Myth And Magic Quotes & Sayings
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Top Myth And Magic Quotes

How many years had he spent believing that he was meant for more? Sometimes he thought his head was a snarl of myth and folktales, where magic coaxed ignored princes out of the shadows and gave them a crown and a legend to live in. He used to wait for the moment when magic would drape a new world over his eyes. But time turned his hopes dull and lightless. — Roshani Chokshi

Is squirting myth or magic? French scientists say myth, squirting girls say magic. And I say: those who can, do, and they do so because squirting is fun. — Chloe Thurlow

The magic of myth and legend has come true in our time. One types the correct incantation on a keyboard, and a display screen comes to life, showing things that never were nor could be ... The computer resembles the magic of legend in this respect, too. If one character, one pause, of the incantation is not strictly in proper form, the magic doesn't work. Human beings are not accustomed to being perfect, and few areas of human activity demand it. Adjusting to the requirement for perfection is, I think, the most difficult part of learning to program. — Fred Brooks

You have to think of your brand as a kind of myth. A myth is a compelling story that is archetypal, if you know the teachings of Carl Jung. It has to have emotional content and all the themes of a great story: mystery, magic, adventure, intrigue, conflicts, contradiction, paradox. — Deepak Chopra

In a great number of the cosmogonic myths the world is said to have developed from a great water, which was the prime matter. In many cases, as for instance in an Indian myth, this prime matter is indicated as a solution, out of which the solid earth crystallized out. — Svante Arrhenius

Never interrupt a faerie circle ceremony. And, if a faerie has appeared to you, visually, do not speak to it until it has spoken to you. These two transgressions are considered so rude, that the faeries may literally attack you, on the spot. — Alexei Maxim Russell

You need music, I don't know why. It's probably one of those Joe Campbell questions, why we need ritual. We need magic, and bliss, and power, myth, and celebration and religion in our lives, and music is a good way to encapsulate a lot of it. — Jerry Garcia

Black magic is not a myth. It is a totally unscientific and emotional form of magic, but it does get results - of an extremely temporary nature. — Aleister Crowley

Suggested that Gnosticism expressed a specific religious experience, which was frequently turned into a myth ... It seems clear that at least some of the major Gnostic systems were inspired by vivid emotions and personal experience. And it is now generally accepted that Gnosticism was not a philosophy, or even a Christian heresy, but a religion with its own specific views about God, the world, and man. ("Gnosticism," in Cavendish, Man, Myth, and Magic 1115) And, we might add, Gnosticism is a religion replete with sacraments that liberate the soul. — Stephan A. Hoeller

The Hopi tribe of North America had a goddess called Spider Woman. In their creation myth she teamed up with Tawa the sun god, and they sang the First Magic Song as a duet. This song brought the Earth, and life, into being. Spider Woman then took the threads of Tawa's thoughts and wove them into solid form, creating fish, birds, and all other animals. — Richard Dawkins

Magic ran in the family. Even her mother's second cousin, who was adopted, did small spells on the side. She sold these from a stall in Kota Bharu. Her main wares were various types of fruit fried in batter, but if you bought five pisang or cempedak goreng, she threw in a jampi for free. — Zen Cho

I think of myth and magic as the hieroglyphics of the human psyche. They are a special language that circumvents conscious thought and goes straight to the subconscious.
Non-fiction uses the medium of information. It tells us what we need to know.
Science fiction primarily uses the medium of physics and mathematics. It tells us how things work, or could work.
Horror taps into the darker imagery of the psychology, telling us what we should fear.
Fantasy, magic and myth, however, tap into the spiritual potential of the human life. Their medium is symbolism, truth made manifest in word pictures, and they tell us what things mean on a deep, internal level. I have always been a meaning-maker. I have always been someone who strives to make sense of everything and perhaps that is where my life as a storyteller first began. Life doesn't always make sense, but story must. And so I write stories, and the world comes right again. — Ripley Patton

I find it far more awesome, wonderful, that creation; our appearance in the world; should be the culmination, or at least one of the latest products of 3,000 Million years of organic evolution, than a kind of country trick, taking a rib out of a man's side in a trance. — David Attenborough

We rationalize, we dissimilate, we pretend: we pretend that modern medicine is a rational science, all facts, no nonsense, and just what it seems. But we have only to tap its glossy veneer for it to split wide open, and reveal to us its roots and foundations, its old dark heart of metaphysics, mysticism, magic, and myth. Medicine is the oldest of the arts, and the oldest of the sciences: would one not expect it to spring from the deepest knowledge and feelings we have? — Oliver Sacks

I earn the magic of words by writing.
I learn the myth of worlds by imagining. — Toba Beta

One the one hand, our economists treat human beings as rational actors making choices to maximize their own economic benefit. On the other hand, the same companies that hire those economists also pay for advertising campaigns that use the raw materials of myth and magic to encourage people to act against their own best interests, whether it's a matter of buying overpriced fizzy sugar water or the much more serious matter of continuing to support the unthinking pursuit of business as usual in the teeth of approaching disaster. — John Michael Greer

A stubborn refusal of the conditions of 20th Century 'reality', surrealism has denied intransigently and consistently that modern man can live without a sense of wonder at the world that was once embodied in myth. In approaching literature, it has aimed at restoring to the word its magical qualities. And at giving back to language the elemental power it once had within society. This determinism lies at the heart of the surrealist attitude and distinguishes it radically from the modernism which took shape contemporaneously with it. — Michael Richardson

