My Eyes Says It All Quotes & Sayings

I feel his lips at the back of my head and he calls out, "Gem." My eyes go directly to his. His eyes hold mine through the mirror. Without letting go of my eyes he gives me a squeeze as he expresses, "I want this." I feel my brows gather as I ask, "This?" "Us. But more." My voice dips and I ask again, "What are you saying?" I didn't know it was possible, but he looks into my eyes even deeper, deep enough to reach my soul, when he says, "I want it all. I want you in every way I can have you, Leigh. I want you in my house, my bed. I want to give you a dog and a family. And once you're officially mine, I want to give you babies, lots of them. I want to give you a full life, gem. You're ready for it, you just need to open your eyes and see it. It's right in front of you. It's time for you to reach out and grab hold. — Brynne Asher

How was Ambrose?"
"Starving, as usual. I swear he wants to nurse every two hours."
Zoe grinned. "It's because he's a boy." She pulled out some sheet music and began hunting through it for another selection. "Lisette says that Eugene nearly drove her mad. Even the wet nurse she used when she and Max came up to Winborough complained that she'd never seen a babe so lusty. But Claudine didn't give Lisette a bit of trouble. My little Drina was never a problem, either."
"Just as I always suspected," Jane said. "Men are insatiable from birth."
Dom's eyes twinkled at her. "In some things, anyway."
Her stomach flipped over. Dr. Worth had only yesterday told her that they could resume marital relations, but in all the chaos of the coronation preparations she hadn't had a chance to tell Dom. — Sabrina Jeffries

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. — Jodi Picoult

I close my eyes and lean into him. I think my body makes the choice for me, because my mind has certainly lost all control. I press my face against his neck and listen quietly as our breaths fail to slow. The longer we stand here and the more he says, the heavier our need grows. I can feel it in the way he holds me. I can hear it in the desperate plea of his voice. I can feel it with every rise and fall of his chest. — Colleen Hoover

How can she stand up there so tall as she's telling us how her mother beat her and her father molested her when she was a little girl? How is it possible for her to look so proud? How is she not being consumed by shame? She should be disintegrating before our eyes. She should be struck by lightning, and God's big, angry, booming voice should be shaking the room with "How dare you? I told you never to tell." But that's not her God, she says. Her God is loving and kind and wants what's best for her. Her God loves peace and serenity and forgiveness. Her God doesn't make her keep secrets. I thought I knew God all my life, but maybe it was some other guy the whole time. I want this God. I want Val's God. I want a God who doesn't make me jump through hoops and hate myself to earn his love. — Amy Reed

Dorothy's coming up. I think she's tight."
"That's great." I picked up my bathrobe. "I was afraid I was going to have to get some sleep."
She was bending over looking for her slippers. "Don't be such an old fluff. You can sleep all day." She found her slippers and stood up in them. "Is she really as afraid of her mother as she says?"
"If she's got any sense. Mimi's poison."
Nora screwed up her dark eyes at me and asked slowly: "What are you holding out on me?"
"Oh, dear," I said, " I was hoping I wouldn't have to tell you. Dorothy is really my daughter. I didn't know what I was doing, Nora. It was spring in Venice and I was so young and there was a moon over the ... "
"Be funny. Don't you want something to eat? — Dashiell Hammett

It's all right," he says. "But maybe - you could - " He looks into my eyes, deep, and I know what he wants. A kiss. — Ally Condie

Thank you for getting me," I try to say. My lips are so tired they don't want to move.
"Anytime,Zara.Really.I mean it." He seems to be smelling my hair.
"I know you hate me and everything but we should be friends," I tell him, closing my eyes.
"I don't hate you," he says. "That's not it at all."
"What is it then? Are you a victim of parthenophobia?"
"Parthenophobia?"
"Fear of girls."
"You are so strange." He moves back even closer to me, this wicked glint in his eyes like he's trying hard not to snort-laugh at me. His hand presses against the side of my head. Nobody has ever touched me like this before, all gentle and romantic, but strong at the same time. "I'm not afraid of girls."
"Then why haven't you kissed any?"
For a second his eyes flash. "Maybe the right one hasn't come around yet. — Carrie Jones

I can't believe you're still mad at me," Ed says.
"You grabbed my arse."
"You broke my nose."
"You broke his nose?" Jazz asks. "You grabbed her arse?"
"It was two years ago-"
"Two years, four months, and eight days," I tell him.
"-and I was fifteen, and I slipped and she broke my nose."
"Wait a minute. How do you slip onto someone's arse?"
Jazz asks.
"I meant slipped up. I slipped up and she broke my nose."
"You're lucky that's all I broke," I say.
"You're lucky I didn't call the police."
Leo, Dylan, and Daisy slid into the booth. "Did you guys know that Lucy broke Ed's nose? Jazz asks.
Ed closes his eyes silently and bangs his head on the wall. — Cath Crowley

She raises her hands and places them on either side of my face. My skin burns beneath her touch. 'I think you're beautiful.'
I smile, thinking she's done. But she releases my face and places her palms on my chest, directly over my heart.
'You're beautiful right here,' she says.
I close my eyes, and the breath rushes from my lungs.
'I see the good in you, Dante,' Charlie continues, her words rolling together off her tongue. 'Even if you don't, I do. You have a good heart. You know how I know?'
I open my eyes. She's looking at me like nothing else in the world exists. Like the entire planet and all of mankind just vanished. She slowly wraps my hands inside her own as best she can and places them on her chest. 'Because I feel it here.' She taps our hands against her chest. 'I know you're good, Dante. Because I feel it inside of me. — Victoria Scott

I need a book that says 'Here's how to defeat Spring and restore power to your king, and while you're at it, here's how to prove you matter when no one else thinks you do - "

I stop. I'm staring at the bookshelves and not at Theron, and I don't think I'll ever be able to look at him again without shriveling up from embarrassment. ... I can still hear what I said hanging around me, my weak, weak admission, and I can't bring myself to breathe, let alone face him.

