Most Horror Quotes & Sayings

When I was seven or eight, I was bought a fantastic book called 'The Movie Treasury of Horror Movies' by Alan G. Frank; it became my bible. It's packed full of the most amazing photos and is still fantastic to look at. — Mark Gatiss

The most disgusting, appalling horror of our world that we live in, to me, is sex trafficking and the enslavement of men and women, boys and girls, in the sex industry. That is the most horrific, horrific thing that's happening and it's happening in all of our towns here in Los Angeles, in New York, in London, in Paris, all over the world, and I think that's really what has to be addressed. — Taylor Hackford

I think most people, even if they say they hate horror movies, there's that feeling you get inside that you love. I mean, I love it. I love to have the hairs on the back of my neck stand up or get that chill up my spine. — Barry Watson

The cellar was straight off the set of a horror film. The floor was packed dirt and littered with the droppings of mice and rats. The worn stone walls were damp with a slick layer of mold. Even the air was heavy and filled with a dark sense of menace. It combined to create an atmosphere that would send most people fleeing in terror. But Edra was made of sterner stuff. — Alexandra Ivy

I really believe that you could do horror very inexpensively. I don't think it has anything to do with the effects, the effects are not the most important parts. — George A. Romero

My brother and I are huge fans of foreign horror. Some of the most interesting movies are coming from overseas. I guess if there was one change we'd like to see, it would be more original horror films made by the studio system and less of a reliance on remakes. — Michael Rasmussen

My pappy told me, 'When you read horror, it's best to read with the lights on.' I found it helps for most other kinds of books too. — P.K. Vandcast

Operating-room errors hold a special terror for patients, if only because they seem like the most avoidable kind of complications. The occasional horror stories of patients who have the wrong leg removed or the wrong knee replaced generate the most headlines, as do tales of patients whose identities are mixed up entirely. — Jeffrey Kluger

We stopped looking in the shadows, when we realised that WE were the monsters that we are afraid of. I want to take these monsters, give them a voice and put them back under our beds, in our closets and in the shadows, back where we are most afraid of them. — Rob Shepherd

When asked why I write psychological horror, I always reply that this form is the most intimate way to reach a reader. Think about it. — Wayne Allen Sallee

Unfortunately, that was not my father's intent at all, and my eyes widened in horror as my father leaned over and yelled in his booming, cheerful voice, "HELLOOOO, VICTOR," while tossing a live bobcat on him. Most — Jenny Lawson

It was a godless sound; one of those low-keyed, insidious outrages of Nature which are not meant to be. To call it a dull wail, a doom-dragged whine, or a hopeless howl of chorused anguish and stricken flesh without mind would be to miss its most quintessential loathsomeness and soul-sickening overtones. — H.P. Lovecraft

She had ordered him out of her office, and had sat in incredulous horror before the fact that the most vicious statement she had ever heard had been uttered in a tone of moral righteousness. — Ayn Rand

I like owls. I admire their intransigent spirit. I have respected them deeply ever since I met a baby owl in a wood, when it fell over dead, apparently from sheer temper, because I dared to approach it. It defied me first, and then died. I have never forgotten the horror and shame I experienced when that soft fluffy thing (towards which I had nothing but the most humanitarian motives) fell dead from rage at my feet. — Vita Sackville-West

I feel like most horror films are made for teenagers about teenagers. I've done a couple of those horror films. There's nothing wrong with that but the older I get the more I starve for more adult material. — Mary Elizabeth Winstead

The ability to try to understand existence, the ability to try to recognize the wonder and responsibility of one's own existence, the ability to know even fractionally the almost annihilating beauty, ambiguity, darkness, and horror which swarm every instant of every consciousness, the ability to try to accept it, or the ability to try to defend one's self, or the ability to dare to try to assist others; all such as these, of which most human beings are cheated of their potentials, are, in most of those who even begin to discern or wish for them, the gifts or thefts of economic privilege, and are available to members of these leanest classes only by the rare and irrelevant miracle of born and surviving 'talent. — James Agee

America is the most violent democracy in the world. It's something that's met with great shock, horror, and mystery when I travel to other countries. They ask, Why are there so many shootings in America? Why does everyone own a gun? — Patricia Cornwell

Maybe it's the fact the most of the arts here are produced by world-weary and sophisticated older people and then consumed by younger people who not only consume art but study it for clues on how to be cool, hip - and keep in mind that, for kids and younger people, to be hip and cool is the same as to be admired and accepted and included and so Unalone. Forget so-called peer-pressure. It's more like peer-hunger. No? We enter a spiritual puberty where we snap to the fact that the great transcendant horror is loneliness, excluded encagement in the self. Once we've hit this age, we will now give or take anything, wear any mask, to fit, be part-of, not be Alone, we young. The U.S. arts are our guide to inclusion. A how-to. We are shown how to fashion masks of ennui and jaded irony at a young age where the face is fictile enough to assume the shape of whatever it wears. And then it's stuck there, the weary cynicism that saves us from gooey sentiment and unsophisticated naivete. — David Foster Wallace

Wells is teaching us to think. Burroughs and his lesser imitators are teaching us not to think. Of course, Burroughs is teaching us to wonder. The sense of wonder is in essence a religious state, blanketing out criticism. Wells was always a critic, even in his most wondrous and romantic tales.

