniel J. Siegel

We have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me
just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable ... — Amal El-Mohtar

Your narrative may fail to grip if you haven't taken any care to find out how well or badly your audience member is faring (or feeling). — Christopher Hitchens

Literature supplements the lives of people and enables us to feel connected with the world. Shared stories blunt a sense of tragic aloneness, and endow us with the tools to understand our humanness. Reading about the lives of other people acquaints us with the hardships of other people. The authorial voices of narrative prose express our shared feelings of deprivation — Kilroy J. Oldster

Voice is one of the most elusive qualities in any story. We recognize it when we hear it, but it's hard consciously to create an authentic voice. Somehow voice seems to be the natural manifestation of all the narrative decisions we've made so far. We discover it more than we fabricate it. — Philip Gerard

Language is like a road, it cannot be perceived all at once because it unfolds in time, whether heard or read. This narrative or temporal element has made writing and walking resemble each other. — Rebecca Solnit

Henry Luce to his Time magazine writers: Tell the history of our time through the people who make it. — Walter Isaacson

This is what is behind the special relationship between tale and travel, and, perhaps, the reason why narrative writing is so closely bound up with walking. To write is to carve a new path through the terrain of the imagination, or to point out new features on a familiar route. To read is to travel through that terrain that the author as guide - a guide one may not always agree with our trust, but who can at least be counted upon to take one somewhere. I have have often wished that my sentences could be written out as a single line running into distances so that it would be clear that a sentence is likewise a road and reading is traveling. — Rebecca Solnit

I am beginning to be sorry that I ever undertook to write this book. Not that it bores me; I have nothing else to do; indeed, it is a welcome distraction from eternity. But the book is tedious, it smells of the tomb, it has a rigor mortis about it; a serious fault, and yet a relatively small one, for the great defect of this book is you, reader. You want to live fast, to get to the end, and the book ambles along slowly; you like straight, solid narrative and a smooth style, but this book and my style are like a pair of drunks; they stagger to the right and to the left, they start and they stop, they mutter, they roar, they guffaw, they threaten the sky, they slip and fall ...
And fall! Unhappy leaves of my cypress tree, you had to fall, like everything else that is lovely and beautiful; if I had eyes, I would shed a tear of remembrance for you. And this is the great advantage in being dead, that if you have no mouth with which to laugh, neither have you eyes with which to cry. — Machado De Assis

The process of writing a novel is like taking a journey by boat. You have to continually set yourself on course. If you get distracted or allow yourself to drift, you will never make it to the destination. It's not like highly defined train tracks or a highway; this is a path that you are creating discovering. The journey is your narrative. Keep to it and there will be a tale told. — Walter Mosley

Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving toward the watcher on the shore. — Edith Wharton

We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don't usually serve us up whole scenes complete with dialogue. So I suppose I'm saying that I like to work from what a character is likely to remember, from a more interior place. — Lydia Davis

But what clicked with Joss most of all was that Greenwalt was able to balance his edginess with an old-school approach to narrative. It was Greenwalt, Joss says, who was "constantly pulling us back to 'But do we care about Buffy? But is Buffy in trouble?'" "We learned early on when we started writing that we've got to have the metaphor," Greenwalt explains. After all, a storyline that's just about a cool monster every week would quickly get old and predictable. "You've got to have the Buffy of it - what does it mean? — Amy Pascale

I bleed words.
I dream in narrative.
I live in infinite worlds.
I befriend figmental characters.
I wish on stars in other galaxies.
I harvest stories from a brooding muse.
I bloom under moonlight in hushed seclusion.
I am a writer. — Richelle E. Goodrich

I can't allow what we learned in English composition to disrupt the sound and rhythm of the narrative. — Elmore Leonard

If you're, like, a PhD student in English, and you look at each instance that Richard Yates is mentioned in the book ... it has sort of it's own narrative that one could analyze and write literary criticism about. — Tao Lin

I need to tell the things that are important but which don't make sense in terms of the narrative, things that would destroy symmetry or narrative pace. This is my personal belief about what it means to write nonfiction. — Akhil Sharma

If you interrupt the writing of fast narrative with too much introspection and self-criticism, you will be lucky if you write 500 words a day and you will be disgusted with them into the bargain. By following my formula, you write 2,000 words a day and you aren't disgusted with them until the book is finished, which will be in about six weeks. — Ian Fleming

I think many people need, even require, a narrative version of their life. I seem to be one of them. Writing memoir is, in some ways, a work of wholeness. — Sue Monk Kidd

The writing life is one long, never-ending search for narrative. Well, it's not even a conscious searching. It happens even while you're busy buying groceries and when you're fast asleep. It's a curse. — Miriam Toews

