Moving Camera Quotes & Sayings

When you move the camera, or you do a shot like the crane down (in Shawshank) with them standing on the edge of the roof, then it's got to mean something. You've got to know why you're doing it; it's got to be for a reason within the story, and to further the story. — Roger Deakins

I am always surprised when I watch the weather report on German television. First they show the map of Europe and then the camera moves to the right. Then comes Kiev, then Moscow and then everything stops. This seems to be the West's view of us - of a wild Russia that begins past Moscow, a place one prefers not to see. This is a big mistake. The West must pay closer attention. — Vladimir Sorokin

I really love modeling a lot. Once I am behind the camera and start moving, there's a kind of energy that makes me feel good. But I know I have to prepare for something else before I grow up. — Lisanne Falk

Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself. — Keira Knightley

Beginning with the firmware 3.0 update, [Sequential] H mode can fire the shutter at up to 9 fps with active autofocus if you set the camera to C-AF mode. Exposure and white balance are still tied to the first frame In C-AF mode only, the E-M1 provides phase-detection autofocus (PDAF) using 37 focus points with both Micro Four Thirds and older Four Thirds lenses. For tracking a subject that is moving erratically, [Sequential] H while in C-AF mode is often the best choice. — Darrell Young

It took me a long time to get comfortable with the idea of being photographed by a moving or still camera. — Cate Blanchett

I take bits and pieces from every director. I'd say Sylvain [White] and Nimrod [Antal]. They were more about teaching me lens sizes and depth of field and how to move the camera and lighting. I do want to direct and I didn't go to film school, so having a director that are very much hands on that way and looking to let me learn, that is a key factor. — Columbus Short

What motivates every other decision artistically or technically is the acting. This is what motivates everything. Never can a camera move be incompatible with the emotion of the actor at that moment. The movement, the style, the atmosphere, everything is dictated by the actor. — Xavier Dolan

The movie is not a thing which is taken by the camera; the movie is the reality of the movie moving from reality to the camera. — Jean-Luc Godard

I wished I could paint this ineffable beauty but I had never been artistic. I hadn't even packed a camera, and my phone was out of charge. It didn't matter. I just breathed in the feeling, savouring it. Suddenly I knew that I'd enjoy many more moving moments and visions of beauty, and that they'd sustain me for the rest of my life. — Jane Wilson-Howarth

I think the thing that I love the most about working in the digital cinema is that you're only limited in your cinematic technique by your imagination - you're not restricted by the physical laws of nature. You don't have to worry about physically moving a 50lb camera through space, or worry about shadows and rigging. — Robert Zemeckis

Don't," he said in a voice that was soft but adamant. His troubled expression reminded me that I was not the calming force in his life.
I was the exact opposite.
Moving the bulky camera aside, I asked, "Don't..?"
"Don't look too close."
Lowering the Nikon, I touched the stubble on his jaw. "What are you afraid I'll see?"
Without touching any part of my naked body, he still managed to slay me.
"Everything I've become. — Ella Frank

He nods, looking through the pictures on the screen on the back of his camera. Some relationships can only exist as memories. But unlike ephemeral digital images that can be sorted and deleted, we can't erase the past. We have to learn to live with all the images that are stored in love's archive, memories tagged good and bad. No Photoshopping. Accept the negative before moving forward. — Shannon Mullen

The biggest considerations I had were practical: how do you move such a large number of actors around a small space? So, for example, if I have to have the mother bring a pot of tea from the kitchen to the living room and serve it to the others, how do I, on a practical level, get everyone into the frame? Any decisions I made about the camera angles or movement came out of necessity, versus any sort of stylistic choice. — Hirokazu Koreeda

When I move from being a cameraman to being a director I looked at a lot of other cameramen who tried to make the move. And in each case they moved up their camera operator to be the DP, which really meant they didn't want to give up being the DP, and really wanted to do both. And my feeling was if I was going to succeed as a director, I had to just be a director and give up the safety net of being a cameraman. — Barry Sonnenfeld

Nick pulled a business card out of a pocket and handed it to Elphaba. It read Nicholas Lynch, Inspector, Ministry of Magick, next to a moving image of Nick, mugging for the camera. I finally get to use my Harry Potter business cards! — Abramelin Keldor

