Music Its Time Quotes & Sayings

Pop music, which I deeply admire and wish I could play better than I can, is based on expressing one mood, one feeling at a time. Classical music is by its very nature involved with different kinds of music, constantly transforming one another, which is more akin to the way our experience of life really is. — Michael Tilson Thomas

Practice being fully present with something. Perhaps you may find something of God there. Go outside and look at the stars. Not for just a few seconds - lay a blanket in the yard, lie on your back and really look at the stars. Try to let your heart feel the incomprehensible size and grandeur of the universe. Take the time to really attend to a meal, a good book, a piece of music, or a sunrise. The point is to be fully present, to not be swept up into the distraction of a thousand voices, but to learn how to simply and fully attend to one. Then, when one enters back into the noisy world that we live in, even the million colors together are more vibrant because you have learned to better see color in its essence. To truly see is to find hope. — Michael Gungor

shortly I should be able to live at peace in my cottage, with all the twenty four hours of the day to myself. Forty-six I am, and never yet had a whole week of leisure. What will 'for ever' feel like, and can I use it all? Please note its address from March onwards - Clouds Hill, Moreton, Dorset - and visit it, sometime, if you still stravage the roads of England in a great car. The cottage has two rooms; one, upstairs, for music (a gramophone and records) and one downstairs for books. There is a bath, in a demi-cupboard. For food one goes a mile, to Bovington (near the Tank Corps Depot) and at sleep-time I take my great sleeping bag, embroidered MEUM, and spread it on what seems the nicest bit of floor. There is a second bag, embroidered TUUM, for guests. The cottage looks simple, outside, and does no hurt to its setting which is twenty miles of broken heath and a river valley filled with rhododendrons run wild. I think everything, inside and outside my place, approaches perfection. — T.E. Lawrence

These are not books, lumps of lifeless paper, but minds alive on the shelves. From each of them goes out its own voice ... and just as the touch of a button on our set will fill the room with music, so by taking down one of these volumes and opening it, one can call into range the voice of a man far distant in time and space, and hear him speaking to us, mind to mind, heart to heart. — Gilbert Highet

For those who listened attentively to his strong voice, filled with anxiety and, at times, breaking with despair, Shostakovich had become a crucial symbol of intellectual integrity. For many years his music remained a safety valve that, for a few short hours, allowed listeners to expand their chests and breathe freely. At the time, his music was that truly indispensable lungful of freedom and dissidence, not only in its content, but also - which is no less important - in its musical form — Anonymous

The workroom radio, tuned to FM 88.9, emitted Muddy Waters's throaty warbling. A rez station, WOJB did its best to hit every level of musical taste. Absolute bite-ya-in-the-ass blues was aired only during the wee hours.

Tracker's favorite time and music. — Mardi Oakley Medawar

The mountain music ... is compelling music in its own right, harking back to a time when music was a part of everyday life and not something performed by celebrities. — Ethan Coen

Music expresses feeling, that is to say, gives shape and habitation to feeling, not in space but in time. To the extent that music has a history that is more than a history of its formal evolution, our feelings must have a history too. Perhaps certain qualities of feeling that found expression in music can be recorded by being notated on paper, have become so remote that we can no longer inhabit them as feelings, can get a grasp of them only after long training in the history and philosophy of music, the philosophical history of music, the history of music as a history of the feeling soul. — J.M. Coetzee

But acting is my main profession so it's about finding the right balance. I don't know how, if I went any further with the music, I would manage to do both - I would have to take time off from acting because I couldn't do both at same time. I could do six months on and six months off perhaps. But I'm really proud of the record. I've worked on it for a while and I'm really glad to finally get the album out, having done three EPs prior to its release. — Iwan Rheon

So when a man surrenders to the sound of music and lets its sweet, soft, mournful strains, which we have just described, be funnelled into his soul through his ears, and gives up all his time to the glamorous moanings of song, the effect at first on his energy and initiative of mind, if he has any, is to soften it as iron is softened in a furnace, and made workable instead of hard and unworkable: but if he persists and does not break the enchantment, the next stage is that it melts and runs, till the spirit has quite run out of him and his mental sinews (if I may so put it) are cut, and he has become what Homer calls "a feeble fighter". — Plato

A few seconds more and the Negress will sing. It seems inevitable, so strong is the necessity of this music: nothing can interrupt it, nothing which comes from this time in which the world has fallen; it will stop by itself, as if by order. If I love this beautiful voice it is especially because of that: it is neither for its fulness nor its sadness, rather because it is the event for which so many notes have been preparing, from so far away, dying that it might be born. And yet I am troubled; it would take so little to make the record stop: a broken spring, the whim of Cousin Adolphe. How strange it is, how moving, that this hardness should be so fragile. Nothing can interrupt it yet it can break it.
The last chord has died away. In the brief silence which follows I feel strongly that there is, that SOMETHING HAS HAPPENED.
Silence.
SOME OF THESE DAYS
YOU'LL MISS ME HONEY — Jean-Paul Sartre