I don't know if it's good or bad, but when I first started writing I imitated the narrative thrust of a movie. And as I worked, I learned what you can do in fiction that you can't do in movies, and vice-versa. — Kevin Wilson

The novel is... the anti-form proper to modernity itself (which is to say, of capitalism and its cultural and epistemological categories, its daily life). This means... that the novel is also a vehicle of creative destruction. Its function, in some properly capitalist 'cultural revolution', is the perpetual undoing of traditional narrative paradigms and their replacement, not by new paradigms, but by something radically different. To use Deleuzian language for a moment, modernity, capitalist modernity, is the moment of passage from codes to axioms, from meaningful sequences, or indeed, if you prefer, from meaning itself, to operational categories, to functions and rules; or, in yet another language, this time more historical and philosophical, it is the transition from metaphysics to epistemologies and pragmatisms, we might even say from content to form. — Fredric Jameson

When I'm writing a book, generally I start with the mood and setting, along with a couple of specific images-things that have come into my head, totally abstracted from any narrative, that I've fixated on. After that, I construct a world, or an area, into which that general setting, that atmosphere, and the specific images I've focused on can fit. — China Mieville

I would write:
"The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam."
Or:
"The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream."
"The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers."
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. — Richard Wright

Readers don't want to read about somebody else having powerful emotions ... Readers want to become somebody else for a few hours, to live an exciting life, to find true love, to face down unimaginable terrors, to solve impossible puzzles, to feel a lightning jolt of adrenaline. — Randy Ingermanson

The writer's object should be to hold the reader's attention. I want the reader to turn the page and keep on turning until the end. This is accomplished only when the narrative moves steadily ahead, not when it comes to a weary standstill, overloaded with every item uncovered in the research. — Barbara W. Tuchman

I look back at the thousands of days through which I have lived, and feel awed by their inconsequentiality. My life resembles the writing in my diary (or perhaps it's the other way around): the days, like the sentences, each making a kind of superficial sense of their own, but in the context of the surrounding sentences and days, creating not a narrative or a meaning, but the very opposite: a riddle without solutions, a labyrinth without exits. A chaos. — Sam Taylor

Our minds simply don't function in some sort of narrative chronology. I think that one of the great gifts of writing fiction is being able to think about that. — Dani Shapiro

Music's the soundtrack of my life and has been since I was a teenager. There's always music. If I'm not playing it, I'm listening to it. With my writing ... sometimes it inspires a story, sometimes it highlights something I'm working on, sometimes it simply helps me stay in the narrative mood. — Charles De Lint

I don't really have a drive toward being a director at all. Not that I wouldn't rule it out, but I just don't think my instincts lie necessarily in a very visual way. But I am very interested in storytelling, narrative and character development, so writing is something that I absolutely want to do. — Rose McIver

Girl next to me at the baggage counter said she wrote her way to liberation. How did you handle first person narrative, I asked her. And said she knew the hole of depression, had been there. But I am out now, I escaped, I told her. 'You will fall into it again,' she said. Already I was sliding. — Kate Millett

Southern poets are still writing narrative poems, poems in forms, dramatic poems. — Robert Morgan

It was my intent all along to write a nonjudgmental narrative of Bush's presidency. Along the way, a number of liberal friends of mine expressed disgust that I would spend time on such an endeavor. — Robert Draper

Writers use narratives to select from everything there is, and make contexts by putting the pieces into relation; that's what writers do, they make contexts. — Paul Shepheard

I can pretty much spend an entire week talking about how the writing process works, to be honest! It can really vary from project to project and is often dependent on when you're brought on board, the genre, the platform and the narrative desires of the project. — Rhianna Pratchett

The biggest challenge in the research process is to let go, to stop, to say enough, and then to reduce all of that beloved labor down to a few succinct paragraphs that shape the background to your narrative. I love research - that's all the fun, especially in the field. To write, however, is to suffer, and my pieces usually come in thousands of words over the assigned length. That's a serious flaw in my writing process - shaping and disciplining the footlockers of material one has so happily gathered. — Bob Shacochis

Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears' stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors' saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family's history as well as scrawl out our personal story. — Kilroy J. Oldster

Listening to Ella furiously and endlessly unfurl the yarns of the Mingus tales, I understood that the need to tell stories is deeply embedded in our minds, and inseparably entangled with the mechanisms that generate and absorb language. Narrative imagination
and therefore fiction
is a basic evolutionary tool of survival. We process the world by telling stories and produce human knowledge through our engagement with imagined selves. — Aleksandar Hemon

A lack of narrative structure, as you know, will cause anxiety. — John Dufresne

In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy. — Sloane Crosley

What a joy it is to read a book that shocks one into remembering just how high one's literary standards should be. ... a tour de force by one of England's best novelists ... . Atonement is a spectacular book; as good a novel - and more satisfying ... - than anything McEwan has written ... .sublimely written narrative ... . The Dunkirk passage is a stupendous piece of writing, a set piece that could easily stand on its own. ... — Noah Richler