I'd been trying to retire to the back of the camera for quite a few years. And then, in 1970, when I first started directing, I if I could pull this off, I can some day just move in back of the camera and stay there. — Clint Eastwood

Continuous scans of the brain to measure changes in blood flow) could control a robot hundreds of miles away just by imagining moving different parts of his body. The subject could see from the robot's perspective, thanks to a camera on its head, and when he thought about moving his arm or his legs, the robot would move correspondingly almost instantaneously. The possibilities of thought-controlled motion, not only for "surrogates" like separate robots but also for prosthetic limbs, are particularly exciting in what they portend for mobility-challenged or "locked in" individuals - spinal-cord-injury patients, amputees and others who cannot communicate or move in their current physical state. — Eric Schmidt

I am a good model because I have mastered my craft. I have accepted my body, I know it well and I know how to move in front of the camera. — Crystal Renn

I'm really not trying to do everything that comes to mind because that's when it can be dangerous. For instance, I believe as much as possible, how your camera moves and flies around should be limited to the physics of how you could do it in real life. — Taika Waititi

A photographer's eye is perpetually evaluating. A photographer can bring coincidence of line simply by moving his head a fraction of a millimetre. He can modify perspectives by a slight bending of the knees. By placing the camera closer to or farther from the subject, he draws a detail. But he composes a picture in very nearly the same amount of time it takes to click the shutter, at the speed of a reflex action. — Henri Cartier-Bresson

The challenge has always been to wrest emotion out of a [doll's] face that we think of as only having one emotion. It's moving a light, moving my camera; it's just this mental investment that I make, and suddenly, everything changes. Parenthetically, I have to say, I don't particularly like dolls, nor have I ever liked them. That's something I really wanted to get out there right away. — Laurie Simmons

These aren't still shots; the camera is always moving. And the scene is always just slipping out of sight, as if in spite of myself I were always descending a hill, rounding a corner, stepping into the street with a companion who urges me on, while I look back over my shoulder at the sight which recedes, vanishes. The present of my consciousness is itself a mystery which is also always just rounding a bend like a floating branch borne by a flood. Where am I? But I'm not. I will overturn, overturn, overturn, it: and it shall be no more ... — Annie Dillard

Permanence can only be found in the immortality offered by the click of a camera. Like it or not, life moves on as fleetingly as the photograph is enduring. — Diane Keaton

George Lucas wanted this moving camera for all of the photography in Star Wars. He was willing to take a risk with the concepts that I advanced with regard to ways for doing that. — John Dykstra

The camera can move, you can make the shots, blah blah blah, but as long as the actors are good, you have something. — Julie Delpy

It had rained on some vivid green ferns in Maine and it was quite beautiful. I was moving the camera slightly and studying the ground glass. Looking at those 20 square inches, trying to find out just what were the right elements to include. — John Sexton

It was in Bethlehem, actually, that Yonatan found his Arab, a handsome man who used his first wish for peace. His name was Munir; he was fat with a big white mustache. Superphotogenic. It was moving, the way he said it. Yoni knew even as he was filming that this guy would be his promo for sure.
Either him or that Russian. The one with the faded tattoos that Yoni had met in Jaffa. The one that looked straight into the camera and said, if he ever found a talking goldfish, he wouldn't ask of it a single thing. He'd just stick it on a shelf in a big glass jar and talk to him all day, it didn't matter about what. Maybe sports, maybe politics, whatever a goldfish was interested in chatting about.
Anything, the Russian said, not to be alone. — Etgar Keret

I don't roam around with a camera and never did. I took pictures in spurts, for my books, for some assignments or on special occasions. Like people who take out their cameras for Christmas and birthdays. Each time, like them, probably, I feel it's the first time and as if I would have to relearn the moves. Luckily, it comes pretty fast, like riding a bike. — William Klein

The camera's not a camera, really. It's an open door we need to walk through. It's up to us to keep moving our feet. — Joe McNally

(On Ingrid Bergman) "I didn't do anything I've never done before, but when the camera moves in on that Bergman face, and she's saying she loves you, it would make anybody feel romantic." — Humphrey Bogart

