Narrative With Quotes & Sayings

The comics medium has some unusual features that do make it very different, in that it's combining a verbal narrative with a visual one that allows for much richer possibilities of transmitting information. — Alan Moore

Certainly as an actor, half of your work is not going to end up on the screen anyway, because in the editorial process, they need to cut to the other actor in the scene. Very often, your best work ends up on the cutting room floor, because it just doesn't work with the overall narrative drive of the story. — Hart Bochner

It is photography itself that creates the illusion of innocence. Its ironies of frozen narrative lend to its subjects an apparent unawareness that they will change or die. It is the future they are innocent of. Fifty years on we look at them with the godly knowledge of how they turne dout after all - who they married, the date of their death - with no thought for who will one day be holding photographs of us. — Ian McEwan

I have a way of making narrative sculpture, where first you make a text and out of that text you make objects. I start with a story and then I make sculpture from that story, it's just that the stories become more and more elaborate. — Matthew Barney

By extrapolating a little from Freud, it becomes possible to think of nationalism as a kind of narcissism. A nationalist takes the neutral facts about a people - their language, habitat, culture, tradition and history- and turns these facts into a narrative, whose purpose is to illuminate the self-consciousness of a group, to enable them to think of themselves as a nation with a claim to self-determination. A nationalist, in other words, takes "minor differences"- indifferent in themselves- and transforms them into major differences. For this purpose, traditions are invented, a glorious past is gilded and refurbished for public consumption, and a people who might not have thought of themselves as a people at all suddenly begin to dream of themselves as a nation. — Michael Ignatieff

I'm interested in taking hold of the dull truth narrative and finding inside it the transcendence and spirituality and hysteria normally associated with religion. — Jim Crace

The primary narrative that forms our ministry models draws from our evangelical success stories. We are presented with triumphalistic narratives that minimize stories of struggle. Our historical reflection reveals an obsession with success and celebration while stories of survival and suffering are ignored. History is often told by the victorious and therefore favors them. In — Soong-Chan Rah

The Bible is not, in other words, simply a list of true doctrines or a collection of proper moral commands - though it includes plenty of both. The Bible is not simply the record of what various people thought as they struggled to know God and follow him, though it is that as well. It is not simply the record of past revelations, as though what mattered were to study such things in the hopes that one might have one for oneself. It is the book whose whole narrative is about new creation, that is, about resurrection, so that when each of the gospels ends with the raising of Jesus from the dead, and when Revelation ends with new heavens and new earth populated by God's people risen from the dead, this should come not as a surprise but as the ultimate fulfillment of what the story had been about all along. — N. T. Wright

This is ... an attempt to find some of the important fault lines in the narrative of "recorded history"
the points where people with access to the technology decided that *this* was how recordings should sound, and *this* is what it means to make a record. Ultimately, this is the story of what it means to make a recording of music
a *representation* of music
and declare it to be music itself. — Greg Milner

A mockumentary is supposed to be real, and we were frustrated with mockumentaries on TV, which are so rampant because of the success of 'The Office.' It's not real. You watch and ask why is there even a crew there. They never set it up in the narrative. You have a documentary crew following families for reasons we don't understand. — Benny Fine

What are the visual and narrative processes by which animals engage with their own representation? — Susan McHugh

An inclusive narrative structure provides the executive brain with the best template and strategy for the oversight and coordination of the functions of mind. A story well told, containing conflicts and resolutions, gestures and expressions, and thoughts flavored with emotion, connects people ad integrates neural networks — Louis Cozolino

I'm a music storyteller and collaborator. I hear character, location, and story as music. For me a score is there to both heighten the story and to actually tell the story with the unique emotional and narrative powers of music. — David Raiklen

My narrative style centers around intimate, highly subjective depictions of personal experience and internal landscapes. In 'March,' everything fell into place as soon as I began identifying strongly with John Lewis as a young boy and saw how we shared the same kind of gravity and intensity as youngsters. — Nate Powell

a novelist's work is often a strategy (I don't mean the author need be aware of this) for dealing with some personal dilemma. Not just that the dilemma is "worked out" in the narrative, as critics often tell us, but that the acts of writing and publishing and positioning oneself in the world of literature are all part of an attempt to find a solution, however provisional, to some deep personal unease. — Tim Parks