Theron doesn't give me a choice. He crawls up onto his knees and moves into my line of sight, his forehead wrinkled and his eyes darting over mine like he's trying to figure me out the same way he figured out that passage. After a moment of silence, he grimaces.

"You matter," is all he says. — Sara Raasch

I figured I'd lay all my cards on the table. You're not having sex. I'm not having sex. Thought maybe we could work through our problem together."
"I don't have a problem."
"So why aren't you having sex, then?"
"Why aren't you?"
"Because I'd like to have it with you, and you haven't given in to me. Yet" He brought the beer to his lips and watched me as he drank.
"I can't believe we're having this conversation. You know I'm seeing someone."
"I do. That's why we're having this conversation. If you weren't seeing someone, I'd have you up on that kitchen island showing you what I want to do to you, rather than telling you."
"Is that so?"
He moved closer. "It is."
"What if I'm not into you in that way?"
Chase looked down, his eyes lingering on my nipples. My very erect nipples. "Your body says otherwise. — Vi Keeland

It is magnificent. At the moment of impact, the king's eyes are open, his body braced for the atteint; he takes the blow perfectly, its force absorbed by a body securely armoured, moving in the right direction, moving at the right speed. His colour does not alter. His voice does not shake.
"Healthy?" he says. "Then I thank God for his favour to us. As I thank you, my lords, for this comfortable intelligence."
He thinks, Henry has been rehearsing. I suppose we all have.
The king walks away towards his own rooms. Says over his shoulder, "Call her Elizabeth. Cancel the jousts. — Hilary Mantel

I try to catch my breath and calm myself down, but it isn't easy. I was dead. I was dead, and then i wasn't, and why? Because of Peter? Peter? I stare at him. He still looks so innocent, despite all that he has done to prove that he is not. His hair lies smooth against his head, shiny and dark, like we didn't just run for a mile at full speed. His round eyes scan the stairwell and then rest on my face. "What?" he says. "Why are you looking at me like that?" " How did you do it?" I say. — Veronica Roth

She blames herself. I hurt from knowing that I hurt her. Even when we know all of these other people are to blame. My friends. The media. Not her. Not me.

I can't help myself. I continue the cycle and I say, "I don't want to hurt you."

Lily is quiet for a moment before she says, "I'm tougher than you think. You just need to believe in me. You know, like a fairy."

I do believe in fairies. I do. I do. The jubilant chorus from Peter Pan fills my ears.

I look up at her, tears in both our eyes. Is that how we end this? I trust that I can share my grief with her and that she won't crumble beneath the pain?

She nods to me like go on. I can handle it. — Becca Ritchie & Kristia Ritchie

I push open the door just as Tobias, who is sitting on the floor with one leg stretched out, hurls a butter knife at the opposite wall. It sticks, handle out, from a large hunk of cheese they positioned on top of the dresser. Caleb, standing beside him, stares in disbelief, first at the cheese and then at me.
"Tell me he's some kind of Dauntless prodigy," says Caleb. "Can you do this too?"
"With my right hand, maybe," I say. "But yes, Four is some kind of Dauntless prodigy.
Tobias's eyes catch mine on the word "Four." Caleb doesn't know that Tobias wears his excellence all the time in his own nickname. — Veronica Roth

Cal's eyes flicker, out to the trees. But he's not looking at the leaves. His gaze is in the past, to something more painful. "She killed my true mother as well. And she'll kill all of us if we let her." The words come out hard and harsh, a rusty blade to saw f lesh. They taste wonderful in my mouth. "Not if I kill her first." For all his talents, Cal is not a violent person. He can kill you in a thousand different ways, lead an army, burn down a village, but he will not enjoy it. So his next words take me by surprise. "When the time comes," he says, staring at me, "we'll flip a coin. — Victoria Aveyard

I might be falling in love with you," I whisper, finding it hard to focus on his face.
"Kate," he says, almost sadly.
"what? You might be falling in love with me too?" My voice is hopeful, pathetically hopeful.
He shakes his head.
"You aren't falling in love with me?"
He doesn't respond. I touch his face carefully with the tips of my fingers. His skin is incredibly soft above the line of hard jawbone. I touch his silky black hair. His eyes close and i want to kiss his eyes, but I'm afraid. Afraid of all this. This could destroy me.
He opens his eyes. "Kate, I'm already in love with you. — Cindy Martinusen Coloma

There it is again, right in my head, I AM THE CIRCLE AND THE CIRCLE IS ME -
But this time it's different -
There's a lightness -
A breath-stealing feeling -
A weightlessness to it that makes my stomach rise -
"I give you a gift," he says, his voice floating thru my head like a cloud on fire. "The same gift I've given to my captains. Use it. Use it to defeat me. I dare you."
I look into his eyes, into the blackness of them, the blackness that swallows me whole -
I AM THE CIRCLE AND THE CIRCLE IS ME.
And that's all I can hear in the whole world. — Patrick Ness

Let me get someone to drive you home," I say before my fucked-up mind thinks of a million ways I could violate her tonight. I'm buzzed from alcohol and high, too. When I have sex with this girl, I want all my faculties.
She purses her lips and pouts like a kid. "No. I don't want to go home. Anywhere but home."
Oh, man.
I'm in trouble. Tengo un problema grande.
She looks up at me, her eyes in the moonlight sparking like rare, expensive jewels. "Colin thinks I want you, you know. He says our bickering is foreplay."
"Is it?" I ask, holding my breath to hear her response. Please, please let me remember the answer in the morning. — Simone Elkeles

Through the red haze of my blood I see a strange expression on his face. His eyes have come alive, and I don't like it at all. He's getting off on this now in a way he wasn't before. My first thought is that my honesty is feeding him in a bad, bad way and my second thought is not to question my gut.
"These are going to be very good days," he says to me. — Carolyn Lee Adams

