Nabokov Writing Quotes & Sayings

The Russian-born novelist's writing habits were famously peculiar. Beginning in 1950, he composed first drafts in pencil on ruled index cards, which he stored in long file boxes. Since Nabokov claimed, he pictured an entire novel in complete form before he began writing it, this method allowed him to compose passages out of sequence, in whatever order he pleased... — Mason Currey

I often reread passages of "Lolita" for its exquisite language. To me, "Lolita" has no message, no purpose, other than to exist as a marvel of literary creation. It has wit, intelligence and style. It pointedly makes no attempt to serve a higher moral purpose, and previous attempts by critics to find one have proven ludicrous. The annotated edition is accompanied by a brilliant afterword by Nabokov that is a lucid reminder of the pure joy of writing, its interplay with life. — Amy Tan

When asked about rewriting, Ernest Hemingway said that he rewrote the ending to A Farewell to Arms thirty-nine times before he was satisfied. Vladimir Nabokov wrote that spontaneous eloquence seemed like a miracle and that he rewrote every word he ever published, and often several times. And Mark Strand, former poet laureate, says that each of his poems sometimes goes through forty to fifty drafts before it is finished. — Susan M. Tiberghien

Every great writer is a great deceiver — Vladimir Nabokov

My very photogenic mother died in a freak accident (picnic, lightning) when I was three, and, save for a pocket of warmth in the darkest past, nothing of her subsists within the hollows and dells of memory, over which, if you can still stand my style (I am writing under observation), the sun of my infancy had set: surely, you all know those redolent remnants of day suspended, with the midges, about some hedge in bloom or suddenly entered and traversed by the rambler, at the bottom of a hill, in the summer dusk; a furry warmth, golden midges. — Vladimir Nabokov

Poor Knight! he really had two periods, the firsta dull man writing broken English, the seconda broken man writing dull English. — Vladimir Nabokov

The writer's job is to get the main character up a tree, and then once they are up there, throw rocks at them. — Vladimir Nabokov

As a general rule, highly rational writers (like Nabokov) write most comfortably in the morning, and mainly intuitive writers write most comfortably at night. — John Gardner

My loathings are simple. stupidity, oppression, crime, cruelty, soft music. My pleasures are the most intense known to man: writing and butterfly hunting. — Vladimir Nabokov

Many authors write like amateur blacksmiths making their first horseshoe; the clank of the anvil, the stench of the scorched leather apron, the sparks and the cursing are palpable, and this appeals to those who rank "sincerity" very high. Nabokov is more like a master swordsmith making a fine blade; nothing is amiss, nothing is too much, there is no fuss, and the finished product must be handled with great care, or it will cut you badly. — Robertson Davies

My plan was to never get married. I was going to be an art monster instead. Women almost never become art monsters because art monsters only concern themselves with art, never mundane things. Nabokov didn't even fold his own umbrella. Vera licked his stamps for him. — Jenny Offill

Seem to be telling this, but really telling that. Three-dimensional writing, like three-dimensional chess. Nabokov was the other master of that. You could learn something from Nabokov on every page he ever wrote. — Donald E. Westlake

Writing of Pushkin, Nabokov once observed quite accurately that his subject was the threefold formula of human life: the irretrievability of the past, the insatiability of the present, and the unforeseeability of the future. — Brian Boyd

Let at least one word of my writings impregnate the reader's heart. — Vladimir Nabokov

Perhaps what matters is not the human pain or joy at all but, rather, the play of shadow and light on a live body, the harmony of trifles assembled ... in a unique and inimitable way. — Vladimir Nabokov

The subject may be crude and repulsive. Its expression is artistically modulated and balanced. This is style. This is art. This is the only thing that really matters in books. — Vladimir Nabokov

Even while writing his book, he had become painfully aware how little he knew his own planet while attempting to piece together another one from jagged bits filched from deranged brains. — Vladimir Nabokov

It was an interesting thing to do. Why did I write any of my books, after all? For the sake of the pleasure, for the sake of the difficulty. I have no social purpose, no moral message; I've no general ideas to exploit, I just like composing riddles with elegant solutions. — Vladimir Nabokov

Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra - they'll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when I'm too sentimental, to bring verbal ease when I'm syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style. — Zadie Smith

I am looking at him, I am witnessing a unique physiological phenomenon: John Shade perceiving and transforming the world, taking it in and taking it apart, re-combining its elements in the very process of storing them up so as to produce at some unspecified date an organic miracle, a fusion of image and music, a line of verse. — Vladimir Nabokov

The thought, when written down, becomes less oppressive, but some thoughts are like a cancerous tumor: you express is, you excise it, and it grows back worse than before. — Vladimir Nabokov

A sunset, almost formidable in its splendor, would be lingering in the fully exposed sky. Among its imperceptibly changing amassments, one could pick out brightly stained structural details of celestial organisms, or glowing slits in dark banks, or flat, ethereal beaches that looked like mirages of desert islands. I did not know then (as I know perfectly well now) what to do with such things - how to get rid of them, how to transform them into something that can be turned over to the reader in printed characters to have him cope with the blessed shiver - and this inability enhanced my oppression. — Vladimir Nabokov