But are they heroes or mere dreamers? — Gaius Valerius Flaccus

It would not be too much to say that myth is the secret opening through which the inexhaustible energies of the cosmos pour into human cultural manifestation. Religions, philosophies, arts, the social forms of primitive and historic man, prime discoveries in science and technology, the very dreams that blister sleep, boil up from the basic, magic ring of myth. — Joseph Campbell

Art
the fresh feeling, new harmony, the transforming magic which by means of myth brings back the scattered distracted soul from its modern chaos
art, not politics, is the remedy. — Saul Bellow

The truth is more magical - in the best and most exciting sense of the word - than any myth or made-up mystery or miracle. Science has its own magic: the magic of reality. — Richard Dawkins

The creatures of human myth flourish in Ourea. Trees are this world's skyscrapers. Magic its currency. And while the rest of Earth forgot what it means to dream big, Ourea kept alive its wonder. — S.M. Boyce

My child, you have a flawed grasp of the nature of myth-making. I am a poet and storyteller, a creator of ballads and sagas. Pray do not confuse the exercise of the imagination with mere mendacity. I am a master of the mysteries of words, their meanings and music and mellifluous magic. — Frances Hardinge

Like legend and myth, magic fades when it is unused
hence all the old tales of elfin kingdoms moving further and further away from our world, or that magical beings require our faith, our belief in their existence, to survive. That is a lie. All they require is our recognition. — Charles De Lint

Georges Sorel, to whom fascism is so much indebted, wrote at the beginning of our century that all great movements are compelled by 'myths.' A myth is the strongest belief held by the group, and its adherents feel themselves to be an army of truth fighting an army of evil. Some years earlier, in 1895, the French psychologist Gustav Le Bon had written of the 'conservatism of crowds' which cling tenaciously to traditional ideas. Hitler took the basic nationalism of the German tradition and the longing for stable personal relationships of olden times, and built upon them as the strongest belief of the group. In the diffusion of the 'myth' Hitler fulfilled what Le Bon had forecast: that 'magical powers' were needed to control the crowd. The Fuhrer himself wrote of the 'magic influence' of mass suggestion and the liturgical aspects of his movement, and its success as a mass religion bore out the truth of this view. — George L. Mosse

[T]he myth that there was somehow a magic wand in the early 1980s to cure AIDS - a wand that Reagan deliberately refused to wave - is now almost conventional wisdom. — Andrew Sullivan

It's the shape of the stories that matters, the way belief forms around it. The story has real weight', He pointed at himself. 'Patupaiarehe look like monsters in some stories, but they're beautiful in a lot. I guess people believed more in the beautiful version. And the ideal of beauty changes. If I'd been born two hundred years ago, I bet I wouldn't look like this. The stories shaped me. They shape everyone, inside and out, but me more than most, because I'm magic. — Karen Healey

Youth!! Ah, what a word!! And how transitory! But, how grand! as long as it lasts. How many millions in gold would pour out for an ability to call it all back, as with our musical myth, Faust. During that magic part of a child's growth this world is just a gigantic inquiry box, containing many a topic for which a solution is paramount to a growing mind. And to whom can a child look, but us adults? Any man who "can't stop now" to talk with a child upon a topic which, to him is"too silly for anything," should look back to that day upon which that topic was dark and dubious in his own brain. A child who asks nothing will know nothing. That is why that "bump of inquiry" was put on top of our skulls. — Ernest Vincent Wright

If the majority of the "spiritual market" is drawn to prerational magic and myth, how do you reach the small group who are involved in genuine, laborious, demanding, transrational spiritual practice? This is very difficult, because both markets are referred to as "spiritual," but these two camps really don't get along very well-one is mostly translative, the other is mostly transformative, and they generally disapprove of each other-so how do you put them into one magazine without alienating them both? — Ken Wilber

The three books were The Emperor's New Drugs: Exploding the Antidepressant Myth by Irving Kirsch; Anatomy of an Epidemic: Magic Bullets, Psychiatric Drugs, and the Astonishing Rise of Mental Illness in America by Robert Whitaker; and Unhinged: The Trouble with Psychiatry - A Doctor's Revelations About a Profession in Crisis by Daniel Carlat. — Robert Whitaker

If you do not have the courage to be yourself, what will you be? — The Silver Elves

The object of a dialogical-liberterian action is not to 'dislodge' the oppressed from a mythological reality in order to 'bind' them to another reality. On the contrary, the object of dialogical action is to make it possible for the oppressed, by perceiving their adhesion, to opt to transform an unjust reality." "In order for the oppressed to unite they must first cut the umbilical cord of magic and myth which binds them to the world of oppression; the unity which links them to each other must be of a different nature. — Paulo Freire

My mind was spinning from the symmetry of this equation I suddenly faced: magical on one side, scientific on the other, a dark pulsing myth and an acceptable reality ... The explanations were like two sides of the same coin, and the side that I favored revealed something essential about the person I was. Prior to investigating Ashley, with little hesitation I'd have believed the side most others would, the side that was logical, rational, exact. But now, much to my own shock, like a man who suddenly realized he was no longer a person he recognized, that other impossible, illogical, mad side still had a very firm grip on me. — Marisha Pessl

In The Jaguar's Children we enter the dangerous borderlands between countries and generations; myth and magic; human community and the vast, infinitely mysterious, wild environment. Here, John Vaillant proves that his heart and imagination are as expansive and fierce as his radiant intellect. Never have I encountered a writer with more energy or compassion. — Melanie Rae Thon