As a child Valentine's Day was fun. You got to design your own little heart-laden box to accept all your classmate's Valentine's. Then you'd get to fill in the To: and From: fields on your G.I. Joe cards (because nothing says "Be Mine" like Snake Eyes). I remember each time taking extra special care when filling out a card for the girl who I happened to like that particular year. When the day arrived and cards were exchanged I would rifle through my haul finding the one from whichever girl it was and kept it apart from the others. It was special even though I'm sure she'd written the exact same thing on mine that she'd written on everyone else's. No matter, love was given and received. Valentine's Day was for a young boy not yet mature enough to express his affections and for him to hold fast to even a token expression from the object those affections. — Aaron Blaylock

We talk and tease and bargain with the main dish. Maniacal laughter echoes in the marble halls, sweet to my ears.
There's movement at the banquet hall's entrance. A child with my eyes tumbles in - all wings and blue hair and giggling innocence. Holding his hand is Morpheus, wearing a ruby crown.
The Red King. My king.
The bubble bursts and takes the vision with it, leaving nothing but the sound of my gasp and wisps of gray smoke behind.
"You see," Ivory says, "once Morpheus knew that one day you would belong to him and he to you, that you would share a child, he was no longer willing to die to save Wonderland. But he's insecure about your feelings for him. He feared you would refuse to help. So he made a new plan, however flawed it was." — A.G. Howard

It's good to know that I'm not crazy, then." "Well, you might be, dear," she says mildly. "But not if you want to strangle him with yarn." "He's stealing my socks," I lean forward and whisper. "They do that sort of thing," she whispers back. "It's okay, really." "Sometimes I think that if I see one more of his socks on the floor I'm going to bury them all in the back yard." She smiles again, the corners of her eyes crinkling merrily. "Well, if you decide to take that route, we have a wide range of shovels in aisle seven. — Maia Sepp

Open your eyes," he says, his lips so dangerously close. His chest quivering against mine. I open my eyes. "I want you to see my love. I want you to taste it. To feel it all the way to your soul, so you'll never ever doubt it. Never question what I feel for you. Never lean on three words that can't even touch what I feel for you." I — Candace Knoebel

What if ... what if ...
"What if it's a harvest camp after all?" says Emby. Connor doesn't tell him to shut up this time, because he's thinking the same thing.
It's Diego who answers him. "If it is, then I want my fin gers to go to a sculptor. So he can use them to craft something that will last forever."
They all think about that. Hayden is the next to speak.
"If I'm unwound," says Hayden, "I want my eyes to go to a photographer - one who shoots supermodels. That's what I want these eyes to see."
"My lips'll go to a rock star," says Connor.
"These legs are definitely going to the Olympics."
"My ears to an orchestra conductor."
"My stomach to a food critic."
"My biceps to a body builder."
"I wouldn't wish my sinuses on anybody."
And they're all laughing as the plane touches down. — Neal Shusterman

With my eyes closed, I ask if she knows how this will all turn out.
"Long-term or short-term?" she asks.
Both.
"Long-term," she says, "we're all going to die. Then our bodies will rot. No surprise there. Short-term, we're going to live happily ever after."
Really?
"Really," she says. "So don't sweat it. — Chuck Palahniuk

I take a breath. Words seem suddenly trite and useless, so I step forward and grab Elias's hands, remembering Pop. Touch heals, Laia. I hold fast to him, trying to put everything I feel into that touch. I hope your Tribe is all right. I hope they survive the Martials. I'm truly, truly sorry. It's not enough. But it's all I have. After a moment, Elias lets out a breath and leans his forehead against mine. "Tell me what you told me that night in my room at Blackcliff," he murmurs. "What your Nan used to say to you." "As long as there is life" - I can hear Nan's warm voice as I say it - "there is hope." Elias lifts his head and looks down at me, the coolness in his eyes replaced by that raw, unquenchable fire. I forget to breathe. "Don't you forget it," he says. "Ever." I nod. The minutes pass, and neither of us pull away, instead finding solace in the coolness of the night and the quiet company of the stars. — Sabaa Tahir

I think I would really lay down and die. Music comes from a very primal, twisted place. When a person sings, their body, their mouth, their eyes, their words, their voice says all these unspeakable things that you really can't explain but that mean something anyway. People are completely transformed when they sing; people look like that when they sing or when they make love. But it's a weird thing - at the end of the night I feel strange, because I feel I've told everybody all my secrets. — Jeff Buckley

Jade, you know I'm not safe out there." He says it as if he's really in danger. "Did you see all those girls running around in towels and robes?"
I roll my eyes. "I swear. The insults are coming, my friend. So tell your ego to get ready. — Allie Everhart

Drake: "I know it;s love because I think of you night and day. I miss you when you are sitting right next to me. When I look at you my heart races and my stomach turns in the best and worst way possible. When I'm with you I feel complete, I feel whole. When I'm away from you it;s hard to breathe. When I think of my life without you I panic and tears fill my eyes. Before I met you, I didn't think I had much of a future besides being CEO at Baylor. I look at you, Morgan, and am filled with beautiful optimism at all of the things my future could have, and that is because i see you right there with me. I want to marry you, Morgan, I want to have children with you. You are my best friend, my confidant, my everything. To me that's love. You say you love me, Morgan, is that how you feel?" I ask hopefully.
"Yes," Morgan says, as a confident smile crosses her face and tears fill her eyes. "Yes, that is exactly how I feel. I love you, Drake, you are my everything, — L.K. Lewis

People want to know those details. They think it gives them greater insight into a piece of art, but when they approach a painting in such a manner, they are belittling both the artist's work and their own ability to experience it. Each painting I do says everything I want to say on its subject and in terms of that painting, and not all the trivia in the world concerning my private life will give the viewer more insight into it than what hangs there before their eyes. Frankly, as far as I'm concerned, even titling a work is an unnecessary concession. — Charles De Lint

I don't even know what this is, Kenji." I meet his eyes. "That's the problem. I don't know ho to explain it, and I'm not sure I understand the depth of it yet. All I know is that whatever this is, I never felt it with Adam."
Kenji's eyes pull together, surprised and scared. He says nothing for a second. Blows out a breath. "Seriously?"
I nod.
"Seriously, seriously?"
"Yeah," I say. "I feel so ... light. Like I could just ... I don't know ... " I trail off. "It's like I feel like, for the first time in my life, I'm going to be okay. Like I'm going to be strong. — Tahereh Mafi

