Move The Hell On Quotes & Sayings
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Top Move The Hell On Quotes

If you wanted to kill me, why haven't you smothered me in my sleep?" "No sport in that." She gestured towards the ceiling. "Can I expect to be strung up on that bar and gutted like a deer?" He looked up at the bar and frowned. "Too much sport. Lots of heave-hoeing. Big mess to clean up after. Instead, why don't you just drink the poison-laced whiskey?" He extended the glass toward her again and when she didn't move he said, "No? Okay then." He shot the drink. She might not want the edge taken off but he sure as hell did. — Sandra Brown

God, it's like reality's completely shifted on me. I used to think I was standing on such solid ground. If I wanted something badly enough, I just worked like hell for it. Now I can't decide what to do, which move to make. All the things I counted on aren't there for me anymore. — Tess Gerritsen

Holy hell, Trev! What kind of move was that?"
Trevor leaned over her with a big smile on his face. "You really thought I would give up that easy? I am a geek, Cassie, not a friggin' wimp. It's called the internet and how to videos. — Cecilia Aubrey & Chris Almeida

If I could do it all over again, I'd probably still leave. Except, this time, I would hold you closer, tighter, longer. I would kiss you a thousand more times, tell you I love you ten thousand more times, have sex with you one million more times. I didn't get it right the first time when you were mine. If I could it all over again, I would value your trust, stand by your actions, and never take score...even though I'm totally winning. So if you can just find it in your heart to shut the hell up and love me, I swear with every fiber of my being that I will spend every possible minute loving you." A smile that flirts with cruelty lifts on his mouth. "Your move. I'm wearing to many clothes. — Elisa Marie Hopkins

I'm hungry," Jason grumbled as he stared at the empty plates on his small
coffee table.
Brad groaned, "You practically ate both plates of cookies. How in the hell are
you hungry?"
Jason shrugged leaning back in his chair to watch the game. "I just am.
Leave me the hell alone I'm a growing boy, damn it!"
"Yeah, a growing thirty-one year old boy," Brad mumbled.
"I'm still growing damn it so shut the hell up and feed me!"
"Order something and stop bitching!" Brad snapped.
"You order something. I'm too weak to move. — R.L. Mathewson

Hell if I know. I'm twenty-six, single, just signed a year lease on an apartment ... " She touched her eyebrows with her fingertips. "Damn, why did I move back here?"
"Sorry." I grimaced. "The job market isn't as bad as it was. I'd give you a job if you really needed one."
"Thanks. Not sure how good of a bouncer I would be."
"Maybe hair holder for drunk girls."
"Sounds great," she said flatly then made a gagging sound. — Nicole Castro

Who's straight? I'm not. I am bent gouged pinched and tugged at, and squeezed into this funny shape. Each life is a game of chess that went to hell on the seventh move, and now the flukey play is cramped and slow, a dream of constraint and cross-purpose, with each move forced, all pieces pinned and skewered and zugzwanged ... But here and there we see these figures who appear to run on the true lines, and they are terrible examples. They're rich, usually. — Martin Amis

That woman is going to be the death of me. Seriously, Luca. I ask her to stay here and move in with me and she takes off? What the hell? Get Tristan on the damn phone, and then call the airport and gas up the jet. We, my friend, are going to Philadelphia tonight. She is mine, and it is damn well time she starts to understand precisely what that means. — Kym Grosso

What do you do when you find yourself out in a lie - even a white one? Well, one thing for sure, you don't put on black, you don't mourn and beat out a staccato mea culpa on your breast. You go! Get the hell out! Take a chance! Forget you're an American, living in the suburbs of success, hoping to move into the big city ... You go! — Vincent Price

With the palms zipping past and the big sun burning down on the road ahead, I had a flash of something I hadn't felt since my first months in Europe - a mixture of ignorance and a loose, "what the hell" kind of confidence that comes on a man when the wind picks up and he begins to move in a hard straight line toward an unknown horizon. — Hunter S. Thompson

