Narrative With Dialogue Quotes & Sayings

Critics have found in the narrative a veneer of erudition that cloaks nothing more than a James Bond-style romp, albeit a highly addictive one. His publisher has described it as 'a thriller for people who don't like thrillers'. One newspaper put it thus: 'It is terribly written, its characters are cardboard cutouts, the dialogue is excruciating in places and, a bit like a computer manual, everything is overstated and repeated - but it is impossible to put the bloody thing down. — Dan Brown

I've never been interested in the convention of dialogue that facilitates narrative-it's always sort of bored me. I find myself zoning out just listening to cadences of voices and tonality and this sort of thing. — Rick Alverson

I think about entrance and exits. I think about dialogue. But most of all I think about voice - all character development in theatre is done through voice. And as I wrote my debut novel "The Big Fear", I thought about narrative voice with every line. — Andrew Case

Reason is an action of the mind; knowledge is a possession of the mind; but faith is an attitude of the person. It means you are prepared to stake yourself on something being so. — Michael Ramsey

Rex Stout's narrative and dialogue could not be improved, and he passes the supreme test of being rereadable. I don't know how many times I have reread the Wolfe stories, but plenty. I know exactly what is coming and how it is all going to end, but it doesn't matter. That's writing. — P.G. Wodehouse

Movies have these transcendent moments where everything is just right, from the dialogue to the music to the lighting to the narrative context; everything is just perfect, and something magical happens - the film breaks through the screen and does something to you. — Jason Silva

Spike optioned my first book, 'Now the Hell Will Start,' and he trusted me to write the screenplay, too. That was an awesome learning experience - I grew up watching Spike's movies, and here he was giving me handwritten notes about structure and dialogue. His feedback taught me so much about how to craft a cinematic narrative. — Brendan I. Koerner

Without the witty, potent dialogue and the puzzling shape of the story, the movie would have been merely an American version of the kind of brooding, shadow-filled, Ufa-style expressionist stuff that Joe had grown up watching in Prague. Without the brooding shadows and cold adventurings of the camera, without the theatrical lighting and queasy angles, it would have been merely a clever movie about a rich bastard. It was much, much more, than any movie really needed to be. In this one crucial regard--its inextricable braiding of image and narrative--Citizen Kane was like a comic book. — Michael Chabon

The older I get, the less I care about what's cool. I realize I'm old and weird. — Aesop Rock

I began my comedy as its only actor and I come to the end as its only spectator. — Antonio Porchia

In liminal space, one meets the unknown, the marginalized, the synchronistic, the other, the unconscious edge of one's former narratives. At this point, the possibility to try out new narratives, to reframe one's story, becomes critical. Through narratives of participation the center of gravity shifts from fear and defensiveness to curiosity, creativity, and celebration. One begins to take a stand to validate one own's affects and doubts while at the same time interrogating them. The effect of such a shift is that the area of questioning about the self, the world, and the use of narrative language begins to widen noticeably. We can no longer assume there will be an outcome of homogeneous accounts through dialogue. The frames of narratives of participation anticipate heterogeneity rather than accord. — Helene Shulman

I'm very much aware in the writing of dialogue, or even in the narrative too, of a rhythm. There has to be a rhythm with it ... Interviewers have said, you like jazz, don't you? Because we can hear it in your writing. And I thought that was a compliment. — Elmore Leonard

People don't live their lives in a series of scenes that form a dramatic narrative, they don't speak in dialogue, they're not lit by a cinematographer or scored by a composer. The properties of real life and the properties of drama have almost nothing to do with each other. The difference between writing about reporters and being a reporter is the same as the difference between drawing a building and building a building. — Aaron Sorkin

Dialogue in fiction should be reserved for the culminating moments and regarded as the spray into which the great wave of narrative breaks in curving toward the watcher on the shore. — Edith Wharton

The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it's always the same beginning, and the same ending. — Martin Amis

Listen to what you have written. A dud rhythm in a passage of dialogue may show that you don't yet understand the characters well enough to write in their voices.
[Ten rules for writing fiction (The Guardian, 20 February 2010)] — Helen Dunmore