They ordered punch. They drank it. It was hot rum punch. The pen falters when it attempts to treat of the excellence thereof; the sober vocabulary, the sparse epithet of this narrative, are inadequate to the task; and pompous term, jewelled, exotic phrases rise to the excited fancy. It warmed the blood and cleared the head; it filled the soul with well-being; it disposed the mind at once to utter wit, and to appreciate the wit of others; it had the vagueness of music and the precision of mathematics. Only one of its qualities was comparable to anything else; it had the warmth of a good heart; but its taste, its smell, its feel, were not to be described in words. — W. Somerset Maugham

A dispassionate conceptual development of the typology of violence must by definition ignore its traumatic impact. Yet there is a sense in which a cold analysis of violence somehow reproduces and participates in its horror. A distinction needs to be made, as well, between (factual) truth and truthfulness: what renders a report of a raped woman (or any other narrative of a trauma) truthful is its very factual unreliability, its confusion, its inconsistency. If the victim were able to report on her painful and humiliating experience in a clear manner, with all the data arranged in a consistent order, this very quality would make us suspicious of its truth. — Slavoj Zizek

When you're writing a book that is going to be a narrative with characters and events, you're walking very close to fiction, since you're using some of the methods of fiction writing. You're lying, but some of the details may well come from your general recollection rather than from the particular scene. In the end it comes down to the readers. If they believe you, you're OK. A memoirist is really like any other con man; if he's convincing, he's home. If he isn't, it doesn't really matter whether it happened, he hasn't succeeded in making it feel convincing. — Samuel Hynes

It is important to insist on the historical truthfulness of the narrative of the fall of Adam and Eve. Just as the account of the creation of Adam and Eve is tied in with the rest of the historical narrative in the book of Genesis, so also this account of the fall of man, which follows the history of man's creation, is presented by the author as straightforward, narrative history — Wayne Grudem

The most compelling narrative, expressed in sentences with which I have no chemical reaction, or an adverse one, leaves me cold. — Jhumpa Lahiri

If you agree with me that a poem can be as bountiful as a rich Victorian narrative, and as wise ... then you'll want to join me here in the Wow, I Like No Need of Sympathy Club. Your membership fee is the same as your membership privileges: this book. — Albert Goldbarth

She thought, instead, with longing of more books - of buying books - of slipping into a narrative of other people's lives. That was release. — Peter Straub

John Lane has long been recognized as one of the South's finest poets and memoirists. This debut establishes him as one of our finest novelists as well. His poet's eye for detail seamlessly merges with a born storyteller's gift for narrative. Fate Moreland's Widow gives voice to those who endured one of the most painful and neglected chapters in American history. — Ron Rash

The inimitable stories of Tong-King never have any real ending, and this one, being in his most elevated style, has even less end than most of them. But the whole narrative is permeated with the odour of joss-sticks and honourable high-mindedness, and the two characters are both of noble birth. — Ernest Bramah

It's great that I can look up a fact instantly on my cellphone, but I miss the days in my room with a dog-eared, text-heavy paperback, immersed in the statistics of crime and punishment and lunacy, completely alone with the narrative of human depravity. — Russell Smith

Google, as the supplier of the Web's principal navigational tools, also shapes our relationship with the content that it serves up so efficiently and in such profusion. The intellectual technologies it has pioneered promote the speedy, superficial skimming of information and discourage any deep, prolonged engagement with a single argument, idea, or narrative. — Nicholas Carr

Believe it or not, one of the things I try to do around here is try to look for opportunities to work with people across the aisle. I know that's not the common narrative. But the truth is if you want to get anything done, that's an absolute requirement. — John Cornyn

The only consistent narrative we possess is one that we share with every other life-form: we are born, we live, and then we die. — Steven Erikson

And I could test myself - my own courage - with it, too, because when the doors at either end of the secret staircase were closed, it was impenetrably dark. I hid in the staircase, shivering with terror, telling the narrative: The little girl was in a dark, dark place but she was very brave ... Sometimes the door at the bottom opened, and a wedge of light sliced up the stairs; a maid, her arms filled with folded laundry, would find me and ask in amazement what I was doing there.
And though I answered lightheartedly that I was playing, the truth is that I was not entirely certain what I was doing there, crouched and frightened in the darkness. Only now, sixty years later, do I see that I was arming myself, rehearsing panic, loss, and helplessness; assessing my own cowardice and courage, and and the same time reassuring myself that the door would always open, that the light would always find its way in. — Lois Lowry

