Move On From Me Quotes & Sayings
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Top Move On From Me Quotes

You can't imagine fame. You can only ever see it from an outsider and comment on it with the rueful wisdom of a non participant. When it happens to you, it doesn't matter what age or how, it is a very steep learning curve. The imprtanot thing to realize in all of it is that life is short, to protect the ones you love, and not expose yourself to too much abuse or narcissistic reflection gazing and move on. If fame affords me the type of ability to do the kind of work I'm being offered, who am I to complain about the downsides. It's all relative. And this are obviously very high class problems. The way privacy becomes an every shrinking island is inevitable but also manageable and it doesn't necessary have to get that way ... — Benedict Cumberbatch

When I'm gone, time won't change. It will pass the way it always has. I've seen it happen. People always move on. You will find your mate. You will move on then I'll be nothing but a memory, but I will never forget you. I will always love you for you have drawn emotions in me no other has in two thousand years. I will live with the memory of you in my heart because nothing can erase you from within me. You have forever changed me. You've taught me what it's like to truly love. — J.L. Sheppard

I think the worst reaction that I could get from someone to my photos is some sort of mediocre, middle-range reaction where they really get nothing from it, and they want to move on to the next thing. [I'd rather they be] horrified, pissed off at me, extremely disgusted at how bad of an artist I am. — Alex Prager

You know about innards? The trick they play on tramps in the country? They stuff an old wallet with putrid chicken innards. Well, take it from me, a man is just like that, except that he's fatter and hungrier and can move around, and inside there's a dream. — Louis-Ferdinand Celine

No, it's never happened to me before but I doubt after I fell head over heels in love with a wonderful man who kept important things from me, I'll get over it just like that. I'll drink with my girls and cry and wonder if I made the right decision. Then another man will come along, he won't be as wonderful as my first love, but I suppose I'll eventually get over it and move on. — Kristen Ashley

Some random supernatural hit me hard from the side. With a shriek I went head-over-ass and landed on my face. Smooth. My wolf was real proud of that graceful move.
Eve, Jaymin (2015-01-29). Dragon Marked: Supernatural Prison #1 (p. 31). . Kindle Edition. — Jaymin Eve

I've learned to rely on the strength I inherited from all those who came before me-the grandmothers, sisters, aunts, and brothers who were tested with unimaginable hardships and still survived. 'I go forth alone, and stand as ten thousand,' Maya Angelou proclaimed in her poem 'Our Grandmothers.' When I move through the world, I bring all my history with me-all the people who paved the way for me are part of who I am. — Oprah Winfrey

For me, I can't understand something unless I've experienced it and I tend to be very judgmental by nature. But, it's very telling when you see the world from the other side of the lens because it opens the door to self-discovery. Perspective changes everything. I prefer empathy to sympathy if I have a choice. That's where the research comes in. I've packed a lot of life into the past few years trying to understand people and situations. Trying to make sense of my life. I have a lot to work through. My past is something that requires introspection and forgiveness. And that takes time. Research. When I feel like I've learned something about myself and grown as a person, I move on to the next journey. Hopefully with new perspective. — Kim Holden

You went to all that trouble just for my body?" I said, amazed and so grateful.
Reyn looked up, irritation on his face. "Yeah. We were going to have you stuffed, as an example to future students."
I grinned, "You could put me on wheels, move me from room to room. — Cate Tiernan

Howard thought, Is it not true: A move of the head, a step to the left or right, and we change from wise, decent, loyal people to conceited fools? Light changes, our eyes blink and see the world from the slightest difference of perspective and our place in it has changed infinitely: Sun catches cheap plate flaking
I am a tinker; the moon is an egg glowing in its nest of leafless trees
I am a poet; a brochure for an asylum is on the dresser
I am an epileptic, insane; the house is behind me
I am a fugitive. His despair had not come from the fact that he was a fool; he knew he was a fool. The despair came from the fact that his wife saw him as a fool, as a useless tinker, a copier of bad verses from two-penny religious magazines, an epileptic, and could find no reason to turn her head and see him as something better. — Paul Harding

I take this for myself, and you take up the thread of my life between your teeth, tin thread and tarnished with abuse, you shall still hear as long as the beast in me maintains its taciturn power to close my lids in tears, and my loins move yet in the ennobling pursuit of all the worlds you have left me alone in, and would be the dolorous distraction from, while you summon your army of anguishes which is a million hooting blood vessels on the eyes and in the ears at that instant before death. — Frank O'Hara

The first one I remember singing on stage was 'Somewhere Out There' from 'An American Tail.' I was around 7, and my choir teacher at school asked me if I would sing it. My parents told me that I needed to move around the stage, so for the entire time I just walked back and forth from side to side while I was singing - there's videotape of it. — Carrie Underwood

Part of the joy of music is listening to lots of different kinds of music and learning from it. Specifically for me, I like writing songs that move me, and what moves me are beautiful songs on the piano or the guitar and really, really heavy music. — Ryan Adams

My lover is dead.
And they think I killed him.
I'm running rogue.
Hell bent on both revenge and redemption. Whatever it takes, I'm going to finish a job that began nine months ago. An unauthorized assignment that turned horribly, devastatingly wrong. My miscalculation.
My fault.
My heart left shattered into incomplete pieces which will never wholly fit back together again.
But first I have to outsmart my former organization and the hired killer they've sent after me; a ghost from my past who knows my every move, who's been inside my head, my heart, my dreams and memories: Jaxson.
I'm the traitor, Kylie. The rogue mercenary, Jaxon's newest assignment. And this is our love story. — Michele Mannon

Coyotes move within a landscape of attentiveness. I have seen their eyes in the creosote bushes and among mesquite trees. They have watched me. And all the times that I saw no eyes, that I kept walking and never knew, there were still coyotes. When I have seen them trot away, when I have stepped from the floorboard of my truck, leaned on the door, and watched them as they watched me over their shoulders, I have been aware for that moment of how much more there is. Of how I have only seen only an instant of a broad and rich life. — Craig Childs

I came out alone on my way to my tryst. But who is this that follows me in the silent dark?
I move aside to avoid his presence but I escape him not.
He makes the dust rise from the earth with his swagger; he adds his loud voice to every word that I utter.
He is my own little self, my lord, he knows no shame; but I am ashamed to come to thy door in his company. — Rabindranath Tagore

