My Kind Of Book Quotes & Sayings

At a certain moment, when I started doing my own shows, I felt it would be really interesting to know what is the history of my profession. I realized that there was no book, which was kind of a shock. — Hans Ulrich Obrist

No writing is effortless. I'm not saying you can't have a good day where the words just kind of flow, but even those words have to be edited. Probably more than once. And I'm not saying a character hasn't somehow gone in a different direction that I wanted her to go, but that was me, not her. I let her get away from me. I let her roam free and nine times out of ten, the result is not good. I have to go back and start over because she veered off the path of my book. She changed the vision. And I did that. Not her. — Darynda Jones

Children's books: Every time you find the right, the necessary, book for a child - a book about sadness overcome, unfairness battled, hearts mended - you perform the best kind of magic ... every time you give just the right book to just the right child, you're saying, "You, my friend, have potential." That is a gift. That is a miracle. And that is what you do, each of you, every single day. — Katherine Applegate

It was easy to get a job at the Cedar Bar because people came and went, but I didn't like the atmosphere. Instead, I got a job at Cooper Union Library. I stayed at Cooper Union for seven years; it was my salvation. While I worked there, I also read books of every kind. — Claes Oldenburg

I've always written a little bit. I mean, I've written screenplays, and I've doctored my dialogue for years, and I've written speeches - I was a speechwriter on 'The West Wing,' so I like that kind of thing. But I never really thought I'd write a book. — Rob Lowe

I can look back and see that I've spent much of my life in a cloud of things that have tended to push "being kind" to the periphery. Things like: Anxiety. Fear. Insecurity. Ambition. The mistaken belief that enough accomplishment will rid me of all that anxiety, fear, insecurity, and ambition. The belief that if I can only accrue enough - enough accomplishment, money, fame - my neuroses will disappear. I've been in this fog certainly since, at least, my own graduation day. Over the years I've felt: Kindness, sure - but first let me finish this semester, this degree, this book; let me succeed at this job, and afford this house, and raise these kids, and then, finally, when all is accomplished, I'll get started on the kindness. Except it never all gets accomplished. It's a cycle that can go on ... well, forever. — George Saunders

I don't intend to write the same kind of book for the rest of my life because I feel I would not be satisfied only writing in one mode. — Jesse Kellerman

When I am composing, I try to clear my mind of having to publish, or having to sell a book or find readers. That kind of thinking gets in the way. — Maxine Hong Kingston

The experience of getting my Kriya, which is the meditation process that I do, was very powerful for me - though, as I explain in the book, I was really suspect of that kind of thing. — Mariel Hemingway

I'm not leaving."

"I want you out of the city, and now. If the chalet doesn't suit you, go where you like. But you will go."

"I have no intention of going anywhere."

"Fuck it. You're fired."

"Very well. I will remove my belongings and book a hotel until -- "

"Oh, shut up. Both of you shut the hell up." She fisted her hands in her hair, yanked fiercely. "Just my luck, you finally say the words I've been waiting over a year to hear and I can't do my happy dance. You expect him to put his tail between his skinny legs and hide?" she demanded of Roarke. "You think when you're in the middle of this kind of mess he's just going to bop over to Switzerland and yodel, or whatever the hell they do there? — J.D. Robb

I could probably write a book on the complexities of our relationship, on my constantly shifting emotions, my ever-changing mind, but let's just say that nothing is ever as black and white as it seems, that love is not only blind but pathetic too. It can make us into victims and fools, reduce us to the kind of people who infuriate us on soap operas, the kind you want to scream at for allowing the creep or bitch to walk all over them. — J.M. Morris

I write different kinds of sentences, depending on what the book is, and what the project is. I see my work evolving. I'm writing long sentences now, something I didn't use to do. I had some kind of breakthrough, five or six years ago, in Invisible, and in Sunset Park after that. I discovered a new way to write sentences. And I find it exhilarating. — Paul Auster

Attention spans are changing. It's very noticeable. I am very aware that the kind of books I read in my childhood kids now won't be able to read. I was reading Kipling and PG Wodehouse and Shakespeare at the age of 11. The kind of description and detail I read I would not put in my books. I don't know how much you can fight that because you want children to read. So I pack in excitement and plot and illustrations and have a cliffhanger every chapter. Charles Dickens was doing cliffhangers way back when. But even with all the excitement you have to make children care about the characters. — Cressida Cowell