Simone! Are you all right? Simone!"
And a voice, grunting with pain, says, "Todd?"
And-
And it ain't Simone's voice.
The smoke starts to clear.
And it ain't Simone.
"You saved me, Todd," says the Mayor, lying there, bad burns all over his face and hands, his clothes smoking like a brush fire. "You saved my life."
And his eyes are full of wonder of it-
That in the rush of the explozhun the person I chose to save-
The one I chose without even thinking-
(without there even being time for him to control me-)
(no time for him to make me do it-)
Was the Mayor. — Patrick Ness

Language," I admonish him. "The dirtier the better," he says, loving it. "All she knows is we're talking about carpets. Speaking of carpets ... " His eyes drift down to my jeans. — Karina Halle

Hey, a guy can hope. I mean, it's not impossible that a
car full of scantily clad sorority girls might break down
outside and need my help."
"That's true," I said. "Maybe I can put a sign out front that
says, 'ATTENTION ALL GIRLS: FREE HELP HERE.'"
"'ATTENTION ALL HOT GIRLS,'" he corrected,
straightening up.
"Right," I said, trying not to roll my eyes. "That's an
important distinction."
He pointed at me with the pool stick. "Speaking of hot, I
like that uniform."
This time, I did roll my eyes. — Richelle Mead

I don't want to keep you from the mob of fans beating down the door."
"Hey, a guy can hope. I mean, it's not impossible that a car full of scantily clad sorority girls might break down outside and need my help."
"That's true," I said. "Maybe I can put a sign out from that says, 'ATTENTION ALL GIRLS:FREE HELP HERE.'"
"'ATTENTION ALL HOT GIRLS,'" he corrected, straightening up.
"Right," I said, trying not to roll my eyes. "That's an important distinction."
He pointed at me with the pool stick. "Speaking of hot, I like that uniform."
This time I did roll me eyes. — Richelle Mead

You want to hear something really sad?' I whisper. 'You're my best friend.'
'You're right. That is really sad.' Oliver grins.
'That's not what I meant.'
'Are we still playing True Confessions?' he asks.
'Is that what we're doing?'
He reaches toward me and rubs a strand of my hair between his fingers. 'I think you're beautiful,' Oliver says. 'Inside and out.'
He leans forward from the tiniest bit and breathes in, closing his eyes, before he lets the hair fall back against my cheek. I feel it inside me, as if I've been shocked.
I don't pull away.
I don't want to pull away.
'I ... I don't know what to say,' I stammer.
Oliver's eyes light up. 'Of all the gin joints in all the towns in all the world, she walk into mine,' he quotes. He moves slowly, so that I know what's coming, and kisses me. — Jodi Picoult

We all line up except for this guy in a wheelchair, Devyn. He smiles at me when I line up, introduces himself. He has a movie star smile, just white teeth and charisma, big eyes, dark skin. He'd be perfect looking if he didn't have such a large nose, but the truth is it looks good on him, natural and powerful. He winks at Issie, who blushes.
"You can do it, Is," he says.
She rolls her eyes, twists her lip, and says, "As long as I don't pass out."
"If you pass out, I'll put you in my lap and wheel you across the finish line," he says, and it somehow isn't sleazy because you can tell by his eyes how much he cares about Issie. I instantly like him.
She blushes worse. Her face looks like she's already sprinted a mile. — Carrie Jones

That's the music that I play at home all the time, Joni Mitchell. Court and Spark I love because I'd always hoped that she'd work with a band. But the main thing with Joni is that she's able to look at something that's happened to her, draw back and crystallize the whole situation, then write about it. She brings tears to my eyes, what more can I say? It's bloody eerie. I can relate so much to what she says. Now old friends are acting strange/They shake their heads/They say I've changed. — Jimmy Page

She's not going to eat. "Don't rain on my parade, Anastasia." "I'll eat later, when my stomach's woken up. About seven thirty, okay?" "Okay." I can't force her. She looks defiant and stubborn. "I want to roll my eyes at you," she says. Oh, Ana, bring it on. "By all means, do, and you will make my day. — E.L. James

So did you really mean all that stuff you said when I was a dead man?"
"Every word."
"Could you say it again?" he asks. "My memory's a little fuzzy."
"Which part?" The part where I said I wanted to stay with you forever?"
"Yeah," he murmurs, his face close to mine, his breath hot on my cheek.
"When I said that I love you?"
He pulls back a little, searches my eyes with his. "Yes. Say it."
"I love you."
He takes a deep, happy breath. "I love you," he says back. "I love you, Clara."
Then his gaze drops to my lips again, and he leans in, and the rest of the world simply goes away. — Cynthia Hand

It's okay,' he says, eyes closed. He's not even awake. 'It's okay.'
He says these words even in his sleep, like he has said them so often that it's his mouth's default sentiment. All this pain in his life, all this care he doles out to everyone else. And yet he still cracks his broken heart open even wider - wide enough to fit me, too. I wonder how much this must hurt him, the toll it just take to give more of himself to me when he already has so little left to give.
In slumber, his arm stays wrapped around me, encasing me for safekeeping. He would protect me even in his unconscious state, as we lie beneath my ceiling's half-painted sky.
This thought is enough to swell my heart - to swell, and to break. — Emery Lord

So what does the color blue say about you?" He studies all the parts of my face - mouth, nose, ears, chin - as if he's memorizing it for an exam. Then his eyes return to mine. "It says I never had a favorite color until I met this girl in a coffee shop with eyes so blue, they're almost purple, like the absolute final moments before sunrise. This girl stayed on my mind. When I saw things like a cluster of irises or a peacock at the zoo, I would think of her and say to myself, that is my favorite color. — Jessica Hawkins

Nash says you bartend, right?"
My eyes open to his. He's staring down at me, so close I can see the vague line where black pupil stops and nearly-black iris begins. Those eyes are amazing!
I see his eyebrows rise, prompting me.
"Pardon?" I ask.
"Nothing. I don't even think it matters. If you're this adorably sexy all the time, no one will care how fast you get them their drinks. — M. Leighton