Dad always said there were three types of workers. The ones who stood there saying "Is there anything I can do " and did nothing. Most of our city guests were like that. The ones who said "Tell me what you want done and I'll do it" and did. Most of our workers over the years had been like that. And the ones who didn't say anything but were always a jump or two ahead of you. When you were changing a flat tyre and you took the old one off and turned to pick up the new one they'd already have it in their hands and they'd move in and put it on from your left while you were still turning round to the right.
Dad reckoned one of those was worth two or the second type and five of the first type. — John Marsden

Texts between Dr. Stayner & Livie(with a little help from Kacey)
Dr. Stayner: Tell me you did one out-of-character thing last night
Livie: I drank enough Jell-O shots to fill a small pool, and then proceeded to break out every terrible dance move known to mankind. I am now the proud owner of a tattoo and if I didn't have a video to prove otherwise, I'd believe I had it done in a back alley with hepatitis-laced needles. Satisfied?
Dr. Stayner: That's a good start. Did you talk to a guy?
Kacey(answering for Livie): Not only did I talk to a guy but I've now seen two penises, including the one attached to the naked man in my room this morning when I woke up. I have pictures. Would you like to see one?
Dr. Stayner: Glad you're making friends. Talk to you on Saturday — K.A. Tucker

Ginger, truth or dare?"
"Dare."
"Forgive me for taking the idea from Kai, but I dare you to snog Blake-" She modified the request at the insistent stare from her sister. "Oh, come on! Just the teeniest peck on the lips."
I thought she would still refuse, but apparently she wasn't one to outright turn down a dare. She turned to Blake and pointed a finger at him.
"Try to cop a feel and I'll make Anna's chair flip look angelic," she warned.
He grinned and she leaned in, both closing their eyes as she pressed her lips against his for one, two, three seconds. It appeared innocent, but they were shy when they pulled away and sat back.
"Right," Ginger said, clearing her throat. "My turn. Jay, truth or dare?"
"Truth."
"Do you fancy Marna?"
"I'm not sure what that means, but if you're asking if I like her and think she's the most beautiful girl I've ever met and I wish she would move here, then yes."
Marna and I giggled at his brazen, smitten openness. — Wendy Higgins

I had Sophie in my arms when Eric came in. He went straight to Delia and kissed her on the mouth, then bent his forehead against hers for a moment, as if whatever he was thinking may be transferred by osmosis. Then Eric turned, his eyes locking on his daughter. "You can hold her," Delia prompted.
But Eric didn't make any move to take Sophie from me. I took a step toward him, and saw what Delia must have overlooked
Eric's hands were shaking so hard that he had buried him in his coat pockets.
I pushed the baby against his chest, so that he'd have no choice but to grab hold. "It's okay," I said under my breath-To Eric? To Sophie? To myself?-and as I transferred this tiny prize to Eric's arms, I held long longer than I had to. I made damn sure he was steady, before I let go. — Jodi Picoult

I am not the girl I used to be. I am no longer desirable, I'm off-putting in some way. It's not just that I've put on weight, or that my face is puffy from the drinking and the lack of sleep; it's as if people can see the damage written all over me, can see it in my face, the way I hold myself, the way I move. — Paula Hawkins

You can say the Jesus Prayer from now till doomsday, but if you don't realize that the only thing that counts in the religious life is detachment, I don't see how you ever move an inch. Detachment, buddy, and only detachment. Desirelessness. 'Cessations from all hankerings.' It's this business of desiring, if you want to know the goddam truth, that makes an actor in the first place. Why're you making me tell you things you already know? Somewhere along the line - in one damn incarnation or another, if you like - you not only had a hankering to be an actor or an actress but to be a good one. You're stuck with it now. You can't just walk out on the results of your own hankerings. Cause and effect, buddy, cause and effect. The only thing you can do now, the only religious thing you can do, is act. Act for God, if you want to - be God's actress, if you want to. What could be prettier? — J.D. Salinger

I have always had a weakness for footnotes. For me a clever or a wicked footnote has redeemed many a text. And I see that I am now using a long footnote to open a serious subject - shifting in a quick move to Paris, to a penthouse in the Hotel Crillon. Early June. Breakfast time. The host is my good friend Professor Ravelstein, Abe Ravelstein. My wife and I, also staying at the Crillon, have a room below, on the sixth floor. She is still asleep. The entire floor below ours (this is not absolutely relevant but somehow I can't avoid mentioning it) is occupied just now by Michael Jackson and his entourage. He performs nightly in some vast Parisian auditorium. Very soon his French fans will arrive and a crowd of faces will be turned upward, shouting in unison, 'Miekell Jack-sown'. A police barrier holds the fans back. Inside, from the sixth floor, when you look down the marble stairwell you see Michael's bodyguards. One of them is doing the crossword puzzle in the 'Paris Herald'. — Saul Bellow

I've been keeping an eye on Henry throughout the fight. I glanced at him just as he stepped onto the mat.
"Alpha," he called. "I chal - "
He never got the whole word out - because I drew my foster father's SIG and shot him in the throat before he could.
For a split second everyone stared at him, as if they couldn't figure out where all that blood had come from.
"Stop the bleeding." I said. Though I made no move to do it myself. The rat could die for all I cared. "That was a lead bullet. He'll be fine." But he wouldn't be talking - or challenging Adam - for a while. "When he's stable put him in the holding cell where he can't do any more harm."
Adam looked at me. "Trust you to bring a gun into a fist fight." He said with every evidence of admiration. Then he looked at his pack. Our pack. "What she said." He told them. — Patricia Briggs

Consequently, I get inspiration from all over the place. But it's not like a calculated thing on my part, or a way that I see myself. I'm just interested in things that move me, and I don't care where they come from. In fact, I'm interested if they come from a place I wouldn't expect, or would seem foreign to me on some level. — Jim Jarmusch

In the year 2000, the solar water heater behind me, which is being dedicated today, will still be here supplying cheap, efficient energy. A generation from now, this solar heater can either be a curiosity, a museum piece, an example of a road not taken, or it can be just a small part of one of the greatest and most exciting adventures ever undertaken by the American people: harnessing the power of the Sun to enrich our lives as we move away from our crippling dependence on foreign oil. — Jimmy Carter

