Narrative Identity Quotes & Sayings

As a woman who doesn't necessarily fit the beauty standard in Hollywood ... I really related to the narrative of looking for something you felt comfortable in that would properly express your identity, especially when your identity didn't feel like it necessarily matched the one that was being imposed on you. — Lena Dunham

One of the things cognitive science teaches us is that when people define their very identity by a worldview, or a narrative, or a mode of thought, they are unlikely to change-for the simple reason that it is physically part of their brain, and so many other aspects of their brain structure would also have to change; that change is highly unlikely. — George Lakoff

Hardly any aspect of my life, from where I had lived to my education to my employment history to my friendships, had been free from the taint of racial inequity, from racism, from whiteness. My racial identity had shaped me from the womb forward. I had not been in control of my own narrative. It wasn't just race that was a social construct. So was I. — Tim Wise

Haven't you offered up some part of your Self to someone (or something), and taken on a "narrative" in return? Haven't we entrusted some part of our personality to some greater System or Order? And if so, has not that System at some stage demanded of us some kind of "insanity"? Is the narrative you now possess really and truly your own? Are your dreams really your own dreams? Might not they be someone else's visions that could sooner or later turn into nightmares? — Haruki Murakami

My places were emotional, primarily. I wrote of locales in which I had lived, or in which I imagined I could live, but the topography was primal and sexual and terminal. It bore no distinct architecture or design or dialect. It was merely human and in peril, which is to say universal. But on Royal and Coliseum and Vista--streets I cannot relinquish--I found my places and I dreamed a narrative. Can I go there and find it again?"--Tennessee Williams — James Grissom

Anger is what makes our struggle visible, and our struggle is what exposes they hypocrisy of a nation that fashions itself a moral leader. To rise against the narrative and expose the lie gives opportunity to those whose identity depends on the lie to question and, hopefully, change. — Mychal Denzel Smith

The "new" Anglo-American feminist theory argues that too little mothering, and, in particular, the absence of mother-son connection, is what engenders both sexism and traditional masculinity in men. (...) This perspective positions mothering as central to feminist politics in its insistence that true and lasting gender equality will occur only when boys are raised as the sons of mothers. As the early feminist script of mother-son connection required the denial of the mother's power and the displacement of her identity as mother, the new perspective affirms the maternal and celebrates mother-son connection. In this, it rewrites the patriarchal and early feminist narrative to give (...) voice and presence to the mother and make mother-son connection central to the redesign of both traditional masculinity and the larger patriarchal culture. — Andrea O'Reilly

The next thing is by gentle degrees to accustom children to those things they are too much afraid of. But here great caution is to be used, that you do not make too much haste, nor attempt this cure too early, for fear lest you increase the mischief instead of remedying it. — John Locke

Those who first invented and then named the constellations were storytellers. Tracing an imaginary line between a cluster of stars gave them an image and an identity. The stars threaded on that line were like events threaded on a narrative. Imagining the constellations did not of course change the stars, nor did it change the black emptiness that surrounds them. What it changed was the way people read the night sky. — John Berger

To restore the human subject at the centre - the suffering, afflicted, fighting, human subject - we must deepen a case history to a narrative or tale; only then do we have a 'who' as well as a 'what', a real person, a patient, in relation to disease - in relation to the physical.
The patient's essential being is very relevant in the higher reaches of neurology, and in psychology; for here the patient's personhood is essentially involved, and the study of disease and of identity cannot be disjoined. — Oliver Sacks

I wear makeup and I don dramatic attire because I like control. I'm not interested in controlling others but I'm invested in strict self-governance. This is why I don't do many face-to-face interviews. I don't like being caught off-guard. It all goes back to that attempt to create order amidst disorder. One of the most frightening things about losing your mind is that you feel like your body, your brain, every part of your essence is being invaded. There is such a palpable helplessness to that narrative and I hate the sense of victimhood that it implies. Certainly, this is how I felt during my moments of psychological disquiet. I felt like my personhood was under attack. Performativity is important to me because I'm the teller of my own stories. I have been performing these multiple roles for so long that they have bled into my identity. I have become the man that I always wanted to be. — Diriye Osman