Because each nation has its own history of thieving and lies and broken faith, therefore there can only flourish international suspicion and jealousy, and international moral shame becomes anaemic to a degree of ludicrousness. The nation's bagpipe of righteous indignation has so often changed its tune according to the variation of time and to the altered groupings of the alliances of diplomacy, that it can be enjoyed with amusement as the variety performance of the political music hall. — Rabindranath Tagore

Every day, a piece of music, a short story, or a poem dies because its existence is no longer justified in our time. And things that were once considered immortal have become mortal again, no one knows them anymore. Even though they deserve to survive. — Elfriede Jelinek

I finally found him sitting on his balcony. He was leaning back against the wall with his eyes closed. Soft music played, and a cool ocean breeze blew back my hair as I stepped on to the balcony and inhaled the scent of the sea.
"May I join you?" I asked softly.
He didn't bother opening his eyes. "If you like."
The moon in the dark sky looked like a giant white plate dipping its edge into the ocean. We sat quietly for a while. I closed my eyes too and listened to him hum along in harmony with the music.
"You haven't played your guitar in a long time. I miss it," I said when the song was finished.
Ren turned away. "I fear there is no music left in me. — Colleen Houck

The strangest part of Indian music is its lack of chords: There's no such thing as major or minor, and it's unusual to hear more than two different pitches at the same time. — Jonny Greenwood

Nevertheless, some free time remains. What's to be done? How do you use your time? In dedicating yourself to helping people? But basically other people don't interest you. Listening to records? That used to be a solution, but as the years go by you have to say that music moves you less and less. Taken in its widest sense, a spot of do-it-yourself can be a way out. But the fact is that nothing can halt the ever-increasing recurrence of those moments when your total isolation, the sensation of an all-consuming emptiness, the foreboding that your existence is nearing a painful and definitive end all combine to plunge you into a state of real suffering. And yet you haven't always wanted to die. You — Michel Houellebecq

When all the forces in your organism come into play, then life will begin to play around you as well. You'll see what your eyes are closed to now, and you'll hear what you've never heard. The music of your nerves will begin to play, you'll hear the music of the spheres, and you'll listen to the grass grow. Just wait, there's no hurry. It will come in its own time!
p. 257 — Ivan Goncharov

So basically, I think music at its best can be everything. It can be totally stupid and very intellectual and emotional at the same time. I don't think all those things shut each other out. — Ville Valo

Zhou," Biyu said, when Sabaa paused, "before the Jade Emperor, humans were just like the beasts in the field. We ate, lived and reproduced, but we were going nowhere. The universe is order in all its perfection, stagnant and unchanging. The wars set us free. Free to change, to learn, to adapt, to become more than we were. To do that, we sacrificed order for a measure of chaos, of challenge. It let some people, men and women, do evil, but even that inspired many more to do good. Medicines, writing, music, architecture, all the accomplishments of your Empire came at a high price, but it was worth paying. Tonight we reaffirm that fact. Without the power we grant the Jade Emperor from the realms we represent, we would lose all that we have gained. The universe would reassert its control. Over the years, order would take charge once more and progress would end. Given time, our race would slide back into the beasts we were once. It is something we could not survive. — G.R. Matthews

For a long time, I believed that a great piece of music on its own could do more to stir the soul than any other single art form. — Chris Milk

The church, although lapsing more and more into deflection from the truth and into a corrupting of apostolic practice, had not instrumental music for 1200 years (that is, it was not in general use before this time); The Calvinistic Reform Church ejected it from its service as an element of popery, even the church of England having come very nigh its extrusion from her worship. It is heresy in the sphere of worship. — John Lafayette Girardeau

And now the measure of my song is done:
The work has reached its end; the book is mine,
None shall unwrite these words: nor angry Jove,
Nor war, nor fire, nor flood,
Nor venomous time that eats our lives away.
Then let that morning come, as come it will,
When this disguise I carry shall be no more,
And all the treacherous years of life undone,
And yet my name shall rise to heavenly music,
The deathless music of the circling stars.
As long as Rome is the Eternal City
These lines shall echo from the lips of men,
As long as poetry speaks truth on earth,
That immortality is mine to wear. — Ovid

If love is under siege, it is because it threatens the very essence of commercial civilization. Everything is designed to make us forget that love is our most vivid manifestation and the most common power of life that is in us. Shouldn't we wonder how the lights that glimmer in the eye can blow a fuse for a time, even as barriers of oppression break and jam our passions? Yet despite a life stunted and distorted by mediated Spectacle, nothing has ever managed to strip love of its primal force. Although the heart's music fails to overwhelm the cacophony of profit efficiency, bit by bit it composes our destinies, according to tones, chords, and dissonances which render us happy if only we learn to harmonize the scattered notes that string emotions together. — Raoul Vaneigem

If you're in pop music, you've got to deal with the changing of the guard every few years. By the time the '70s arrived, I was well aware of the cyclical nature of the game. Pop music is a creature of the moment; it thrives on the mood of its time. Either you hook into that or you're not going to be part of it. — Paul Anka