And soon all the people who had accompanied me through life would be gone, too, and then even the people who had known us, and no one would remain on earth who had ever seen us, and those descended from us perhaps would know stories about us, perhaps once in a while they would pass by buildings where where we had lived and they would mention that we had lived there. And then the stories would fade, and our graves would go untended, and no one would guess what it had been like to wake before dawn in our breath-warmed bedrooms as the radiators clanked and our wives and husbands and children slept. And we would move from the nearer regions of the dead who are remembered into the farther regions of he forgotten, an on past those, into a space as while and big as the sky replicated forever. — Ian Frazier

Stop thinking," he said.
I have to think," said val. "You said I was supposed to concentrate."
Thinking makes you slow. You need to move as I move. Right now, you're merely following my lead."
How can I know where you're going to go before you've gone there? That's stupid."
It's no different from knowing where an opponent might move. How do you know where a ball is likely to go on the lacrosse field?"
The only things you know about lacrosse are the things I told you," Val said.
I might say the same about you and sword fighting." He stopped. "There. You did it. You were so busy snapping at me that you didn't notice you were doing it."
Val frowned, too annoyed to be pleased, but too pleased to say anything more. — Holly Black

Good Morning!" said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat.
"What do you mean?" he said. "Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?"
"All of them at once," said Bilbo. "And a very fine morning for a pipe of tobacco out of doors, into the bargain.
...
"Good morning!" he said at last. "We don't want any adventures here, thank you! You might try over The Hill or across The Water." By this he meant that the conversation was at an end.
"What a lot of things you do use Good morning for!" said Gandalf. "Now you mean that you want to get rid of me, and that it won't be good till I move off. — J.R.R. Tolkien

Can you make it past me, thief-catcher?" Mat called, careful not to take his eyes off the man waiting for him with blade poised to strike. Sandar had insisted irritably on "thief-catcher," not "thief-taker," though Mat could not see any difference.
"I cannot," Sandar called from behind him. "If you move to let me by, you will lose room to swing that oar you call a staff, and he will spit you like a grunt."
Like a what? "Well, think of something, Tairen. This ragamuffin is grating my nerves."
The man in the gold-striped coat sneered. "You will be honored to die on the blade of the High Lord Darlin, peasant, if I allow it so." It was the first time he had deigned to speak. "Instead, I think I will have the pair of you hung by the heels, and watch while the skin is stripped from your bodies - "
"I do not think I'd like that," Mat said. — Robert Jordan

E said, he didn't know what to do. He couldn't move forward. He thought, they should move on. He started crying. Not for himdelf, for her. He'd rescued her from her lousy life, and now he was throwing her back. He felt like a shit for doing it, for things having to be that way, for not being able to gove her what she wanted. The last thing he wanted was to hurt her. The only part that wasn't in the manual, was her response: She started to laugh. "Oh, give me a break," she said. — Candace Bushnell

I try to congure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. Stay with me, I want to say. But they won't.
It's my fault. I am forgetting too much. — Margaret Atwood

The world is one unending chess match, my dear, and I am the one playing it how I please. I poke and prod to move my pieces to places I find desirable. And the defiant ones who resist me I simply remove from the board." He pulled up his right sleeve, showing Laura a sheathed dagger strapped to his arm. "But you, Laura, are not of this chess match at all. You walked unexpectedly onto my board, scattering my pieces out of the way, the ones that I had worked on so tirelessly to arrange to perfection. — J.S. Bailey

Tragedy blows through your life like a tornado, uprooting everything, creating chaos. You wait for the dust to settle, and then you choose. You can live in the wreckage and pretend it's still the mansion you remember. Or you can crawl from the rubble and slowly rebuild. Because after disaster strikes, the important thing is that you move on. But if you're like me, you just keep chasing the storm. — Rob Thomas

I do not know how long this machine has carried us when the roaring finally ceases. My back, my limbs - every bit of me aches. The master eagle lies quiet and still. I do not believe he sleeps. I sense his desperation with each shallow breath he takes. Perhaps he plots as I do. If I could move my lips I would whisper to him. I would tell him I have a plan.
The iron fist opens, and dust pours in stinging my eyes. It opens wider and tilts forward, forcing us to fall to the ground. We do not land with a crunch on jagged terrain. There is only the smooth thud of a sandy floor.
There is a quick, loud smash, like metal slamming into metal. Footsteps approach us - one set. The netting digs into my shoulders from my heaving breath. I close my eyes and try to suppress my panic, knowing that while my hands are bound, I am helpless. — Quoleena Sbrocca

I had already been warned by other sources - and was soon to be warned by the Committee - that the Justice Department was preparing to move against me, that it was actively making plans to indict me, and not Alger Hiss, for perjury on the basis of my testimony before the House Committee. I felt that my testimony had offended the powers that for so long had kept from the nation the extent of the Communist infiltration of Government, and the official heights to which it had reached. Not Alger Hiss (for denying any of the truth), but I (for revealing part of the truth) was to be punished. — Whittaker Chambers

Some people, he says, they hide themselves away from the eyes of the world. They hunker down and shiver. They find four walls high enough to put between them and everything else. Those people, to them the world is a frightful place. See, you and me, we're different. When we are called on to move, we move. It don't matter the cause or the distance. Revenge or ministration, reason or folly - it's all the same to us. — Alden Bell

It is ridiculous to lay down to people where a thing should stand, design everything for them from the lavatory pan to the ashtray. On the contrary, I like people to move their furniture so that it suits them (not me!), and it's quite natural (and I approve) when they bring the old pictures and mementos they have come to love into a new interior, irrespective of whether they are good taste or bad. — Adolf Loos

You still excite me after all this time, probably even more so now than in the beginning." My voice is a low threatening growl as the fingers on my free hand slide her panties over to reveal what I already know to be true; she is wet. "I love the way your body responds to me." I pull her from the wall and lead her to the fainting couch adorning the sitting area in my office. Brushing her hair back from her ear, I lean in and whisper, "Turn around, bend over, and put your hands on the end of the couch. I don't care what I do to you, those hands better not fucking move out of position. — Suzanne Steele

Every second I'm with you, I feel like a better person. You make me believe it's possible that I can move on from every mistake I've ever made and live in your world." - HEW — Michelle Warren

How can I move on from yesterday if some people keeps on reminding me my mistakes everyday.. — San Sai R.A