I have wanted to "make books" since around the sixth grade, and I published my first book when I was in my late thirties. My point is that the time in between was not wasted - submarine service, marriage, college, bringing up three kids, starting a school for them, and so forth. This kind of life experience is not distracting you from your appointed task of writing. It is, rather, the roundabout blessing of giving you something to say. — Douglas Wilson

In my defense, I love the book in a postmodern kind of way where I've always sensed that it contains something that I relate to. I think it's the kind of book that echoes my beliefs and my sentiments and I've always related well to people who have read the book and I've written about the book. You know, I majored in comp lit and it's possible, it's very possible to read a book without reading it in the traditional straightforward manner. You can read about a book, Joe. Do you know what I mean? Do you understand? — Caroline Kepnes

Throughout my childhood, my parents dropped me off at a multitude of therapists' offices in hopes that I'd avoid growing up to be the kind of asshole who writes books about them. Also because it was sometimes easier than finding a nanny. — Jenny Mollen

I was not a comic book reader, but my son is. My son wasn't really interested in reading books, which was hard for me because I love to read. It just didn't come naturally to my boy. So we kind of found comic books because they were fascinating to him. They were great stories. — Virginia Madsen

People always ask what a book is about, as if it has to be about something. I don't want to write books that lend themselves to that sort of description. My books are more a kind of breaking-down. — Jonathan Safran Foer

For instance, with "Ragtime" I was so desperate to write something, I was facing the wall of my study in my house in New Rochelle and so I started to write about the wall. That's the kind of day we sometimes have, as writers. Then I wrote about the house that was attached to the wall. It was built in 1906, you see, so I thought about the era and what Braodviw Avenue looked like then: trolley cars ran along the avenue down at the bottom of the hill; people wore white clothes in summer to stay cool. Teddy Roosevelt was president. One thing led to another and that's the way that book began: through desperation to those few images ... - 92nd Street YMHA Interview — E.L. Doctorow

My inspiration for writing is all the wonderful books that I read as a child and that I still read. I think that for those of us who write, when we find a wonderful book written by someone else, we don't really get jealous, we get inspired, and that's kind of the mark of what a good writer is. — Patricia MacLachlan

After I had my son I looked everywhere for a book that might serve as some kind of mirror. I bought so many silly books. Now I see what the problem was: I wanted a book about time-about mortality. I can't think of a writer who is at once so experimentally daring and so rigorously uncompromising as Sarah Manguso. Ongoingness is an incredibly elegant, wise book, and I loved it. — Miranda July

This was like no library I had ever seen because, well, there were no books. Actually, I take that back. There was one book, but it was the lobby of the building, encased in a heavy glass box like a museum exhibit. I figured this was a book that was here to remind people of the past and the way things used to be. As I walked over to it, I wondered what would be one book chosen to take this place of honor. Was it a dictionary? A Bible? Maybe the complete works of Shakespeare or some famous poet.
"Green Eggs and Ham?" Gunny said with surprise. "What kind of doctor writes about green eggs and ham?"
"Dr. Seuss," I answered with a big smile on my face. "It's my favorite book of all time."
Patrick joined us and said, "We took a vote. It was pretty much everybody's favorite. Landslide victory. I'm partial to Horton Hears A Who, but this is okay too."
The people of Third Earth still had a sense of humor. — D.J. MacHale

The New York book was a visual diary and it was also kind of personal newspaper. I wanted it to look like the news. I didn't relate to European photography. It was too poetic and anecdotal for me ... the kinetic quality of new york, the kids, dirt, madness - I tried to find a photographic style that would come close to it. So I would be grainy and contrasted and black. Id crop, blur, play with the negatives. I didn't see clean technique being right for New York. I could imagine my pictures lying in the gutter like the New York Daily News. — William Klein

But really, that is kind of silly,' Abigail tried to explain. 'I mean, a book is much less personal than a programmed screen that can respond to you according to your needs, and concentrate on what's hard for you, and go fast on what's easy. A book stays the same no matter *who's* reading it. And anyway, I don't see how anyone could read a whole long book, it must be so boring!'

'But...but it wasn't,' Peter said faintly. 'I...almost forgot I was reading it. The...the whole story was going on in my head.'

