My Side Of The Story Quotes & Sayings

The story of my life is about back entrances, side doors, secret elevators and other ways of getting in and out of places so that people won't bother me. — Greta Garbo

Into a nondescript one-story building on the western side of the compound, passing through a security door marked AUTHORIZED PERSONNEL ONLY. Through a metal detector manned by heavily armed, stone-faced soldiers. Into an elevator that carries us four stories beneath the earth. Reznik doesn't talk. He doesn't even look at me. I have a pretty good idea where we're going, but no idea why. I nervously pick at the front of my new uniform. — Rick Yancey

You know, I like to think my life is kind of like the books I read, only I'm the author. I can write the story I want. The future can be anything I want it to be." He moved his head side to side, considering my words. "That works, as long as your story has a blond stud that fucks like an animal. — Adriana Locke

A great Tamil poet, given to decadence and debauchery, once said that the story of his life could serve as an example to the youth on how one should
not live. Having lived, or rather, having sleepwalked for ten years through the desolate wastelands of depression, I survived to reach the other side. I believe that this validates my claim to write this book for you. — Indu Muralidharan

One of my biggest influences as a writer is J. K. Rowling. I grew up with Harry Potter. One thing I absolutely loved was how every single person in Harry's world was so three-dimensional - it was as if each one was the main character in his or her own story and was just making a guest appearance in Harry's story. I strive to do that as a writer. I want every side character to be the main character of his or her own story. — Angie Thomas

When the subject of kids first came up years ago, I'd joked that the only thing I could imagine worse than me as a mother was Clay as a father. I couldn't have been more wrong. Clay was an amazing parents. The guy who couldn't spare a few minutes to hear a mutt's side of the story could listen to his kids talk all day. The guy who couldn't sit still through a brief council meeting could spend hours building Lego castles with his kids. The guy who solved problems with his fists never even raised his voice to his children. And if sometimes Clay was a little too indulgent, a little too slow to discipline, preferring to leave that to me, I was okay with it. He supported and enforced my decisions and we presented a unified front to our children, and that was all that mattered. — Kelley Armstrong

He said you have to be on the side of the losers, the people with bad lungs. You have to be with those who are homesick and can't breathe very well in Ireland. He said it makes no sense to hold a stone in your hand. A lot more people would be homeless if you speak the killer language. He said Ireland has more than one story. We are the German-Irish story. We are the English-Irish story, too. My father has one soft foot and one hard foot, one good ear and one bad ear, and we have one Irish foot and one German foot and a right arm in English. We are the brack children. Brack, homemade Irish bread with German raisins. We are the brack people and we don't have just one language and one history. We sleep in German and we dream in Irish. We laugh in Irish and we cry in German. We are silent in German and we speak in English. We are the speckled people. — Hugo Hamilton

I'm a storyteller - that's my chamber, that's my box. I'm always tryin' to give you the best story from our side of the table that you could really relate to quick. I understand where I wanna be at, but sometimes the production takes me where I need to go. — Raekwon

I used to want to witness to people, to tell them the story of God in digestible pieces, to win them over to my side. But more and more I am hearing the still small voice calling me to be the witness. To live in proximity to pain and suffering and injustice instead of high-tailing it to a more calm and isolated life. To live with eyes wide open on the edges of our world, the margins of our society — D.L. Mayfield

Starting out, they told me: 'You're a good-looking guy. We'll put you in this role, and you can be a conduit for the audience into this side of the story.' But I've grown up, and that's not what I want anymore. My concept of the job I do has evolved. And it is a job, nothing more. — Sam Worthington

No one has really heard my side of the story, the adventure we had together, the transformation that I had going from a schoolgirl to a woman overnight. — Priscilla Presley

Aidan," ...
He held up his finger. "One second, babe. I gotta finish telling Pesh this story."
"But my water broke."
Without taking his eyes of Pesh, Aidan slid his glass of water over to her. "Here take mine."
If the situation hadn't been dire, Megan would have laughed at how oblivious Aidan was. Pesh leaned forward in his seat. "Um, Aidan, I think-"
He didn't get a chance to finish. Instead, water splashed across the side of Aidan's face. He shot out of his chair before whirling around to Emma. "What the hell, Em?"
"My. Water. Broke," she muttered through gritted teeth.
"Oh shit," he replied. — Katie Ashley