He looked at her face and hesitated. He looked up at the canyon walls. Here on the sandbar, it was eerily quiet except for the tinkle of water over the rocks. A large bird made lazy soaring circles way up in the sky, almost invisible due to the angle of the sun. God forgive me, he thought. Then he touched Ranjit's lighter to the small sheaf of dried grass and threw it on the pyre. He was surprised at the flash when it caught fire. It wouldn't be long, he thought. I will move on, but I will never forget this place.
(from The Sacrament of the Goddess) — Joe Niemczura

He's still looking at me, searching my eyes like he's found something he can't bear to walk away from. His hands move to my face; his thumb brushes my cheek. His voice is so tender when he speaks.
"You will go on to greatness," he whispers. "I have never deserved you."
My heart. — Tahereh Mafi

Don't worry, Ian. I totally protected your anonymity. I told her you were my brother."
"Great," he pouted."Now she's going to ask me about you. And I told you
I'm friendly and pleasant and then I move on."
"You can do that. She'll find you perfectly understandable."
"Oh? And why's that?"
"Well, she wondered about you. Said you ask for some heavy reading sometimes, but that you didn't make much conversation."
"Oh, really?"
"Yes," Marcie explained. "I said you were brilliant, but not a very social animal. I said she shouldn't expect a lot of chitchat from you, but you were perfectly nice and there was no reason to be shy around you
you're safer than you look."
"Is that so? And how did you convince her of that?"
"Easy. I said you were an idiot savant
brilliant in literature and many other things, but socially you weren't on your game."
"Oh, Jesus Christ!"
-Ian and Marcie — Robyn Carr

When I first came to America, I went into William Morris Endeavor for a meeting and I was like, "Yeah, I'm from Australia and I do comedy." I think that one of the reasons they signed me is because I wasn't like any other girl. Maybe girls don't get encouraged. The ones who get encouraged to move to Hollywood are the prettiest ones in their hometown of Iowa, or something. Whereas for me, where I come from in the western suburbs of Sydney, no one ever thought professional actors would come from there. Even my own family was like, "No one would want you on a show." — Rebel Wilson

It's not that simple."
"It's as simple as dry toast."
"You're encouraging me to knowingly hurt him."
Cletus grunted impatiently and threw his hands up. "We're talking in circles. Here's reality: People get hurt and they move on or they don't. You can't have it both ways. You either get to be famous, and deal with the hassle that comes with it, or you leave it all behind. Own your shit, Sienna. And let Jethro own his. And then get married and own that shit together."
Cletus stood, clearly frustrated, and stomped away from me to the back door. He disappeared into the house only to appear three seconds later to add, "And while you're at it, beget me some nieces and nephews. — Penny Reid

I managed to ask a question that had been burning inside me. "Do you still love her? Rose?" Along with not knowing what it felt like to be in love, I also didn't know how long it took to recover from love.
Adrian's smile faded. His gaze turned inward. "Yes. No. It's hard to get over someone like that. She had a huge effect on me, both good and bad. That's hard to move past. I try not to think about her much in terms of love and hate. Mostly I'm trying to get on with my life. With mixed results, unfortunately. — Richelle Mead

Ryder, we got a problem," Ristan called from beyond the other side of the etched-glass shower door.
"Someone had better be dying, Ristan," Ryder growled when he'd pulled
away from kissing me.
"They might be. You need to come see this."
"We will be right there," Ryder called out as I slid down his hard body.
He watched me with a smirk and then placed his hand on my arm to move me from beneath the water, so he could rinse off. I watched him, unable to pull my eyes off of his hands as they roved over his body.He was quicksand,
and I was sinking.
"Did you say we?" Ristan asked.
I blushed from my head to my Paint Your Toron-Toes Rose colored toenails. I opened the shower door and stepped out meeting Ristan's eyes. "Don't ask."
"How the ... did you sift into his shower?" he asked, bubbling with laughter.
"I said don't ask! It wasn't my fault. I was sleeping!" I shouted as both men laughed even harder.
"Real mature, just real fucking mature! — Amelia Hutchins

You learn from mistakes, you learn from losses, but this game doesn't put something on me where it's, 'Hey, I've finally done it. This was a big game. We won it and we have to move on.' — LeBron James

I also wrote them about you." His blue gaze bored into her with paralyzing force. She couldn't move. Couldn't flee. Could only stare at the social travesty of his ungroomed features - the scruffy half beard shadowing his jaw, the too-long hair falling over his forehead - and feel her heart beat with love for this unconventional man. Darius's grip softened on her wrist until his fingers were tracing tiny circles over the sensitive skin. "I told them that I had met a woman who wasn't afraid to stand toe-to-toe with me. A woman who had seen my flaws and learned my darkest secrets, yet didn't immediately run for the hills." His self-deprecating chuckle coaxed a reluctant smile from her, the sound soothing the sharp edges of her turmoil. "I told them how this woman seemed instinctively to know when to comfort and when to confront, and how I was better with her in my life than I'd ever been on my own. — Karen Witemeyer

Independence isn't all it's cracked up to be, you know. What country could be more independent than Russia? And in Russia now there isn't a squeak or a pinpoint of light. I have nowhere to publish. The Contemporary has stuck its head up out of harm's way. So I've stopped quarrelling with the world. I sat in this chair the first morning I woke up in this house ... and for the first time ... for a long time, there was silence. I didn't have to talk or think or move, nothing was expected of me, I knew nobody and nobody knew where i was, everything was behind me, all the moving from place to place, the quarrels and celebrations, the desperate concerns of health and happiness, love, death, printer's errors, picnics ruined by rain, the endless tumult of life ... and I just sat quiet and alone all day, looking at the tops of trees on Primrose Hill through the mist. — Tom Stoppard

This need to be right has put a huge burden on me, one that I never deserved to have to carry. Part of it, I know, is cultural
in this age of information at a moment's notice, we've come to expect people to have answers
the right answers
at the drop of a hat. I feel very fortunate that over the last decade or so I've been able to leave the need to be right behind me and move on with my life with a more healthy perspective. I'm now willing not just to admit that I'm wrong, but also to stick my neck out with ideas or thoughts that may be wrong. The possibility of being wrong no longer threatens my emotional well-being; if I'm wrong, I'm wrong, and I learn from that. — Tom Walsh