It's an honor for me to close out Mysteryland. In American music history this is hallowed ground. I think electronic music has a lot in common with the spirit of rock and roll and what Woodstock had going on at the time. We are kind of the new kids on the block and this music isn't accepted by everyone so we are still kind of getting into pop culture and I think its appropriate that this festival is here and kicking down the door. — Kaskade

I've never been a big fan of the music-video style of editing movies that crept in the last few decades. I like stuff that's able to take its time. — Frank Darabont

It began as most thing begin. Not on a dark and stormy night. Not foreshadowed by ominous here comes the villain music, dire warning at the bottom of a teacup, or dread portents in the sky.
It began small and innocuously, as most catastrophes do. A butterfly flaps its wings somewhere and the wind changes, and a warm front hits a cold front off the coast of western Africa and before you know it you've got an hurricane closing in. By the time anyone figured out the storm was coming, it was too late to do anything but batten down the hatches and exercise damage control. — Karen Marie Moning

The time is probably not far distant when music will stand revealed perchance as the mightiest of the arts, and certainly as the one art peculiarly representative of our modern world, with its intense life, complex civilization, and feverish self-consciousness. — Hugh Reginald Haweis

Like the New Orleans tradition that preceded it, and the Swing Era offerings that followed it, Chicago jazz was not just the music of a time and place, but also a timeless style of performance - and for its exponents, very much a way of life - one that continues to reverberate to this day in the works of countless Dixieland and traditional jazz bands around the world. For many listeners, the Chicago style remains nothing less than the quintessential sound of jazz. — Ted Gioia

One practice I rely on all the time is basic meditation which allows me to strip away the noise. Its like the old-fashioned dial on the radio, where you were getting static and then you found that clear, sweet spot on the dial, where the music would come through. That's what meditation is for me. Dialing out the static, the noise, the anxiety, the fear, and coming into a place that's deep and quiet. It's like dropping into a well of inspiration and wisdom. — Elizabeth Lesser

I want nothing more than to speak simply, to be granted that grace.
Because we've loaded even our song with so much music that it's slowly sinking
and we've decorated our art so much that its features have been eaten away by gold
and it's time to say our few words because tomorrow our soul sets sail. — Giorgos Seferis

You see, Risa, survival is a dance between our needs and our consciences. When the need is great enough, and the music loud enough, we can stomp conscience into the ground.'
Risa closes her eyes. She knows the dance ...
'It's the way of the world,' Divan continues. 'Look at unwinding, society's grand gavotte of denial. There will, no doubt, come a time when people look to one another and say, 'My God, what have we done?' But I don't believe it will happen any time soon. Until then, the dance must have music; the chorus must have its voice. Give it that voice, Risa. Play for me.'
But Risa's fingers offer him nothing, and the Orgao Organico holds the obdurate, unyielding silence of the grave. — Neal Shusterman

Slow me down, Lord. Ease the pounding of my heart by the quieting of my mind. Steady my hurried pace with a vision of the eternal reach of time. Give me, amid the confusion of the day, the calmness of the everlasting hills. Break the tensions of my nerves and muscles with the soothing music of the singing streams that live in my memory. Teach me the art of taking minute vacations - of slowing down to look at a flower, to chat with a friend, to pat a dog, to smile at a child, to read a few lines from a good book. Slow me down, Lord, and inspire me to send my roots deep into the soil of life's enduring values, that I may grow toward my greater destiny. Remind me each day that the race is not always to the swift; that there is more to life than increasing its speed. Let me look upward to the towering oak and know that it grew great and strong because it grew slowly and well. — Chip Ingram

By the brook she came suddenly upon Rosemary West, who was sitting on the old pine tree. She was on her way home from Ingleside, where she had been giving the girls their music lesson. She had been lingering in Rainbow Valley quite a little time, looking across its white beauty and roaming some by-ways of dream. Judging from the expression of her face, her thoughts were pleasant ones. Perhaps the faint, occasional tinkle from the bells on the Tree Lovers brought the little lurking smile to her lips. Or perhaps it was occasioned by the consciousness that John Meredith seldom failed to spend Monday evening in the gray house on the white wind-swept hill. — L.M. Montgomery

As I sit here on a snowy morning watching the flakes gently fall outside my window, I look at the 300-year-old building across the street and the beautifully carved angels on its facade. There was a time people would create, just to give something beautiful to the world which we are so blessed to live in and a time when people understood the work of all of the arts. — Kytka Hilmar-Jezek

Shimamoto was in charge of the records. She'd take one from its jacket, place it carefully on the turntable without touching the grooves with her fingers, and, after making sure to brush the cartridge free of any dust with a tiny brush, lower the needle ever so gently onto the record. When the record was finished, she'd spray it and wipe it with a felt cloth. Finally she'd return the record to its jacket and its proper place on the shelf. Her father had taught her this procedure, and she followed his instructions with a terribly serious look on her face, her eyes narrowed, her breath held in check. Meanwhile, I was on the sofa, watching her every move. Only when the record was safely back on the shelf did she turn to me and give a little smile. And every time, this thought hit me: It wasn't a record she was handling. It was a fragile soul inside a glass bottle. — Haruki Murakami