'I still don't understand,' said Oliver. 'I mean, watching a real-life hologram right before your eyes is better than anything you could *imagine.* — William Sleator

The less you offer, the more readers are forced to bring the world to life with their own visual imaginings. I personally hate an illustration of a character on a jacket of a book. I never want to have someone show me what the character really looks like - or what some artist has decided the character really looks like - because it always looks wrong to me. I realize that I prefer to kind of meet the text halfway and offer a lot of visual collaborations from my own imaginative response to the sentences. — Jonathan Lethem

My novel, which I had started with such hope shortly after publishing my first book of stories, wouldn't budge past the 75-page mark. Nothing I wrote past page 75 made any kind of sense. Nothing. Which would have been fine if the first 75 pages hadn't been pretty damn cool. — Junot Diaz

I decided to read something I normally hate: a cosy mystery. You know one of those mysteries where everything is tidily wrapped up at the end and everyone lives happily ever after? An Agatha Christie kind of mystery. They are so not my thing. But then someone was raving about Barbara Neely's Blanche White books and they sounded interesting. — Justine Larbalestier

For me life is an inn where I must stay until the carriage from the abyss calls to collect me [ ... ] I could consider this inn to be a prison, since I'm compelled to stay here; I could consider it a kind of club, because I meet other people here. However, unlike others, I am neither impatient nor sociable. I leave those who chatter in the living room, from where the cosy sound of music and voices reaches me. I sit at the door and fill my eyes and ears with the colours and sounds of the landscape and slowly, just for myself, I sing vague songs that I compose while I wait.
Night will fall on all of us and the carriage will arrive. I enjoy the breeze given to me and the soul given to me to enjoy it and I ask no more questions, look no further. If what I leave written in the visitors' book is one day read by others and entertains them on their journey, that's fine. If no one reads it or is entertained by it, that's fine too. — Fernando Pessoa

The book is called 'Thanks for Nothing' and it's really the story of how I got into comedy and traces back every strand in my life that is relevant to that story. It's kind of an autobiography but isn't, as it stops about 25 years ago. It goes right up to the first time I do stand up. — Jack Dee

Brown Bear, Brown Bear was kind of my first important book — Eric Carle

I also knew you wouldn't stop your staring until you learned the cold, hard truth. So, consider yourself warned. I might not be the kind of guy that reads textbooks at the beach," he said, glancing back at my open book, "but I'm smart enough to know girls like you should stay away from guys like me. So stay away. — Nicole Williams

Bookseller: Can I help at all?
customer: Yes, where's your fiction section?
bookseller: It starts over on the far wall. Are you looking for anything in particular?
customer: Yes, any books by Stefan Browning.
bookseller: I'm not familiar with him, what kind of books has he written?
customer: I don't know if he's written any. You see, my name's Stefan Browning, and I always like to go into
bookshops to see if anyone with my name has written a book.
bookseller: ... right.
customer: Because then I can buy it, you see, and carry it around with me and tell everyone that I've had a novel published.Then everyone will think I'm really cool, don't you think? — Jen Campbell

Nathaniel Hawthorne, who was at the time American consul in Liverpool, provided a preface, then almost instantly wished he hadn't, for the book was universally regarded by reviewers as preposterous hokum. Hawthorne under questioning admitted that he hadn't actually read it. "This shall be the last of my benevolent follies, and I will never be kind to anybody again as long as [I] live," he vowed in a letter to a friend. — Bill Bryson

After long absence, of return / To my dear home - Oh, happiness! / To lie in blissful consciousness / Of all around: The picture there - / The books - the flower-glass filled with care / By a kind hand - And then to know, / 'Twas but to rise, and meet below / Such a heart's welcome! — Caroline Anne Southey

The Madingley paper56 represented a kind of closure for me, a climax to the first part of my scientific career, beginning in my early twenties and ending in my early thirties. At this point, I took off in an entirely new direction, never to return to those youthful mathematical pastures. That new direction, which was to define the rest of my career, and approximately the second half of my life, opened up with the publication of my first book, The Selfish Gene. — Richard Dawkins

I thought about packing my bags, I thought about jumping out a window, I sat on the bed and thought, I thought about you. What kind of food did you life, what was your favorite song, who was the first girl you kissed, and where, and how, I'm running out of room, I want an infinitely long blank book and forever. — Jonathan Safran Foer

The freedom to be someone else entirely and be different versions of something. That's what I loved and I loved watching movies and I loved watching television, I loved reading books. That kind of escapism into another world was my favorite thing. — Gwendoline Christie

I'm a big illustration and comic book fan. In my eyes, comic books and illustration are the same kind of art forms. — Mika.