The good, the admirable reader identifies himself not with the boy or the girl in the book, but with the mind that conceived and composed that book. — Vladimir Nabokov

If I had a staff of even one person, or could tolerate a small amphetamine habit, or entertain the possibility of weekly blood transfusions, or had been married to Vera Nabokov, or had a housespouse of even minimal abilities, a literary life would be easier to bring about. (In my mind I see all your male readers rolling their eyes. But your female ones - what is that? Are they nodding in agreement? Are their fists in the air?) — Lorrie Moore

After the first shock of recognition - a sudden sense of "this is what I'm going to write" - the novel starts to breed by itself; the process goes on solely in the mind, not on paper. I feel a kind of gentle development, an uncurling inside, and I know that the details are there already, that in fact I would see them plainly if I looked closer, but I prefer to wait until what is loosely called inspiration has completed the task for me. — Vladimir Nabokov

Literature was not born the day when a boy crying "wolf, wolf" came running out of the Neanderthal valley with a big gray wolf at his heels; literature was born on the day when a boy came crying "wolf, wolf" and there was no wolf behind him. — Vladimir Nabokov

I do not begin my novel at the beginning, I do not reach chapter three before I reach chapter four, I do not go dutifully from one page to the next, in consecutive order; no, I pick out a bit here and a bit there, till I have filled all the gaps on paper. This is why I like writing my stories and novels on index cards, numbering them later when the whole set is complete. Every card is rewritten many times. — Vladimir Nabokov

Angela Carter's fiction blew me away and really instilled a passion for writing, bolstered by Vladimir Nabokov. But in general, I can't point to any one thing. I just always loved books and writing. — Jeff VanderMeer

The pages are still blank, but there is a miraculous feeling of the words being there, written in invisible ink and clamoring to become visible — Vladimir Nabokov

I think like a genius, I write like a distinguished author, and I speak like a child. — Vladimir Nabokov

It is a singular reaction, this sitting still and writing, writing, writing, or ruminating at length, which is much the same, really. — Vladimir Nabokov

Only ambitious nonentities and hearty mediocrities exhibit their rough drafts. It's like passing around samples of sputum. — Vladimir Nabokov

Lolita, light of my life, fire of my loins. My sin, my soul. Lo-lee-ta: the tip of the tongue taking a trip of three steps down the palate to tap, at three, on the teeth. Lo. Lee. Ta. She was Lo, plain Lo, in the morning, standing four feet ten in one sock. She was Lola in slacks. She was Dolly at school. She was Dolores on the dotted line. But in my arms she was always Lolita. Did she have a precursor? She did, indeed she did. In point of fact, there might have been no Lolita at all had I not loved, one summer, an initial girl-child. In a princedom by the sea. Oh when? About as many years before Lolita was born as my age was that summer. You can always count on a murderer for a fancy prose style. Ladies and gentlemen of the jury, exhibit number one is what the seraphs, the misinformed, simple, noble-winged seraphs, envied. Look at this tangle of thorns. — Vladimir Nabokov

The pale organisms of literary heroes feeding under the author's supervision swell gradually with the reader's lifeblood; so that the genius of a writer consists in giving them the faculty to adapt themselves to that - not very appetizing - food and thrive on it, sometimes for centuries. — Vladimir Nabokov

There is the first satisfaction of arranging it on a bit of paper; after many, many false tries, false moves, finally you have the sentence you recognize as the one you are looking for. — Vladimir Nabokov

It's possible, in a poem or a short story, to write about commonplace things and objects using commonplace but precise language, and to endow those things
a chair, a window curtain, a fork, a stone, a woman's earring
with immense, even startling power. It is possible to write a line of seemingly innocuous dialogue and have it send a chill along the reader's spine
the source of artistic delight, as Nabokov would have it. That's the kind of writing that most interests me. — Raymond Carver

And speaking of this wonderful machine:
[840] I'm puzzled by the difference between
Two methods of composing: A, the kind Which goes on solely in the poet's mind,
A testing of performing words, while he
Is soaping a third time one leg, and B,
The other kind, much more decorous, when
He's in his study writing with a pen. In method B the hand supports the thought,
The abstract battle is concretely fought.
The pen stops in mid-air, then swoops to bar
[850] A canceled sunset or restore a star,
And thus it physically guides the phrase
Toward faint daylight through the inky maze.
But method A is agony! The brain
Is soon enclosed in a steel cap of pain.
A muse in overalls directs the drill Which grinds and which no effort of the will
Can interrupt, while the automaton
Is taking off what he has just put on Or walking briskly to the corner store [860] To buy the paper he has read before. — Vladimir Nabokov

Literature is invention. Fiction is fiction. To call a story a true story is an insult to both truth and art. — Vladimir Nabokov

The pleasures of writing correspond exactly to the pleasures of reading — Vladimir Nabokov

How can I demonstrate [ ... ] that I have glimpsed somebody's future recollection? — Vladimir Nabokov

The kind of poem I produced in those days was hardly anything more than a sign I made of being alive, of passing or having passed, or hoping to pass, through certain intense human emotions. It was a phenomenon of orientation rather than of art, thus comparable to stripes of paint on a roadside rock or to a pillared heap of stones marking a mountain trail. — Vladimir Nabokov