Here, Earth-born, over the lilt of the water,
Lisping its music and bearing a burden of light,
Bosoming day as a laughing and radiant daughter ...
Here we may whisper unheard, unafraid of the night.
Walking alone ... was it splendor, or what, we were bound with?
Deep in the time when summer lets down her hair?
Shadows we loved and the patterns they covered the ground with
Tapestries, mystical, faint in the breathless air. — F Scott Fitzgerald

When the main crowd of worshipers reached the short bridge spanning the pond, the ragged sound of honky-tonk music assailed them. A barrelhouse blues was being shouted over the stamping of feet on a wooden floor. Miss Grace, the good-time woman, had her usual Saturday-night customers. The big white house blazed with lights and noise. The people inside had forsaken their own distress for a little while. Passing near the din, the godly people dropped their heads and conversation ceased. Reality began its tedious crawl back into their reasoning. After all, they were needy and hungry and despised and dispossessed, and sinners the world over were in the driver's seat. How long, merciful Father? How long? A stranger to the music could not have made a distinction between the songs sung a few minutes before and those being danced to in the gay house by the railroad tracks. All asked the same questions. How long, oh God? How long? — Maya Angelou

Charles Wallace and the unicorn moved through the time-spinning reaches of a far glazy, and he realized that the galaxy itself was part of a mighty orchestra, and each star and planet within the galaxy added its own instrument to the music of the spheres. As long as the ancient harmonies were sung, the universe would not entirely lose its joy. — Madeleine L'Engle

I really like the city of Vienna. I like its art, its music and its architecture. In short, I like the culture that Vienna represents. What really captures me is the period around 1900 - the time of Freud, Schnitzler and Klimt. This is the period in which the modern view of mind was born. — Eric Kandel

The danger of restorative nostalgia lies in its belief that the mutilated 'wholeness' of the body politic can be repaired. But the reflective nostalgic understands deep down that loss is irrecoverable: Time wounds all wholes. To exist in Time is to suffer through an endless exile, a successive severing from those precious few moments of feeling at home in the world. In pop terms, Morrissey is the supreme poet of reflective nostalgia. — Simon Reynolds

All bags are pack ready to go
i am standing here outside your door
i hate to wake you up to say goodbye
dawn is braking its early morn
the taxi waiting he blowing his horn
already i am so lonesome i could die
so kiss me and smile for me tell me that you'll wait for me and hold me like you never let me go
cause leaving on a jet plane don't know when ill be back again oh babe i hate to go
there so many let you down so many time i played around i tell you know that don't mean a thing every plase i go i'll think of you every song i sing i'll sing for you. — John Denver

The Cat
The cat licks its paw and lies down in the bookshelf nook. She can lie in a sphinx position without moving for so many hours and then turn her head to me and rise and stretch and turn her back to me and lick her paw again as if no time had passed. It hasn't and she is the sphinx with all the time in the world in the desert of her time the cat knows where flies die wees ghosts in the motes of air and shadows in sunbeams. She hears the music of the spheres and the hum in the wires of houses and the hum of the universe in interstellar spaces but prefers domestic places and the hum of the heater. — Lawrence Ferlinghetti

Music: breathing of statues. Perhaps:
silence of paintings. You language where all language
ends. You time
standing vertically on the motion of mortal hearts.
Feelings for whom? O you the transformation
of feelings into what?
: into audible landscape.
You stranger: music. You heart-space
grown out of us. The deepest space in us,
which, rising above us, forces its way out,
holy departure:
when the innermost point in us stands
outside, as the most practiced distance, as the other
side of the air:
pure,
boundless,
no longer habitable. — Rainer Maria Rilke

At the root of all power and motion, there is music and rhythm, the play of patterned frequencies against the matrix of time. We know that every particle in the physical universe takes its characteristics from the pitch and pattern and overtones of its particular frequencies, its singing. Before we make music, music makes us. — Joachim-Ernst Berendt

Great art is anything that provokes a deep emotinal reaction at the time that you hear it and then you can't get it out of your head. And then you go back and you experince something completely different to the thing that you experinced the first time. And wheather its a painting, a piece of music or a book. In a book, its that moment, when you put it down and you go:"I'm not quite the same person, that I was before I read that book" or "I'm not the same person I was before I saw this painting." That is great art. — Neil Gaiman

And how to stop the rot? How to salvage something from time's passage? How long before the map makers decide to erase this structure completely? Before it becomes a nameless ruin? And then a mere pile of stones? Mossed over. Forgotten. How long before they lift its name from their charts and from our collective memory? The only thing I can do is fill the place with music. — Richard Skelton

Languor is upon your heart and the slumber is still on your eyes.

Has not the word come to you that the flower is reigning in splendour among thorns? Wake, oh awaken! let not the time pass in vain!

