Quotes & Sayings About Moved On

He brought his great hand to rest on an early edition of Bram Stoker's novel and smiled, but said nothing. Then he moved quietly away into another section. — Elizabeth Kostova

It was then that my gaze happened to fall on the bookcase, on the gap there, where the old paperback of "Nine Stories" had fallen flat. "Where's the thing?" I said.
"What thing?"
"The mesh. My mesh."
She shrugged. "I tossed it."
"Tossed it? Where? What do you mean?"
In the next moment I was in the kitchen, flipping open the lid of the trash can, only to find it empty. "You mean outside?" I shouted. "In the dumpster?"
When I came thundering back into the room, she still hadn't moved. "Jesus, what were you thinking? That was mine. I wanted that. I wanted to keep it."
Her lips barely moved. "It was dirty. — T.C. Boyle

Shared leadership ... is less like a an orchestra, where the conductor is always in charge, and more like a jazz band, where leadership is passed around ... depending on what the music demands at the moment and who feels most moved by the spirit to express the music. — Phillip C. Schlechty

I started reading seriously at seven or eight, books about myths and legends, the Narnia series. By the time I was 11, I had read all the children's books in my local library, so I moved on to 'Jane Eyre.' What I loved about Jane Eyre was that she didn't rely on her looks but her character. She had a spirit nobody could break. — Malorie Blackman

It's a moment to learn. This was the thing about miscalculations, errors, and mistakes. You admitted them, you used them as teachable moments, and then you moved on. You didn't forget, but you didn't dwell. — Meg Howrey

He wasn't a man, but a tape recorder, repeating catch phrases and old slogans without any thought to the concepts behind them, a dog stuck in the training of his youth and faithfully executing his tasks long after his master had moved on. — Harvey Pekar

Well, that's certainly ... adequate," I told him, burying my face in his chest. I knew immediately I'd picked the wrong word.
"Adequate?" He took my hand, placed it on the part in question. It immediately began to stir. He moved my hand on it, and I obligingly circled it with my fingers. "This is adequate?"
"Maybe I should have said it's a gracious plenty?"
"A gracious plenty. I like that," he said. — Charlaine Harris

I almost forgot," said Red. His voice sounded very strange, as if from a long, long distance. He reached into his pocket. "I have something for you."
He put it into my hand. A round, shiny, perfect apple, green as new grass with a faint blush of rosy pink. And now his eyes had changed so that I saw what lay there, hidden deep, so deep only the bravest or most foolhardy would seek to find it.
He has always understood me better, without words. So I laid my hand on my heart, held it there for a moment, and then moved it over and touched my palm against his breast. My heart. Your heart. — Juliet Marillier

I became simply a pair of eyes, staring through my mask at Char. I needed no ears because I was too far off to hear his voice, no words because I was too distant for speech, and no thoughts - those I saved for later. He bent his head. I loved the hairs on the nape of his neck. He moved his lips. I admired their changing shape. He clasped his hand. I blessed his fingers. Once, the power of my gaze drew his eyes ... — Gail Carson Levine

The whole set of stylizations that are known as "camp" (a word that I was hearing then for the first time) was, in 1926, self-explanatory. Women moved and gesticulated in this way. Homosexuals wished for obvious reasons to copy them. The strange thing about "camp" is that it has been fossilized. The mannerisms have never changed. If I were now to see a woman sitting with her knees clamped together, one hand on her hip and the other lightly touching her back hair, I should think, "Either she scored her last social triumph in 1926 or it is a man in drag. — Quentin Crisp

So you," she said, meeting his eyes, "are a librarian. What does that make me then? A seven-day loan?"
Daniel laughed as he set his book aside. He moved toward her and lightly gripped her knees.
"Seven-day loan ... I'm not sure I like the thought of giving you back." He slid his hands up her thighs and took her by the hips.
"But what about overdue fines?" she asked, playfully flashing her eyes at him.
"I think I can afford them," he said. Eleanor tried to voice another protest but his mouth was already on hers. — Tiffany Reisz

Studies of cancer patients show that attitudes of mind have very little effect on clinical outcome. We may say we are fighting cancer, but cancer is merely fighting us; we may think we have beaten it, when it has only gone away to regroup. It is all just the universe doing its stuff, and we are the stuff it is being done to. And so, perhaps, with grief. We imagine we have battled against it, been purposeful, overcome sorrow, scrubbed the rust from our soul, when all that has happened is that grief has moved elsewhere, shifted its interest. — Julian Barnes