The discovery of Viagra was a similar story. Initially, the drug had been tested as a treatment for chest pain (angina), and for that purpose it was a failure. Then patients started reporting a curious side effect. (Imagine those awkward conversations: "Doc, my chest still hurts ... but, um, I've been noticing an effect somewhere else ... ") — Chip Heath

It seemed a church committee needed an architect to build a bridge "over a very dangerous and rapid river." Designer after designer failed, until one boasted - to the horror of his priggish benefactors - "I could build a bridge to the infernal regions, if necessary." The chairman assured his shocked colleagues: "he is so honest a man and so good an architect that if he states soberly and positively that he can build a bridge to Hades - why, I believe it. But," he admitted, "I have my doubts about the abutment on the infernal side!" Henry Villard could not help noticing "Lincoln's facial contortions" as he reached the story's moral: "So," he concluded, when "politicians said they could harmonize the Northern and Southern wings of the democracy, why, I believed them. But I had my doubts about the abutment on the Southern side. — Harold Holzer

Then she is on me. Her soft, hot body collapses onto my own ravenous frame. She pushes my legs open with her knees and pulls my arms above my head with her hands, holding me a willing hostage. For one long moment we are eye to eye. Her breasts press down into my nipples, goading them but offering no release, and then her lips come crashing down on mine. She kisses me as though she already owns me; exploring my mouth with her tongue, dragging it aggressively from one side of my lips to the other. — Felicity Brandon

I pushed my pile of papers to one side, stroked Shadow and stared into the fire, longing for the comfort of a story where everything had been planned well in advance, where the confusion of the middle was invented only for my enjoyment, and where I could measure how far away the solution was by feeling the thickness of pages still to come. I had no idea how many pages it would take to complete the story of Emmeline and Adeline, nor even whether there would be time to complete it. — Diane Setterfield

What if they still think I'm the price or whatever?"
Daniel gave her a soft, unexpected smile. "I'm certain they still think that. Many do. But only you get to decide how you will fulfill your role in this old story. What we started when we first kissed at Sword & Cross? That awakening in you was only the first step. All those lessons you learned during your time in the Announcers have armed you. The Outcasts can't take that away from you. No one can. And besides"-he grinned-"no one can touch you when I am at your side."
"Daniel?" She took a sip of the grapefruit soda, felt it fizz down her throat. "How will I fulfill my role in this old story?"
"I have no idea," he said, "but I can't wait to find out."
"Neither can I. — Lauren Kate

The Marquess shrugged. "I'm a shadow. I do know I am a shadow, Iago. I know most of the time. It's only when I cannot bear how everyone looks at me down here that I make myself forget it. Shadows are the other side of yourself. I had longings to be good, even then. I was just stronger than my wanting. I'm stronger than anything, really, when I want to be." The Marquess's hair turned white as the snow. "Do you know, we're right underneath Springtime Parish? This place is the opposite of springtime. Everything past prime, boarded up for the season. Just above us, the light shines golden on daffodils full of rainwine and heartgrass and a terrible, wicked, sad girl I can't get back to. I don't even know if I want to. Do I want to be her again? Or do I want to be free? I come here to think about that. To be near her and consider it. I think I shall never be free. I think I traded my freedom for a better story. It was a better story, even if the ending needed work. — Catherynne M Valente

My parents would have their friends over - their friends who thought, 'How can you live without a TV?' By the time they left, they understood why, because I had done the second act of 'West Side Story' and the first act of 'Jesus Christ Superstar,' playing all the parts. In many ways, that's what I'm still doing. I'm just getting paid better. — Johnny Galecki

'West Side Story' was one of the high points of my career. Yet, when I first saw it, I was really disappointed in how I came off. — Russ Tamblyn

I turn my head a little. The radio's caroling "Tonight," velvety smooth and young and filled with plaintive desire. Maria's song from West Side Story. I remember one beautiful night long ago at the Winter Garden, with a beautiful someone beside me. I tilt my nose and breathe in, and I can still smell her perfume, the ghost of her perfume from long ago. But where is she now, where did she go, and what did I do with her?
Our paths ran along so close together they were almost like one, the one they were eventually going to be. Thin fear came along, fear entered into it somehow, and split them wide apart.
Fear bred anxiety to justify. Anxiety to justify bred anger. The phone calls that wouldn't be answered, the door rings that wouldn't be opened. Anger bred sudden calamity.
Now there aren't two paths anymore; there's only one, only mine. Running downhill into the ground, running downhill into its doom.
("New York Blues") — Cornell Woolrich