He tightened his arms, not wanting Ty to move away. "It's more than just fucking around now," he said. "Isn't it?" He made sure the tone of his voice emphasized that it wasn't really a question. Ty was motionless in response. He didn't even seem to be breathing. The silence stretched on, edging toward tension. Finally, he let out his breath quietly and lowered his head. "No," he lied blithely, just as he'd done in a hotel in New York City over a year ago. Zane chuckled. A classic Grady response, and definitely the one he preferred to hear. A "yes" just might have given him a heart attack. He held Ty close. "You owe me." "Owe you?" Ty repeated in a rough, questioning voice as Zane felt his heartbeat begin to speed up. "Mm hmm. How I've wanted you," Zane breathed. "It scares the hell out of me." "I know," Ty murmured as he turned in place and nuzzled against Zane's neck. — Abigail Roux

I'd seen him around town for a year or so before he made a move on me. I'd heard good and bad things about him. One friend said he was just out for sex. Another said he was a romantic at heart. What the hell, I thought. I needed sex and romance in my life. Sometimes I believe I would have taken one without the other. — Christopher Pike

It took one move, one Podunk town - shit, one girl - to realize that we're all just people. Rich, poor, talented, awkward - we're all just people, trying to survive the world that seems hell bent on trying to ruin us before we can find our place. It — Kristen Kehoe

My lover is dead.
And they think I killed him.
I'm running rogue.
Hell bent on both revenge and redemption. Whatever it takes, I'm going to finish a job that began nine months ago. An unauthorized assignment that turned horribly, devastatingly wrong. My miscalculation.
My fault.
My heart left shattered into incomplete pieces which will never wholly fit back together again.
But first I have to outsmart my former organization and the hired killer they've sent after me; a ghost from my past who knows my every move, who's been inside my head, my heart, my dreams and memories: Jaxson.
I'm the traitor, Kylie. The rogue mercenary, Jaxon's newest assignment. And this is our love story. — Michele Mannon

Poe was standing on the border of the clearing, acting most peculiarly. He took a few steps toward the cabin, the paused, shook his head, and marched back out. He repeated the move a few times before stomping off for good.
I stood at the window, confused as hell. Why in the wild ... and then it hit me, way, way harder than the water when I'd fallen off the boat.
Poe liked me. — Diana Peterfreund

He reaches across me for a BLT and the sleeve on his suit rides up slightly. Holy sweet baby Jesus! He has tattoos around his wrist. Not a tattoo - singular, on his wrist, no. His wrist is wrapped in tattoos down to his cuff, leaving me in no doubt he is hiding a full sleeve up there. My knees actually wobble. Bloody hell, this guy is something right out of my inappropriate dreams. I need to move away now or I'll embarrass myself...again. — Kerry Heavens

Make me come, gorgeous," he moaned. Day brought both knees up and placed his feet flat on the couch and rose almost completely off God's length before slamming back down again. "Oh fuck!" God yelled, slamming his head back against the couch. Day continued that move until God barely understood what the hell he was saying. — A.E. Via

With the money from the legal settlement, he hires a beautiful young woman from the local university to type for him as he orally composes the sentences. But soon he realizes she is editing and rewriting what he tells her before she even types it in. And what dawns on him is that she is the better writer. Soon he sits mute in the room while she writes. He only watches. He wants to kill her, strangle her with his hands. But he can't move his hands to do it. He is in hell. — Michael Connelly

You've got to bring the emotion, and you have to understand that you can't touch other people if you're not touched. You can't move other people if you're not moved. So if you're just giving some frickin talk you've memorized over and over again, you're going to have a flat affect. If you've just got a bunch of visuals on the screen that are leading your talk, hang up your shoes and get the hell out of there. — Tony Robbins

I'm Waiting Here"
feat. Lykke Li
I'm waiting here
Can't we draw never fulfill these here
I move nowhere only to find you here
Your deepest hell, never the same as them
Keep me low where the horizon melts
I'm waiting here
We made love
Under a dark moon
I've burned a lot of bridges
Some castles were made of sand
Only then
Can I alone look at the sky my dear
I am right, every falling star
Make a wish, it will turn away
So we can love on til infinity
Here
I'm waiting here
Here
I'm waiting here — David Lynch

Oh, I play this rather defeated father and husband who's going through a divorce.'
'You!' the actor is unable or unwilling to hide the contempt, outrage and disapproval in his voice. 'What the hell would you know about that?'
I grin tightly and move on. So I should be playing nothing but celibate gay men? Is that how acting works? — Stephen Fry

He'd better stay the hell away from you or I will whip out the lawnmower on his ass," she declared.
"That move's not for ass use," I joked — Tammara Webber