Cantor illustrated the concept of infinity for his students by telling them that there was once a man who had a hotel with an infinite number of rooms, and the hotel was fully occupied. Then one more guest arrived. So the owner moved the guest in room number 1 into room number 2; the guest in room number 2 into number 3; the guest in 3 into room 4, and so on. In that way room number 1 became vacant for the new guest.
What delights me about this story is that everyone involved, the guests and the owner, accept it as perfectly natural to carry out an infinite number of operations so that one guest can have peace and quiet in a room of his own. That is a great tribute to solitude. — Peter Hoeg

The Light in the Labyrinth is a beautifully written book, a gem. I savoured every word; words written with so much 'colour'. Even though I know the story of Queen Anne Boleyn, Dunn's perspective on her last days is missing in so many other books of the genre. Dunn gives grace to the history and an honest, and very compassionate look at Anne's last days. I cried in the end, shedding tears for the young Kate, Anne and her little Bess. I have not yet read a Tudor book that has moved me to tears, as this wonderful journey does. Dunn's dedication and research shines through in this unforgettable book, a book not just for young readers, but also for all." - Lara Salzano, avid Tudor reader. — Wendy J. Dunn

Mr. Bloemker moved closer. He smelled like a wet diaper. "What is it," he asked, looking over Lenore's shoulder.
"If it's what I think it is," said Lenore, "it's a sort of joke. A what do you call it. An antinomy."
"An antinomy?"
Lenore nodded. "Gramma really likes antinomies. I think this guy here," looking down at the drawing on the back of the label, "is the barber who shaves all and only those who do not shave themselves."
Mr. Bloemker looked at her. "A barber?"
"The big killer question," Lenore said to the sheet of paper, "is supposed to be whether the barber shaves himself. I think that's why his head's exploded, here."
"Beg pardon?"
"If he does, he doesn't, and if he doesn't, he does. — David Foster Wallace

He moved quickly away from her through the ring, his whole body starting forward with the big animal in two-point and then
the horse's legs extended before and behind her, a carousel pony but real, the immense thrust invisible to anyone but the boy on the creature's back
he was rising, rising, rising ...
And aloft. — Chris Bohjalian

I think it is high time that Europe starts to understand that we do not rule the world anymore, and that some former European imperial powers can no longer impress their will on to others in far away places, and we must accept that football has moved away from being a European and South American sport: it has become the World Sport that billions of fans are excitedly following every week, everywhere in the world. — Sepp Blatter

Life is continuous. Life never stops. We come to the really great questions and before we can answer them, life has moved on to something else. — Garrison Keillor

When I was four, we moved to the house on the west side of Chicago where I grew up. My earliest memories are of that first summer. — Hugh Hefner

Nathan was something that happened to us, as devastating in its way as the burning roof that fell on the family Mwanza; with our fate scarred by hell and brimstone we still had to track our course. And it happened finally by the grace of hell and brimstone that I had to keep moving. I moved, and he stood still. — Barbara Kingsolver

Etta saw the way Sophia took a deep breathe, set her shoulders back, and moved with practiced grace on her way out - and she understood something about the other girl, truly understood for the first time. Sophia wanted it, when she was only ever sent out. — Alexandra Bracken

Choice betrays character," I said.
"That's not true." Loring moved his finger along the
sheet as if writing his name in cursive. "Eliza, you can't judge a man solely on his actions. Sometimes actions are nothing more than reactions. — Tiffanie DeBartolo

Bran tore his eyes away from the monster. That was when he noticed the bundle in Robb's arms. He gave a cry of delight and moved closer. The pup was a tiny ball of grey-black fur, its eyes still closed. It nuzzled blindly against Robb's chest as he cradled it, searching for milk among his leathers, making a sad little whimpery sound. Bran reached out hesitantly. "Go on," Robb told him. "You can touch him." Bran — George R R Martin

By exerting its will, Descartes declared, the immaterial human mind could cause the material human machine to move. This bears repeating, for it is an idea that, more than any other, has thrown a stumbling block across the path of philosophers who have attempted to argue that the mind is immaterial: for how could something immaterial act efficaciously on something as fully tangible as a body? Immaterial mental substance is so ontologically different-that is, such a different sort of thing-from the body it affects that getting the twain to meet has been exceedingly difficult. To be sure, Descartes tried. He argued that the mental substance of the mind interacts with the matter of the brain through the pineal gland, the organ he believed was moved directly by the human soul. The interaction allowed the material brain to be physically directed by the immaterial mind through what Descartes called "animal spirits"-basically a kind of hydraulic fluid. — Jeffrey M. Schwartz

While most people had moved on from children's books, Jake still loved them. They felt cozy like hot chocolate with mini marshmallows or a new jumbo box of Crayola crayons. — Carolyn Mackler