You don't really want my side of the story. You don't want to understand me, know me, to crawl inside of my head. You don't want to feel the things I've felt. You just want to know that one thing: why.
Fine. Here's why: Her. I did it all for her. — Jess Walter

And now at the airport, after shaking hands with everybody, waving good-bye, I think about all the different ways we leave people in this world. Cheerily waving good-bye to some at airports, knowing we'll never see each other again. Leaving others on the side of the road, hoping that we will. Finding my mother in my father's story and saying good-bye before before I have a chance to know her better. — Amy Tan

I knew, of course, that I should be well paid for my services, but I would gladly have accepted half the sum I expected if I could have had it that night, for our little treasury was wholly exhausted, and we had not sixpence to purchase a breakfast for the following day. When the great hall door shut upon me, and I found myself on the pavement, with all the luxury and splendour on one side, and I and my desolation on the other, the contrast struck me cruelly, for I too, had been rich, and dwelt in illuminated palaces, and had a train of liveried servants at my command, and sweet music had echoed through my halls. I felt desperate, and drawing my hat over my eyes I began pacing the square, forming wild plans for the relief or escape from my misery. ("The Italian's Story") — Catherine Crowe

I do like playing the darker side of life but as much as the lighter side as well. They all resonate out of the same place, which is that everyone has a story to tell. Depending on their upbringing and their history, it determines who they are as an adult. My job is to take the role from there. — Michael Eklund

And what is your name?" Caroline asked him.
He smiled up at her, a little impishly. "I guess Bianca's name for me will work. Call me Bear."
"Bear?" Caroline repeated, doubtfully.
"I think it would be best right now," he said simply. "For all of us."
"You aren't running from anything?" she asked directly.
"No, I guess you could say something is running from me. The law would be on my side, ma'am, if I could get them involved. For now, I'm doing all I can. — Sarah Brazytis

I'm a narrative-minded actor. I'm thinking of the story. I'm not worried about whether the camera is on the right side of my face, or where the camera is. I'm just going for the story. — Mark Duplass

When winter fails to provide an adequate snow base, my boys bring their sleds in the house and ride them down the stairs. Just the other day, my wife found them with a rope out their second-story bedroom window, preparing to rappel down the side of the house. The recipe for fun is pretty simple raising boys: Add to any activity an element of danger, stir in a little exploration, add a dash of destruction, and you've got yourself a winner. — John Eldredge

There's a wonderful, perhaps apocryphal story that people tell about Daniel Patrick Moynihan, the brilliant, prickly, and iconoclastic late senator from New York. Apparently, Moynihan was in a heated argument with one of his colleagues over an issue, and the other senator, sensing he was on the losing side of the argument, blurted out: 'Well, you may disagree with me, Pat, I'm entitled to my own opinion." To which Moynihan frostily replied, "You are entitled to you own opinion, but you are not entitled to you own facts. — Barack Obama

My goal was to show the history of the end of the Cold War through both sides - the U.S. side and the Soviet side. I really felt that especially the Soviet side of the story hadn't been well told because we didn't know. — David E. Hoffman

All men that are ruined are ruined on the side of their natural propensities, the note concludes.
This is surely true. Yet the vivacity with which he embraces ruin is unexampled, in my experience. — Donald Barthelme

A story, in which native humour reigns, Is often useful, always entertains; A graver fact, enlisted on your side, May furnish illustration, well applied; But sedentary weavers of long tales Give me the fidgets, and my patience fails. — William Cowper

I mean I have a project that I have been wanting to make for quite a while now; and basically, it's a story of my parents growing up in the Lower East Side. — Martin Scorsese

suggested. 'Are you for real? Why would I want to put myself out there to be judged and criticised? I do that enough myself.' Going to the papers with my story was the last thing I wanted to do. Nobody wants to be exposed as a drug addict, especially one with a history like mine. I could barely understand the nature of my own addiction and I certainly didn't expect others to understand. With such stigma and shame attached to drug use, people just didn't want to know. Junkies like me were pushed to the side and marginalised as though we had leprosy. Like some sort of forgotten race. — Rachael Keogh

As the episode of Scandal ended, I sat up in my bed and thought, I have to read it again. It was driving me crazy, so I got out of bed and skipped down stairs of my comfy loft on the east side of Paradise Hills.