At the end of the stony path, in the country of virgin solitude, my friend is sitting all alone. Deceive him not. Wake, oh awaken!

What if the sky pants and trembles with the heat of the midday sun---what if the burning sand spreads its mantle of thirst---

Is there no joy in the deep of your heart? At every footfall of yours, will not the harp of the road break out in sweet music of pain? — Rabindranath Tagore

If you're lucky, at the right time you come across music that is not only "great," or interesting, or "incredible," or fun, but actually sustaining. Though some elusive but tangible process, a piece of music cuts through all defenses and makes sense of every fear and desire you bring to it. As it does so, it exposes all you've held back, and then makes sense of that, too. Though someone else is doing the talking, the experience is like a confession. Your emotions shoot out to crazy extremes; you feel both ennobled and unworthy, saved and damned. You hear that this is what life is all about, that this is what it is for. Yet it is this recognition itself that makes you understand that life can never be this good, this whole. With a clarity life denies for its own good reasons, you see places to which you can never get. — Greil Marcus

Most good things happen with time; especially music, which needs time to breathe and to find its own way. — Greg Ginn

He has heard, and causes those with ears to hear, even today, what we shall not see until the end of time - the whole context of Providence. As though in the light of this end, he heard the harmony of creation to which the shadow belongs but in which the shadow is not darkness, deficiency is not defeat, trouble cannot degenerate into tragedy and infinite melancholy is ultimately forced to claim undisputed sway ... Mozart causes us to hear that even on the latter side, and therefore in its totality creation praises its master and is therefore perfect. — Karl Barth

Of all the arts, music is the one communal art. It requires for its existence extensive cooperation and organization ... Singing together the greatest choral music of all time is the surest way of developing in a community that sense of quality and reverence for beauty, which is the basis of a musical culture ... Entertainment has its place in life just as candies and cocktails have, but health is not built on such a diet alone, nor culture exclusively on amusement. — Edgard Varese

Jamaican music can be aggressive, soulful, smooth and exciting all at once - just like hip-hop. At the same time, there's nothing like Jamaica in the United States. Jamaica is its own thing. — Nas

I really do seek to create music that is timeless, ... Each project takes on its own life, and the songs from "A Time To Love" are the most appropriate for the statement I wanted to make ... The most important thing is, when I do give the music, I'm satisfied with it, that it speaks for what I want to do ... It is a different kind of lyric; it's very picturesque. I can see everything that I'm writing, I can visualize all those things happening. — Stevie Wonder

Like LeBron James, we already know how good the man is. We know he can play. He's rich. But he still want a ring. N!ggas know my music hot. That's proven. Now its time to get the ring. — Yo Gotti

What will happen when my heart stops beating?" Momo asked.
When that moment comes," said the professor, "time will stop for you as well. Or rather, you will retrace your steps through time, through all the days and nights, myths and years of your life, until you go out through the great, round, silver gate you entered by."
What will I find on the other side?"
The home of the music you've sometimes faintly heard in the distance, but by then you'll be part of it. You yourself will be a note in its mighty harmonies. — Michael Ende

Minimalism now is a reaction to what came before. It's absolutely of its time. Music moved into the set theory thing, and moved out of it. — Harrison Birtwistle

Nobody can tell you about that sword all that there is to be told of it; for those that know of those paths of Space on which its metals once floated, till Earth caught them one by one as she sailed past on her orbit, have little time to waste on such things as magic and so cannot tell you how the sword was made, and those who know whence poetry is, and the need that man has for song, or know any one of the fifty branches of magic, have little time to waste on such things as science, and so cannot tell you whence its ingredients came. Enough that it was once beyond our Earth and was now here amongst our mundane stones; that it was once but as those stones, and now had something in it such as soft music has; let those that can define it. — Lord Dunsany

Recordings aren't time sensitive. You can hear the music you want whether it's morning, noon, or the middle of the night. You can "get into" clubs virtually, "sit" in concert halls you can't afford to visit, go to places that are too far away, or hear people sing about things you don't understand, about lives that are alien, sad, or wonderful. Recorded music can be ripped free from its context, for better and worse. It becomes its own context. — David Byrne

[...] Thus the sedentary peoples create the plastic arts (architecture, sculpture, painting), the arts consisting of forms developed in space; the nomads create the phonetic arts (music, poetry), the arts consisting of forms unfolded in time; for, let us say it again, all art is in its origin essentially symbolical and ritual, and only through a late degeneration, indeed a very recent degeneration, has it lost its sacred character so as to become at last the purely profane 'recreation' to which it has been reduced among our contemporaries. — Rene Guenon

There is something about music that keeps its distance even at the moment that it engulfs us. It is at the same time outside and away from us and inside and part of us. In one sense it dwarfs us, and in another we master it. We are led on and on, and yet in some strange way we never lose control. — Aaron Copland

My influences are vast and varied. I was into classic rock at the same time that I was into hip-hop. It was just that hip-hop was the first music that I got really really into. Rock was right on its tail. — Paul Banks

