Museum Exhibition Quotes & Sayings

When I train, I love to take time off and fly to the Natural History Museum or an exhibition. I just love that. When you know your past, it will help you with your future ... That's why most of my friends are not fighters. Most of my friends are nerds like me. That's why I have a hard time finding a girlfriend. I need someone to talk science with. I'm married to my work right now. But you never know. One day I could wake up and just do something different. Life is so unpredictable. — Georges St-Pierre

Almost the first thing you see after entering the Houdini exhibition at the Jewish Museum is a large-screen film of Harry Houdini hanging by his ankles upside-down from a tall building, high over a sea of men in fedoras, and thrashing his way out of a straitjacket. — Robert Gottlieb

Coincidences are spiritual puns. — G.K. Chesterton

But now it's the museum backdrop for the exhibition of grief. — David Levithan

In 1966, while working on a feature about a Picasso exhibition at the Tel Aviv Museum of Art, I recorded the pre-opening preparations and observed a moment: One of the cleaners stopped, puzzled, in front of the Picassos. I think that this is an image that can be universally understood, but with a grain of salt. I never chose this image in edits before because it seemed to me that it felt posed-the composition was a little too perfect. But, believe me, it was a lucky moment. — Micha Bar-Am

The whole history between Haiti and the Dominican Republic is complicated. We share the island of Hispaniola, and Haiti occupied the Dominican Republic for twenty-two years after 1804 for fear that the French and Spanish would come back and reinstitute slavery. So we have this unique situation of being two independent nations on the same island, but with each community having its own grievance. — Edwidge Danticat

I had made this mistake once before, on a school trip to the Victoria and Albert Museum, when I followed a sign marked WOMEN, thinking it was an exhibition on the changing roles of women in society, and actually ended up standing in the ladies' toilets. — David Nicholls

Visitors say, 'Real shrunken heads! Wow! How were they made? By slitting the skin, taking out the skull and brains and steaming them with hot sand? Gross!' But what no one asks is: how did they get here? What are they doing hanging up in a university museum in the south of England? Once you start to answer that question, you realize that shrunken heads like these are a product as much of European curiosity, European taste and European purchasing power as they are of an archaic tribal custom. It is time to turn the spotlight round and point it back at people like you and me, and at our ancestors, who were responsible for bringing hundreds of these heads into museums and people's homes and who delighted in them as much as -- if not more than -- the people who created them in the first place. After all, it is not the Shuar who are pressing their noses to the glass of an exhibition case in an Oxford University museum. — Frances Larson

Human life without death would be something other than human; consciousness of mortality gives rise to our deepest longings and greatest accomplishments. - LEON KASS, CHAIR OF THE PRESIDENTIAL COMMISSION ON BIOETHICS, 2003 — Ray Kurzweil

If you have walked into a museum recently - whether you did so to attend an art exhibition or to escape from the police - you may have noticed a type of painting known as a triptych. A triptych has three panels, with something different painted on each of the panels. For instance, my friend Professor Reed made a triptych for me, and he painted fire on one panel, a typewriter on another, and the face of a beautiful, intelligent woman on the third. The triptych is entitled What Happened to Beatrice and I cannot look upon it without weeping.
I am a writer, and not a painter, but if I were to try and paint a triptych entitled The Baudelaire Orphans' Miserable Experiences at Prufrock Prep, I would paint Mr. Remora on one panel, Mrs. Brass on another, and a box of staples on the third, and the results would make me so sad that between the Beatrice triptych and the Baudelaire triptych I would scarcely stop weeping all da — Lemony Snicket

I still remember my first Giacometti exhibition, and going back to the museum every day, whenever I could, to look again and again at these long, thin stick figures, so beautiful, so graceful. That, I think, was the moment I became really obsessed by art. — Hans Ulrich Obrist