And what, you think you can fix me?" she asks, turning in her stool to face me, shifting her body closer, so close I can smell the liquor on her warm breath as she whispers, "Think you can make me whole again? Save me from the world? Save me from myself? Fill me up, maybe fuck the feeling back into me, like the big, strong, man you are? Make me a real woman, instead of a broken little girl?"
There's a sickening sweetness to her voice that sends a chill down my spine. If I never heard a thinly veiled 'fuck you' before, that was certainly one for the books. I move closer to her, uncomfortably so, cocking my head slightly as I lean in, watching as her body tenses. She thinks I'm about to kiss her, my mouth just inches from hers, before I stop, my voice gritty as I say, "On the contrary, Scarlet, I don't think you need to be fixed at all."
"No?"
"No," I say. "I think you're perfect the way you are. — J.M. Darhower

Take me to my new trailer," Ezra ordered Dennis.
Dennis didn't move.
"What, did you not hear me?" Ezra raged. "I'm standing on your deaf ear?"
Dennis just stood there calmly.
Ezra slapped his own forehead with his right hand and sighed - civility didn't come easy. And here Dennis was standing his ground and demanding he be treated right.
"Please," Ezra said, defeated.
Dennis turned away from Elton and walked confidently toward the new RV the U.S. government had brought in for Ezra.
"Some people and their inflated egos," Ezra sniffed.
Dennis just smiled. — Obert Skye

In every job I've taken and every city in which I've lived, I have known that it's time to move on when I've grown as much as I can. Sometimes moving on terrified me. But always it taught me that the true meaning of courage is to be afraid, and then, with your knees knocking, to step out anyway. Making a bold move is the only way to advance toward the grandest vision the universe has for you. If you allow it, fear will completely immobilize you. And once it has you in its grip, it will fight to keep you from ever becoming your best self. — Oprah Winfrey

In an attempt to help me move on from my failed marriage, my mom set me up with Jesus Freak. In fact, the stoner hadn't even finished moving out when she told me not to worry, because she already had someone better lined up for me. I was just lonely and desperate enough to endure a four-month celibate long distance relationship with a guy who read 15 chapters of the Bible and prayed for two hours every day and expected me to follow suit. He wanted to give our hypothetical children Bible names and for us to move to Korea to become missionaries. — Kate Madison

What else? I also believe that if someone comes up behind you on the freeway and flashes their lights to get you to move into the slow lane, they deserve whatever punishment you dole out to them. I promptly slow down and drive at the same speed as the car beside me so that I can punish Speed Racer for his impertinence.
Actually, it's not the impertinence I'm punishing him for, it's that he let other people know what he wanted.
Speed Racer, my friend, never ever let people know what you want. Because if you do, you might as well send them engraved invitations saying, Hi, this is what I want you to prevent me from ever having. — Douglas Coupland

I have longed to move away
From the hissing of the spent lie
And the old terrors' continual cry
Growing more terrible as the day
Goes over the hill into the deep sea;
I have longed to move away
From the repetition of salutes,
For there are ghosts in the air
And ghostly echoes on paper,
And the thunder of calls and notes.
I have longed to move away but am afraid;
Some life, yet unspent, might explode
Out of the old lie burning on the ground,
And, crackling into the air, leave me half-blind.
Neither by night's ancient fear,
The parting of hat from hair,
Pursed lips at the receiver,
Shall I fall to death's feather.
By these I would not care to die,
Half convention and half lie. — Dylan Thomas

It was dusk when I drove back into downtown Detroit. I was annoyed by how much traffic there was at that hour of the day. Being a guy with two good legs who doesn't mind ankling, I hadn't realized the car situation had gotten so bad in the city. I almost had two smack-ups with people who refused to yield to me. Then I bumped someone from behind, intentionally, at the new flashing traffic light on Jefferson. The guy in the car had refused to move - he just sat there waiting because the light was red. After I bumped him (not that hard), the squirt hopped out of his car red in the face, and I must admit the sight of him gave me my first laugh in two days. He said, "Can't you see it's a red light?" I told him a red light is just a suggestion. Then I pressed the gas lightly and started pushing his car further out into the intersection whilst he stood there in disbelief. "Better get back in, your car is leaving without you," I said. — W.K. Berger

One morning in April, I woke up a little sick. I lay there looking at shadows on the white plaster ceiling. I remembered a long time ago, when I lay in bed beside my mother, watching lights from the street move across the ceiling and down the walls. I felt the sharp nostalgia of train whistles, piano music down a city street, burning leaves. A mild degree of junk sickness always brought me the magic of childhood. It never fails, I thought, just like a shot; I wonder if all junkies score for this wonderful stuff. — William S. Burroughs

The lesson to draw from this, of course, is that when you move from one country to another you have to accept that there are some things that are better and some things that are worse, and there is nothing you can do about it. That may not be the profoundest of insights to take away from a morning's outing , but I did get a free doughnut as well, so on balance I guess I'm happy.
Now if you will excuse me I have to drive to Vermont and collect some mail from a Mr. Bubba. — Bill Bryson

I devised a test.
I turned off the TV and instantly the snoring stopped. She began to move. When I felt her eyes about to open, I turned the TV back on and back to sleep she went. Then I'd turn it off and on - sometimes for millisecond - and she never failed me. Each time it was off, she's move and mutter - each time it was on, she'd sleep.
By the time the headlights from Amy's Nova turned into our driveway, my suspicion had been confirmed. My mother has a more intimate, connected relationship with this television than she has ever had with me. — Peter Hedges

Her magic sent him sprawling, and it then hurled into Rhysand again - so hard that his head cracked against the stones and the knife dropped from his splayed fingers. No one made a move to help him, and she struck him once more with her power. The red marble splintered where he hit it, spiderwebbing toward me. With wave after wave she hit him. Rhys groaned.
"Stop," I breathed, blood filling my mouth as I strained a hand to reach her feet. "Please."
Rhys's arms buckled as he fought to rise, and blood dripped from his nose, splattering on the marble. His eyes met mine.
The bond between us went taut. I flashed between my body and his, seeing myself through his eyes, bleeding and broken and sobbing.
I snapped back into my own mind as Amarantha turned to me again. "Stop? Stop? Don't pretend you care, human," she crooned, and curled her finger. I arched my back, my spine straining to the point of cracking, and Rhysand bellowed my name as I lost my grip on the room. — Sarah J. Maas