I have been sometimes way too attracted by my own villains because in a way they seem to hold the secret to the heart of the narrative. — Peter Straub

Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long. — Brit Marling

I have been writing fairy tales for as long as I can remember. Not much has changed in terms of my natural attraction to the narrative techniques of fairy tales. My appreciation of them in the traditional stories has deepened, especially of flat and unadorned language, intuitive logic, abstraction, and everyday magic. — Kate Bernheimer

For whatever reason, thus far it's been important to me not to write that kind of collection. Which means that I've spent months playing tic-tac-notecard, trying to get the stories in an order whereby stories that are similar in any given way (diction, narrative stance, setting, plot) are separated by others that aren't. — Roy Kesey

Of course, if I write a first-person novel about a woman writer, I am inviting every book reviewer to apply the autobiographical label
to conclude that I am writing about myself. But one must never not write a certain kind of novel out of fear of what the reaction to it will be. — John Irving

Our lives with all their miracles and wonders are merely a discontinuous string of incidents - until we create the narrative that gives them meaning — Arlene Goldbard

The analytical framework of this comprehensive field study of what it means to be an American examines how a person's personality, culture, technology, occupational and recreational activities affect a person's sense of purposefulness and happiness. The text evaluates the nature of human existence, formation of human social relations, and methods of communication from various philosophic and cultural perspectives. The ultimate goal is to employ the author's own mind and personal experiences as a filter to quantify what it means to live and die as a thinking and reflective person. — Kilroy J. Oldster

Now [Sue Grafton] loves writer's block, seeing it as a message from the psyche that the narrative is headed in the wrong direction. — Colleen O'Connor

It is difficult to disturb the common usage of Korean that is bent to the perspective of a male-oriented society. Korean society is based on both a politics and history that have been disguised as a solid society of solid male poems, a solid written language, fixed rules of how to write literature, and a narrative language. — Kim Hyesoon

Narrative becomes the way you make sense of chaos. That's how you focus the world. It's the only reason you should ever try this writing job. — Dennis Lehane

In the writing of novels, there is the problem of how to shape a narrative. — Gore Vidal

When you're spending that much time by yourself in your car looking at landscapes, it's desolate. Most of the other people around you are invisible in their own cars. You're driving past houses where maybe once in a while somebody is out, but that's about it. So I was interested in that aesthetic and I decided I wanted to write an apocalyptic narrative, but the more I thought of it, it seemed bizarre and untenable to me to pick one, so I just didn't. — Lucy Corin

A long list of propositions does not necessarily make a coherent argument — Andrew Pettegree

Well, this whole question of how you work out the narrative is very mysterious. It's a good deal more arbitrary than most people who don't do it would ever believe. — Joan Didion

The word story is intended to alert the reader to the fact that, however closely the narrative may fit the facts, the fictional process has been at work. — Bruce Chatwin

The light is amber, the air still; the daylilies have folded in on themselves. Soon, the hooded blue of dusk will fall, followed by the darkness of night and the sky writing of the stars, indecipherable to us mortals, despite our attempts to force narrative upon them. — Elizabeth Berg

A plain narrative of any remarkable fact, emphatically related, has a more striking effect without the author's comment. — William Shenstone

For me, the main inspiration to write a story or novel is the voice of its central character, or the narrative voice of the story itself. — Scott Bradfield

Sandeep Jauhar's Doctored is a passionate and necessary book that asks difficult questions about the future of medicine. The narrative is gripping, and the writing is marvelous. But it was the gravity of the problem - so movingly told - that grabbed and kept my attention throughout this remarkable work. — Siddhartha Mukherjee

I realized that if I was going to assume the responsibility of writing about my home, I needed narrative ruthlessness. I couldn't dull the edges and fall in love with my characters and spare them. Life does not spare us. — Jesmyn Ward

The resulting texts always took a narrative term, enigmatic at first but ultimately explicit and often premonitory. The semantic distribution of these basic elements diverted them from their original meaning, thus revealing their real significance. Henceforth, every form of writing will consist of an operation of decoding, of contamination, and of sense perversion. All this because all language is essentially mystification, and everything is fiction. — Brion Gysin

McEwan's Atonement ... truly dazzles, proving to be as much about the art and morality of writing as it is about the past ... . The middle section of Atonement, the two vividly realized set pieces of Robbie's trek to the Channel and Briony's experiences with the wounded evacuees of Dunkirk, would alone have made an outstanding novel ... . There is wonderful writing throughout as McEwan weaves his many themes - the accidents of contingency, the sins of absent fathers, class oppression - into his narrative, and in a magical love scene. — Noah Richler