I've always felt that the performance of a raag resembles a novel - or at least the kind of novel I'm attempting to write. You know,' he continued, extemporizing as he went along, 'first you take one note and explore it for a while, then another to discover its possibilities, then perhaps you get to the dominant, and pause for a bit, and it's only gradually that the phrases begin to form and the tabla joins in with the beat ... and then the more brilliant improvisations and diversions begin, with the main theme returning from time to time, and finally it all speeds up, and the excitement increases to a climax. — Vikram Seth

But what do I love when I love you? Not the beauty of any body or the rhythm of time in its movement; not the radiance of light, so dear to our eyes; not the sweet melodies in the world of manifold sounds; not the perfume of flowers, ointments and spices; not manna and not honey; not the limbs so delightful to the body's embrace: it is none of these things that I love when I love my God. And yet when I love my God I do indeed love a light and a sound and a perfume and a food and an embrace - a light and sound and perfume and food and embrace in my inward self. There my soul is flooded with a radiance which no space can contain; there a music sounds which time never bears away; there I smell a perfume which no wind disperses; there I taste a food that no surfeit embitters; there is an embrace which no satiety severs. It is this that I love when I love my God. (Confessions 10.6.8) — Timothy J. Keller

Irwin Silber, the editor of the folk magazine Sing Out! was there, too. In a few years' time he would castigate me publicly in his magazine for turning my back on the folk community. It was an angry letter. I liked Irwin, but I couldn't relate to it. Miles Davis would be accused of something similar when he made the album Bitches Brew, a piece of music that didn't follow the rules of modern jazz, which had been on the verge of breaking into the popular marketplace, until Miles's record came along and killed its chances. Miles was put down by the jazz community. I couldn't imagine Miles being too upset. — Bob Dylan

I'm pretty open to all music. Its pretty funny because I've spent time in Germany and now I'm in Dallas where Country is a big thing. I used to hate it but now I can actually go through a song. — Steve Purdy

Cooking is like playing a violin. The bow is a tool used to play, as is the knives and other tools you use to prepare. (a chef's knife is even held in the same manner) Spices are the notes used in the score. The way the food is cooked and prepared is the rhythm and tempo. The ingredients are the violin themselves, ready to be played upon. The finished dish is the music played to its best melody. All of these things must be applied together at the right pace, manner, and time in order to create a flavourful rush of artwork and beauty. — Jennifer Megan Varnadore

Music, she thought, perhaps could be a continuing process, like life, a shedding of one skin as fast as another grew. Instead every tune seemed to exist with its notes firmly rooted in an event or an emotion or a period of time. — Winston Graham

I've always thought hard-boiled detective novels an American art form. At their best, they're more than who-dun-its or thrillers, they're vehicles for a writer's observations about culture, politics, philosophy, music, history and a time or a place. Or life, it's ownself. When you read James Ellroy, Dashiell Hammett or James Lee Burke, their stories are always about far more than good guys chasing bad guys. That's the kind of book I wanted to write. Still do. — Jim Nesbitt

I do not know whether music knows how to despair over music, or marble over marble, but literature is an art which knows how to prophesize the time in which it might have fallen silent, how to attack its own virtue, and how to fall in love with its own dissolution and court its own end. — Jorge Luis Borges

So, you see, you will have to learn to listen to more of the radio music of life. It'll do you good. You are uncommonly poor in gifts, a poor blockhead, but by degrees you will come to grasp what is required of you. You have got to learn to laugh. That will be required of you. You must apprehend the humor of life, its gallows-humor. But of course you are ready for everything in the world except what will be required of you. You are ready to stab girls to death. You are ready to be executed with all solemnity. You would be ready, no doubt, to mortify and scourge yourself for centuries together. Wouldn't you? It is time to come to your senses...You are to live and to learn to laugh. You are to learn to listen to the cursed radio music of life and to reverence the spirit behind it and to laugh at its distortions. So there you are. More will not be asked of you — Hermann Hesse

I was only a folk singer for about two years ... . By that time, it wasn't really folk music anymore. It was some new American phenomenon. Later, they called it singer/songwriters. Or art songs, which I liked best. Some people get nervous about that word. Art. They think it's a pretentious word from the giddyap. To me, ... the word art has never lost its vitality. — Joni Mitchell

The earth turned to bring us closer,
it spun on itself and within us,
and finally joined us together in this dream
as written in the Symposium.
Nights passed by, snowfalls and solstices;
time passed in minutes and millennia.
An ox cart that was on its way to Nineveh
arrived in Nebraska.
A rooster was singing some distance from the world,
in one of the thousand pre-lives of our fathers.
The earth was spinning with its music carrying us on board;
it didn't stop turning a single moment
as if so much love, so much that's miraculous
was only an adagio written long ago
in the Symposium's score. — Eugenio Montejo