This was supposed to be the Presidential Suite," she said, gazing into the room at the holes in the wall.
well, even presidents get shot," I said.
I was just going to say that myself," she said, smiling. "But I didn't want to scare you."
I didn't know whether this was interesting
that we were both thinking the same gruesome thing
or even whether it was actually the case. Perhaps it was just rhetorical ESP: Kreskin's Guide to Etiquette. But even if it was true, that we were about to say the same thing, did this connect us in some deep private way? Or was it just a random obviousness shared between strangers? The deeper life between two people I had yet to read with confidence. It seemed a kind of vaporous text that kept revising its very alphabet. An exfoliating narrative, my professors would probably say. The paratext of the possible. — Lorrie Moore

Taking photographs seems to be a means to express some kind of emotional, abstractive narrative. I look at the images that I'm most proud of like a film about the world the way I see it (or at least saw it at that moment, a perspective that seems to be ever-shifting and filled with self-doubt.) — Anton Yelchin

A garden path,' write the landscape architects Charles W. Moore, William J. Mitchell, and William Turnbull, 'can become the thread of a plot, connecting moments and incidents into a narrative. The narrative structure might be a simple chain of events with a beginning, middle, and end. It might be embellished with diversions, digressions, and picaresque twists, be accompanied by parallel ways (subplots), or deceptively fork into blind alleys like the althernative scenerios explored in a detective novel. — Rebecca Solnit

I am not given to making sense out of life - or coming up with some grand narrative on it - other than to measure it by what you think you want to do in life. As for me, I have done what I had wanted to, to the best of my ability. I am satisfied. — Lee Kuan Yew

Once you play with these scenes and you're outlining it, again and again, and telling each other the narrative, and telling it to people you know, trying to make sure that the mathematics of the story work, you feel that those are in place, and the actual writing and final draft doesn't take as long. — Brit Marling

It's so often that I read for the bouncy, sunny girl men fall in love with who will solve all the romantic problems in the narrative. I don't choose to work that way. — Sarah Gadon

I don't know if it's something that we as a species are hardwired for or if it's more of a contemporary phenomenon related to technology and rapid dissemination of data. I did know that whatever its cause or nature, I wanted to interrogate this phenomenon. But the only way for me to do that, the only tool I have to dissect it with, is a fictional narrative. — Ron Currie Jr.

If you want to make yourself more sensitive to the small details in your work, cultivate a habit of imagining, as specifically as possible, what you expect to see and do when you get to your desk. Then you'll be prone to notice the tiny ways in which real life deviates from the narrative inside your head. If you want to become better at listening to your children, tell yourself stories about what they said to you at dinnertime last night. Narrate your life, as you are living it, and you'll encode those experiences deeper in your brain. If you need to improve your focus and learn to avoid distractions, take a moment to visualize, with as much detail as possible, what you are about to do. It is easier to know what's ahead when there's a well-rounded script inside your head. — Charles Duhigg

The close-up has no equivalent in a narrative fashioned of words. Literature is totally lacking in any working method to enable it to isolate a single vastly enlarged detail in which one face comes forward to underline a state of mind or stress the importance of a single detail in comparison with the rest. As a narrative device, the ability to vary the distance between the camera and the object may be a small thing indeed, but it makes for a notable difference between cinema and oral or written narrative, in which the distance between language and image is always the same. — Italo Calvino

The immersive stories of This Is Paradise are a lithe blend of formal invention and traditional narrative pleasures. As such they reflect Kristiana Kahakauwila's intimate but expansive vision of a Hawai'i forged from the collisions of past and present, here and there. Her protagonists are as richly distinctive as the pidgin they speak, and yet each struggles profoundly with identity-that negotiation between ourselves and the world, which is at once Hawaiian, American, universally and compellingly human. — Peter Ho Davies

It has forgotten that the gospels are replete with atonement theology, through and through - only they give it to us not as a neat little system, but as a powerful, sprawling, many-sided, richly revelatory narrative in which we are invited to find ourselves, or rather to lose ourselves and to be found again the other side. — N. T. Wright

But if we are to say anything important, if fiction is to stay relevant and vibrant, then we have to ask the right questions. All art fails if it is asked to be representative - the purpose of fiction is not to replace life anymore than it is meant to support some political movement or ideology. All fiction reinscribes the problematic past in terms of the present, and, if it is significant at all, reckons with it instead of simply making it palatable or pretty. What aesthetic is adequate to the Holocaust, or to the recent tragedy in Haiti? Narrative is not exculpatory - it is in fact about culpability, about recognizing human suffering and responsibility, and so examining what is true in us and about us. If we're to say anything important, we require an art less facile, and editors willing to seek it. — Michael Copperman

