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Naomi Wolf Beauty Myth Quotes & Sayings

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Top Naomi Wolf Beauty Myth Quotes

The mass depiction of the modern woman as a "beauty" is a contradiction: Where modern women are growing, moving, and expressing their individuality, as the myth has it, "beauty" is by definition inert, timeless, and generic. That this hallucination is necessary and deliberate is evident in the way "beauty" so directly contradicts women's real situation. — Naomi Wolf

Culture stereotypes women to fit the myth by flattening the feminine into beauty-without-intelligence or intelligence-without-beauty; women are allowed a mind or a body but not both. — Naomi Wolf

Vogue began to focus on the body as much as on the clothes, in part because there was little they could dictate with the anarchic styles ... In a stunning move, an entire replacement culture was developed by naming a 'problem' where it had scarcely existed before, centering it on the women's natural state, and elevating it to the existential female dilemma ... The number of diet-related articles rose 70 percent from 1968 to 1972 ... The lucrative 'transfer of guilt' was resurrected just in time. — Naomi Wolf

Since middle-class Western women can best be weakened psychologically now that we are stronger materially, the beauty myth, as it has resurfaced in the last generation, has had to draw on more technological sophistication and reactionary fervor than ever before. The modern arsenal of the myth is a dissemination of millions of images of the current ideal; although this barrage is generally seen as a collective sexual fantasy, there is in fact little that is sexual about it. It is summoned out of political fear on the part of male-dominated institutions threatened by women's freedom, and it exploits female guilt and apprehension about our own liberation
latent fears that we might be going too far. — Naomi Wolf

the central rule of the myth: For every feminist action there is an equal and opposite beauty myth reaction. — Naomi Wolf

As women demanded access to power, the power structure used the beauty myth materially to undermine women's advancement. — Naomi Wolf

Over the decades, perhaps the wrong questions have been asked about the Great Migration. Perhaps it is not a question of whether the migrants brought good or ill to the cities they fled to or were pushed or pulled to their destinations, but a question of how they summoned the courage to leave in the first place or how they found the will to press beyond the forces against them and the faith in a country that had rejected them for so long. By their actions, they did not cream the American Dream, they willed it into being by a definition of their own choosing. They did not ask to be accepted but declared themselves the Americans that perhaps few others recognized but that they had always been deep within their hearts. — Isabel Wilkerson

Spokespeople sell women the Iron Maiden and name her "Health": if public discourse were really concerned with women's health, it would turn angrily upon this aspect of the beauty myth. — Naomi Wolf

The beauty myth moves for men as a mirage; its power lies in its ever-receding nature. When the gap is closed, the lover embraces only his own disillusion. — Naomi Wolf

We exist as long as somebody remembers us. — Carlos Ruiz Zafon

When love comes easy, forgiving is hard and forgetting even harder. — Shampa Sharma

When a Japanese manufacturer was asked by his North American counterpart, What is the best language in which to do business?" the man responded: "My customer's language — Leonard Sweet

There is no legitimate historical or biological justification for the beauty myth; what it is doing to women today is a result of nothing more exalted than the need of today's power structure, economy, and culture to mount a counteroffensive against women. — Naomi Wolf

Be courageous. Get out of your comfort zone to live fully and abundantly. — Debasish Mridha

The beauty myth of the present is more insidious than any mystique of femininity yet: A century ago, Nora slammed the door of the doll's house; a generation ago, women turned their backs on the consumer heaven of the isolated multiapplianced home; but where women are trapped today, there is no door to slam. The contemporary ravages of the beauty backlash are destroying women physically and depleting us psychologically. If we are to free ourselves from the dead weight that has once again been made out of femaleness, it is not ballots or lobbyists or placards that women will need first; it is a new way to see. — Naomi Wolf

The beauty myth posited to women a false choice: Which will I be, sexual or serious? We must reject that false and forced dilemma. Men's sexuality is taken to be enhanced by their seriousness; to be at the same time a serious person and a sexual being is to be fully human. Let's turn on those who offer this devil's bargain and refuse to believe that in choosing one aspect of the self we must thereby forfeit the other. In a world in which women have real choices, the choices we make about our appearance will be taken at last for what they really are: no big deal. — Naomi Wolf

In my mind I'm going to Carolina. Can't you see the sunshine, can't you just feel the moonshine? Ain't it just like a friend of mine, to hit me from behind, and I'm goin' to Carolina in my mind. — James Taylor

As soon as a woman's primary social value could no longer be defined as the attainment of virtuous domesticity, the beauty myth redefined it as the attainment of virtuous beauty. It did so to substitute both a new consumer imperative and a new justification for economic unfairness in the workplace where the old ones had lost their hold over newly liberated women. — Naomi Wolf

Only then will women be able to talk about what "beauty" really involves: the attention of people we do not know, rewards for things we did not earn, sex from men who reach for us as for a brass ring on a carousel, hostility and scepticism from other women, adolescence extended longer than it ought to be, cruel aging, and a long hard struggle for identity. And we will learn that what is good about "beauty" - the promise of confidence, sexuality, and the self-regard of a healthy individuality - are actually qualities that have nothing to do with "beauty" specifically, but are deserved by and, as the myth is dismantled, available to all women. The best that "beauty" offers belongs to us all by right of femaleness. When we separate "beauty" from sexuality, when we celebrate the individuality of our features and characteristics, women will have access to a pleasure in our bodies that unites us rather than divides us. The beauty myth will be history. — Naomi Wolf

The beauty myth is always actually prescribing behaviour and not appearance. — Naomi Wolf

Is the beauty myth good to men? It hurts them by teaching them how to avoid loving women. It prevents men from actually seeing women. It does not, contrary to its own professed ideology, stimulate and gratify sexual longing. In suggesting a vision in place of a woman, it has a numbing effect, reducing all senses but the visual, and impairing even that. — Naomi Wolf

The beauty myth is not about women at all. It is about men's institutions and institutional power. — Naomi Wolf

A culture fixated on female thinness is not an obsession about female beauty, but an obsession about female obedience. Dieting is the most potent political sedative in women's history; a quietly mad population is a tractable one. — Naomi Wolf

Anyone who suggests that there is a perfect symbiosis between the farmers' interest and the animals' is probably trying to sell you something (and it's not made of tofu) — Jonathan Safran Foer

We need to insist on making culture out of our desire: making paintings, novels, plays and films potent and seductive and authentic enough to undermine and overwhelm the Iron Maiden. — Naomi Wolf

No matter what a woman's appearance may be, it will be used to undermine what she is saying and taken to individualize - as her personal problem - observations she makes about the beauty myth in society. — Naomi Wolf

Are your friends as good as MY friends? I can discern the nod of of assent but doubt it. My own friends are far better, they are famous people and they are all dead.
Who, you may ask, are those friends of mine, and why are they dead?
It is a fair question. They are dead because, had they lived, they would have died anyway from extreme old age and decrepitude. — Flann O'Brien