Sylvia Day spins a gorgeous adventure in A Touch of Crimson that combines gritty, exciting storytelling with soaring lyricism. Adrian is my favorite kind of hero
an alpha male angel determined to win the heart of his heroine, Lindsay, while protecting her from his lethal enemy. Lindsay is a gutsy, likable woman with paranormal abilities of her own, as well as a dedication to protecting humanity against a race of demonic monsters. This is definitely a book for your keeper shelf. — Angela Knight

One of the things I try to do is try to make repetitions, rhymes, and mirrorings across the subject matter of my own books so that the chapter titles and the epigraphs and pictures all kind of form a tapestry. In this book, I retell fifteen of the stories. You have the critical frame, and then you have these rosettes like the motif in a carpet. — Marina Warner

The face and body may be perfect, but if a twisted gene or a malformed egg can produce physical monsters, may not the same process produce a malformed soul? — John Steinbeck

One of the things that gives me a lot of pleasure about both the solo show and the book is that it tells people about my dad. He really was an important man. He was a kind of pioneer of regional theater. He was the first American producer to ever produce all of Shakespeare plays. — John Lithgow

She [my mother] struggled, abusing alcohol for quite some time, and so we just kind of drifted apart. I went to college. But I dedicate the book to her because she is the true champion of the family. She kept our family together. She provided us with a roof over our head. She always worked. — Hope Solo

I tried to lift the book in a kind of salute, but it was way too heavy for that. In fact,when I got back up to my room and tossed it on the bed,the mattress creaked in protest. — Rachel Hawkins

I decided to make myself a little less precious with my storytelling. I think you can see from the first three pieces in the book that I have a long term relationship with the short story as a form and I really love an elegantly crafted story that has several elements that come together in a way that is emotionally complex and different from when we started. That kind of crystalline, perfect, idealized thing that the short story as a genre has come to represent. — Lucy Corin

My own experience of growing up as a Roman Catholic in Scotland has led me to fear independence in Scotland. The possibility of Scotland being a kind of Stormont is a real one. I wrote a book recently about Neil Lennon's year of living dangerously and in the course of it I had to revisit some of my own experiences. Of course, most Scottish people are not swivel-eyed, loyalist sectarians but there are a large number of them. A large six-figure number, and if I were living in Scotland as a Roman Catholic I would be worried about that. — George Galloway

I do believe you would be perfectly happy shut up in your study with your rolls of manuscript all your life, without seeing another human being save a servant to bring you in bread and fruit and water twice a day. — G.A. Henty

I turn to Libby. "You're kind. Probably the kindest person I know. You're also forgiving, at least a little, but I'm hoping a lot, and in my book that's a superpower." Her eyes are on mine, and there's a lot going on there. "You're smart as hell, and you don't take people's crap, least of all mine. You are who you are. You know who that is, and you aren't afraid of it, and how many of us can say that." She's not smiling, but it's not about what her mouth is doing. It's about her eyes. "You're strong too. It's not just a matter of being able to knock down a guy with a single shot to the jaw." (Everyone laughs, except her.) "I'm talking about inner strength. Like, if I would draw that inner strength it might look a lot like a triangle made of carbyne. That's the world's strongest material. You also make things better for people around you... — Jennifer Niven

I would get records by Earl Scruggs ... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking ... And I kind of worked out my own style of playing. — Steve Martin

I would like for my books to have been recognized posthumously, at least in capitalist countries, where they turn you into a kind of merchandise. — Gabriel Garcia Marquez

Once I came to really understand the mechanics of three-act structure, my life got a great deal easier. It doesn't tell you how to write your book, but it helps you understand why things aren't working, or what kind of beat needs to come next. — Marcus Sakey

My mother was an excellent woman. Pious, virtuous. Kind. But she was not the intellectual equal of my father. Not by any means. I do not speak of book learning. I speak of a certain innate quality of mind, a superior understanding. Because she had it not, their companionship was - diminished. Father looked to his books, rather than to his wife. — Geraldine Brooks

I didn't say what kind of book. You have a foul mind Bingley."
"Don't mock me on my sister's wedding day!"
"I mocked you on yours; I hardly see how this is as bad," was Darcy's reply. — Marsha Altman

Contemplation: I read a lot of books on philosophy and religion, and try to keep always growing in that part of my life, because without having a spiritual grounding, I think you can get really swayed by the winds of all the praise or the criticism; it's all very, kind of, up and down. Try to stay up and focused. — Kimbra