Effeminate men intrigue me more than anything in the world. I see them as my alter egos. I feel very drawn to them. I think like a guy, but I'm feminine. So I relate to feminine men. — Madonna Ciccone

When our Lord said to the disciples, "Follow me, and I will make you fishers of men" (Matthew 4:19), His reference was not to the skilled angler, but to those who use the drag-net
something which requires practically no skill; the point being that you do not have to watch your "fish," but you have to do the simple thing and God will do the rest. The pseudo-evangelical line is that you must be on the watch all the time and lose no oportunity of speaking to people, and this attitude is apt to produce the superior person. It may be a noble enough point of view, but it produces the wrong kind of character. It does not produce a disciple of Jesus, but too often it produces the kind of person who smells of gunpowder and people are afraid of meeting him. According to Jesus Christ, what we have to do is to watch the source and He will look after the outflow: "He that believeth on me, ... out of his belly shall flow rivers of living water" (John 7:38). — Oswald Chambers

Dissociation leaves us disconnected from our memories, our identities and our emotions. It breaks the trauma into digestible components, so that different aspects of the trauma get stored in different compartments in our brain. What happens as a result is that the information from the trauma becomes disorganized and we are not able to integrate these pieces into a coherent narrative and process trauma fully until, hopefully, with the help of a validating, trauma-informed counselor who guides us to the appropriate therapies best suited to our needs, we confront the trauma and triggers in a safe place. — Shahida Arabi

Sweetheart the doctor gave you the okay, and your friends will be there. It's okay to live your life. You can't be afraid at every turn. — Evelyn Smith

Narrative storytelling enables us to derive ideas from the disparate facts, incongruent motives, conflicting emotions, and other absurdities inherent in living dynamically. The narrative that we select to tell our life story acts as a lens that assigns value to our shape shifting experiences: it pulls humor from catastrophes; it places a patina of irony over our checkered history; it allows us to explore our pessimism; and it provides a platform from which vantage point we can optimistically view the future. — Kilroy J. Oldster

As it unfolded, the structure of the story began to remind me of one of those Russian dolls that contain innumerable ever-smaller dolls within. Step by step the narrative split into a thousand stories, as if it had entered a gallery of mirrors, its identity fragmented into endless reflections. — Carlos Ruiz Zafon

Memory is the foundation of identity. Through our sense of identity, we act. We determine our moral judgements. We rewrite our own memories, of course, all the time. We create fresh narratives to use in our survival. We agree on fresh histories enabling us to take action. It is part of what makes us such flawed creatures. Creatures of such narrative fiction creating cause and effect. — Michael Moorcock

Lovable work is visible work. The question of who gets a public platform as a worker and who does not is neatly side-stepped by Jobs's narrative. What do those in the invisible workforce call themselves in their social media profiles? What kinds of identities are available to them? These questions are critical because, as Jonathan Crary notes in his recent book, 24/7: Late Capitalism and the Ends of Sleep, while the notion of identity is bound up with public visibility, today that public exposure has become detached from communal forms that once provided safekeeping and care. Crary notes that in the always-on, 24/7 temporality in which we now live, the pressure to be constantly consuming or producing necessitates a constant presence in the public sphere, specifically in the marketplace. — Miya Tokumitsu

Writing a sincere narrative account of personal adversities and misfortunes is one way to become acquainted with the rifts of a person's inmost self, the smothered pieces of want that lie separate and undetected amid the customs, habits, vices, and tedium that encases us in the hubbub of daily living. — Kilroy J. Oldster

Our stations in life, our difference of cultures, the pain-laid men who raised us - forbid us to be us. They have brainwashed us. We feel we should believe the polarity between us. — Coco J. Ginger

The body of work I create combines traditional storylines and postmodern narrative strategies to approach themes such as belonging, identity politics and conflict, as well as the push towards - and resistance against - modernization. — Aman Mojadidi