We're all watching him. It's the one thing we can really do, and it is not for nothing: if he were to falter, fail, or die, what would become of us? No wonder he's like a boot, hard on the outside, giving shape to a pulp of tenderfoot. That's just a wish. I've been watching him for some time and he's given no evidence, of softness.
But watch out, Commander, I tell him in my head. I've got my eye on you. One false move and I'm dead.
Still, it must be hell, to be a man, like that.
It must be just fine.
It must be hell.
It must be very silent. — Margaret Atwood

In a way, the goal of all writing projects should be to "get the hell out." You don't simply want to finish; you want to finish as quickly and easily as possible (without undue stress or pressure, of course) so that you can move on to the next project - or, the rest of your life. — Hillary Rettig

It goes without saying that in order for me to buy a teapot at the Oneida, Ltd., outlet store at the Sherrill Shopping Plaza, the second coming of Jesus Christ had to have taken place in the year 70 A.D. To the Oneida Community, 70 A.D., the year the temple in Jerusalem was destroyed, marks the beginning of the New Jerusalem. Which means we've all been living in heaven on earth for nearly two thousand years. Everyone knows there is no marriage in heaven (though one suspects there's no shortage of it in hell). So, the Oneidans said, we're here in heaven, already saved and perfect in the eyes of God, so let's move upstate and sleep around. (I'm paraphrasing.) — Sarah Vowell

So across the chaos, the Devil looks at God and falls deeply in love with Her. She looks at Him, and the same thing happens. They get married and have some children - first light, then the dry land, and all the trees, and so on and so forth. Last of all, She gives birth to Adam and Eve. They worship their mother, but not their father. He gets jealous. God and the Devil fight. They agree to split up. She gets to keep heaven, and He has to move in to hell. Then she talks bad about Him to their children, makes them hate Him. — Erin O'Riordan

I had to get over [him]. For months now, a stone had been sitting on my heart. I'd shed a lot of tears over [him], lost a lot of sleep, eaten a lot of cake batter. Somehow, I had to move on. [Life] would be hell if I didn't shake loose from the grip he had on my heart. I most definitely didn't want to keep feeling this way, alone in a love affair meant for two. Even if he'd felt like The One. Even if I'd always thought we'd end up together. Even if he still had a choke chain on my heart. — Kristan Higgins

Loneliness is something that happens to us, but I think it is something we can move ourselves out of. I think a person who is lonely should dig into a community, give himself to a community, humble himself before his friends, initiate community, teach people to care for each other, love each other. Jesus does not want us floating through space or sitting in front of our televisions. Jesus wants us interacting, eating together, laughing together, praying together. Loneliness is something that came with the fall..If loving other people is a bit of heaven then certainly isolation is a bit of hell, and to that degree, here on earth, we decide in which state we like to live. — Donald Miller

You've got it wrong." His voice was harsh.
"Jackson - "
He cut her off. "No, it's my turn to talk. You've given your speech. And I get it, Mollie, I do. Madison is your sister, and she made you PB&J as a kid when your parents checked out, and that's fine. But open your eyes. You don't owe her anything anymore. You are your own woman, and you are a woman, Mollie. You're not a kid. You're not a girl. And if I've been a complete asshole lately, it's because I'm having a hell of a time coming to grips with the fact that I want you. And fuck, Mollie, I want you. I want you so bad, I'm dying."
Mollie had never made the first move on a man in her life. She was old-fashioned like that. But she made the first move now.
She took a step forward, placed a hand at the back of his head, and pulled his mouth to hers. — Lauren Layne

My mother on her death bed told me, 'Where the hell did that kangaroo come from!?' - it just popped out of nowhere and punched her in the head and caused a cerebral hemorrhage, so I thought I'd move to a country where there were no kangaroos! — Colin Mochrie

Samuel didn't move. 'What will you do if I climb off the bed?'
'Well I can eat you, or I can drag you down to the depths of Hell, never to seen or heard from again. Depends, really.'
'On what?'
'Lost of things: hygiene, for a start. After tasting that sock, I don't fancy eating any part of you, to be honest, so it'll have to be the depths of Hell for you, I'm afraid. — John Connolly

If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on. — Craig Johnson

Jesus Christ!" A man could only take so much. She yelped as he snatched her up around the waist and sat her on the counter. "Sit there and don't move. Don't bat your eyes. Don't lick your lips. Don't get on your knees. And for God's sake, don't bend over." He snatched the mixer off the floor. "Where the hell do you want it? — Alannah Lynne