What followed was a great treat for me. This was Irish traditional music as I had hoped to see and hear it, spontaneous and from the heart, and not produced for the sake of the tourist industry. As I sat there with my pint in my hand, enjoying the jigs and the reels, I watched the joy in the player's faces and in those around them who tapped their feet and applauded enthusiastically. Music the joybringer. No question of being paid, or any requirement to perform for a certain amount of time. Just play for as long as it makes you feel good. This was self expression, not performance. Someone would begin playing a tune and the fellow musicians would listen to it once through, hear how it went and join in when they felt comfortable, until, on its last run through, it was being played with gusto by the entire ensemble. This process provided each piece with the dynamic of a natural crescendo which could almost have been orchestrated. — Tony Hawks

As my other obligations are beginning to take an inordinate amount of time, I have asked to step down as WMG's board chairman, effective January 31, 2012. However, I will remain a director of the company and in that way, continue my association with Warner Music and its extraordinary people. — Edgar Bronfman Jr.

What's important is a great set of objective ears, years of experience and a great room with a true sound. Look at this way: If the equipment in a studio is a high performance car, and the mastering engineer is the driver, putting the car on ice and trying to achieve a good lap time is like trying to master music in a bad room, all the equipment in the world wont help you connect with the music and let you hear what's really happening. The room is the environment in which the mix performs to its potential, as the road is to the car. It's hugely important. — Chris McCormack

Nature has its own music, own song, if only we have time to listen and a heart to understand. — Debasish Mridha

There are 2 kinds of artists, essentially: those who want to make something popular, and those who want to make something dignified. But then there is still that rare hybrid case, and perhaps by that unintentional stroke of genius, in which one's work uncontrollably becomes both popular and dignified yet beyond its time. — Criss Jami

From a distance a metronome is ticking through the fog, and I mechanically chew to the familiar caress of its music, counting, along with everyone else, up to fifty: fifty statutory chews for each mouthful. And, still mechanically beating out the time, I go downstairs, and, like everyone else, check off my name in the book as one leaving the premises. But I sense that I'm living separately from everyone else, alone, surrounded by a soft, soundproof wall, and that my world is on my side of this wall. — Yevgeny Zamyatin

Move in time with life; be in perfect accord with its changing music — Osho

Or maybe memories are like karaoke - where you realize up on the stage, with all those lyrics scrawling across the screen's bottom, and with everybody clapping at you, that you didn't even know the lyrics to your all-time favourite song. Only afterwards, when someone else is up on stage humiliating themselves amid the clapping and laughing, do you realize that what you liked most about your favourite song was precisely your ignorance of its full meaning - and you read more into it than maybe existed in the first place. I think it's better not to know the lyrics to your life. — Douglas Coupland

I'm sort of obsessed with Harlem. Just its history. My father did the music for a play called 'The Huey P. Newton Story,' and they did a lot of work in Harlem. So as a little girl, I spent a lot of time in Harlem Library. — Tessa Thompson

We did not undertake systematic interviews with people now below the age of thirty-five, but in many of the interviews with their parents' generation we heard a bemused recognition that younger people who did not experience these events have very little interest in what happened in that long-ago time; and may even express hostility toward parents who dreamed of a new society. They are interested in the same activities and ideas as young people the world over - dancing, loving, listening to (mostly American) music, dressing in fashion, buying the latest gadgets, attending school and developing career ambitions. The past - even though it is the immediate past of their parents - holds for them no appeal, and they have little sympathy for its victims. Consumerism, not politics, is their passion; consumption, not citizenship, motivates them. — Patricia Marchak

Along the Chilean coast, with cold and winter,
when rain falls washing the weeks.
Listen: solitude becomes music once more,
and it seems its appearance is that of air, of rain,
that time, something with wave and wings, passes by,
grows. And the harp awakes from oblivion. — Pablo Neruda

I close my eyes and try and shut him out. My fingers don't want to stay in time. They want to race ahead in fury, plunging into the dense fog of black notes, pulling the music out by its roots, hurling it up out of the piano and into the air. — Tabitha Suzuma

For mile after mile the same melodic phrase rose up in my memory. I simply couldn't get free of it. Each time it had a new fascination for me. Initially imprecise in outline, it seemed to become more and more intricately woven, as if to conceal from the listener how eventually it would end. This weaving and re-weaving became so complicated that one wondered how it could possibly be unravelled; and then suddenly one note would resolve the whole problem, and the solution would seem yet more audacious than the procedures which had preceded, called for, and made possible its arrival; when it was heard, all that had gone before took on a new meaning, and the quest, which had seemed arbitrary, was seen to have prepared the way for this undreamed-of solution. — Claude Levi-Strauss

Music is the voice of all humanity, of whatever time or place. In its presence, we are one. — Charlotte Gray

Temporal experience is neither completely recurrent (in which case it would be wholly knowable) nor completely variable (in which case it would be wholly inscrutable). In effect, it is more like a piece of complex music, a Bach fugue heard for the first time. In one sense, we are excited and surprised by the novel disposition of tones and rhythms and by the uncanny variety of the treatment. In another sense, we realize that recurring ideas and cycles are what give the work its native character, and that the variations, however stunning, have significance only in terms of their relationship to these underlying themes. Conversely, the recurrent themes are realizable in their fullest sense only through the variations upon them. The careful student of time is thus as sure that certain things will recur as he is sure that they will recur in dazzling new forms. — Robert Grudin