If you think you know everything; you know nothing. If you think you know nothing; you know something. — Jayce O'Neal

The immersive stories of This Is Paradise are a lithe blend of formal invention and traditional narrative pleasures. As such they reflect Kristiana Kahakauwila's intimate but expansive vision of a Hawai'i forged from the collisions of past and present, here and there. Her protagonists are as richly distinctive as the pidgin they speak, and yet each struggles profoundly with identity-that negotiation between ourselves and the world, which is at once Hawaiian, American, universally and compellingly human. — Peter Ho Davies

The companies only developed if the state did not intervene in the French fashion. If on the contrary a certain degree of economic freedom was the rule, capitalism moved in firmly and adapted itself to all administrative quirks and difficulties — Fernand Braudel

History is about longing and belonging. It is about the need for permanence and the perception of continuity. It concerns the atavistic desire to find deep sources of identity. We live again in the twelfth or in the fifteenth century, finding echoes and resonances of our own time; we may recognise that some things, such as piety and passion, are never lost; we may also conclude that the great general drama of the human spirit is ever fresh and ever renewed. That is why some of the greatest writers have preferred to see English history as dramatic or epic poetry, which is just as capable of expressing the power and movement of history as any prose narrative; it is a form of singing around a fire. — Peter Ackroyd

We landed heavily on the sand. I threw off Khyber's embrace. "I can walk by myself."

"Good. You're heavier than usual. How does a girl manage to put on weight on a deserted island?"

"I'm just trying to keep you in shape," I replied sweetly. "Your tiny, pale-ass arms aren't impressing anyone."

"Sensitive, are we?"

But when a tree-sized stalagmite barred our way, Khyber swiftly strode forward to snap it in two. I laughed and brushed past him.

"I'm not the only one. — Heather Heffner

There's no linear narrative - the structure is more like a series of variations on a theme (how identity is shaped by language), with the past constantly bleeding into the present, dreams into reality. And the language, while incredibly lyrical in places, also has this underlying dissonance, the sense of it having itself been translated. — Deborah Smith

Narrative identity takes part in the story's movement, in the dialectic between order and disorder. — Paul Ricoeur

Or is anyone's identity a matter of fragments held together by convenient or useful narrative, that in ordinary circumstances never reveals itself as a fiction? Or is it really a fiction? — Ann Leckie

If the first step in establishing a professional identity is claiming our interests and talents, then the next step is claiming a story about our interests and talents, a narrative we can take with us to interviews and coffee dates ( ... ) a story that balances complexity and cohesion is frankly, diagnostic. — Meg Jay

The narrative constructs the identity of the character, what can be called his or her narrative identity, in constructing that of the story told. It is the identity of the story that makes the identity of the character. — Paul Ricoeur

Narratives are the primary way in which we make sense of our lives, as opposed to, for example schema,cognition, beliefs, constructs. Definition of narrative include the important element of giving meaning to events and experiences over time by connecting them as a developing, continuing story. — Jacqui Stedmon

The construction of a new body of knowledge always bears direct connection to the ideology in which it operates. Historical insights that diverge from the narrative laid down at the inception of the nation can be accepted only when consternation about their implications is abated. This can happen when the current collective identity begins to be taken for granted and ceases to be something anxiously and nostalgically clings to a mythical past, when identity becomes the basis for living and not its purpose - that is when historiographic change can take place. — Shlomo Sand

Forgiveness is a stunning principle, your ticket out of hate and fear and chaos. — Barbara Johnson

To speak of "the rise of Protestantism" is to offer a controlling narrative that links these potentially disparate events as part of a greater, more significant movement. So persuasive was this emerging narrative that many of the reforming groups scattered across Europe realigned their sense of identity and purpose to conform to it. As these movements began to locate themselves on a historical and conceptual map, each came increasingly to identify itself in terms of what was perceived as a greater overarching movement. A — Alister E. McGrath

You can't make someone agree with you, not even when you're 100 percent sure you're right. — Carolyn Hax