She knew bullshit when it was being tossed at her by the shovelful. "You know, Ms Purcell, I'm at absolute capacity in the friend department. You'll have to apply elsewhere. As for Roarke and his business, that's his deal. As for you, let's get this straight: You don't look stupid, so I don't believe you think you're the first of Roarke's discarded skirts to swing back this way. You don't worry me. In fact, you don't much interest me. So if that's all?"
Slowly Magdelana slid off the desk. "The man is just never wrong is he? I don't like you."
"Aw."
She moved to the door, then stopped, leaned on the jamb as she looked over at Eve again. "Just one thing? He didn't discard me. I discarded him. And since you don't look stupid either, you know that makes all the difference. — J.D. Robb

Just do your duty in silence. When in doubt, when flat on your back, you can look at the ceiling. Who knows what you may see, up there? Funeral wreaths and angels, constellations of dust, stellar or otherwise, the puzzles left by spiders. There's always something to occupy the inquiring mind. Is anything wrong, dear? the old joke went. No, why? You moved. Just don't move. What — Margaret Atwood

Take good care of your dragon," Kachka said as she moved on. "He will need your protection, being so weak and pathetic. — G.A. Aiken

They stood silently before each other for a moment, and she thought that the most beautiful words were those which were not needed. When he moved, she said: "Don't say anything about the trial. Afterward." When he took her in his arms, she turned her body to meet his straight on, to feel the width of his chest with the width of hers, the length of his legs with the length of hers, as if she were lying against him, and her feet felt no weight, and she was held upright by the pressure of his body. They lay in bed together that night, and they did not know when they slept, the intervals of exhausted unconsciousness as intense an act of union as the convulsed meetings of their bodies. — Ayn Rand

Occasionally they would hear a harsh croak or a splash as some amphibian was disturbed, but the only creature they saw was a toad as big as Will's foot, which could only flop in a pain-filled sideways heave as if it were horribly injured. It lay across the path, trying to move out of the way and looking at them as if it knew they meant to hurt it.
'It would be merciful to kill it,' said Tialys.
'How do you know?' said Lyra. 'It might still like being alive, in spite of everything.'
'If we killed it, we'd be taking it with us,' said Will. 'It wants to stay here. I've killed enough living things. Even a filthy stagnant pool might be better than being dead.'
'But if it's in pain?' said Tialys.
'If it could tell us, we'd know. But since it can't, I'm not going to kill it. That would be considering our feelings rather than the toad's.'
They moved on. — Philip Pullman

I basically did comedy there for about a year, and then moved to New York. If I had it to do over again, I would have booked myself on the road for at least a year. — Todd Barry

I guess after Dances With Wolves they probably tried some derivative westerns, and if they didn't work, they said the western is dead and moved on to something else. — Tom Selleck

Moved from other parts of the world to work here, but they keep their citizenship with their home country. They are required to carry a visitor registration card (called a "green card"), which allows them to work here even though they aren't citizens. Actually, we all should carry spiritual green cards to remind us that our citizenship is in heaven. God says that his children are to think differently about life from the way unbelievers do. "All they think about is this life here on earth. But we are citizens of heaven, where the Lord Jesus Christ lives."63 Real believers realize that there will be far more to life than just the few years we live on this planet. — Rick Warren

He found his voice first, though it was a ragged whisper, "Thank you." If I'd had enough breath I'd have laughed. My throat was so dry, that my voice sounded stiff. "Trust me on this, Frost, it was my pleasure." He bent over and laid a kiss on my cheek. "I will try to do better next time." He moved his hands away from me, letting me move, but stayed sheathed inside me as if he were reluctant to let that go. I looked at him, thinking he was joking, but his face was utterly serious. "It gets better than this?" I asked. He nodded solemnly. "Oh, yes." "The queen was a fool," I said softly. He smiled then. "I always thought so. — Laurell K. Hamilton

We have progressed from the stone age and moved on to the age of stone hearted people — Amit Abraham

Every year the aspiring photographer brought a stack of his best prints to an old, honored photographer, seeking his judgment. Every year the old man studied the prints and painstakingly ordered them into two piles, bad and good. Every year the old man moved a certain landscape print into the bad stack. At length he turned to the young man: "You submit this same landscape every year, and every year I put it on the bad stack. Why do you like it so much?" The young photographer said, "Because I had to climb a mountain to get it." A — Annie Dillard