Modern scientific accomplishments" --a wealth of methods coupled with a poverty of intentions which, having nearly exhausted the hell-potential of the earth, move on now to the first frontier of the heavens. — Kenneth Patchen

I've learned something on the road, traveling around: state shapes. The easier it is to draw the shape of the state, the harder it is to live in that state. So, if you live in a regular polygon, get the hell outta there. You gotta move to a squiggly area. Culture's attracted to squiggles. — Demetri Martin

For kilometres on end the road was totally jammed with vehicles drawn up three or four abreast - petrol tankers, ammunition trucks, teams of horses,ambulances. It was impossible to move forwards or back. Russian combat aircraft now arrived in wave after wave, and threw bombs into that unprotected, inextricable mass. This is what hell must be like. — Christopher Duffy

Now comes the picture of mass defeat, the most awesome spectacle of the war. It is in the bent bodies of old women who poke among ruins seeking some miserable object that will link their lives with the old days. It is in the shamed darting eyes of the defeated. It is in the faces of the little boys who regard our triumphant columns with fear and fascination. And above all it is in the thousands of beaten, dusty soldiers who stream along the roads towards the stockades. Their feet clump wearily, mechanically, hopelessly on the still endless road of war. They move as haggard, gray masses, in which the individual had neither life nor meaning. It is impossible to see in these men the quality that made them stand up and fight like demons out of hell a few shorts months ago. — Audie Murphy

What the hell is going on?" I demand, craning my neck to look at Jeanine. "We agreed-cooperation in exchange for results! We agreed--"
"This is entirely separate from our agreement," says Jeanine, glancing at her watch. "This is not about you, Beatrice."
The door opens again.
Tobias walks in--limps in--flanked by Dauntless traitors. His face is bruised and there's a cut above his eyebrow. He does not move with his usual care; he's holding himself perfectly straight. He must be injured. I try not to think about how he got that way.
"What is this?" he says, his voice rough and creaky.
From screaming, probably.
My throat feels swollen.
"Tris," he says, and he lurches toward me, but the Dauntless traitors are too quick. They grab him before he can move more than a few steps. "Tris, are you okay?"
"Yeah," I say. "Are you?"
He nods. I don't believe him. — Veronica Roth

For once in his life, Bailey felt like he couldn't keep up. He was blaming the long week and the relaxed interactions with Dan that had thrown him off his game, but still. The man was clearly not making any sense. First he was making a move on Bailey, and then he was probing about his stupid crush on John, and then he was offering to have rebound sex (not that Bailey had "bounced" against John, or however the analogy went; sports were definitely not his thing). And now Dan wanted to brainstorm seduction tactics so he could "get" John.
"Who the hell are you?" Baily asked, mystified.
Just like in the beginning, Dan gave hime one of those million-dollar smiles. "I'm the man who is going to get you a boyfriend. — Alix Bekins

I shot him a smile and spun back around to face my computer screen, unable to process what the hell had just happened. That was when I noticed a small Post-It-note pressed against my Dell monitor. Scribbled across the neon pink sticky was a note from Jesse:
Evie, what are you so afraid of?
-Jesse
What was I afraid of? I was afraid of everything.
I was afraid of letting people in.
I was afraid of falling.
But most of all, I was afraid of myself. I was my own worst enemy.
I grabbed a blank Post-It note from the container on my desk and pulled a black pen out of my coat pocket. I allowed my hand to move freely, not thinking of my response. Only then, after I placed the pen down on my desk did I read what I'd written.
Reality. — Nicole Sobon

I ripped my left arm out of his hand and slammed my elbow into his solar plexus. He exhaled in a gasp. I lunged for the dagger and sat on top of him, my knees pinning his arms, my dagger on his throat.
He lay still. "I give up," he said and smiled. "Your move."
Er. I was sitting atop the Beast Lord in my underwear, holding a knife to his throat. What the hell was my next move? — Ilona Andrews

Forgiving someone who hurt you is hard as hell to actually do, but in the end, it brings you the kind of relief you need to move on. Like when you close a book, so you can open up a new one. — Abi Ketner

You just pick your head up and stare at something beautiful like the sky,
or the ocean and you move the hell on. — James Patterson