Reasons for Joy Happy are the people whose God is the LORD. Psalm 144:15 "How's life?" someone asks. And we who've been resurrected from the dead say, "Well, things could be better." Or "Couldn't get a parking place." Or "My parents won't let me move to Hawaii." Or "People won't leave me alone so I can finish my sermon on selfishness." ... Are you so focused on what you don't have that you are blind to what you do? You have a ticket to heaven no thief can take, an eternal home no divorce can break. Every sin of your life has been cast to the sea. Every mistake you've made is nailed to the tree. You're blood-bought and heaven-made. A child of God - forever saved. So be grateful, joyful - for isn't it true? What you don't have is much less than what you do. — Max Lucado

I snapped my teeth at him making him retract his fingers to a safe distance away from my choppers. I grinned as I turned around and made a move to grab my duvet so I could shake it out and make my bed, only to find I couldn't because Storm was lying on top of it.
I didn't even hear him come in.
"Hello, my baby boy," I cooed.
Alec gasped from behind me. "How does he fucking do that?"
I smiled as I leaned over and scratched behind Storm's ears. "Because he is a cool dog."
"This is not funny, he doesn't make a fucking sound... it's not right, not right at all!"
I grinned. "I told you," I said as I turned around to face Alec again. "He is a ninja dog. — L.A. Casey

I'm not your boyfriend!" I snapped, trying to gently move her hands away from my body.
"How can you say that?" Sara asked in horror.
"It's shockingly effortless," I replied. "My vocal chords vibrate, and my mouth and tongue articulate. I can even do it without thinking." I had to remind myself to stay calm, and sarcasm was the best way to do that.
"When are you going to give me a key to your house so I don't have to knock like some guest?" Sara asked, coming at me again.
I backed away. "How about never? Is never good for you?"
Sara, undeterred, said, "You're the reason I go to therapy on Fridays."
"The plot thickens!" Gabby exclaimed for comedic relief. — Laura Kreitzer

Finding a way to move on from him would be hard. I might never accomplish it. I wouldn't chase him, but I would mourn him. As if he were dead, my heart would weaken, and I'd embrace the pain and sadness. Until Gannon, I'd never been truly happy. No one had made me feel complete or like I belonged. — Abbi Glines

I keep quiet and look out the window. The light is weak and watery-looking, like the sun hast just spilled itself over the horizon and is too lazy to clean itself up. The shadows are as sharp and pointed as needles. I watch three black crows take off simultaneausly from a telephone wire and wish I could take off too, move up, up, up, and watch the ground drop away from me the way it does when you're on an airplane, folding and compressing into itself like an origami figure, until everything is flat and brightly colored - until the world is like a drawing of itself — Lauren Oliver

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous. — Tim Reed

Quote taken from Chapter 1:
That's the idea. Listen, Frank, this one is different. She's a keeper." He let that part gel in me. "Get your head screwed on straight and move to Richmond. You hate it living in Pelham. — Ed Lynskey

Stu stops munching, looks up at me from under his shaggy hair.
"So, can you read?" He slides a section toward me.
I cock my head toward the paper. The letters are small, blurry drawings. The alphabet might as well be Chinese or Arabic. Strange that I can't read or speak, though I still have language inside my head. Words are a consolation, but not a tool.
"Guess not. You want me to read stuff out loud to you?"
I would, but not right now. If I wanted to show interest in the newspaper I could cross the table and rub against his shoulder. Instead I gaze at him over the bowl of milk.
"It's so weird," he says in a hesitant voice. "You don't look like a cat. When you stare at me, you look like Eliza."
That's the nicest thing he could have said. With a happy lightness to my step I move between the bowls, over his napkin ring and spoon, until I stand on the edge of the table and nip at his prickly chin. This is my way of saying: Hi, there. I like you. — Simone Martel

I say, did you hear me?" The old man shook a worn walking stick at the oak. "I said move it and I meant it! I was sitting on that rock" -he pointed to a boulder- "enjoying the rising sun on my old bones when you had the nerve to cast a shadow over it and chill me! Move this instant. I say!" The tree did not respond. It also did not move. "I won't take any more of your insolence!" The old man began to beat on the tree with his stick. "Move or I'll - I'll -" "Someone shut that looney in a cage!" Fewmaster Toede shouted, galloping back from the front of the caravan. "Get your hands off me!" the old man shreiked at the draconians who ran up and accosted him. He beat on them feebly with his staff until they took it away from him. "Arrest the tree!" he insisted. "Obstructing sunlight! That's the charge! — Margaret Weis

She watched his throat move, and then, he reached out and touched her face. "You sure are pretty," he said. "It's the stone," she replied immediately. Her skin felt warm; his fingertip touched just the very edge of her mouth. "It's flattering." Adam gently pulled the stone out of her hand and a set it on the floorboards between them. Through his ingers he threaded one of the flyaway hairs by her cheek. "My mother used to say, 'Don't throw compliments away, so long as they're free." HIs face was very earnest. "That one wasn't mean tho cost you anything, Blue." Blue plucked at the hem on her dress, but she didn't look away from him. "I don't know what to say when you say things like that." "You can tell me if you want me to keep saying them." She was torn by the desire to encourage him and the fear of where it would lead. "I like when you say things like that." Adam asked, "But what?" "I didn't say but." "You meant to. I heard it. — Maggie Stiefvater

He found his voice first, though it was a ragged whisper, "Thank you." If I'd had enough breath I'd have laughed. My throat was so dry, that my voice sounded stiff. "Trust me on this, Frost, it was my pleasure." He bent over and laid a kiss on my cheek. "I will try to do better next time." He moved his hands away from me, letting me move, but stayed sheathed inside me as if he were reluctant to let that go. I looked at him, thinking he was joking, but his face was utterly serious. "It gets better than this?" I asked. He nodded solemnly. "Oh, yes." "The queen was a fool," I said softly. He smiled then. "I always thought so. — Laurell K. Hamilton

From the beginning, of course, I had known that the pure forcefulness of my argument would not penetrate deep enough to effect any change. It almost never does. It's never worked for me when I've been in therapy. Only when one feels an insight in one's bones does one own it. Only then can one act on it and change. Pop psychologists forever talk about "responsibility assumption," but it's all words: it is extraordinarily hard, even terrifying, to own the insight that you and only you construct your own life design. Thus, the problem in therapy is always how to move from an ineffectual intellectual appreciation of a truth about oneself to some emotional experience of it. It is only when therapy enlists deep emotions that it becomes a powerful force for change. And powerlessness was — Irvin D. Yalom