I'll put my hand in no man's hand,' said Mr. Micawber, gasping, puffing, and sobbing, to that degree that he was like a man fighting with cold water, 'until I have - blown to fragments - the - a - detestable - serpent - HEEP! I'll partake of no one's hospitality, until I have - a - moved Mount Vesuvius - to eruption - on - a - the abandoned rascal - HEEP! Refreshment - a - underneath this roof - particularly punch - would - a - choke me - unless - I had - previously - choked the eyes - out of the head - a - of - interminable cheat, and liar - HEEP! I - a - I'll know nobody - and - a - say nothing - and - a - live nowhere - until I have crushed - to - a - undiscoverable atoms - the - transcendent and immortal hypocrite and perjurer - HEEP! — Charles Dickens

When Sadik lost his own lease, we moved in together. And after a few months of closer scrutiny, he began to realize that the city had indeed had an effect on me, although not the one he'd expected. I stopped getting high. I ran three miles a day and fasted on Sundays. For the first time in years, I applied myself to my studies and started keeping a journal of daily reflections and very bad poetry. — Barack Obama

I moved in close, put my head on Theo's chest, pulled our clasped hands in to rest on his heart. "That's better," I said, tucking my head under his chin where it fit perfectly. "Yeah," he said softly. "It is. — Emma Scott

Sadness ... reflecting on the proud legacy of trust and fair play on which Reliance Industries was founded by my visionary father Dhirubhai Ambani, and how far RIL appeared to have moved away from those original values. — Anil Ambani

And the answer is: You are wrong. The Faeries are not gone. But they are no longer what they were. I watched it and did not help them, though I could have. I cheered. I cheered and I wept and I was glad. Perhaps I should not have been. Perhaps laughing at agony is a Fairy's game and I should not have moved my pieces on their board. — Catherynne M Valente

I think the biggest shift is the way people look at and have access to fashion. It's already old the minute you've seen it, and we've already moved on. Fashion has become very in and out. Back in the days when I started, you would wait for Vogue to come out, and that is where you would see what people wore that month. Now we are looking at what someone is wearing this second. — Matthew Williamson

Bond had taken her to the station and had kissed her once hard on the lips and had gone away. It hadn't been love, but a quotation had come into Bond's mind as his cab moved out of Pennsylvania station: 'Some love is fire, some love is rust. But the finest, cleanest love is lust. — Ian Fleming

My siblings and I were friends with the boys who would become our stepbrothers - we grew up on the same street. I feel very special to have these amazing people in my life and if we hadn't all moved into this big house together I think I would have missed out on that, because we would have drifted apart. — Florence Welch

Captain Phasma. Remember me?" He moved his weapon slightly. "Here's my blaster, ya still wanna inspect it?" Phasma held on to her dignity. "Yes, I remember you. FN-2187." Finn shook his head curtly. "Not anymore. My name is Finn. A real name for a real person. And I'm in charge now. — Alan Dean Foster

His dark eyes were hot.

"Drink the coffee," he growled.

Coffee. Right. She had to hold the cup with both hands, otherwise she'd spill the hot coffee all over herself and all over this beautiful bed. She tipped her head back against the headboard and sipped.

God, it was delicious. Sharp, yet with a smooth smoky taste. Some outrageously expensive blend, no doubt. She took another sip. Perfect.

His hand continued stroking her breast, movements lazy. "Good?" he asked.

"Wonderful."

"Give me a taste," he said suddenly, stretching over to cover her mouth with is. Oh lord, she could simply sink into his kisses. This one was long, languid, the strokes of his hand on her breast echoed by his tongue in her mouth. He lifted his head for a second, then moved in more closely, tongue deeper in her mouth. He lifted his head again and smiled down at her. "It is delicious. — Lisa Marie Rice

Jesus brings a kingdom ruled by the crucified one and populated by the unclean and always found in the unexpected. I'd expected to look at the past and see only mistakes that I'd moved on from, to see only damage and addiction and tragic self-delusion. But by thinking that way, I'd assumed that God was nowhere to be found back then. But that's kind of an insult to God. It's like saying, 'You only exist when I recognize you.' The kingdom of heaven, which Jesus talked about all the time, is, as he said, here. At hand. It's now. Wherever you are. In ways you'd never expect. — Nadia Bolz-Weber

Love; I consider true love happens once in a lifetime. I really don't understand when people love someone and marry someone else. Either they never loved anyone at first place or they befool themselves by saying that we have moved on. — Ritu Chowdhary

I think it will bring back discussion about Columbine. When Columbine happened it was the topic of the week, and we shouldn't have just moved on to something else. Whether people like the film or not, it's going to make them think about what happened. — John Robinson