After watching Donald Trump on C-Span the other day, one can see it being easy to be convinced that what the public sees, at least from the press coverage, is just a bit of "reality television" spilling over into real life. His performance at the gathering was reminiscent of what may have happened had Archie Bunker walked out of the cartoon world of the television sitcom and went to speak at posh affair filled with the wax museum of Washington politicos and the buzzard-esque scowls of the press. All eyes fixed on the performer giving yet another exhibition of theatrical prowess. — Robert Montgomerie

[...] exhibition designers must be able to manage and work creatively with the digital information that surrounds and exhibition. Increasingly, the assets of a museum will include an electronic database that can be accessed through websites, apps and creative interactive devices within the environs of a gallery interior, in addition to traditional object displays. — Philip Hughes

I'll get you another red dress."
She wiped the backs of her hands over her cheeks at the snarl. "You will?"
He glared down at her. "Yes. But you must not cry. I won't get you any dresses if you cry."
"I don't normally cry."
"You will never do it."
"Well, I'm afraid I may sometimes," she said apologetically. "Women need to cry."
Lines formed between his brows. "How many times in a year?""Maybe five or six," she said, thinking about it. "But really, it's usually a very small cry and not in front of anyone
At that, his scowl grew even darker. "I will permit you to cry four times a year. And you will do it when I am here. — Nalini Singh

I do call upon a little Fish Mooney energy sometimes, believe it or not. — Jada Pinkett Smith

I visited the Museum of Modern Art and viewed the exhibition of Picasso's sculptures, and I couldn't help but think about what it would be like to have a room full of school children explore Picasso's approach to making art. — Jerry Pinkney

There was a belief after World War I that painting could be an act of civil revolt. I want this exhibition, 'New Museum,' to be an act of civil disobedience. It's not so much about the New Museum on the Bowery, but the idea of challenging museums as projections of cultural authority. It's painting as insurgency. — Richard Phillips

I am part of a team organising an Emma Hamilton exhibition for the National Maritime Museum for 2016, and the amount of planning is a revelation - borrowing from museums and collections all over the world. — Kate Williams

The only way to find out was to try. — Amitav Ghosh

I've always liked ladies all my life. I guess it started with my mom. So every time I saw a pretty lady, I thought, she's pretty. — B.B. King

My latest theory is that it's - well, I describe it as, like, being in an apartment with kind of thin walls. And in the apartment next door, they've got a radio tuned constantly on - tuned to a really cool radio station. It's on all the time. And you can just hear it coming through the wall all the time. — Nick Lowe

I went into acting because I'm easily bored. Acting seemed to give vent to a lot of different feelings. — Chad Everett

Before hoarding became a phenomenon, people just called it "collecting" or "being nostalgic." I don't hoard, exactly, but I get it. It's a response to our need and desire for purpose, order, definition, and a fortress. It's a calling that requires constant management, control, and obsessive attention. I am amassing artifacts from the history of me. My garage is the storeroom and temporary exhibition hall of the yet-to-be-built museum documenting the rise and fall of the Marc Age. I am the curator. I decide the meaning and worth of the collection based on my feelings in a moment. — Marc Maron

I started taekwondo at 5 or 6 years old and did a bunch of kick-boxing later, too. Eventually I became a black belt and coached as well. I did some basketball and softball growing up, but most of my activity was martial arts. — JWoww

I love the broad margin to my life. — Henry David Thoreau

Despite living in an increasingly digital world, there are a few things I still like to keep as physical reminders. So every time I see an exhibition, I make a pit stop at the museum gift shop to buy a postcard of something that inspired me. — Ruzwana Bashir

I should have no objection to go over the same life from its beginning to the end: requesting only the advantage authors have, of correcting in a second edition the faults of the first. — Benjamin Franklin

I wondered how i would feel going into some museum and seeing the houses and stolen artifacts of my people stuck away in some exhibition hall. As i spoke i realized that most of the "history" i had been taught about the Indians was probably lies invented by the white man. — Assata Shakur