Much Ado About Nothing Claudio Quotes & Sayings

For a writer, and particularly a writer of my genre, which is the fantastical, I think that it's to my advantage to feel remote from and disconnected from the world of deal making. — Clive Barker

motivation for not eating meat and dairy is to maintain optimal health, not to rid myself of the obsession and compulsion that are the hallmark of addiction. If obsession and compulsion are the issue - smoking cigarettes, not being able to stop texting your toxic ex, self-harm - and you want to get past it, you need a Bright Line. If health is your objective, there is no evidence that perfect is better than "really good." Seriously. You can comply with a health goal 95 percent of the time, and it will benefit you as much as 100 percent perfection. — Susan Peirce Thompson

As regards structure, comedy has come a long way since Shakespeare, who in his festive conclusions could pair off any old shit and any old fudge-brained slag (see Claudio and Hero in Much Ado) and get away with it. But the final kiss no longer symbolizes anything and well-oiled nuptials have ceased to be a plausible image of desire. That kiss is now the beginning of the comic action, not the end that promises another beginning from which the audience is prepared to exclude itself. All right? We have got into the habit of going further and further beyond the happy-ever-more promise: relationships in decay, aftermaths, but with everyone being told a thing or two about themselves, busy learning from their mistakes. So, in the following phase, with the obstructive elements out of the way (DeForest, Gloria) and the consummation in sight, the comic action would have been due to end, happily. But who is going to believe that any more? — Martin Amis

I could write another collection of personal essays from what has happened to me in the last year alone. I don't seek out my material - it finds me. I am magnetic, somehow. — Augusten Burroughs

When you think of diversity, George Duke fits that bill better than a lot of people. He's played a lot of straight-ahead jazz with people like Nancy Wilson and Cannonball Adderley; he's played a lot of fusion with his own groups, with Stanley Clarke; and, you know, he did the rock thing with Frank Zappa. He's written all kinds of big arrangements for people like Burt Bacharach. So, he's covered the board. He's still a great pianist. — Christian McBride

I was the rector's son, born to the anglican order,
Banned for ever from the candles of the Irish poor;
The Chichesters knelt in marble at the end of a transept
With ruffs about their necks, their portion sure. — Louis MacNeice

Malinda moved so we were eye-level. "Forget the people who've hurt you. You don't have them anymore, but you have two others that'll do anything to you. Mason and Logan would move mountains for you. I see how you are with them. You love them, but you're scared to let yourself be happy. Why? Because that's when they'll leave? Is that what you think? You've got it all wrong. Those two will never leave you." She tapped my chest. Once. Twice. "You. You're the one that's going to hurt them. You have that power, and you don't know it. You could rip those two apart in a second, and they're the ones who are scared of you. Not the other way around. You need to recognize the real situation. — Tijan

When the right one comes along, you figure it out. You move mountains, you change your life and you do whatever it takes to keep them with you. — Jay Crownover

Cooperate on move one; thereafter, do whatever the other player did the previous move. — Anatol Rapoport

Hold up. I'm bait? — Devon Monk