Bree crossed her arms over her protruding belly. "I'm fine. No one has shot at me in the last twenty four hours, and my family is talking to me again. Things are looking up."
He grimaced at the mention of her family. "How fortunate for you."
Bree narrowed her eyes at him, picking up on the derogatory tone. "Well, you should know all about the importance of family. You'd do anything for yours, right? Bernardo says jump, you ask 'how high?' "
Alessandro felt a sick twist of guilt in his chest, "Well, congratulations, Brianna. You've worked very hard for the title of O'Reiley doormat. I hope it's all you've ever wanted. I hope you're happy."
"Blissfully," Bree shot back and turned on her heel, leaving him there filled with anger and regret. — E. Jamie

One-hundred-and-fifty miles per hour. No brakes."
His eyes redden. Our gazes are locked, all of our experiences together rushing through us, every moment where we kissed death but never tasted it. Every time we lived life so terribly - so fully.
And then he snatches my hairband, my brown locks tumbling out of a bun. His jaw glides across my cheek, his hand protectively on the back of my head, his breath warming my ear. And he says, "I'm right beside you, Calloway. — Krista Ritchie

And as Sean climbs into bed and closes his eyes, Mother comes, riding astride a lion the size of a house, blowing a clarion from a horn made out of a hollowed-out elephant's tusk. Her eyes have a faint crimson glow from the lasers that are mounted behind her irises, ready to fire at will.

'I touched a prince's chest today and made his heart stop,' she says. 'I'll do it again if I have to: they'll see what happens if anyone gets in my way. Good night, my son. Remember that I will always keep you safe; that I am always everywhere and always here.'

'Good night, Mom,' Sean says, and falls asleep.

And Mother recedes, wise and beautiful and strong, a genius and a hero, a punisher of thieves and a slayer of wicked men, to watch over her son in all her different versions. — Dexter Palmer

Britney ends by saying, after scenes of throngs of paparazzi surrounding her car, after tearful interviews and tearless ones, after impersonations of her father and make-up artists, after she says she's not a victim of her success and tries to stay positive and hates being placed in categories, after she dances her fucking ass off to get back what she had, after she explains that she married K-Fed because she liked the idea of it (a revelation that socked me in the chest and made my dating life flash before my eyes), and after she says that "people shave their heads all the time"; after all that, she leaves me with this: "I go through life like a karate kid. — Elissa Washuta

Can you even cry, anyway? With your eyes and all." Josh asks, fingers tapping a rhythm on the cushion behind Caid's right shoulder.
Caid swats his arm away. Says, "How is someone paying you to teach children? Of course I can fucking cry; it's not my tear ducts that are broken."
"I teach history, not the anatomy of eyeballs, shithead."
"How old are you?" Caid scoffs, feeling frustrated and exposed. He hates talking about his blindness. Hates it almost more than actually being blind. — Seventhswan

Alexander laughs. They kiss exuberantly. "Now - much more seriously," she says, "what would you like to play, Captain? Marco Polo?" "How about Little Red Riding Tania?" he says, all teeth. "Okey-dokey." Making her voice high high high, she says gamely, batting her eyes, "Oh, Captain, what big arms you have ... " "All the better to hold you with, my dear." He squeezes her wet body to him. "Oh, Captain, what big hands you have ... " "All the better to grab you with, my dear." He grabs her behind and presses into her. "Oh, my, Captain! What a - " Anthony takes a running jump, right into the pool, right into his mother and father. Alexander pushes his son underwater and when he releases him, Tatiana pushes her son underwater, and when she releases him they both embrace him and kiss his face. "Ant, want to play Marco Polo?" "Yes, Dad," says Anthony. "You're it. And no chasing only Mommy this time. — Paullina Simons

Lebedeva's eyes shone. Masha, listen to me. Cosmetics are an extension of the will. Why do you think all men paint themselves when they go to fight? When I paint my eyes to match my soup, it is not because I have nothing better to do than worry over trifles. It says, I belong here, and you will not deny me. When I streak my lips red as foxgloves, I say, Come here, male. I am your mate, and you will not deny me. When I pinch my cheeks and dust them with mother-of-pearl, I say, Death, keep off, I am your enemy, and you will not deny me. I say these things, and the world listens, Masha. Because my magic is as strong as an arm. I am never denied. — Catherynne M Valente

See," she's saying. "I told you, Heather. You're too nice to win. Too weak. Not in good enough shape. Because size twelveis fat. Oh, I know what you're going to say. It's the size of the average American woman. But guess what? The average American woman is fat, Heather.'[ ... ]
It takes me a while to realize that the breathing isn't my own. When I'm finally able to see, I look up, and see Rachel laying at my feet, blood pouring out of an indentation on the side of her head and tingeing the rain puddles all around her pink.And standing before me, a bloodied bottle of Absolut in her hand, is Mrs. Allington, her pink jogging suit drenched, her chest heaving, her eyes filled with contempt as she stares down at Rachel's prone body.Mrs. Allington shakes her head.
"I'm a size twelve," she says. — Meg Cabot

Everyone, this is the new girl. Elder knows her. New girl, this is everyone." A few people look up politely; some actually smile. Most, however, look wary at best, disgusted at worse. The nurse closest to me jabs her finger behind her ear and starts whispering to nobody.
"What's wrong with her?" I ask Harley as he leads me to the table he was sitting at.
"Oh, don't worry, we're all mad here."
I giggle, mostly from nerves. "It's a good thing I read Alice in Wonder-land . I definitely think I've fallen into the rabbit hole."
"Read what?" Harley asks.
"Never mind." All around me, eyes follow my every move.
"Look," I say loudly. "I know I look different. But I'm just a person, like you." I hold my head up high, looking them all in the eyes, trying to hold their stares for as long as possible.
"You tell 'em," says Harley with another Cheshire grin. — Beth Revis

