Narrative With Light Quotes & Sayings

December 29, 1946: Snowing this morning. The year seems to be dying in a light white blanket. Only three more days of this year, then comes a new one. Then, what? No one knows.
Diary of Bertha Kate Gaddis who passed away 6 months later, age 78, West Lafayette, IN. — Angie Klink

Now, there is a tendency at a point like this to look over one's shoulder at the cover artist and start going on at length about leather, tightboots and naked blades.
Words like 'full', 'round' and even 'pert' creep into the narrative, until the writer has to go and have a cold shower and a lie down.
Which is all rather silly, because any woman setting out to make a living by the sword isn't about to go around looking like something off the cover of the more advanced kind of lingerie catalogue for the specialized buyer.
Oh well, all right. The point that must be made is that although Herrena the Henna-Haired Harridan would look quite stunning after a good bath, a heavy-duty manicure, and the pick of the leather racks in Woo Hun Ling's Oriental Exotica and Martial Aids on Heroes Street, she was currently quite sensibly dressed in light chain mail, soft boots, and a short sword.
All right, maybe the boots were leather. But not black. — Terry Pratchett

Anything I run across can light up the circuitry of my brain, and set me on an adventure. To research strains of yeast; hiccup fetishists; the proper use of inverse, obverse, converse and reverse; the ratio of main narrative to tangent, of forward action to aside. What else do we do but quest, pursue meaning in the information wash? Where does that storm sewer opening from the river into the city's underneath go to, anyhow? I grab a headlamp and head in. It's long and low and dark and stinks and extends for miles. Underneath the city is another city. The one above begins to disappear. That's what we're after, isn't it? To disappear? To venture into darkness, to let what we know or think we know recede for an hour, a day, a novel's length, and see what meaning can be made of what remains? — Ander Monson

With my family, historical facts are subsidiary to narrative, and narrative must always show the narrator in the best light. — Stuart Rojstaczer

Rigorously investigated and fearlessly reported, A Crime So Monstrous is a passionate and thorough examination of the appalling reality of human bondage in today's world. In his devastating narrative, Ben Skinner boldly casts light on the unthinkable, yet thriving, modern-day practice of slavery, exposing a global trade in human lives. The abuses detailed in these pages are repugnant, but there is hope to be found: by giving voice to the victims, Skinner helps restore their dignity and makes crucial strides toward closing this shameful chapter in history. — William J. Clinton

Now when we opened Disneyland, outer space was Buck Rogers. — Walt Disney

No group-living nonhuman primate is monogamous, and adultery has been documented in every human culture studied- including those in which fornicators are routinely stoned to death. In light of all of this bloody retribution, it's hard to see how monogamy comes "naturally" to our species. Why would so many risk their reputations, families, careers- even presidential legacies- for something that runs against human nature? Were monogamy an ancient, evolved trait characteristic of our species, as the standard narrative insists, these ubiquitous transgressions would be infrequent and such horrible enforcement unnecessary.
No creature needs to be threatened with death to act in accord with its own nature. — Christopher Ryan

You cannot love a car the way you love a horse. The horse brings out human feelings the way machines cannot do. Things like machines may develop or neglect certain things in people ... Machines make our life impersonal and stultify certain elements in us and create an impersonal environment. — Albert Einstein

And I could test myself - my own courage - with it, too, because when the doors at either end of the secret staircase were closed, it was impenetrably dark. I hid in the staircase, shivering with terror, telling the narrative: The little girl was in a dark, dark place but she was very brave ... Sometimes the door at the bottom opened, and a wedge of light sliced up the stairs; a maid, her arms filled with folded laundry, would find me and ask in amazement what I was doing there.
And though I answered lightheartedly that I was playing, the truth is that I was not entirely certain what I was doing there, crouched and frightened in the darkness. Only now, sixty years later, do I see that I was arming myself, rehearsing panic, loss, and helplessness; assessing my own cowardice and courage, and and the same time reassuring myself that the door would always open, that the light would always find its way in. — Lois Lowry

Tagore's direct narrative prose is clear water. At times the light changes over it, a shadow passes, and when night falls the water too takes on night's opacity. — Sharmistha Mohanty

I think that sitting there talking to Dan was a thing that had a great impression on my life. I know that being an idiot and all, I ain't supposed to have no philosophy of my own, but maybe it's just because nobody never too the time to talk to me about it. It was Dan's philosophy that everything that happen to us, or for that matter, to anything everywhere, is controlled by natural laws that govern the universe. His views were extremely complicated, but the gist of what he said begun to change my whole outlook on things. — Winston Groom

Photos have no narrative content. They only describe light on surface. — Garry Winogrand