Acting is a lifelong love affair, and I am passionate and respect my craft to the utmost degree, which gives me the strength to move on from adversity in my work. — Sebastian Roche

I was blessed with another trait I inherited from my mother, her ability to forget the pain in life. I remember the thing that caused the trauma, but I don't hold onto the trauma. I never let the memory of something painful prevent me from trying something new. If you think too much about the ass kicking your mom gave you or the ass kicking that life gave you, you'll stop pushing the boundaries and breaking the rules. It's better to take it, spend some time crying, then wake up the next day and move on. You'll have a few bruises and they'll remind you of what happened and that's ok. But after a while, the bruises fade and they fade for a reason. Because now, it's time to get up to some shit again. — Trevor Noah

I try to conjure, to raise my own spirits, from wherever they are. I need to remember what they look like. I try to hold them still behind my eyes, their faces, like pictures in an album. But they won't stay still for me, they move, there's a smile and it's gone, their features curl and bend as if the paper's burning, blackness eats them. A glimpse, a pale shimmer on the air; a glow, aurora, dance of electrons, then a face again, faces. But they fade, though I stretch out my arms towards them, they slip away from me, ghosts at daybreak. Back to wherever they are. — Margaret Atwood

Anyway ... she's asleep, turned away from me on her side. The usual stratagems and repositionings have failed to induce narcosis in me, so I decide to settle myself against the soft zigzag of her body. As I move and start to nestle my shin against a calf whose muscles are loosened by sleep, she sense what I'm doing, and without waking reaches up with her left hand and pulls the hair off her shoulders on the top of her head, leaving me her bare nape to nestle in. Each time she does this I feel a shudder of love at the exactness of this sleeping courtesy. My eyes prickle with tears, and I have to stop myself from waking her up to remind her of my love. At that moment, unconsciously, she's touched some secret fulcrum of my feelings for her. — Julian Barnes

Right now I feel guilty to be alive. Why? Because I'm wasting it. I've been given this life and all I do is mope it away.
What's worse is, I am totally aware of how ridiculous I am. It would be a lot easier if I believed I was the center of the universe, because then I wouldn't know any better NOT to make a big deal out of everything. I know how small my problems are, yet that doesn't stop me from obsessing about them.
I have to stop doing this.
How do other people get happy? I look at people laughing and smiling and enjoying themselves and try to get inside their heads. How do Bridget, Manda, and Sara do it? Or Pepe? Or EVERYONE but me?
Why does everything I see bother me? Why can't I just get over these daily wrongdoings? Why can't I just move on and make the best of what I've got?
I wish I knew. — Megan McCafferty

Do you think you should warn him (the guard) that I'm going to kiss you?"
He loved the flush that appeared on her face, and there was an intake of breath from the girls.
"Aldron," she said clearing her throat,"if he agrees to become king, I'm going to let him kiss me. Please don't stop him."
Aldron thought for a moment and sighed, holding up his hand. "Wait there and do not move," he ordered Finnikin, before calling out to one of the other guards who stood on the platform. "Ask Perri if he's allowed to touch her if he's agreed to be king. — Melina Marchetta

He fucks me. It's powerful. Brutal. Hips slam into me from behind as he fills me deeply, over and over. Skin slapping noises echo through the room as he drives me into the table so hard it starts to move. I grip onto the edge of it, trying to hold on, trying to stay still, but he makes it impossible. Pain and pleasure merge inside of me, consuming me, and it doesn't take long before I start to grow numb. Tingles encompass me. My mind blanks out. Nothing exists except his cock inside of me, him on top of me, slamming into me from behind. I cry out with every deep thrust, incoherent noises, like everything inside of me is being purged. — J.M. Darhower

I don't know if I learned anything new from this journey, but I now had a beautiful and peaceful vision of the kind of balance I wanted in my life. To be able to move calmly and peacefully from one thing to the next, each in its own time, without the pressure of other responsibilities pushing in on me. And always writing, in and around and among everything else, always writing. I loved her sense of purpose and awareness of the spirit in all things. She honors all things. And she has a purpose in the words she spreads, certain words for certain people, and she watches, and she celebrates the blossoming that comes from her words. She has a rhythm for her everyday life which is productive and intentional, measured and life-giving. — Marge Hulburt

Mel? Mel, I love you. Mel, come back . Mel, Mel, Mel."
It's Jared's voice, trying to call me back the way Wanda called back the Healer's host, the way she taught Kyle to call to Jodi.
I can answer him. I can speak now. I can feel my tongue in my mouth, ready to move into whatever shape I ask it to. I can feel the air in my lungs, ready to push out the words. If I want this.
"Mel, I love you, I love you."
This is Wanda's gift to me, paid for with her silver blood. Jared and I, put back together again as if she'd never lived. As if she hadn't saved us both.
If I accept this gift, I profit from her death. I kill her again. I take her sacrifice and make it murder.
"Mel, please? Open your eyes."
I feel his hand on my face, cradling my cheek. I feel his lips burn against my forehead, but I don't want them, not at this price.
Or do I? — Stephenie Meyer

I graduated from the University of Oklahoma, and I got the opportunity to take some on-camera classes while I was in school and met a casting director who informed me quite a bit before my move out to L.A.; it made L.A. feel possible, coming from Oklahoma and not having a family that was in the industry. — Laura Spencer

Welcome back, Ben," Erica said. I started in surprise before realizing the voice was coming from inside my head. Alexander had slipped a two-way radio into my ear. There were lots of people out and about. The enemy had taken my cell phone, but I put my hand to my ear and pretended to be talking on one anyhow. No one gave me a second glance. Virtually everyone else was on a cell phone themselves. "Can you hear me?" I asked. "Loud and clear," Erica replied. "Where are you?" "Still on campus, looking into things. But I need you to tail someone for me." "Chip?" "No. I think he's clean." "What? But - " "I'll explain later. Right now I need you to go after Tina. She's the mole . . . and she's on the move. — Stuart Gibbs

His eyes darkened in frustration.
"I'm tired of waiting, Thalia. I'm not a patient person. You have to know."
"What do you mean, Keal? You know I like Joss." I tried to move away again, but his hands on either side of me pinned me in. Keal's determination scared me.
"You know what we share is infinitely more powerful than ... that. And you feel this between us, too," he growled. "You melt when I kiss you. You watch me when you think I'm unaware. You can't sleep unless I'm near. Tell me none of that is true."
I swallowed nervously and licked my lips. "No, that's all true."
"I promised your father I'd give you time, but I'm tired of waiting. Tired of watching Joss try and win your heart from me."
"Keal, I don't understand. Ho is joss keeping you from me, when you and I don't think of one another that way?
"Don't think
Thalia! You and I are lifemates. — Chanda Hahn