If this is my final moment," she says, "then I can die happy."
"Is that why you're saying all this? Because you think we're going to die?"
"I don't know," she admits.
"Dammit, Summer." He clings to her waist, grip desperate, eyes heavy with torment. "You're saying everything I want to hear, but I don't know if I can trust it. — Laura Kreitzer

She laughs and looks out the window and I think for a minute that she's going to start to cry. I'm standing by the door and I look over at the Elvis Costello poster, at his eyes, watching her, watching us, and I try to get her away from it, so I tell her to come over here, sit down, and she thinks I want to hug her or something and she comes over to me and puts her arms around my back and says something like 'I think we've all lost some sort of feeling. — Bret Easton Ellis

Nick leans down and kisses my eyelids. "Loving you, Zara, is a full-time job. It's a great job, don't get me wrong. It's the best job in the universe. But it is not easy, because you tend to . . ."
"Get hurt?" Betty suggests. "Find trouble? Pass out? Break arms?"
"All of the above." Nick laughs.
My hand finds Nick's wrist and I grab onto its thickness. "You know, I'm the patient here. Where's the bedside manner? Where's the sympathy?"
"Zara, sympathy is just a good excuse to buy greeting cards and make sorry eyes and secretly gloat over how glad you are that you aren't the person whose crap is hanging out there for the world to see," Betty says. — Carrie Jones

All I had to do was die a little, and you get a new planet!"
I expected her to laugh, or at least smile. I did not expect her to slap my arm. "You stupid idiot!" she says, smacking me again. "I don't want the new planet without you!"
Her eyes round as she realizes what she just said. Anytime we'd gotten this close to talking about us before, Amy has shied away from the topic. But now, instead of drawing away from me, she leans closer. Her hair spills over her shoulders, brushing my chest as she leans down. Her fiery joy at learning about the planet is replaced with something else, something warmer like a slow-burning but steady flame.
"It wouldn't be worth it without you," she says, her voice low. — Beth Revis

Hey now, it issthhhh new technology. Dustin: "The dentissthh says all my teethtths will ssseparate if I don't keep it in."
Jenna: "But our eyes could separate if you don't take it out - — Anne Eliot

It took me many years to lose my spirit, to unlearn thinking and forget the unity. Isn't it just as if I had turned about slowly and was on a long detour from being a man to being a child, from a thinker to a childlike person? And yet, this path has been very good, and the bird in my chest has not died. But what a path this has been! I had to pass through so much stupidity, so many vices, so many errors, so much disgust, so many disappointments and woes just to begin again. But it was fitting this way; my heart says "Yes" to it and my eyes smile at it. I've had to experience despair. I've had to descend to the most foolish of all thoughts
the thought of suicide
in order to be able to experience divine grace, to hear "Om" again, to be able to sleep and awaken properly again [ ... ] Where else might my path lead me? This path is foolish; it moves in loops, and perhaps it is going around in a circle. Let it go where it likes; I want to follow it. — Hermann Hesse

She's a-going," he says. "Her mind is set on it." It's a hard life on women, for a fact. Some women. I mind my mammy lived to be seventy or more. Worked every day, rain or shine; never a sick day since her last chap was born until one day she kind of looked around her and then she went and taken that lace-trimmed night-gown she had had forty-five years and never wore out of the chest and put it on and laid down on the bed and pulled the covers up and shut her eyes. "You all will have to look out for pa the best you can," she said. "I'm tired. — William Faulkner

Ky gives me three gifts for my birthday. A poem, a kiss and the hopeless, beautiful belief that things might work.
When I open my eyes ... I say, "I didn't give you anything for your birthday, i don't even know when it is." And he says, "Don't worry about that" and I say, "What can I do?" and he answers, "Let me believe in this, all of this, and you believe it too."
And I do. — Ally Condie

Don't do that," he says. "Don't ask me questions you already know the answers to. Twice I've laid myself bare to you and all it's gotten me was a bullet wound and a broken heart. Don't torture me," he says, meeting my eyes again.
"It's a cruel thing to do, even to someone like me. — Tahereh Mafi

She eyes me. 'What is this all about?'
It's my turn to shrug, upsetting the rocks on my back. 'I don't know. Girl talk. I mean, you can have any guy you want, so why don't you just pick one?'
Priscilla doesn't answer at first. I'm glad I chose this moment: she's actually pinned down and cannot run away. Finally, she says, 'If I can have any guy I want, I'd like to have every guy I want.'
'What do you mean?
She gives me an exasperated look. 'I'm only seventeen, Skye. I'm not looking to settle down just yet.' She probably misunderstands my shocked expression, because she adds, 'I mean, I'm not saying you're wrong or anything, but it's just not me, you know? — Fabio Bueno

This looks like the red room of pain," she says. My mouth drops open. My little prude has been expanding her reading horizons. I choke on my laugh, and a couple of people turn to look at us. I narrow my eyes. "You read Fifty?" I ask quietly. She blushes. Amazing! - the woman is capable of blushing. "Everyone was reading it," she says, defensively. Then she looks up at me with big eyes.
"You?" "I wanted to see what all the hype was about." She does that blink, blink, blink thing with her eyelashes. "Did you pick up any new techniques?" she says, without looking at me. I squeeze her hand. "Would you like to try me out and see?" She turns her face away, pressing her lips together - horribly embarrassed. — Tarryn Fisher

Are you kidding?" I stop in the middle of the kitchen. Spin around. My face is pulled together in disbelief. "You've spoken to me maybe once in the two weeks I've been here. I hardly even notice you anymore."

"Okay, hold up," he says, turning to block my path. "We both know there's no way you haven't noticed all of this" - he gestures to himself - "so if you're trying to play games with me, I should let you know up front that it's not going to work."

"What?" I frown. "What are you talking abou - "

"You can't play hard to get, kid." He raises an eyebrow. "I can't even touch you. Takes 'hard to get' to a whole new level, if you know what I mean."

"Oh my God," I mouth, eyes closed, shaking my head. "You are insane."

He falls to his knees. "Insane for your sweet, sweet love! — Tahereh Mafi

If you two are starting a detective agency, I want in," said Selene, adjusting her ball cap.

