Music Recital Quotes & Sayings

They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there were also new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions - sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments - both physical and emotional - unusually deeply. They tend to notice subtleties that others miss - another — Susan Cain

Tuning must come first. Each recital begins with a careful tightening of the pegs on the cross-bar, twisting them in their socket of red threads as each string is plucked and tested. He uses his thumb for this, softer and subtler than the plectrum, his head bent to the vibrating string and his lips slightly open, breathing quickly, as over the body of a lover. — Ann Wroe

If you have a recital to do, you have to memorize the songs. I never use music when I do recitals. It produces an instant barrier, both for yourself and the audience. — Bryn Terfel

Julia quickly looked back down at the keyboard, trying to continue her recital unperturbedly, but she was fully aware of his eyes on her. In fact, she wanted his gaze on her. She wanted him to absorb every note she was playing. And suddenly, she found herself wishing he could somehow hear that this music had once been meant for him. — Jen Minkman

Pianists of extraordinary talent, such as Christina Petrowska,spend a large part of their early lives perfecting technique ... Miss Petrowska,a Canadian with a phenomenal ability to play the most difficult music cleanly, gave a demonstration of her achievements at Carnegie Recital Hall. A product of the Juilliard School who studied with Karlheinz Stockhausen and Gyorgy Ligeti in Europe, Miss Petrowska built most of her program around fiercely difficult contemporary works. She has fingers that work like chrome-plated pistons, and her high-seated position let her bring pulverizing power to bear. — Donal Henahan