I've worked out of a series of no's. No to exquisite light, no to apparent compositions, no to the seduction of poses or narrative. And all these no's force me to the yes. I have a white background. I have the person I'm interested in and the thing that happens between us. — Richard Avedon

Stop giving your life away to other people. — Steve Maraboli

You should have let me visit earlier," Jess said, her cheeks radiant from the brisk air outside. "It's been a week since the duel."
Kestrel sank back against the pillows. She had known the sight of Jess would hurt, would remind her that there was a life outside this bedroom. "Ronan isn't allowed."
"I should say not! I'm not letting him see you until you're better. You look awful. No one wants to kiss an invalid."
"Thank you, Jess. I'm so happy you've come. — Marie Rutkoski

Such is the privilege of survival: to be allowed to fashion the means that fit our ends, to cobble together a narrative that reveals (as by the divine light of illumination) the predestined arc of our days. This is no small gift. With it we can neutralize all but the greatest losses, reduce even the greatest bastards to nothing more than bit actors in the drama of our lives, put on this earth for the sole purpose of forwarding our cause. Blessed are those who can believe their own stories. — Mark Slouka

All men needed to hear their stories told. He was a man, but if he died without telling the story he would be something less than that, an albino cockroach, a louse. The dungeon did not udnerstand the idea of as tory. The dungeon was static, eternal, black and a story needed motion adn tiem and light. He felt his story slipping away from him, beocming inconsequential, ceasing to be. He has no story. There was no story. He was not a man. There was no man here. There was only the dungeon, and the slithering dark. — Salman Rushdie

Gesture will survive whatever kind of light you have. Gesture can triumph over anything because of its narrative content. — Jay Maisel

The night I left home I felt that I had been tricked or trapped into going - and not even by Mrs Winterson, but by the dark narrative of our life together.
Her fatalism was so powerful. She was her own black hole that pulled in all the light. She was made of dark matter and her force was invisible unseen except in its effects.
What would it have meant to be happy? What would it have meant if things had been bright, clear, good between us? — Jeanette Winterson

We're remembering each other's heroes, too. We are learning each other's songs. We are reminding ourselves that we are a global family praying together. We're all trying to live in the light of the history that shines through the biblical narrative. — Shane Claiborne

In the conventional Christian narrative, Christianity is a radical rewriting of the covenant between God and Israel in which Christianity supplants Judaism as God's "light to the nations."4 Progressive churches tend to wriggle uncomfortably with the unavoidable implication that Christianity is an improvement on Judaism designed to replace the original, a sort of Judaism 2.0. Many of us know instinctively that something is wrong with this conclusion. How do we proclaim a bold gospel that doesn't disparage our spiritual parent, the tradition of Judaism? Brigitte — Elizabeth M. Edman

When the glory night envelop the moon that would light up the exhilaration of heart..
the sun was reluctant to reveal smile to warm the earth..
when the fire burn until the wood becomes charcoal yield and melted into disappointment..
the earth will always embrace the rest of the wood by the fire burning in her arms..
then it's me and you in equation narrative prose deep and glorious.. — Rinto Yusnianto

But Robin: their dear little Robs. More than ten years later, his death remained an agony; there was no glossing any detail; its horror was not subject to repair or permutation by any of the narrative devices that the Cleves knew. And - since this willful amnesia had kept Robin's death from being translated into that sweet old family vernacular which smoothed even the bitterest mysteries into comfortable, comprehensible form - the memory of that day's events had a chaotic, fragmented quality, bright mirrorshards of nightmare which flared at the smell of wisteria, the creaking of a clothes-line, a certain stormy cast of spring light. — Donna Tartt

I'm very scary. I'm a menace. — Kevin Hart

There it is; the light across the water. Your story. Mine. His. It has to be seen to be believed. And it has to be heard. In the endless babble of narrative, in spite of the daily noise, the story waits to be heard.
Some people say that the best stories have no words. They weren't brought up to Lighthousekeeping. It is true that words drop away, and that the important things are often left unsaid. The important things are learned in faces, in gestures, not in our locked tongues. The true things are too big or too small, or in any case is always the wrong size to fit in the template called language. — Jeanette Winterson

The light is amber, the air still; the daylilies have folded in on themselves. Soon, the hooded blue of dusk will fall, followed by the darkness of night and the sky writing of the stars, indecipherable to us mortals, despite our attempts to force narrative upon them. — Elizabeth Berg

Narrative, however, has two kinds of time: first, its own real time, which like musical time defines its movement and presentation; and second, the time of its contents, which has a perspective quality that can vary widely, from a story in which the narrative's imaginary time is almost, or indeed totally coincident with its musical time, to one in which it stretches over light-years. — Thomas Mann