In New York and L.A., there is sort of that silent competition to be on the cutting edge of something. You end up having a conversation with how the world receives your work, especially if you are writing narrative, not fiction. Sometimes it is an awkward conversation. It's like group therapy. — Sloane Crosley

In all death penalty cases, spending time with clients is important. Developing the trust of clients is not only necessary to manage the complexities of the litigation & deal with the stress of a potential execution; it's also key to effective advocacy. A client's life often depends on his lawyer's ability to create a mitigation narrative that contextualizes his poor decisions or violent behavior. Uncovering things about someone's background that no one has previously discovered--things that might be hard to discuss but are critically important--requires trust. Getting someone to acknowledge he has been the victim of child sexual abuse, neglect, or abandonment won't happen without the kind of comfort that takes hours and multiple visits to develop. Talking about sports, TV, popular culture, or anything else the client wants to discuss is absolutely appropriate to building a relationship that makes effective work possible. — Bryan Stevenson

Consider the different narrative styles within the story, and the glee with which the "moralistic narrator" celebrates Aschenbach's fall - maybe, then, this is a hostile verdict and the international fame is warranted after all (given that Mann modeled his protagonist so closely on himself, it would be quite odd if he had intended Aschenbach's literary inferiority to be a fixed part of the interpretation). — Philip Kitcher

The properties of people and the properties of character have almost nothing to do with each other. They really don't. I know it seems like they do because we look alike, but people don't speak in dialogue. Their lives don't unfold in a series of scenes that form a narrative arc. — Aaron Sorkin

The writer's object should be to hold the reader's attention. I want the reader to turn the page and keep on turning until the end. This is accomplished only when the narrative moves steadily ahead, not when it comes to a weary standstill, overloaded with every item uncovered in the research. — Barbara W. Tuchman

When it comes to the nitty-gritty, what ties these threads of biblical narrative together into a revelation of God's love is that God has commanded us to refrain from grumbling about the dailiness of life. Instead we are meant to accept it as a reality that humbles us even as it gives cause for praise. The rhythm of sunrise and sunset marks a passage of time that marks each day rich with the possibility of salvation. — Kathleen Norris

I'm saddened by the loss of Black Diamonds that we bury by the thousands every year never knowing the brilliance they possess. I call you my brother
and we embrace with such sincerity while our mother's tears saturate the grounds where our diamonds lay at rest. My question to you, is this innate or hate? We are greater than the current narrative. We must allow the diamonds to shine. May they shine from above. — Bobby F. Kimbrough Jr.

Music's the soundtrack of my life and has been since I was a teenager. There's always music. If I'm not playing it, I'm listening to it. With my writing ... sometimes it inspires a story, sometimes it highlights something I'm working on, sometimes it simply helps me stay in the narrative mood. — Charles De Lint

I believe now that there's real fear of what happens once The Narrative blows up - because once we've ripped the rich to shreds, what we're left with is a whole bunch of broke people wondering where the hell their money went, without even a soothing fairy tale to help them get to sleep at night.
People in the financial community who actually worked in that world, the traders and the bankers themselves who joked with me about "those motherfuckers," did not have these illusions. You're not going to be good at making money if you need there to be a halo around the moneymaking process. The only people who really clung to those illusions were the financial commentators, right up to the point where those illusions became completely unsustainable. — Matt Taibbi

And who wouldn't wish that? Certainly everyone here- dressed up as aliens, and wizards, and zombies, and superheroes- wants desperately to be inside a story, to be part of something more logical and meaningful than real life seems to be. Because even worlds with dragons and time machines seem to be more ordered than our own. When you live for stories, when you spend so much of your time immersed in careful constructs of three and five acts, it sometimes feels like you're just stumbling through the rest of life, trying to divine meaningful narrative threads from the chaos. Which, as I learned the hard way this weekend, can be painfully fruitless. Fiction is there when real life fails you. But it's not a substitute. — Sarvenaz Tash

In truth, neither the narrative of oppression and exploitation nor that of 'the White Man's burden' completely matches the facts. The European empires did so many different things on such a large scale, that you can find plenty of examples to support whatever you want to say about them. You think that these empires were evil monstrosities that spread death, oppression and injustice around the world? You could easily fill an encyclopedia with their crimes. You want to argue that they in fact improved the conditions of their subjects with new medicines, better economic conditions and greater security? You could fill another encyclopedia with their achievements. Due to their close cooperation with science, these empires wielded so much power and changed the world to such an extent that perhaps they cannot be simply labelled as good or evil. They created the world as we know it, including the ideologies we use in order to judge them. But — Yuval Noah Harari