I like to be flexible in the way I take pictures. I do not use a tripod, and I move around in the crowd, of which I am myself part ... I try to preserve the dynamics of the street, and my way of using the camera tries to approximate as much as possible the way we see: focusing on details, opening up to wider angles, and composing all these very short, fragmented impressions into a larger mental picture. — Beat Streuli

Sheridan is still there, he's the president of the Alliance, everything that was in place when the series is there is still there, we're just moving the camera over a couple of light years. — Andreas Katsulas

Pick up a camera and start shooting. You need to wade in in order to figure out how to move forward and do something concrete. I firmly believe that a lot dynamic and revolutionary work flows from those who summon all of their personal energy and just go out and make something. — Andrew Neel

Camera and event. Since its invention, film has seemed destined to make history visible. It has been able to portray the past and stage the present. We have seen Napoleon on horseback and Lenin on the train. Film was possible because there was history. Almost imperceptibly, like moving forward on a Moebius strip, the side was flipped. We look on and have to think: if film is possible, then history too is possible. — Harun Farocki

If you're a certain type of actor, then eventually stepping into a director's shoes is a natural transition. I've always been the actor who's very focused on the narrative, where my character is in the story, and how I can benefit the story. I've always had a technical aspect of what the lens is, how the camera is going to move, how I can feed the information the director applies within that move. If you're that type of actor, narrative-based, technically proficient, the next step is actually not that far. — Russell Crowe

The challenge in any musical is unifying all the moving parts of it, in particular a movie musical because now you're adding the camera and you're adding the idea of adaptation. So the challenge is to stay as true as you can to the material that you love and yet not be afraid to step outside of it and introduce elements into it that make it exist in a satisfying, exciting way cinematically. — Marc E. Platt

Motion-picture studio floors used to be all wooden and not smooth at all. This was difficult when moving a camera around on a dolly. — Desi Arnaz

I like the idea of having a film that is choreographic in all its aspects, not only in the dancing scenes, but also in the way the camera and the characters move in order to have that feeling that it's always musical. — Pascal Chaumeil

On 'Y Tu Mama Tambien,' we started exploring shots that are longer, where the camera is moving around the actors, and there are no cuts, and you feel like you're there. — Emmanuel Lubezki

Musicals and horror films can be very non-verbal and very pure cinema with movement. The camera is justified in being a character. It can really move and tell a story, and literally direct you to look here or there. — Alfonso Gomez-Rejon

Suddenly this camera, this thing, allowed me to move around the world in a certain kind of way, with a certain kind of purpose. (On receiving a camera for her twenty-first birthday) — Carrie Mae Weems

But there is more to a fine photograph than information. We are also seeking to present an image that arouses the curiosity of the viewer or that, best of all, provokes the viewer to think-to ask a question or simply to gaze in thoughtful wonder. We know that photographs inform people. We also know that photographs move people. The photograph that does both is the one we want to see and make. It is the kind of picture that makes you want to pick up your own camera again and go to work. — Sam Abell

Someone comes and drags you in front of the camera, and they're already saying, "Okay, we got it. Moving on." You get one or two takes. So it's a tough job. — Kurt Voss

Kissing scenes are never romantic or sexy, they're actually super technical, like, "Move your head, you're blocking her light," or, "Stop looking like an idiot when you kiss her." You do it again and again because of the camera angles and takes and whatnot. So by the end of it, it's not even kissing. All the anything is totally drained out of it. — Will Poulter

I'm not a photographer, so I didn't get into F-stops or ND filters or background, foreground, cross-light, all that stuff. But I was interested in the camera and the lenses. That's the world that I'm moving in, in terms of acting and giving a performance. — Keanu Reeves

I had a rope around my waist, and the rope was attached into the helicopter in case I fell off. And the shot was a shot that began with Kim Novak going out of a house and getting into a bus. Then it was supposed to go over the countryside and find a freight train on which Bill Holden was standing. And then after seeing a good look at the freight train, the camera was supposed to move up into the sky for the end credits. — Haskell Wexler