I'd say that most of these [poems in Jason Mashak's book SALTY AS A LIP] are just straightforward enough, but not entirely explainable or attributable to a single cause/effect, which makes them the kind of poems I want to read many times ... "Salty as a lip" is my favorite. It's so alive: strange and human / earthy and raw. Mysterious but grounded. Mashak has manifested paradox, it seems. Bravo! — Sage Cohen

Well, he replied, finally letting my hand go so that he could gesticulate with his; you don your khakis, schlep off to some jungle, hang out with the natives, fish and hunt with them, shiver from their fevers, drink strange brew fermented in their virgins' mouths, and all the rest; then, after about a year, they lug your bales and cases down to the small jetty that connects their tiny world to the big one that they kind of know exists, but only as an abstract concept, like adultery for children; and, waving with big, gap-toothed smiles, they send you back to your study - where, khakis swapped for cotton shirt and tie, saliva-liquor for the Twinings, tisane or iced Scotch your housekeeper purveys you on a tray, you write the book: that's what I mean, he said. Not just a book: the fucking Book. You write the Book on them. Sum their tribe up. Speak its secret name. — Tom McCarthy

Well, it would be helpful to not have to go through all of these in Braille," the man said. "I'm looking for the local wildlife guide and one other book." He held a paper out in front of him, and she took it. "The head librarian wrote the authors' names down for me," the man said, grinning. "I don't think she realized I couldn't read it." "That would be my boss," Julia sighed. "She's ... she's the kind of person who yells at deaf people. — Aubrey Rose

Overall, my books represent a kind of shared communion and meditation with my fellow human beings ... The books are also a part of what I call the great continuum of spiritual literary dialogue that I feel has been in progress since human beings first gave in to the urge to pray to their sense of something greater than themselves and interpreted certain signs or events or silences as responses to those prayers. — Aberjhani

Ah, like how Sharon Parker's bra kind of found its way into your locker?"
He leaned in, resting his elbows on the table. "Are you going to constantly bring these things up the entire time we're dating?"
"Sorry. Just using my prior knowledge to try and gauge what kind of fake boyfriend you're going to make."
"Well, if your bitterness is any indication of the kind of fake girlfriend you're going to be, I won't hold my breath for you to fake put out. — Jennifer Shirk

I would still be reading out loud. I think that if you are any kind of an artist, then validation is just sort of ... it can be a result, but you're going to do the work anyway. Because you're just wired that way. It's so engrained, it's such a part of your personality that you don't just stop doing it. Eventually I'll retire on some level, eventually no one will want to buy my books or a ticket to see me read, it's inevitable that's going to happe — David Sedaris

The thing is that my first novel, which was basically a mystery adventure story, won quite an important award in Spain for young adult fiction, and because of this it became a very successful book, and right now it's some sort of a standard title, it's read widely in many high schools in Spain, so I think, in a way, I was a victim of my own success in the field of young adult fiction, because it was never my own natural register. I never intended to write that kind of fiction, but I became very successful at it. — Carlos Ruiz Zafon

And it's kind of my own fault too, in the sense that I've used my own life as a literary device so much. I think people feel very comfortable reviewing the idea of me, as opposed to what I've actually written. I find that most of the time, when people write about one of my books, they're really just writing about what they think I may or may not represent, as sort of this abstract entity. Is that unfair? Not really. If I put myself in this position where I'm going to kind of weave elements of memoir into almost everything, well, I suppose that's going to happen. — Chuck Klosterman

This book is not for parents who want to raise a perfect child. You can probably make that kind of kid, but I don't think you should. I've met more than my share of young prodigies - kids who were pushed to skip grades, memorize Latin names for every insect, and greet all adults with firm handshakes. They're weird, and not in a good way, like a corgi wearing a tuxedo: sure it's cute, but does it truly know joy? — Brett Berk

I finally found my way to the Really Restricted Section, where they keep the kind of books most scholars aren't even supposed to know exist. I knocked on the closed door, said the proper passwords, and the door opened before me. I walked in, and the ghost of the Head Librarian, a thin, dusty presence, with dark eyes and a disapproving look, appeared before me, blocking my way. (He had been eaten by a book, then brought back by the other books, apparently because they approved of him. Because even though he didn't have much time for people, he loved books.) — Simon R. Green

How lucky, I thought, were people who had known from earliest childhood what they wanted to do. All the children in my grammar school, who said they wanted to be doctors, had grown up to become doctors. This was also the case apparently with firemen, veterinarians, songwriters, and race car drivers.
I had opted for a kind of pure experience, which, as Doo-Wah had pointed out, is not usually something you get paid for. I did not want to write a book about it. I did not want to write so much as an article. I wanted to be left alone with my experience and go on to the next thing, whatever that was. — Laurie Colwin