If the invention of derivatives was the financial world's modernist dawn, the current crisis is unsettlingly like the birth of postmodernism. For anyone who studied literature in college in the past few decades, there is a weird familiarity about the current crisis: value, in the realm of finance capital, parallels the elusive nature of meaning in deconstrucitonism. According to Jacques Derrida, the doyen of the school, meaning can never be precisely located; instead, it is always 'deferred,' moved elsewhere, located in other meanings, which refer and defer to other meanings - a snake permanently and necessarily eating its own tail. This process is fluid and constant, but at moments the perpetual process of deferral stalls and collapses in on itself. Derrida called this moment an 'aporia,' from a Greek term meaning 'impasse.' There is something both amusing and appalling about seeing his theories acted out in the world markets to such cataclysmic effect. — John Lanchester

My first kiss ... and it was everything I'd imagined it to be, with the exception of there being an audience for it. But it was hard to acknowledge them or their cheering and whistles. Flames scorched my already heated skin. Dez's lips moved against mine, working the tight seam open. I gasped, wondering where in the world he'd learned to kiss like that. Jealousy flared like a beacon on the heels of that thought. Okay. I didn't want to know how he'd learned. — Jennifer L. Armentrout

Yee-ouch!" she cried as the pan clattered back onto the stovetop. She was shaking her left hand and staring at the venison, grateful she hadn't dropped their dinner on the floor, when Callahan appeared in the doorway to her kitchen. "What's wrong?" "I'm an idiot. I almost dropped the roast." "You burned yourself," he surmised as his gaze shifted from her to the pot on the stove. Crossing to the kitchen sink, he twisted the cold water faucet. "C'mere." When she moved close, he took her arm by the wrist and studied her hand as he guided it beneath the running water. "You grabbed your pan without a pad? You don't strike me as the careless sort." "I have my moments of ditziness," she replied. Ditziness — Emily March

On the street they moved with purpose, at different speeds but in straight lines, like a thousand bullets fired at a thousand different angles from a thousand different guns. All of these people moving in the way they thought right . . . — Jess Walter

A year earlier my parents had moved us out of the city to a split-level on Long Island, their idea of the American dream, which meant it as now an hour-and-a-half commute via the 7:06 Hicksville to Penn Station every morning. (Dark City Lights) — Jonathan Santlofer

(Devon) "Cam, what's wrong?"
He cursed and held her tighter. "Help me," he rasped.
Her senses dizzy from the scent and feel of him, it took a few moments for the words to register. She stroked her fingers through his thick, soft hair. "Help you?"
His head moved against her hand, as much a show of helpless pleasure as it was a nod. "Help me slow down."
She shook her head. "I don't want you to slow down - "
"I want to be gentle," he said roughly, his warm breath tickling her neck. "But I'm so fucking turned on right now all I can think about is pounding into you. — Kaylea Cross

People fell in love, and lost, and moved on. He didn't know why he couldn't. He didn't know why he didn't even want to. All he knew was that whatever he had to owe to Hell or Heaven for this chance, he was going to make it count. — Cassandra Clare

I moved to L.A. I wasn't really sure what I wanted to do, but I really like the entertainment industry. I started to make videos on YouTube to get more comfortable being in front of the camera. The first video I filmed was with my sister. — Rosanna Pansino

Edith's clothes were flung in disarray on the floor beside the bed, the covers of which had been thrown back carelessly; she lay naked and glistening under the light on the white unwrinkled sheet. Her body was lax and wanton in its naked sprawl, and it shone like pale gold. William came nearer the bed. She was fast asleep, but in a trick of the light her slightly opened mouth seemed to shape the soundless words of passion and love. He stood looking at her for a long time. He felt a distant pity and reluctant friendship and familiar respect; and he felt also a weary sadness, for he knew that he would never again be moved as he had once been moved by her presence. The sadness lessened, and he covered her gently, turned out the light, and got in bed beside her. — John Edward Williams

Not long after he moved, the mail carrier got embroiled in a battle with the Middletown government over the flock of chickens that he kept in his yard. He treated them just as Mamaw had treated her chickens back in the holler: Every morning he collected all the eggs, and when his chicken population grew too large, he'd take a few of the old ones, wring their necks, and carve them up for meat right in his backyard. You can just imagine a well-bred housewife watching out the window in horror as her Kentucky-born neighbor slaughtered squawking chickens just a few feet away. My sister and I still call the old mail carrier "the chicken man," and years later even a mention of how the city government ganged up on the chicken man could inspire Mamaw's trademark vitriol: "Fucking zoning laws. They can kiss my ruby-red asshole." The — J.D. Vance

That was when I left her and went outside to talk to Charles. I knew I would dislike talking to Charles, but it was almost too late to ask him politely and I thought I should ask him once. Even the garden had become a strange landscape with Charles' figure in it; I could see him standing under the apple trees and the trees were crooked and shortened beside him. I came out the kitchen door and walked slowly toward him. I was trying to think charitably of him, since I would never be able to speak kindly until I did, but whenever I thought of his big white face grinning at me across the table or watching me whenever I moved I wanted to beat at him until he went away, I wanted to stamp on him after he was dead, and see him lying dead on the grass. So I made my mind charitable toward Charles and came up to him slowly. — Shirley Jackson