Frames 221 to 223: The motorcade is now in front of the camera lens, moving ever so slowly.
The President and First Lady are waving to the crowd. The President almost stands up to send kisses to a few ladies in the front rows, but the First Lady holds him by the arm.
The President sits back comfortably in his Lincoln. He is enjoying himself terribly. — Francis Barel

Before the days of video village a director should stand right next to the camera, look with his naked eye and if he sees something that is real to him, he'd look up at the [camera] operator and if he gives the look to indicate he'd seen it to, then you print and you'd move on. — Matt Damon

I think that I'm very old fashioned in terms of my film references and what appeals to me, in a way with camera moves and a depth of color to bring things to it. — Ashley Greene

It's hard enough to just be a good actor. When you're on set, there's everything going against you. There are walkie talkies going off, the camera is creaking and moving, there are boom mics, and you have to hit your mark and make sure you don't shadow the other person's face. It's a really technical process. — James Marsden

She sank with an enormous sigh that carried all rigidity like a mythical fluid from her, down next to him; so weak she couldn't help him undress her; it took him 20 minutes, rolling, arranging her this way and that, as if she thought, he were some scaled-up, short-haired, poker-faced little girl with a Barbie doll. She may have fallen asleep once or twice. She awoke at last to find herself getting laid; she'd come in on a sexual crescendo in progress, like a cut to a scene where the camera's already moving. Outside a fugue of guitars had begun, and she counted each electronic voice as it came in, till she reached six or so and recalled only three of the Paranoids played guitars; so others must be plugging in. — Thomas Pynchon

It's pretty amazing to see a guy, while steering at the wheel, suddenly raise his little 300 dollar German camera with one hand and snap something that's on the move in front of him, and through an unwashed windshield at that. (On the road with Robert Frank, 1958) — Jack Kerouac

Very often people looking at my pictures say, 'You must have had to wait a long time to get that cloud just right (or that shadow, or the light).' As a matter of fact, I almost never wait, that is, unless I can see that the thing will be right in a few minutes. But if I must wait an hour for the shadow to move, or the light to change, or the cow to graze in the other direction, then I put up my camera and go on, knowing that I am likely to find three subjects just as good in the same hour. — Edward Weston

The official record for the fastest manmade object is the Helios 2 probe, which reached about 70 km/s in a close swing around the Sun. But it's possible the actual holder of that title is a two-ton metal manhole cover. The cover sat atop a shaft at an underground nuclear test site operated by Los Alamos as part of Operation Plumbbob. When the 1-kiloton nuke went off below, the facility effectively became a nuclear potato cannon, giving the cap a gigantic kick. A high-speed camera trained on the lid caught only one frame of it moving upward before it vanished - which means it was moving at a minimum of 66 km/s. The cap was never found. — Randall Munroe

The funny thing is that I almost find it more difficult now to take a still picture than to be behind a moving camera. I'm just so much more inspired and comfortable and confident when I have that whole operation going. I feel more connected. Snapping a moment doesn't seem relevant to me anymore. — Steven Klein

Step Up doesn't have to hide anything. These are actually moves that people do. It just so happens that dancers are superheroes. People think there is a lot of wire work or camera tricks, but that's just not the case. — Stephen Boss

Once there was a man who filmed his vacation./He went flying down the river in his boat/with his video camera to his eye, making/a moving picture of the moving river/ ... [At the end of his vacation,]/With a flick of the switch, there it would be./But he would not be in it. He would never be in it. — Wendell Berry

'Good Times' was with a live audience, three camera, and that was really intimidating. Because there were people on both sides, moving from set to set, and it was pretty scary. As I say, I didn't have a foundation in Hollywood. I hardly knew anybody. Just at the social level. I felt pretty isolated here, I really did. — Philip Baker Hall

Everybody is talking and everybody is trying to block things out, but eventually you just yell, "Action!," everybody starts moving, the camera starts going, and you get a take. — Craig Gillespie

I tried to resist the urge to reach for my camera. I tried to look, really look, as though this took an effort far greater than the movement of my eyes. You are here, I would say to myself, no part of this moment is melting into the future. You are only here and nowhere else. But I could never believe it. So I would take a photo to stop the world. So that I could keep moving — Leah Stewart