"Well, duh," said Eli, beaming at her.

"And we're going to need a name," Selene said. "Something good and catchy."

"You're right." Eli scratched his chin. "How about the Arkwell Detective Agency. The A.D.A."

Selene wrinkled her nose. "Sounds too much like a chemical or something."

"What about Booker and Associates?"

I rolled my eyes. "It's not all about you, you know?"

Eli grinned. "Says who?"

"I think we should call it Selene Investigations."

"No, Nightmare Investigations."

"Dreamer Investigations."

"The Dream Team."

"How about Magic Eyes? You know, like private eyes, only for magic."

"Corny much? — Mindee Arnett

Miss Murray is leaning on the door. "Ash, come on. It's time to go." Her hand is so tight on the handle, her knuckles are pale. She's looking at the floor. "Miss Murray?"
"What?" She doesn't move.
I stare at her face but she doesn't return the look. "I love you."
The air in the room has frozen, every atom suspended. Then her tense body slackens. Her hand loosens its grip on the door and she turns her head slowly towards me. She meets my gaze for a moment. Her eyes have dark rings under them. Her forehead is creased with worry. Her cheeks are pale. I want to make it all OK. I want to make her happy. I desperately want to touch her face.
"I know," she says quietly. — Liz Kessler

And then suddenly I hear his footsteps approaching. He's behind me, thirty feet away, at a guess.
No wonder I couldn't see him.
I should turn. Right now I should turn. This is the moment that it would be natural to swivel round
and greet him. Call out a hello; wave my phone in the air.
But my feet are rooted to the spot. I can't bring myself to move. Because as soon as I do, it will be
time to be polite and matter-of-fact and back to normal. And I can't bear that. I want to stay here. In
the place where we can say anything to each other. In the magic spell.
Sam pauses, right behind me. There's an unbearable fragile beat as I wait for him to shatter the quiet. But it's as though he feels the same way. He says nothing. All I can hear is the gentle sound
of his breathing. Slowly, his arms wrap round me from behind. I close my eyes and lean back
against his chest, feeling unreal. — Sophie Kinsella

So there's magic? Real magic? It's not just all scientific like David says?"
Tamani rolled his eyes. "David again?"
Laurel bristled. "He's my friend. My best friend."
"Not your boyfriend?"
"No. I mean ... no."
Tamani stared at her for several seconds. "So the position's still open?"
Laurel rolled her eyes. "We are so not having this conversation. — Aprilynne Pike

What's coming out of the stereo is like a genre unto itself, a charming, fucked-up fairy tale that immediately breaks my heart in all the best ways.
I stretch out on the floor with my ear parked next to the speaker, in a trance. I place the album cover over my face to block out any interruption as "I'll Be Your Mirror" seduces me. I immediately add the song to my mental list of top ten songs ever.
And as I'm bobbing my head with dreamy abandon, I hear a voice. "Nice choice, DJ," it says.
I slowly slide the album cover down past my eyes and look up. My eyes spy his shoes first
paint-splattered brogues. My heart stops when I look at his face. Pale skin, messy black hair, emerald eyes ... Senor Smolder! He's eighteen, maybe nineteen. And no, my imagination didn't lie, he is just as devastating now as he was the first time I saw him. Only even more, because he just complimented my taste in music. — Shauna Cross

All things are transient. Buddha says it is so, and Hock Seng, who didn't believe in or care about karma or the truths of the dharma when he was young, has come in his old age to understand his grandmother's religion and its painful truths. Suffering is his lot. Attachment is the source of his suffering. And yet he cannot stop himself from saving and preparing and striving to preserve himself in this life which has turned out so poorly.
How is it that I sinned to earn this bitter fate? Saw my clan whittled by red machetes? Saw my businesses burned and my clipper ships sunk? He closes his eyes, forcing memories away. Regret is suffering. — Paolo Bacigalupi

When he settles back onto his knee, he wipes a tear away from his own eyes. "Sherry, until I met you I didn't know what life was. I had no clue that I wasn't even alive. It's like you came along and woke up my soul." He's looking straight at her as he talks. He doesn't sound nervous at all, like he's determined to prove to her how serious he is. He takes a deep breath and then continues. "I'll never be able to give you everything you deserve, but I'll definitely spend the rest of my life trying."
He pulls the ring out of the box and slides it on her finger. "I'm not asking you to marry me, Sherry. I'm telling you to marry me, because I can't live without you."
Sherry wraps her arms around his neck and they hold onto one another and cry. "Okay," she finally says. When they begin to kiss, his hand reaches over and turns off the camera. — Colleen Hoover

I need to tell you a story.'

What about?

Zachariah, Zachariah, my foundling boy. 'A boy. A boxer, a fighting man. A brother. No. About brothers, sisters. Foundlings, laid-in-the-streets. Fights, fighting. A boy, it all begins with the boy. My love. A wolf. Peter and the Wolf! Oh dear! I am very crazy! Let me - I must tell you this story.'

Why?

'I'm frightened.'

Of?

'Fractals. Patterns.'

Ah, says the fish, looking at Rachel with his wise eyes. Chaos!

'Yes,' thinks Rachel. 'Chaos. Fearful symmetry.'