You know as much as I do sister. The old bastard is off that way-' he nodded over a rise on the other side of the road '-but of course he hasn't told me what he's doing. For all I know, he could be chasing squirrels to make a necklace from their little squirrel balls.' He looked content not to move from his position. — Julie Kagawa

I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last. AM will be all the madder for that. It makes me a little happier. And yet ... AM has won, simply ... he has taken his revenge ...
I have no mouth. And I must scream. — Harlan Ellison

Eternal life then is a certain kind of life I am living more and more now and will go on forever.17 I am living more and more in connection with God, and I will live connected with God forever. This has huge implications for when I do stumble, when I sin and the old person comes back from the dead for a few moments. I admit it. I confess it. I thank God I am forgiven. I make amends with anyone who has been affected by my actions. And then I move on. Not because sin isn't serious, but because I am taking seriously who God says I am. The point isn't my failure; it is God's success in remaking me into the person he originally intended me to be. God's strength, not mine. God's power, not mine. — Rob Bell

Maybe he sees it on my face, that fraction of a second when
I let my guard down, because in that moment his expression softens and his eyes
go bright as flame and even though I barely see him move, suddenly he has
closed the space between us and he's wrapping his warm hands over my
shoulders - fingers so warm and strong I almost cry out - and saying, "Lena. I
like you, okay? That's it. That's all. I like you." His voice is so low and hypnotic
it reminds me of a song. I think of predators dropping silently from trees: I think
of enormous cats with glowing amber eyes, just like his. — Lauren Oliver

Any issue and any problem, no matter what height you look at it from, no matter how much you extend past the first fractal, it's still a fractal of something that emanates from within your consciousness - from within the human consciousness. And it'll move on and manifest itself externally, and then those are what we pick up as societal ills. But all these battles we're fighting are internal. For me, it's reconciling hope with dread and trying to cut out some place in my mind where my heart can be protected a little bit. — El-P

What the hell is going on?" I demand, craning my neck to look at Jeanine. "We agreed-cooperation in exchange for results! We agreed--"
"This is entirely separate from our agreement," says Jeanine, glancing at her watch. "This is not about you, Beatrice."
The door opens again.
Tobias walks in--limps in--flanked by Dauntless traitors. His face is bruised and there's a cut above his eyebrow. He does not move with his usual care; he's holding himself perfectly straight. He must be injured. I try not to think about how he got that way.
"What is this?" he says, his voice rough and creaky.
From screaming, probably.
My throat feels swollen.
"Tris," he says, and he lurches toward me, but the Dauntless traitors are too quick. They grab him before he can move more than a few steps. "Tris, are you okay?"
"Yeah," I say. "Are you?"
He nods. I don't believe him. — Veronica Roth

His lips thinned in frustration like I should already know the answer. He inched closer until his knee touched mine, his eyes, curious and intense, boring into me. "Because you move like fire rushing across a floor," he said his voice hushed, velvety smooth, "like flames licking up a wall." The rest of the world crumbled away as he lifted my chin. "Your energy is liquid and hot. Even from a distance you burn, you scorch anyone who gets too close. You are wine on my tongue and honey in my veins, and I cannot get enough of you." He leaned forward and whispered into my ear. His warm breath sent shivers cascading over my body. "You intoxicate me, Lorelei McAlister. You will be my downfall. — Darynda Jones

Minutes passed, each pulling my hopes down a little lower from the heights to which they had soared, and then, when tension on my nerves and the weight of the heavy rifle were becoming unbearable, I heard a stick snap at the upper end of the thicket. Here was an example of how a tiger can move through the jungle. From the sound she had made I knew her exact position, had kept my eyes fixed on the spot, and yet she had come, seen me, stayed some time watching me, and then gone away without my having seen a leaf or a blade of grass move. — Jim Corbett

She'll ruin me for all women, I can just tell.
Charlie isn't the kind of woman you move on from. She draws you in with the brightness of her sun and then leaves you blind. There's something deep and dark inside of her. She's trying to keep it locked down, but I can see it in her eyes. — Corinne Michaels

Everyone that knows me already know that I rarely stray from my black jeans, black T-shirt and a black jacket - tailored or leather. I like to have a uniform and one that's versatile. I'm a very hands-on Creative Director, and I need to feel comfortable and be able to move between both casual and more formal attire at the same time. — Simon Spurr

She looks at me out of the side of her uncovered eye. Chess, Zombie: defending yourself from the move that hasn't happened yet. Does it matter that he doesn't light up through our eyepieces? That he missed us when he could have taken us own? If two possibilities are equally probable but mutually exclusive, which one matters the most? Which one do you bet your life on? — Rick Yancey

There - the chandelier, choked with dust and webs. A single rivulet of red had trickled from the ceiling, down the central column, and out along a curving crystal arm. At its lowest point, a new pendant of blood was slowly building.
'It - it can't do that,' I stammered. 'We're inside the iron.'
'Move out of the way!' Lockwood pushed me back just as the drop fell, spattering on the floor in the center of the circle. We were all standing almost atop the iron chains. 'We've made it too big,' he said. 'The power of the iron doesn't extend into the very center. It's weak there, and this Visitor's strong enough to overcome it.'
'Adjust the chains inward-' George began.
'If we make the circle smaller,' Lockwood said, 'we'll be squeezed in a tiny space. It's scarcely midnight; we've seven hours till dawn and this thing's just gotten started. No, we've got to break out — Jonathan Stroud

There was a fierce jam on the road to Gurgaon. Every five minutes the traffic would tremble - we'd move a foot - hope would rise - then the red lights would flash on the cars ahead of me, and we'd be stuck again. Eveyone honked. Every now and then, the various horns, each with its own pitch, blended into one continuous wail that sounded like a calf taken from its mother. Fumes filled the air. Wisps of blue exhaust glowed in front of every headlight; the exhaust grew so fat and thick it could not rise or escape, but spread horizontally, sluggish and glossy, making a kind of fog around us. Matches were continually being struck - the drivers of autorickshaws lit cigarettes, adding tobacco pollution to petrol pollution. — Aravind Adiga