The beauty of being a liberal is that history always begins this morning. Every day liberals can create a new narrative that destroys the past as it occurred. We have always been at war with Eastasia. — Ann Coulter

Even a poor translator couldn't kill a style that moves with such narrative clarity. — William Zinsser

The best stories proceed from a mysterious truth-seeking impulse that narrative has when revised extensively; they are complex and baffling and ambiguous; they tend to make us slower to act, rather than quicker. They make us more humble, cause us to empathize with people we don't know, because they help us imagine these people, and when we imagine them - if the storytelling is good enough - we imagine them as being, essentially, like us. If the story is poor, or has an agenda, if it comes out of a paucity of imagination or is rushed, we imagine those other people as essentially unlike us: unknowable, inscrutable, incontrovertible. — George Saunders

In 1862, the Scottish mathematician James Clerk Maxwell developed a set of fundamental equations that unified electricity and magnetism. On his deathbed, he coughed up a strange sort of confession, declaring that "something within him" discovered the famous equations, not he. He admitted he had no idea how ideas actually came to him - they simply came to him. William Blake related a similar experience, reporting of his long narrative poem Milton: "I have written this poem from immediate dictation twelve or sometimes twenty lines at a time without premeditation and even against my will." Johann Wolfgang von Goethe claimed to have written his novella The Sorrows of Young Werther with practically no conscious input, as though he were holding a pen that moved on its own. — David Eagleman

Narrative, however, has two kinds of time: first, its own real time, which like musical time defines its movement and presentation; and second, the time of its contents, which has a perspective quality that can vary widely, from a story in which the narrative's imaginary time is almost, or indeed totally coincident with its musical time, to one in which it stretches over light-years. — Thomas Mann

Our children are an integral component of our stories as we are of theirs and, therefore, each child acts as the knighted messengers to carry their forebears' stories into the future. To deprive our children of the narrative cells regarding the formation of the ozone layer that rims the atmosphere of our ancestors' saga and parental determination of selfhood is to deny them of the sacred right to claim the sanctity of their heritage. Accordingly, all wrinkled brow natives are chargeable with the sacrosanct obligation of telling their kith and kin the memorable story of the scenic days they spent as children of nature splashing about in their naked innocence in the brook of infinite time and space. We must scrupulous document our family's history as well as scrawl out our personal story. — Kilroy J. Oldster

The Bureau of Labor Statistics reports that in 1975, 31 percent of college teachers were female; by 2009, the number had grown to 49.2 percent.7 There are more women teaching in college than ever, and it is quite possible that their presence, coupled with our discovery of the postmodern narrative, has had a feminizing effect on the collective unconscious of faculty thought. Strong winds of compassion blow across campus quads. Women are more empathetic than men, more giving, simply more bothered by anyone's underdog status. Many of the female adjuncts I have spoken to seem blessed and cursed by feelings of maternity toward the students. Women think about their actions, and the consequences of their actions, in a deeper way than do men. — Professor X.

Baseball, boxing, handball - sooner or later every game gets compared to narrative, but only in football are the plays perfectly linear, drawn up with letters, and only in football is the field itself lined like a sheet of notebook paper. — J.R. Moehringer

Listening to Ella furiously and endlessly unfurl the yarns of the Mingus tales, I understood that the need to tell stories is deeply embedded in our minds, and inseparably entangled with the mechanisms that generate and absorb language. Narrative imagination
and therefore fiction
is a basic evolutionary tool of survival. We process the world by telling stories and produce human knowledge through our engagement with imagined selves. — Aleksandar Hemon

Ottoman provinces were re-formed and cobbled together into states. The region was carved up with little regard to ethnic, religious, or territorial concerns. The flawed and cavalier treaties of World War I explain to a large degree why the Middle East remains unstable and angry today. Every Muslim schoolchild is taught this arc of history and resents it: Islam's golden era of the Arab caliphate, the Crusades, the Mongol devastation, the rise of the Ottomans, World War I, the carving up of the Middle East by Europe, and the poverty, weakness, and wars in the Muslim world of the last century. This is the basic and sad narrative taught at every mosque, and it has the benefit of being broadly accurate. — Richard Engel