Fucking hell. Shit sounds like I'm writing for ladies who lunch on Fifth Avenue. Unending vortex of ugly? Holy sensationalism, Batman! Who the fuck am I writing for? I could move in closer, get to the real Singer, but I'll just fail like every other journalist — Marlon James

If you move and act in the material world, then the material world acts on you. Pain hurts, just as greed intoxicates and lust burns. We may not die easy and we sure as hell don't die well, but we can die. If we're still loved and remembered, something else a whole lot like us comes along and the whole damn thing starts all over again. And if we're forgotten, we're done. — Neil Gaiman

When Alex leaves a little later, Carlos steps forward. "Need help?"
I shake my head.
"Are you ever gonna talk to me again? Dammit, Kiara, enough with the silent treatment. I'd rather have you say your little two-word sentences than stop talkin' altogether. Hell, just flip
me off again."
I toss my backpack in the backseat and start the engine.
"Where are you goin'?" Carlos asks, stepping in front of my car.
I beep.
"I'm not movin'," he says.
My response is another beep. It's not an intimidating, deep beep like most cars, but it's the best my car can give.
He places both hands on the hood.
"Move," I say.
He moves all right. With pantherlike quickness, Carlos jumps through the open passenger window, feet first.
"You should get the door fixed," he says. — Simone Elkeles

When I was maybe five or six years old, a woman down the street ... got flattened by a train. When I got older I realized it probably wasn't an accident. It was a late train and she was so sick and swollen with age she could barely move, so what the hell was she doing crossing the tracks at midnight on a Tuesday? But at the time my mom only said that God works in mysterious ways. AKA, God will make a pancake of a sick old woman who never did harm to anybody, so what do you think he'll do to you if you don't clean your room and brush your teeth and mind your gospel? — Lauren Oliver

Each life is a game of chess that went to hell on the seventh move( ... ) — Martin Amis

Whatever else she'd been on the verge of saying lodged in her throat as if her mind had suddenly registered what he'd meant. A solitary tear crested and trailed unchecked down her cheek. Oh, hell. At that moment, he'd give his life to take away the pain in her eyes. Her knees wobbled.
"Come here." He made the request, but she didn't move. And it took every last drop of patience he could muster not to drag her into him by force. But Eve was not a damsel in distress who needed a hero to save her.
Not that she'd admit, anyway. — Jessica Lee

I had to accept the fact that bad things happen. It's out of our control and I know it hurts like hell but you learn to move on. Yes, the pain never fades and it's the hardest thing you'll ever do but eventually you learn to breathe again. — Joanne McClean

I know you are new at this dating thing, but people don't usually insult their girlfriend and ask them to move in with them in the same sentence," I inform him, chewing my bottom lip to suppress my smile.
"Well, sometimes the said girlfriend needs to lighten up." He grins. Even drunk, he's charming as hell.
"Well, then said boyfriend needs to stop being a jerk," I say to retaliate.
He laughs and moves from the chair over to my bed. "I am trying not to be a jerk, I really am. Sometimes I can't help it." He sits on the edge of the bed. "I'm really, really good at it! — Anna Todd

Most of the time, lies are like having a needle dragged across the skin. If it only grazes the surface, and never leaves a mark, it doesn't faze the person that is being lied to. Other times, it's like a tiny pinprick on your finger. It draws a little blood to the surface, but stings like hell. You might be sore for a while, but you eventually heal and move on. Then, there are the other times, when the cut feels like it came from a machete, slicing so deeply that healing feels impossible.
Max's lie cut me right to the bone. — Loni Flowers

I felt an absolutely indescribable sense of menace. It was hell on earth to be there [in the presence of the entities], and yet I couldn't move, couldn't cry out, couldn't get away. I'd lay as still as death, suffering inner agonies. Whatever was there seemed so monstrously ugly, so filthy and dark and sinister. Of course they were demons. They had to be. And they were here and I couldn't get away. — Whitley Strieber

Destroy everything. That's all well and fine, but you got to offer something in it's place. Since I always have a point and purpose to what I do, thats why people accuse me of being calculated. it's the way I am. I always know my next move. I could never conjure up a death wish, this is all I have is life. I don't know what comes next, and frankly I'm in no rush to find out. I don't believe in playing a martyr just for the sheer hell of it. And for something as chidish as Rock 'N' Roll is not on. — John Lydon