A human being having a full emotional conversation with a dog is funny, innately. It's one of those things where you get in a scene and you always go for what is the best joke, and a talking dog for some reason, whatever he says, is hilarious. (about his role wiht a talking dog in the forthcoming MEN IN BLACK sequel. — Will Smith

Let me say something about that word: miracle. For too long it's been used to characterize things or events that, though pleasant, are entirely normal. Peeping chicks at Easter time, spring generally, a clear sunrise after an overcast week
a miracle, people say, as if they've been educated from greeting cards. — Leif Enger

Study the scriptures and study the mortals who have been most consistently accurate about the most important things. When your freedom and your eternal welfare are at stake, your information best be accurate. — Ezra Taft Benson

Your desire to succeed must overpower your fear of failure! — Lorii Myers

Individualistic cultures, which emphasise achievement over affiliation, — Anonymous

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

We all have an ongoing narrative inside our heads, the narrative that is spoken aloud if a friend asks a question. That narrative feels deeply natural to me. We also hang on to scraps of dialogue. Our memories don't usually serve us up whole scenes complete with dialogue. So I suppose I'm saying that I like to work from what a character is likely to remember, from a more interior place. — Lydia Davis

I do feel that scripts get developed now to a point where they're sort of actor-proof. If the actor is not very good, the narrative still survives because it's all in the dialogue. Not to say there aren't great performances in English-language films, because there are every year, but the 1970s were awash with great performances, and I was wondering whether it had to do with the amount of space and the amount of responsibility given to the actors. — Paul Bettany

I want a red to be sonorous, to sound like a bell. If it doesn't turn out that way, I add more reds and other colors until I get it. — Pierre-Auguste Renoir

But what sets me apart from other Chinese writers is that I neither copy the narrative techniques of foreign writers nor imitate their story lines; what I am happy to do is closely explore what is embedded in their work in order to understand their observations of life and comprehend how they view the world we live in. In my mind, by reading the works of others, a writer is actually engaging in a dialogue, maybe even a romance in which, if there is a meeting of the minds, a lifelong friendship is born; if not, an amicable parting is fine, too. — Mo Yan

I've always had a problem with conventional punctuation of dialogue because it does seem to me to set it off too much from the narrative. I mean, in life, things don't stop while somebody says something, and then stuff starts up again; it's all happening at once. — Kate Grenville

My mother is an office manager, my father a professor of economics and financial planner. — Poppy Z. Brite

Good writers may "tell" about almost anything in fiction except the characters' feelings. One may tell the reader that the character went to a private school (one need not show a scene at the private school if the scene has no importance for the rest of the narrative), or one may tell the reader that the character hates spaghetti; but with rare exceptions the characters' feelings must be demonstrated: fear, love, excitement, doubt, embarrassment, despair become real only when they take the form of events - action (or gesture), dialogue, or physical reaction to setting. Detail is the lifeblood of fiction. — John Gardner

Now I protest to thee, gentle reader, that I entirely dissent from Francisco de Ubeda in this matter, and hold it the most useful quality of my pen, that it can speedily change from grave to gay, and from description and dialogue to narrative and character. So that if my quill displays no other properties of its mother-goose than her mutability, truly I shall be well pleased; and I conceive that you, my worthy friend, will have no occasion for discontent. From — Walter Scott

I feel that music on the screen can seek out and intensify the inner thoughts of the characters. It can invest a scene with terror, grandeur, gaiety, or misery. It can propel narrative switftly forward, or slow it down. It often lifts mere dialogue into the realm of poetry. Finally, it is the communicating link between the screen and the audience, reaching out and enveloping all into one single experience. — Bernard Herrmann

The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc. — Aaron Sorkin

I love Canadians. They are the coolest, nicest, most patriotic people, and they will support their countrymen no matter what, and I think that's commendable. — Ronda Rousey

For myself, the only way I know how to make a book is to construct it like a collage: a bit of dialogue here, a scrap of narrative, an isolated description of a common object, an elaborate running metaphor which threads between the sequences and holds different narrative lines together. — Hilary Mantel