People knew there were two ways of coming at truth. One was science, or what the Greeks called Logos, reason, logic. And that was essential that the discourse of science or logic related directed to the external world. The other was mythos, what the Greeks called myth, which didn't mean a fantasy story, but it was a narrative associated with ritual and ethical practice but it helped us to address problems for which there were no easy answers, like mortality, cruelty, the sorrow that overtakes us all that's part of the human condition. And these two were not in opposition, we needed both. — Karen Armstrong

The narrative compression of storytelling, especially in the movies, beguiles us with happy endings into forgetting that sustained stress is corrosive of feeling. It's the great deadener. Those moments of joyful release from terror are not so easily had. — Ian McEwan

Half an hour later, as I was deeply immersed in the story of The Man of the Hill, that curious, lengthy digression which seems to have nothing to do with the main narrative but is in fact its cornerstone.. — Jonathan Coe

When I worked with Woody Allen, I only got the parts of the script that I was in. I was able to piece together the narrative from that, but I remember being quite excited to watch the movie - the movie that I was in but didn't know what happened in, like, 65 percent of. — Chiwetel Ejiofor

[E]verything is fiction. When you tell yourself the story of your life, the story of your day, you edit and rewrite and weave a narrative out of a collection of random experiences and events. Your conversations are fiction. Your friends and loved ones - they are characters you have created. And your arguments with them are like meetings with an editor - please, they beseech you, you beseech them, rewrite me. You have a perception of the way things are, and you impose it on your memory, and in this way you think, in the same way that I think, that you are living something that is describable. When of course, what we actually live, what we actually experience - with our senses and our nerves - is a vast, absurd, beautiful, ridiculous chaos. — Keith Ridgway

We have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me
just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable ... — Amal El-Mohtar

Between 1870 and 1905 Mark Twain (Samuel L. Clemens) tried repeatedly, and at long intervals, to write (or dictate) his autobiography, always shelving the manuscript before he had made much progress. By 1905 he had accumulated some thirty or forty of these false starts - manuscripts that were essentially experiments, drafts of episodes and chapters; many of these have survived in the Mark Twain Papers and two other libraries. To some of these manuscripts he went so far as to assign chapter numbers that placed them early or late in a narrative which he never filled in, let alone completed. None dealt with more than brief snatches of his life story. — Mark Twain

At the heart of any successful film is a powerful story. And a story should be just that: a narrative with a beginning, middle, and end, powerful protagonists that audiences can identify with, and a dramatic arc that is able to capture and hold viewers' intellectual and emotional attention. — Julia Bacha

It's something that's difficult to explain but I think all writers work this way to some extent, whether we're aware of it or not. For me, writing has little to do with thinking. I don't want to control the narrative. I listen to the rhythm of the words and dialogue and try to give the characters the space in which to say and do what they want without intervening too much. — Mary J. Miller

I will throw all my best efforts into it, my thoughts and political observations, but ultimately I want to create a narrative that keeps you turning the pages and leaves you with a sense that this thing has a reason for being there. — Frank Miller

On the rare occasions when our dreams succeed and achieve perfection - most dreams are bungled - the are symbolic chains of scene and images in place of a narrative poetic language; they circumscribe our experiences or expectations or situations with such poetic boldness and decisiveness that in the morning we are always amazed when we remember our dreams. — Friedrich Nietzsche

I am a taxonomist, I work in the descriptive, narrative sciences of natural history. Unfortunately there is this status ordering from physics, the queen of the sciences up on top, down through a bunch of squishy subjects, ending up with sociology and psychology on the bottom. Palaeontologists are not much above that in their conventional ordering. — Richard Lewontin

Maybe thinking you're supposed to 'have a life' is a stupid way of buying into an untenable 1950s narrative of what life *supposed* to be. How do we know that all of these people with 'no lives' aren't really on the new frontier of human sentience and preceptions? — Douglas Coupland

But what clicked with Joss most of all was that Greenwalt was able to balance his edginess with an old-school approach to narrative. It was Greenwalt, Joss says, who was "constantly pulling us back to 'But do we care about Buffy? But is Buffy in trouble?'" "We learned early on when we started writing that we've got to have the metaphor," Greenwalt explains. After all, a storyline that's just about a cool monster every week would quickly get old and predictable. "You've got to have the Buffy of it - what does it mean? — Amy Pascale

Together, these three gospels - Mark, Matthew, and Luke - became known as the Synoptics (Greek for "viewed together") because they more or less present a common narrative and chronology about the life and ministry of Jesus, one that is greatly at odds with the fourth gospel, John, which was likely written soon after the close of the first century, between 100 and 120 C.E. — Reza Aslan