Once downstairs I slipped the letter out of the side closure of my briefcase. I walked back to my bedroom, and I began reading the note left for me. — Hazel Cartwright

Everything within takes place after Jack died and before my mom and I drowned in a burning ferry in the cool tannin-tinted Guaviare River, in east-central Colombia, with forty-two locals we hadn't yet met. It was a clear and eyeblue day, that day, as was the first day of this story, a few years ago in January, on Chicago's North Side, in the opulent shadow of Wrigley and with the wind coming low and searching off the jagged half-frozen lake. — Dave Eggers

She says I shall now have one mouth the more to fill and two feet the more to shoe, more disturbed nights, more laborious days, and less leisure or visiting, reading, music, and drawing.
Well! This is one side of the story, to be sure, but I look at the other. Here is a sweet, fragrant mouth to kiss; here are two more feet to make music with their pattering about my nursery. Here is a soul to train for God; and the body in which it dwells is worth all it will cost, since it is the abode of a kingly tenant. I may see less of friends, but I have gained one dearer than them all, to whom, while I minister in Christ's name, I make a willing sacrifice of what little leisure for my own recreation my other darlings had left me. Yes, my precious baby, you are welcome to your mother's heart, welcome to her time, her strength, her health, her tenderest cares, to her lifelong prayers! Oh, how rich I am, how truly, how wondrously blest! — Elizabeth Payson Prentiss

There is a little Juliet inside me, hoping I will lock eyes with my Romeo on the other side of a fish tank or through a gap in a library bookcase. Hell, even if it's behind the condiments section in a supermarket. I don't really mind. — Jessica Thompson

An admirable line of Pablo Neruda's, "My creatures are born of a long denial," seems to me the best definition of writing as a kind of exorcism, casting off invading creatures by projecting them into universal existence, keeping them on the other side of the bridge ... It may be exaggerating to say that all completely successful short stories, especially fantastic stories, are products of neurosis, nightmares or hallucination neutralized through objectification and translated to a medium outside the neurotic terrain. This polarization can be found in any memorable short story, as if the author, wanting to rid himself of his creature as soon and as absolutely as possible, exorcises it the only way he can: by writing it. — Julio Cortazar

For a long time, I was portrayed as the Osama bin Laden of the Internet, and I really wanted to be able to tell my side of the story. I wanted to be able to explain exactly what I did and what I didn't do to people who thought they knew me. — Kevin Mitnick

I think of a person I haven't seen or thought of for years, and ten minutes later I see her crossing the street. I turn on the radio to hear a voice reading the biblical story of Jael, which is the story that I have spent the morning writing about. A car passes me on the road, and its license plate consists of my wife's and my initials side by side. When you tell people stories like that, their usual reaction is to laugh. One wonders why.
I believe that people laugh at coincidence as a way of relegating it to the realm of the absurd and of therefore not having to take seriously the possibility that there is a lot more going on in our lives than we either know or care to know. Who can say what it is that's going on? But I suspect that part of it, anyway, is that every once and so often we hear a whisper from the wings that goes something like this: You've turned up in the right place at the right time. You're doing fine. Don't ever think that you've been forgotten. — Frederick Buechner

Sometimes when I need to comfort myself (all the time) I think about your lisp and it creates a wombskin around my brain full of barbituratesque nectar, the side effects of which include a horny surge in my second chakra and pussy, and then severe withdrawal: a love story. — Melissa Broder

The rest of the story from Acts 1:8 explains that Christ-followers have a mission while here on earth. They are to be Christ's witnesses all over this planet. It's as if Christ said, "Think you're missing the book smarts, the street smarts, the looks, the talent, or the speaking ability to accomplish this mission? Don't be concerned with those things, because you have my mountain-moving, life-transforming, death-defying power on your side." — Bill Hybels

You might think you're the villain in my story, Lux, but what you don't seem to realize is that I don't care. Princess or Evil Queen, I want you standing by my side when the tale comes to an end. So I'm not walking away - I'm going to wear you down, until you're ready - no, until you're dying - to tell me what happened back then." Another kiss landed on my lips, and I fought off a tremble of desire. "And Freckles?"
My eyes flickered up to meet his searing gaze.
"It's going to be a hell of a lot of fun. — Julie Johnson

What are you doing?" I whisper, not at all surprised when he doesn't answer my question. He keeps up drawing patterns for a few minutes, nearly lulling me to sleep, before leaning over and pressing a soft kiss between my shoulder blades. He wraps his arms around me, pulling me onto my side toward him, my back flat against his warm chest."I was connecting the dots," he says quietly. "Your freckles are like stars. They tell a story, depending on how you connect them."I smile to myself as he takes my hand, linking our fingers together. "What did they tell you?""They told me you're beautiful," he says. "And I'm a lucky son of a bitch to have you all to myself. — J.M. Darhower

Having a disability and abusive mother, I managed to graduate in college and became a purchasing manager, but my story does not stop there. My life is full of disappointments and struggles with work and relationships.