Oh my fucking - " Ruxs heaved underneath him, taking the burn and stretch like the man Green knew he was. "Fuck!" "Just as tight as I knew this virgin ass would be." Green panted in Ruxs ear. He hadn't moved, knew if he did it would be over before it even began. "Fuck you," Ruxs grunted. "Augh. Do something, Chris." "I'm gonna make you feel real good, baby." Green slowly pulled out, just halfway, and slid back in again. "You trust me don't you?" "I did. Before you lied and said this fuckin' felt good." Ruxs turned a little, positioning most of his weight on side, making Green maneuver with him. Green — A.E. Via

It was one of the peculiar malfunctions of technology that shore batteries on the islands were generally of inadequate caliber and range to knock out a ship approaching with hostile intent. One is moved to wonder why, if a 10-pounder gun could be mounted on the rolling deck of a sailing vessel, the same or larger could not be mounted on land? — Barbara W. Tuchman

The pallbearers lowered the casket onto a metal stand, then moved to their seats. Thomas, James's brother, slid into the front pew beside Claire, who was dressed in a black suit with her silver hair coiled as tight and rigid as her posture. Phil, James's cousin, moved into the pew to stand on her other side. He turned and looked at me, dipping his head in acknowledgment. I swallowed, inching back until my calves pressed into the wood bench. Claire — Kerry Lonsdale

When I was a kid, I always had a big thing for Dannii Minogue. Initially I liked Kylie, but I quickly moved on to Dannii. There was always something more alluring about her. I think I actually wrote to her asking if we could meet. — Andrew Buchan

I came into the industry as an actor. And moved on to become a star with the help of my dancing skills. — Mithun Chakraborty

My dear child,' said the old gentleman, moved by the warmth of Oliver's sudden appeal, 'you need not be afraid of my deserting you, unless you give me cause.'
I never, never will, sir,' interposed Oliver.
I hope not,' rejoined the old gentleman; 'I do not think you ever will. I have been deceived before, in the objects whom I have endeavoured to benefit; but I feel strongly disposed to trust you, nevertheless, and more strongly interested in your behalf than I can well account for, even to myself. The persons on whom I have bestowed my dearest love lie deep in their graves; but, although the happiness and delight of my life lie buried there too, I have not made a coffin of my heart, and sealed it up for ever on my best affections. Deep affliction has only made them stronger; it ought, I think, for it should refine our nature. — Charles Dickens

To define [Canada] or its literature seems like putting a finger on Zeno's arrow: no sooner do you think you have done it than it has moved on. — M.G. Vassanji

On a personal note, I was born in Brooklyn. My folks moved out to Long Island when I was quite young, but once a Brooklynite, always a Brooklynite. — Mitch Kapor

He had not been in El Paso for years, and they had developed it considerably since then, he'd heard, along the lines of sin and salvation. They had churches and a Republican or two and a smart of banks and a symphony orchestra and five railroads and a lumberyard and the makings of a library. So much for sin. On the side of salvation they had ninety-some saloons, just shy of one for every hundred citizens, although municipal goodyism had moved the gambling rooms out back or upstairs. — Glendon Swarthout

Anyone who can go through Hyde Park on a summer's evening and not feel moved by it is probably going through in an ambulance with the sheet pulled over their face. — Douglas Adams

The pathologized images have moved the soul in several ways: we are afraid; we feel vulnerable and in danger; our very physical sustance and sanity appear to be menaced; we want to prevent or rectify. Especially this last seizes us. We feel protective, impelled to correct, straighten, repair. For we have confused something sick with something wrong. [ ... ]
affliction reaches us partly through the guilt it brings. Guilt belongs to the experiences of deviation, the the sense of being off, failing, 'missing the mark'. [ ... ]
However the true missing of the mark is taking the guilt literally, where failings becomes faults to be set right. This places the guilt on the shoulders of the ego who 'should not' have failed. Then pathologizing reinforces the ego's style and guilt serves a secondary gain, increasing the ego's sense of importance: ego becomes superego, drivenly busy with repairing wrongs. A guilty ego is no less egocentric than a proud one. — James Hillman