...the woods, when they give at all, give unstintedly, and hold nothing back from their true worshippers. We must go to them lovingly, humbly, patiently, watchfully, and we shall learn what poignant loveliness lurks in the wild places and silent intervales, lying under starshine and sunset, what cadences of unearthly music are harped on aged pine boughs or crooned in copses of fir, what delicate savours exhale from mosses and ferns in sunny corners or on damp brooklands, what dreams and myths and legends of an older time haunt them. Then the immortal heart of the woods will beat against ours and its subtle life will steal into our veins and make us its own forever, so that no matter where we go or how widely we wander we shall yet be drawn back to the forest to find our most enduring kinship. — L.M. Montgomery

As Daenerys Targaryen rose to her feet, her black hissed, pale smoke venting from its mouth and nostrils. The other two pulled away from her breasts and added their voices to the call, translucent wings unfolding and stirring the air, and for the first time in hundreds of years, the night came alive with the music of dragons. — George R R Martin

You meet somebody at the seashore on a vacation and have a wonderful time together. Or in a corner at a party, while the glasses clink and somebody beats on a piano, you talk with a stranger whose mind seems to whet and sharpen your own and with whom a wonderful new vista of ideas is spied. Or you share some intense or painful experience with somebody, and discover a deep communion. Then afterward you are sure that when you meet again, the gay companion will give you the old gaiety, the brilliant stranger will stir your mind from its torpor, the sympathetic friend will solace you with the old communion of spirit. But something happens, or almost always happens, to the gaiety, the brilliance, the communion. You remember the individual words from the old language you spoke together , but you have forgotten the grammar. You remember the steps of the dance, but the music isn't playing any more. So there you are. — Robert Penn Warren

The summer ended. Day by day, and taking its time, the summer ended. The noises in the street began to change, diminish, voices became fewer, the music sparse. Daily, blocks and blocks of children were spirited away. Grownups retreated from the streets, into the houses. Adolescents moved from the sidewalk to the stoop to the hallway to the stairs, and rooftops were abandoned. Such trees as there were allowed their leaves to fall - they fell unnoticed - seeming to promise, not without bitterness, to endure another year. At night, from a distance, the parks and playgrounds seemed inhabited by fireflies, and the night came sooner, inched in closer, fell with a greater weight. The sound of the alarm clock conquered the sound of the tambourine, the houses put on their winter faces. The houses stared down a bitter landscape, seeming, not without bitterness, to have resolved to endure another year. — James Baldwin

Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you? — Jim Jarmusch

A precious performance, Blaine had called it, in that gently forbearing tone he used when they talked about novels, as though he was sure that she, with a little more time and a little more wisdom, would come to accept that the novels he liked were superior, novels written by young and youngish men and packed with things, a fascinating, confounding accumulation of brands and music and comic books and icons, with emotions skimmed over, and each sentence stylishly aware of its own stylishness. She had read many of them, because he recommended them, but they were like cotton candy that so easily evaporated from her tongue's memory. — Chimamanda Ngozi Adichie

A song is a lot of things. But, first of all, a song is the voice of its time. Setting words to music gives them weight, makes then somehow easier to say, and it helps them to be remembered. — Richard Rodgers

You can hear the profile of a sound, in retrospect, so much more clearly than you did at the time. And I think one of the things that's going to be nauseatingly characteristic about so much music of now is its glossy production values and its griddedness, the tightness of the way everything is locked together. — Brian Eno

The miracle of Bach has not appeared in any other art. To strip human nature until its divine attributes are made clear, to inform ordinary activities with spiritual fervour, to give wings of eternity to that which is most ephemeral; to make divine things human and human things divine; such is Bach, the greatest and purest moment in music of all time. — Pablo Casals

There was a time when the Bengali language was an angry flood trying to break down her door. She would crawl into a closet and lock herself in, stuffing her ears to shut out those sounds. But a door was no defense against her parents' voices: it was in that language that they fought, and the sounds of their quarrels would always find ways of trickling in under the door and thorugh the cracks, the level rising until she thought she would drown in the flood ... The accumulated resentsmnets of their life were always phrased in the language, so that for her its sound had come to represent the music of unhappiness. — Amitav Ghosh

An old Russian folk song is like water held back by a dam. It looks as if it were still and were no longer flowing, but in its depths it is ceaselessly rushing through the sluice gates and the stillness of its surface is deceptive. By every possible means, by repetitions and similes, the song slows down the gradual unfolding of its theme. Then at some point it suddenly reveals itself and astounds us. That is how the song's sorrowing spirit comes to expression. The song is an insane attempt to stop time by means of its words. — Boris Pasternak

It's great that a song now costs exactly the same as a pack of gum and lasts exactly the same amount of time before it loses its flavour and you have to spend another buck. — Jonathan Franzen