There's always a moment when you start to fall out of love, whether it's with a person or an idea or a cause, even if it's one you only narrate to yourself years after the event: a tiny thing, a wrong word, a false note, which means that things can never be quite the same again. — Douglas Adams

Quest stories are about the oldest form of narrative there is, and they're also the perfect metaphor for life because we're all on a journey trying to figure out where we're going and who we are. 'Solomon Creed' is just doing it with more danger and guns involved. — Simon Toyne

I'm aware of narrating certain experiences as they happen or obliterating those experiences with narrative and then those stories - not the experiences themselves - might become material for art. This kind of transformation shows up a lot in 10:04 because the book tracks the transposition of fact into fiction in the New Yorker stor — Ben Lerner

But any book that is any good must be, to some extent, autobiographical, because one cannot and should not fabricate emotions; and although style and narrative are crucial, the bulwark, emotion, is what finally matters. With luck, talent, and studiousness, one manages to make a little pearl, or egg, or something ... — Edna O'Brien

We can choose the narrative we tell about our lives. We're born into cultures, nations and languages that we didn't choose. We're born with certain brain chemicals and genetic predispositions that we can't control. We're sometimes thrust into social conditions that we detest. But among all the things we don't control, we do have some control over our stories. We do have a conscious say in selecting the narrative we will use to organize perceptions. — David Brooks

The problem is this: when we separate Jesus from his ideas for an alternative social structure, we inevitably succumb to the temptation to harness Jesus to our ideas - thus conferring upon our human political ideas an assumed divine endorsement. With little awareness of what we are doing, we find ourselves in collusion with the principalities and powers to keep the world in lockstep with the ancient choreography of violence, war, and death. We do this mostly unconsciously, but we do it. I've done it. And the result is that we reduce Jesus to being the Savior who guarantees our reservation in heaven while using him to endorse our own ideas about how to run the world. This feeds into a nationalized narrative of the gospel and leads to a state-owned Jesus. Thus, our understanding of Christ has mutated from Roman Jesus to Byzantine Jesus to German Jesus to American Jesus, etc. — Brian Zahnd

Note the significant fact that we always hear of the "fall of man," not the fall of woman, showing that the consensus of human thought has been more unerring than masculine interpretation. Reading this narrative carefully, it is amazing that any set of men ever claimed that the dogma of the inferiority of woman is here set forth. The conduct of Eve from the beginning to the end is so superior to that of Adam. The command not to eat of the fruit of the tree of Knowledge was given to the man alone before woman was formed. Genesis ii, 17. Therefore the injunction was not brought to Eve with the impressive solemnity of a Divine Voice, but whispered to her by her husband and equal. It was a serpent supernaturally endowed, a seraphim as Scott and other commentators have claimed, who talked with Eve, and whose words might reasonably seem superior to the second-hand story of her — Elizabeth Cady Stanton

He wonders if this is a lack within himself. Is there a part of the brain from which love comes that in his case has drastically malfunctioned? The world is awash in love - on the radio, in movies, in the pages of novels. Romantic love is the common cultural narrative, yet he seems immune to it. Thus, though he has yet to taste the pain that comes with love, he has experienced pain of a different, related sort: the fear of facing a life without it. — Justin Cronin

In Globetrotter, David Albahari explores the consciousness of emigres from the former Yugoslavia, Croatia and Serbia, showing that while abroad, many of us are even more intensely preoccupied with our histories than we were while living in Yugoslavia. His narrative structured out of realistic details and perceptions with self-conscious meditation blending history, civilization and its discontents, and personal experience reaches a density and intensity akin to Krasznahorkai's and Thomas Bernhard's. An intensely idiosyncratic narrative, enjoyable and thoughtful. — Josip Novakovich

My hips bristle with totems and talismans, proof that I am not simply a character in a fixed book or film. I am no single narrative. As neither Rebecca de Winter nor Jane Eyre, I am free to revise my story, to reinvent myself, my world, at any given moment. Advancing beside Archer, I am resplendent in my savage finery of seized power. In my service charge the collected blackguards of a dozen tyrants now dispatched to a lesser oblivion. My fingers, stained crimson with the blood of despots, are not the fingers which paged through the paper lives of helpless romantic heroines. No more am I a passive damsel who waits for circumstance to decide her fate; now have I become the scalawag, the swashbuckler, the Heathcliff of my dreams bent on rescuing myself. For now do I embody all the traits I had so hoped to find in Goran. Meaning: No longer am I limited. — Chuck Palahniuk