The old Squire was an implacable man: he made resolutions in violent anger, and he was not to be moved from them after his anger had subsided - as fiery volcanic matters cool and harden into rock. Like many violent and implacable men, he allowed evils to grow under favour of his own heedlessness, till they pressed upon him with exasperating force, and then he turned round with fierce severity and became unrelentingly hard ... Godfrey knew all this, and felt it with the greater force because he had constantly suffered annoyance from witnessing his father's sudden fits of unrelentingness, for which his own habitual irresolution deprived him of all sympathy. (He was not critical on the faulty indulgence which preceded these fits; that seemed to him natural enough.) — George Eliot

The wiry man scratched his head, looked the two inquisitors up and down and cleared his throat softly. "We must be quick." He turned to go, pulling his cloak over his head and shuffling through the door into the moonlight. The two inquisitors moved with impossible silence behind, floating across the straw-covered floor like the cats on the walls outside the hut. The cats froze at the disturbance before scurrying noiselessly into the shadows as the three silhouettes crossed the ten yards of grass before the blackness of the forest swallowed them. No fires flickered at this time, when the full moon was highest in the cloudless summer sky, and the three were the only waking souls in the hamlet. — Gregory Figg

Sobbing, Sam took another step. This is the last one, the very last, I can't go on, I can't. But his feet moved again. One and then the other. They took a step, and then another, and he thought, They're not my feet, they're someone else's, someone else is walking, it can't be me. — George R R Martin

When I lived in New York, there wasn't as much TV or film around. I got asked to do a couple of indie films, just based on me being from The Smashing Pumpkins and A Perfect Circle. I did a couple of indie movies from Japan and one from Canada, and I thought it was an exciting, fun thing to do. I had a great time doing it, it was just that, in New York, there really wasn't as much. My studio in New York closed, so I moved out to L.A. and just started looking into composing as another thing to do, as a musician. I like it a lot. It's fun and it's a different way of thinking about music. — James Iha

I was still young when I missed Beijing. I was favourite to win a medal but I knew I had time. My coach advised me to stay at school and finish my exams. Even if I had gone and won the Olympics, I might not have handled the pressure. So I moved on. — David Rudisha

The steep tiled roof had grown dark and mossy with age and rain. The triangular wooden frames fitted into the gables were intricately carved, the light that slanted through them and fell in patterns on the floor was full of secrets. Wolves. Flowers. Iguanas. Changing shape as the sun moved through the sky. Dying punctually at Dusk. — Arundhati Roy

As a kid, I would get my parents to drop me off at my local library on their way to work during the summer holidays, and I would walk home at night. For several years, I read the children's library until I finished the children's library. Then I moved into the adult library and slowly worked my way through them. — Neil Gaiman

Moved on ... " he said. "Rusted nuts! You can do that?"
"Certainly."
"Huh. You think ... I should ... you know ... Ranette ... "
"Wayne, if ever someone should have taken a hint, it was you. Yes. Move on. Really."
"Oh, I took the hint," he said, taking a swig of sherry. "Just can't remember which jacket I left it in." He looked down at the jug. "You sure?"
"She has a girlfriend, Wayne."
"'S only a phase," he mumbled. "One what lasted fifteen years. ... — Brandon Sanderson

The past never quite disappeared, did it? Folks usually thought time moved forward, starting on the left and riding a right-pointing arrow into the future. Ruby didn't believe that. The future twisted uncertain, a shapeless dream, but the past - the past was set. It cast evidence behind it, photos and letters and bones, piling up in hidden places, waiting for the chance to spill out. An avalanche. A burial. The past consumed the future, always. — Brandy Heineman

From the Grapes of Wrath and a woman that would not be moved: 'On'y way you gonna get me to go is whup me.' She moved the jack handle gently again. 'An' I'll shame you, Pa. I won't take no whuppin', cryin' an' a-beggin'. I'll light into you. An' you ain't so sure you can whup me anyways. An' if ya do get me, I swear to God I'll wait till you got your back turned, or you're settin' down, an' I'll knock you belly-up with a bucket. I swear to Holy Jesus' sake I will. — John Steinbeck

Is this the happiness you seek?" he whispered hoarsely. "Tell me now, and I will give it to you." He
moved down her body, his mouth on her bosom, his breath hot on her skin, and his hand freeing her
breast. Phoebe ran her fingers through his hair, thrusting her breast forward as he took the peak into his
mouth.
This was insanity!"Only a profligate would confuse happiness with desire - Oh!" The swell of pleasure
his mouth on her breast gave her was startling, and she cried out.
"And only a fool would try and separate the two," he responded hotly before he closed his mouth
around her other breast — Julia London

I moved away from him, sitting back on my heels and raising my aim to his heart. "Happy anniversary, Frank."