Go home, says the fish, flipping over, flashing in light, and diving down into the great blue sea. — Emma Richler

Promise me," he whispers, "that you won't go. For me. Do this one thing for me." Could I do that? Could I stay here, fix things with him, let someone else die in my place? Looking up at him, I believe for a moment that I could. And then I see Will. The crease between his eyebrows. The empty, simulation-bound eyes. The slumped body. Do this one thing for me. Tobias's dark eyes plead with me. But if I don't go to Erudite, who will? Tobias? It's the kind of thing he would do. I feel a stab of pain in my chest as I lie to him. "Okay." "Promise," he says, frowning. The pain becomes an ache, spreads everywhere - all mixed together, guilt and terror and longing. "I promise. — Veronica Roth

He moves suddenly so that his hand is cupping my sex, and one of his fingers sinks slowly into me. His other arm holds me firmly in place around my waist.
"This is mine," he whispers aggressively. "All mine. Do you understand?" He eases his finger in and out as he gazes down at me, gauging my reaction, his eyes burning.
"Yes, yours ... "
Abruptly, he moves, doing several things at once: Withdrawing his fingers, leaving me wanting, unzipping his fly, and pushing me down onto the couch so he's lying on top of me.
"Hands on your head," he commands through gritted teeth as he kneels up, forcing my legs wider ...
"We don't have long. This will be quick, and it's for me, not you. Do you understand?
Don't come, or I will spank you," he says through clenched teeth. — E.L. James

Galen places a hand on my thigh under the table and gives it a gentle squeeze. It's not meant to be sensual at all, but I've been going through Galen-withdrawals and I can't help but acknowledge the sensation of lava flowing through my veins. I try, try, try to respect that it's meant to comfort me. Galen must see it on my face because his eyes widen before he moves his hand away from me. "There's nothing for us to go back to, Emma," Galen says, clearing his throat. "That tribunal should have never happened. The Syrena world we once knew doesn't exist anymore."
So I was right. The only thing stopping him in the bedroom earlier was my wound. Not Syrena law. Not Syrena tradition. — Anna Banks

Why would he go to that?" Reagan asks Pete, and she looks at him like he's grown two horns. "To prove that he's ov - " Pete grunts and shuts up when Reagan elbows him in the stomach. I would have gone for his nuts, honestly. "The invitation was for all of us," Pete grumbles. "We should at least go and eat all their food and drink all their drinks. Just saying." "Did you want to go?" Sky asks me. I shake my head. "Not really." "You said it's an old friend, right?" she asks. I nod my head. "Sort of." "I think you should go." "You could take Sky with you," Pete says. "Rub that shit - " He grunts again when Reagan hits him on the back of the head. "Go for his nuts next time," I tell Reagan. "Good idea," she says as she shoots daggers at him with her eyes. "Your nuts are mine the next time you open your mouth," she warns, pointing a finger toward his crotch. "My nuts have been yours since the day I met you, princess," he says. — Tammy Falkner

I want to help you,' I say to Juliet, though I know that I can't make her understand, not like this.
'Don't you get it?' She turns to me, and to my surprise I see she's crying. 'I can't be fixed, do you understand?'
I think of standing on the stairs with Kent and saying exactly the same thing. I think of his beautiful light green eyes, and the way he said, You don't need to be fixed and the warmth of his hands and the softness of his lips. I think of Juliet's mask and how maybe we all feel patched and stitched together and not quite right.
I am not afraid.
Dimly, I have the sense of roaring in my ears and voices so close and faces, white and frightened, emerging from the darkness, but I can't stop staring at Juliet as she's crying, still so beautiful.
'It's too late,' she says.
And I say, 'It's never too late. — Lauren Oliver

I want someone to love me for me, faults and all.
Someone who cant fall asleep without being her last call.
Someone who wants to be my last goodnight and my first hello.
Someone who will hold my hand and not let it go.
Someone who means it when she says, 'I will leave you never.'
Someone who looks into my eyes and sees her ... Forever. — Jose N. Harris

Some of us are born more than once. Some of us recreate ourselves many times. Ryodan says adaptability is survivability. Ryodan says a lot of stuff. Sometimes I listen, All I know is, every time I open my eyes, my brian kicks on. Something wakes up deep in my belly, and I know I'll do anything it takes ... To. Just. Keep. Breathing. — Karen Marie Moning

Scarlett doesn't want to go to the hospital. Not surprising, really, since we have to come up with an elaborate story about how we all got so severely wounded.
"Dogfight. We broke one up," my sister answers for us as a horrified emergency room receptionist looks at Scarlett's raw, bleeding shoulders.
"Dogs dislike us." Silas shrugs, clutching the wound on his chest. He glances down at the burn wounds on my legs. I think they might scar, but it's hard to say. The receptionist speaks into a walkie-talkie, then lets her eyes travel from the fresh wounds to the ancient scars on Scarlett's body.
"Dogs pretty much hate me," Scarlett says testily. The poor receptionist looks relieved when the ER doctors appear and usher us down the hall. — Jackson Pearce

So in the middle of all the noise, I point to the sky. I hope he understands what I mean, because I mean so many things: My heart will always fly his name. I won't go gentle. I'll find a way to soar like the angels in the stories and I will find him. And I know he understands as he looks straight at me, deep into my eyes. His lips move silently, and I know what he says: the words of a poem that only two people in the world know. Tears well up but I blink them away. Because if there is one moment in my life that I want to see clearly, this is it. — Ally Condie

Thank you," I tell Xander. "I didn't get anything for you -"
"It's all right," he says, "but maybe - you could -"
He looks into my eyes and I know what he wants. A kiss. Even thought he knows about Ky. Xander and I are still connected; this is still good-bye. I know already that that kiss would be sweet. It would be what he would hold on to, as I hold on to Ky's.
But that's something I don't think I can give. "Xander -"
"It's all right," he was, and then he stands up. I do too, and he reaches for me, pulls me close. — Ally Condie

He was dead before. He knew it, didn't you see it in his eyes? My jacket."
"Your jacket?" I say, with enough force that my shaky voice makes Corr start. "How about 'my jacket, please.' "
Sean Kendrick looks at me, perplexed, and I can see he hasn't a clue of why I'm upset with him. Why I'm upset at all. I can't stop shaking, as if I've taken all of Corr's trembling and made it my own.
"That's what I said," he says after a pause.
"No, it's not."
"What did I say?"
"You said my jacket."
Sean looks a little bewildered now. "That's what I said I said. — Maggie Stiefvater

I think about death all the time, but only in a romantic, self-serving way, beginning, most often, with my tragic illness and ending with my funeral. I see my brother squatting beside my grave, so racked by guilt that he's unable to stand. "If only I'd paid him back that twenty-five thousand dollars I borrowed," he says. I see Hugh, drying his eyes on the sleeve of his suit jacket, then crying even harder when he remembers I bought it for him. — David Sedaris