In that sense, this is not a standard book of interviews. Nor is it what you might call a book of 'celebrity conversations.' What I was searching for - with increasing clarity as the sessions progressed - was something akin to the heart's natural resonance. What I did my best to hear, of course, was that resonance coming from Ozawa's heart. After all, in our conversations I was the interviewer and he was the interviewee. But what I often heard at the same time was the resonance of my own heart. At times that resonance was something I recognized as having long been a part of me, and at other times it came as a complete surprise. In other words, through a kind of sympathetic vibration that occurred during all of these conversations, I may have been simultaneously discovering Seiji Ozawa and, bit by bit, Haruki Murakami. — Haruki Murakami

One of the most difficult things is the first paragraph. I have spent many months on a first paragraph, and once I get it, the rest just comes out very easily. In the first paragraph you solve most of the problems with your book. The theme is defined, the style, the tone. At least in my case, the first paragraph is a kind of sample of what the rest of the book is going to be. That's why writing a book of short stories is much more difficult than writing a novel. Every time you write a short story, you have to begin all over again. — Gabriel Garcia Marquez

Webster and I are very aloof. The two of us go and sit there by ourselves. I sit by myself in the corner with my book and the newspaper. He kind of runs around a little bit, and then he goes and sits on top of the picnic table. He never plays with other little dogs. — Calista Flockhart

One is the feeling that no matter how hard we--I and my buddies--try to win this damn war, or even just fight it properly, we're held back. Or we're on the edge of a court-martial for treading too close to the edge of the rule book. That makes us feel kind of abandoned, like our own government doesn't support us, maybe even doesn't like us very much. By 'us' I mean all the Gis over here, — Mark Berent

I am Plato's Republic. Mr. Simmons is Marcus. I want you to meet Jonathan Swift, the author of that evil political book, Gulliver's Travels! And this other fellow is Charles Darwin, and-this one is Schopenhauer, and this one is Einstein, and this one here at my elbow is Mr. Albert Schweitzer, a very kind philosopher indeed. Here we all are, Montag. Aristophanes and Mahatma Gandhi and Gautama Buddha and Confucius and Thomas Love Peacock and Thomas Jefferson and Mr. Lincoln, if you please. We are also Matthew, Mark, Luke, and John. — Ray Bradbury

I think we ought to read only the kind of books that wound or stab us. If the book we're reading doesn't wake us up with a blow to the head, what are we reading for? So that it will make us happy, as you write? Good Lord, we would be happy precisely if we had no books, and the kind of books that make us happy are the kind we could write ourselves if we had to. But we need books that affect us like a disaster, that grieve us deeply, like the death of someone we loved more than ourselves, like being banished into forests far from everyone, like a suicide. A book must be the axe for the frozen sea within us. That is my belief. — Franz Kafka

No. I don't want to set the speed. I don't like being in control. I want him to set the pace. I'm not good at this kind of stuff. I'm stunned. I think I'm just staring at him with my mouth hanging open. How could he be so perfect in so many ways and then do something like this to me? Can't he see that I'm about as aggressive as a water lily?

Webb, R. M. (2015-09-01). Speak (Witches & Warlocks Book 1) (p. 36). . Kindle Edition. — R.M. Webb

I think of Jeremy telling me I had to be ruthless to be a writer. And I think how I did not go visit my brother and sister and my parents because I was always working on a story and there was never enough time. (But I didn't want to go either.) There never was enough time, and then later I knew if I stayed in my marriage I would not write another book, not the kind I wanted to, and there is that as well. But really, the ruthlessness, I think, comes in grabbing onto myself, in saying: This is me, and I will not go where I can't bear to go - to Amgash, Illinois - and I will not stay in a marriage when I don't want to, and I will grab myself and hurl onward through life, blind as a bat, but on I go! This is the ruthlessness, I think. — Elizabeth Strout

My heart's toward youth ministry, but I don't know. I never would have thought I would have written a book. And God kind of directed that. So we'll see what the next is. — Tony Dungy

I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot - you know, beginning, middle and end--that has forward motion. I don't like series books that leave you hanging after you've finished a book and in my own fiction I try to make sure that there's always an entry point for those who are new to the book as well as long-time readers. — Charles De Lint

My grandfather had given me Mr. Darwin's book to read. He had given me the possibility of a different kind of life. but none of it mattered. Instead there was The Science of Housewifery for me. I was blind; I was pathetic. The century was about to change, but my own little life would not change with it. — Jacqueline Kelly