My biography will explain how my strong will kept me going and got me through the tough times in life. As a father who raised two sons and let them be themselves, he stood by their side to support and watch them succeed in life. — Shawn Woods

If there's one thing I've learned about women, which I try to pass on to my boys, it's listening. Listen to the other side of the story first. — Rod Stewart

When relationships have outlived their shelf life, people often realize that at some level, they are sticking it our because they once thought in the light of their divine love that the other person would change. Sorry for breaking the poetic hope here, but that doesn't happen. People are like rubber bands. They may be able to stretch from time to time and do some amazing things, but in general they are who they are. If manipulation and machinations on your side get them to behave the way you want, I will set my clock on the fact that they will return to their previous way of behaving, or they will keep faking it. To be in a relationship with someone who is not really there doesn't make sense. People who aren't cooperating feel like a project to us, like something for us to rescue or fix. Rescuing is the province of firefighters and fairy tales, but it's not real life. The stance of sticking it out in hopes of redemption is an old story and one that has wasted many lives. — Ramani Durvasula

For one ... If you shoot me and your boss realizes it was without good reason, you'll have fucked up your trial period. And trust me; I know you're still in it." Ian pulled open a drawer in a small brown cabinet.
"Secondly, it could end very badly for me and I'd rather prevent that. Getting shot is not on my list of things to do today." He wrapped his hand around the steel grip of his own weapon and removed it from the drawer.
"And last but not least, if you plan to shoot me ... Well, it'll be a matter of which of us is quicker and has better aim." A pleasant smile crossed his features and he casually waved the gun from side to side. "Do you want to risk it? — Natasha McNeely

Claire: Dear Claire, "What" and "If" are two words as non-threatening as words can be. But put them together side-by-side and they have the power to haunt you for the rest of your life: What if? What if? What if? I don't know how your story ended but if what you felt then was true love, then it's never too late. If it was true then, why wouldn't it be true now? You need only the courage to follow your heart. I don't know what a love like Juliet's feels like - love to leave loved ones for, love to cross oceans for but I'd like to believe if I ever were to feel it, that I will have the courage to seize it. And, Claire, if you didn't, I hope one day that you will. All my love, Juliet — Lise Friedman

I grew up on hip-hop. I grew up on Run-D.M.C., Whodini, LL when I was in college, so I'm more of a music fan. I probably have the most eclectic collection of music in my Grand Cherokee. Literally, in a span of a week, I'll go from 2Pac to Boyz II Men to Sister Hazel, right down to West Side Story or the Wiz. I love show tunes. — Stuart Scott

In the dresser mirror, my face looks the same, but I feel something happening around me, some change as palpable as weather. Stuck in the mirror are mementos from my childhood - red and yellow ribbons for various underachievements, a brown corsage from grad school graduation, a curling and faded picture of me petting a deer in Wisconsin - which is now over. I wandered through it and came out the other side.

It's a stark feeling. Like getting to the last page of a book and seeing 'The End.' Even if you didn't like the story that much, or your childhood, you read it, you lived it. And now it's over, book closed, that long-ago deer you petted in the Dells as dead as the one in The Yearling. — Jo Ann Beard

I love you."
I stared stupidly at him. Was he joking again, reciting another line from my story? I didn't remember writing this.
He leaned in and kissed me. I didn't respond for a few seconds. My mind lagged behind what my body was feeling.
"Say it," he whispered against my lips. "I know this is hard for you. Tell me."
"I love you." Hearing my own words, I gasped at the rush of emotion.
He put his hands on either side of my jaw and took my mouth with his. — Jennifer Echols

Now, to tell my story
if not as it ought to be told, at least as I can tell it,
I must go back sixteen years, to the days when Whitbury boasted of forty coaches per diem, instead of one railway, and set forth how in its southern suburb, there stood two pleasant house side by side, with their gardens sloping down to the Whit, and parted from each other only by the high brick fruit-wall, through which there used to be a door of communication; for the two occupiers were fast friends. — Charles Kingsley