McEwan's Atonement ... truly dazzles, proving to be as much about the art and morality of writing as it is about the past ... . The middle section of Atonement, the two vividly realized set pieces of Robbie's trek to the Channel and Briony's experiences with the wounded evacuees of Dunkirk, would alone have made an outstanding novel ... . There is wonderful writing throughout as McEwan weaves his many themes - the accidents of contingency, the sins of absent fathers, class oppression - into his narrative, and in a magical love scene. — Noah Richler

We all begin with a story of ourselves that we believe to be true. But perhaps true personal change, even healing, can only happen when we change that narrative, when we begin to tell ourselves and others a different story. Surely — Thrity Umrigar

We live entirely, especially if we are writers, by the imposition of a narrative line upon disparate images, by the 'ideas' with which we have learned to freeze the shifting phantasmagoria which is our actual experience. — Joan Didion

That thing we call a place is the intersection of many changing forces passing through, whirling around, mixing, dissolving, and exploding in a fixed location. To write about a place is to acknowledge that phenomena often treated separately - ecology, democracy, culture, storytelling, urban design, individual life histories and collective endeavors - coexist. They coexist geographically, spatially, in place, and to understand a place is to engage with braided narratives and sue generous explorations. — Rebecca Solnit

You do not even think of your own past as quite real; you dress it up, you gild it or blacken it, censor it, tinker with it ... fictionalize it, in a word, and put it away on a shelf - your book, your romanced autobiography. We are all in flight from the real reality. That is a basic definition of Homo sapiens. — John Fowles

Claire closed her eyes. Her breathing got deeper. She was awake - she could still hear Lydia greedily thumbing through pages - but she was also asleep, and in that sleep, she felt herself dipping into a dream. There was no narrative, just fragments of a typical day. She was at her desk paying bills. She was practicing the piano. She was in the kitchen trying to come up with a grocery list. She was making phone calls to raise money for the Christmas toy drive. She was studying the shoes in her closet, trying to put together an outfit to wear to lunch. — Karin Slaughter

As long as my personal narrative is in line with the narratives of the people around me, I can convince myself that my life is meaningful, and find happiness in that conviction. — Yuval Noah Harari

[W]hen the modern mythmaker, the writer of literary fairy tales, dares to touch the old magic and try to make it work in new ways, it must be done with the surest of touches. It is, perhaps, a kind of artistic thievery, this stealing of old characters, settings, the accoutrements of magic. But then, in a sense, there is an element of theft in all art; even the most imaginative artist borrows and reconstructs the archetypes when delving into the human heart. That is not to say that using a familiar character from folklore in the hopes of shoring up a weak narrative will work. That makes little sense. Unless the image, character, or situation borrowed speaks to the author's condition, as cryptically and oracularly as a dream, folklore is best left untapped. — Jane Yolen

I think I've learned to be mindful. I may not have taken the time to try to understand narrative techniques, let's say, with any rigor, if I did not also have to try to explain those techniques to someone else. — John Dufresne

Like many men who experience fatherhood relatively late in life, Martin Luther was a devoted parent. Luther wrote his children letters of touching intensity, patiently converting the joys of the Christian life into a language of storytelling fit for the very young. A home with children brought out the best in Luther in a way that theological disputation patently did not. — Andrew Pettegree

Credomancy may seek to exploit the human desire for a tidy narrative where an unblemished romantic hero vanquishes all obstacles, but such ideals have very little to with reality. Reality requites pragmatism and compromise. Men fail. Women fail. There are no heroes, only human beings who somehow find the strength to behave heroically, no matter how many times they have been unable to do so in the past. If you understand that, Miss Edwards - if you truly and deeply understand that, then you will understand the most powerful thing anyone with a heart can understand."
"And what's that?" Emily said softly.
"That love is not enough. But it's a start. — M.K. Hobson

Sangeeta Bandyopadhyay is a stylistically daring writer in love with surrealism, credited with being 'the woman who reintroduced hardcore sexuality to Bengali literature'. But though the (male) establishment used this label of erotica to dismiss her work, the sex scenes have exactly the same transgressive function as her use of chronology and narrative voice. — Deborah Smith

You exist if and only if you are free to do things without a visible objective, with no justification and, above all, outside the dictatorship of someone else's narrative. — Nassim Nicholas Taleb