I didn't set out to write a book with no real male characters, but men were not important to my narrator, who was much more interested in maternal and pseudo-maternal love, so they were unimportant to me. I didn't even notice the lack of men in the story until I finished it. But once I did notice it, I was kind of delighted. Apparently, my subconscious is totally sexist. — Janice Erlbaum

The only thing I hope for is that, regardless of what the outward world is for different people, different nations, I hope their internal world is similar. And if I, hopefully, have managed to somehow describe my inner world in this book, all I count on is that it will have some resonance among the American readers, or, at the very least, the American readers will treat this book as a kind of a guidebook for my inner world, strange as it may appear. — Vera Pavlova

Jay Wexler is my kind of writer
a weird one, and a wry one, and one who isnt afraid to act silly in a sort of bait-and-switch that, to the readers surprise, moves him as much as it makes him laugh. Like all the best comedians, Wexler is clearly nursing a heart that the world broke a long time ago. Ed Tuttle is a book that cant decide what it wants to be when it grows up, but as with most cases of arrested development, theres something very serious going on behind all the antics. Plus, there are pictures. — Ron Currie Jr.

I feel that I'm an essayist and that my best work gets done in that form. I wanted to do a book where the essays could exist on their own terms. A book that was neither a book of essays that were shoehorned into a memoir, nor [one where] the essays had been published elsewhere first, [because] then they would kind of bear the marks of those publications. — Meghan Daum

I dedicate this book to the rock of hospitality and liberty, to that portion of old Norman ground inhabited by the noble nation of the sea, to the island of Guernsey, severe yet kind, my present asylum, my probable tomb. — Victor Hugo

When I saw "Ulysses" on Georgie's bedside table and Tom Finch's name written on it in a scrawl so like my old man's, I felt that I wanted to read it as a preparation for what's about to happen to us all. I understand where the brawny part of my father and I come from - Bill. I'm not saying bill's not smart, but my old man is a pretty intelligent guy and that kind of intellect came from tome Finch. I want to turn the pages he turned. But honestly I'm actually finding it hard. I think that the whole world has lied and nobody has read the book completely. It's a conspiracy up there with Roswell. — Melina Marchetta

How hard is it to build an intelligent machine? I don't think it's so hard, but that's my opinion, and I've written two books on how I think one should do it. The basic idea I promote is that you mustn't look for a magic bullet. You mustn't look for one wonderful way to solve all problems. Instead you want to look for 20 or 30 ways to solve different kinds of problems. And to build some kind of higher administrative device that figures out what kind of problem you have and what method to use. — Marvin Minsky

The same way I want them to take me seriously. I want them to look at my music as kind of like an open book to who I am inside. — Kaci Brown

From my father I heard only these words: "But you were born for such a day as this." He closed the book and my mother joined him in embracing me. They prayed over me and they gave me a blessing. And some blessings, like the one my conservative Christian parents gave to their soon-to-be-Lutheran pastor daughter who had put them through hell, are the kind of blessings that stay with you for the rest of your life. The kind you can't speak of without crying all over again. — Nadia Bolz-Weber

Also "Catcher in the Rye", which happens to be one of my favorite books, I just found that kind of useful. It helps you get into the American accent. — Freddie Highmore

I won't lie. Walking into a room and seeing your girlfriend reading a baby-name book can kind of make your heart stop.
"I'm no expert," I began, choosing my words carefully. "Well - actually, I am. And I'm pretty sure there are certain things we have to do before you need to be reading that. — Richelle Mead

I grabbed my book and opened it up. I wanted to smell it. Heck, I wanted to kiss it. Yes, kiss it. That's right, I am a book kisser. Maybe that's kind of perverted or maybe it's just romantic and highly intelligent. — Sherman Alexie

I was writing a film criticism book on Sergio Corbucci, the director who did the original Django. So, I was kind of getting immersed in his world. Towards the end of the Inglourious Basterds press tour I was in Japan. Spaghetti Westerns are really popular there, so I picked up a bunch of soundtracks and spent my day off listening to all these scores. And all of a sudden the opening scene [Django] just came to me. — Quentin Tarantino