In a flash, he had my gun away from me and I was flat on the floor with his boot against my throat. "You point a gun at me again, I will break your neck. — Nicole Castle

He kept his eyes on mine, his gaze unblinking, and I stared right back into the blue. He moved almost imperceptibly and in the space between a heartbeat his lips touched mine. — Sarah Alderson

His awareness of her swung as she moved around the room like the needle on a compass. — Cassandra Clare

What I'm mad about is that you forgot about me! That you moved on and replaced me! That I'm back and I still don't have you. — Taylor Jenkins Reid

When the sun was fully up, the gunslinger moved on west. He would find another horse eventually, or a mule, but for now he was content to walk. All that day he was haunted by a ringing, singing sound in his ears, a sound like bells. Several times he stopped and looked around, sure he would see a dark following shape flowing over the ground, chasing after as the shadows of our best and worst memories chase after, but no shape was ever there. He was alone in the low hill country west of Eluria. Quite alone. — Stephen King

Syme felt moved to spring up and leap over the balcony. When the President's eyes were on him he felt as if he were made of glass. He had hardly the shred of a doubt that in some silent and extraordinary way Sunday had found out that he was a spy. He looked over the edge of the balcony, and saw a policeman, standing abstractedly just beneath, staring at the bright railings and the sunlit trees. — G.K. Chesterton

I sat in the sun on a bench; the animal within me licking the chops of memory; the spiritual side a little drowsed, promising subsequent penitence, but not yet moved to begin. — Robert Louis Stevenson

In certain ways, we, many of us, stopped paying attention to the world. I have to think we would have moved on the whole climate issue in a different way if we'd been paying better attention. — Karen Joy Fowler

Think of music as being a great snarl of a city [ ... ]. In the years I spent living there, I came to know its streets. Not just the main streets. Not just the alleys. I knew shortcuts and rooftops and parts of the sewers. Because of this, I could move through the city like a rabbit in a bramble. I was quick and cunning an clever.
Denna, on the other hand, had never been trained. She knew nothing of shortcuts. You'd think she'd be forced to wander the city, lost and helpless, trapped in a twisting maze of mortared stone. But instead, she simply walked through the walls. She didn't know any better. Nobody had ever told her she couldn't. Because of this, she moved through the city like some faerie creature. She walked roads no one else could see, and it made her music wild and strange and free. — Patrick Rothfuss

Even I got turned down by girls, and when it happened, I dusted off my ego and moved on. — Richelle Mead

I stayed in L.A. long enough to get on my feet, and then I moved back to New York. The reason I moved here was that I don't feel warm outside of a city; it's too barren in the suburbs, and L.A. is a suburb. Here, it felt active. — Iggy Pop

Meanwhile the old Marquess, visibly moved, was charging Odo to respect his elders and superiors, while in the same breath warning him not to take up with the Frenchified notions of the court, but to remember that for a lad of his condition the chief virtues were a tight seat in the saddle, a quick hand on the sword and a slow tongue in counsel. "Mind your own business," he concluded, "and see that others mind theirs." The Marchioness thereupon, with many tears, hung a — Edith Wharton

Someone skipped on the rent and they left behind a huge upright piano, which got moved into our apartment so the other apartment could get rented out. I took to it and started playing. — Cy Coleman

Since the beginning of Humanities every era has had an elitist group that attempted to dictate what is and is not acceptable forms of art. As time has moved on, what is considered the "peasant" class or the lower echelons of society have overwhelmingly gone against the elitist point of view. Without that continuous evolution art would not be where it is today ... enjoyed by the masses. — Tracy L. Darity

I'm from Milwaukee, Wisconsin. I moved to L.A. when I was about eleven years old. I always go back to Milwaukee whenever I can. Just chill with my grandpa and my grandmother and just be with family, be with people that were there before I got a million views on YouTube because of my music video. — Jacob Latimore

And then in 1956 or 1957 my family went over to Europe and I moved over with them, and immediately people in Europe thought my perspective on that issue was 100% correct. — Warren Farrell

In human affairs of danger and delicacy successful conclusion is sharply limited by hurry. So often men trip by being in a rush. If one were properly to perform a difficult and subtle act, he should first inspect the end to be achieved and then, once he had accepted the end as desirable, he should forget it completely and concentrate solely on the means. By this method he would not be moved to false action by anxiety or hurry or fear. Very few people learn this. — John Steinbeck

But the wind does not stop for my thoughts. It whips across the flooded gravel pits drumming up waves on their waters that glint hard and metallic in the night, over the shingle, rustling the dead gorse and skeletal bugloss, running in rivulets through the parched grass - while I sit here in the dark holding a candle that throws my divided shadow across the room and gathers my thoughts to the flame like moths.
I have not moved for many hours. Years, a lifetime, eddy past: one, two, three: into the early hours, the clock chimes. The wind is singing now — Derek Jarman