Andy: Andrew Makepeace Ladd, the Third, accepts with pleasure the kind invitation of Mr. and Mrs. Gilbert Channing Gardner for a birthday party in honor of their daughter Melissa on April 19th, 1937 at half past three o'clock.
Melissa: Dear Andy: Thank you for the birthday present. I have a lot of Oz books, but not 'The Lost Princess of Oz.' What made you give me that one? Sincerely yours, Melissa.
Andy: I'm answering your letter about the book. When you came into second grade with that stuck-up nurse, you looked like a lost princess.
Melissa: I don't believe what you wrote. I think my mother told your mother to get that book. I like the pictures more than the words. Now let's stop writing letters. — A.R. Gurney

I've tended to find that myths of the near future give people the ability to really kind of explore the present, so say for example if look at William Gibson and his book Neuromancer or if you look at J.G. Ballard or Samuel Delaney those are probably three of my favorite writers in that genre. — DJ Spooky

I was kind of a weird homie; I was a weird kid. Nobody in my family loved books. I'm the only one. — Luis J. Rodriguez

Writing for children is my ... that's my medium, you know, and the medium is the picture book, which is a very particular kind of book. I try to give children what I would give anybody, you know. I become interested in something. I find something fascinating. It has to fascinate me, and then I want to give it to them. — Mordicai Gerstein

My view of writing "Coldest Girl in Coldtown" was to take every single thing that I loved from every vampire book I had ever read and dump it into one book
everything I like
trying to evoke some of the decadence ... Vampires are a high-class monster: They want to dress up. They want to drink a lot of absinthe, or force their victims to drink a lot of absinthe. They have big parties and have elegant rituals. I think that's a thing we associate with vampires
they are the royalty of our monsters. We expect them to be rich, we expect them to be well-dressed. I wanted to have some of that be true because I like it, and have some of it not be true because it's kind of weird.
I wanted to put in the idea of infection, which I was really interested in and which was a big feature of the vampire books I read growing up. And, the fear and desire for infection
the way in which our urge towards loving vampires is nihilistic. Our fear of them is our survival instincts kicking in. — Holly Black

The way Smith sees it, this kind of approach denotes a certain category of writer: the Micro Manager. Authors fall into one of two primary camps, she explained in her 2009 book of essays, Changing My Mind.691 Macro Planners work out the structure of their novels and then write within that structure. Micro Managers, on the other hand, don't rely on an overarching configuration (don't even conceive of one), but rather home in on each sentence, one by one, and each sentence, as they come to it, becomes the only thing that exists. If there is a spectrum starting with Macro Planners on one end and Micro Managers on the other, Smith would be somewhere to the right of the page. Smith's writing is entirely incremental and cumulative. The grand plan is that there is no grand plan; working things out ahead of time ruins everything, "feels disastrous."She prefers the writing of a novel as a process of discovery. "The thinking goes on on the page," not beforehand. — Sarah Stodola

Making you believe what he wanted you to believe was his very reason for being. Maybe his only reason. I was intrigued by the way he turned events, or hints I had given him about people, into reality
that is, his kind of reality. This obsessive reinvention of the real never stopped, what-could-be having always to top what is.
...
I began to wonder which was real, the woman in the book or the one I was pretending to be upstairs. Neither of them was particularly "me." I was acting just as much upstairs; I was not myself just as much Maria in the book was not myself. Perhaps she was. I began not to know which was true and which was not, like a writer who comes to believe that he's imagined what he hasn't.
...
The book began living in me all the time, more than my everyday life. — Philip Roth

I've read all the books, I've watched all the films and now, thanks to the glory of home gaming, I've even kind of experienced it: I've landed on the beaches of Normandy, I have successfully held Pegasus Bridge and I've disabled German tanks with stolen Panzerfausts. I have fought in Italy, France and North Africa and if I had a Euro for every virtual life I've lost I'd be able to build a replica of Hitler's bunker in my back garden. — Tom Dunne

I think that my first book - I was trying to write the kind of book I would have loved as a kid. So it's sort of, like, a book inspired by my childhood reading and the passion that I felt about reading when I was a kid. — Rebecca Stead

Obviously loss of family is huge and critical, but I think really it's more about losing a sense of family. The horror of that kind of incompleteness. Writing this book, I tried not to think about my father, which does no one any good fictionally. I did try to imagine not just the horror of that moment, but the horror of having witnessed it, and the lifelong void. And I think that's what's so frightening. — Chang-rae Lee

You know, I'm a big comic book fan. As a kid I used to collect them until there was a horrible mudslide in Hollywood and I lost my collection, but I was also at an early age the voice of 'Jonny Quest;' it was a cartoon; so I am kind of a latent fan boy. — Tim Matheson