And there, I believe, the two poles of modern fantasy stand defined. At one pole wait Wells and his honorable predecessors such as Swift; at the other, Burroughs and the commercial producers, such as Otis Adelbart Kline, and the weirdies, and horror merchants such as H.P. Lovecraft, and so all the way past Tolkien to today's non-stop fantasy worlders. Mary Shelley stands somewhere at the equator of this metaphor. — Brian W. Aldiss

And then she realized that his presence was the wall, his presence was destroying her. Unless she could break out, she must die most fearfully, walled up in horror. And he was the wall. She must break down the wall. She must break him down before her, the awful obstruction of him who obstructed her life to the last. It must be done, or she must perish most horribly. — D.H. Lawrence

Time was the most precious thing in the world to me, and I'd just given her all of it. Because I was falling for her. Because I cared for her. Because I wanted to give her something to remember me by, even if it would eventually fade like its namesake. Time ... what an absolute horror-inducing word — Rachel Van Dyken

There's a psychological mechanism, I've come to believe, that prevents most of us from imagining the moment of our own death. For if it were possible to imagine fully that instant of passing from consciousness to nonexistence, with all the attendant fear and humiliation of absolute helplessness, it would be very hard to live. It would be unbearably obvious that death is inscribed in everything that constitutes life, that any moment of your existence may be only a breath away from being the last. We would be continuously devastated by the magnitude of that inescapable fact. Still, as we mature into our mortality, we begin to gingerly dip our horror-tingling toes into the void, hoping that our mind will somehow ease itself into dying, that God or some other soothing opiate will remain available as we venture into the darkness of non-being. — Aleksandar Hemon

Lady Maccon declined in horror. She enjoyed most foods, but brussels sprouts were nothing more than underdeveloped cabbages. — Gail Carriger

I like horror movies, they're fun. It was the most fun I've had on a movie set. — Clea Duvall

You wouldn't think that people would believe that we all got so incredibly beat up - in so many interesting ways - from a bear attack. Especially not when Carmel is sporting a bite mark that is a spot-on match for wounds found at one of the most horrifying crime scenes in recent history. But I never fail to be surprised by what people will believe. — Kendare Blake

And the most terrifying question of all may be just how much horror the human mind can stand and still maintain a wakeful, staring, unrelenting sanity. — Stephen King

There was something about her playing ... a knowledge of darkness in the most extreme form. — Marisha Pessl

None of the participants ever arrived at a clear understanding of the actual horror of Auschwitz, which is of a different nature from all the atrocities of the past, because it appeared to prosecution alike as not much more than the most horrible pogrom in Jewish history. — Hannah Arendt

To conceive the horror of my sensations is, I presume, utterly impossible; yet a curiosity to penetrate the mysteries of these awful regions predominates even over my despair, and will reconcile me to the most hideous aspect of death. — Edgar Allan Poe

The most incomprehensible aspect of horror is that there is nothing to understand. Horror is incredibly shallow and common. One only needs two things in order to kill: the ability and the desire. — Albert Sanchez Pinol

Since the fall of Man and the return of Magery and our older ways, most disputes were settled in a civilized manner: sword to the face, mace to the neck, acceptable societal situational handlers — Adam P. Knave

A great fire at night always has a thrilling and exhilarating effect. This is what explains the attraction of fireworks. But in that case the artistic regularity with which the fire is presented and the complete lack of danger give an impression of lightness and playfulness like the effect of a glass of champaign. A real conflagration is a very different matter. Then the horror and a certain sense of personal danger, together with the exhilarating effect at night, produce on the spectator (though of course not in the householder whose goods are being burnt) a certain concussion of the brain and, as it were, a challenge to those destructive instincts which, alas, lie hidden in every heart, even that of the mildest and most domestic little clerk ... .This sinister sensation is almost always fascinating ... of course, the very man who enjoys the spectacle will rush into the fire himself to save a child or an old woman ... — Fyodor Dostoyevsky

Most modern men want sex and can't have it. They want success and never get it.
They want money and never earn enough. Everybody has desires and nobody
Except the psychopathic few - Has the guts to go out and just take what they want.
- Professor Michael Friday — Barbie Wilde

Such frankness, even over good tidings, was a further offense to Mr. Fremlin. He felt that it was casual and indecent. Like most countrymen, he had a great respect for traditional mysteries. A little skill decently wrapped up impressed him far more than twice the amount flung nakedly at his feet. Old Dr. Milsom had satisfied his sense of propriety. Never, never would he have told a patient whether or not she was going to live or die; the temperature was his secret, even the name of the complain transpired only in dark hints. Standing by the bedside he would shake his head and purse his lips and consult his gold turnip-watch, so that you felt you were getting the benefit of a rare and esoteric wisdom. — Dennis Parry

Most of the people buying the Soviet paraphernalia were Americans and West Europeans. All would be sickened by the thought of wearing a swastika. None objected, however, to wearing the hammer and sickle on a T-shirt or a hat. It was a minor observation, but sometimes, it is through just such minor observations that a cultural mood is best observed. For here, the lesson could not have been clearer: while the symbol of one mass murder fills us with horror, the symbol of another mass murder makes us laugh. — Anne Applebaum

the ways Black people are portrayed as the ultimate evil to justify historically and currently our exploitation, containment, and murders; the fact that for Black people and other people of color, the history of slavery, genocide, white supremacy, and colonialism is the only true horror story, and it is one we continue to live every day; and the fact that resistance of the oppressed to these structures has always been seen as the most frightful abomination that could be birthed. Through — Walidah Imarisha

The reader will probably think it very strange that Clare Arden should not have been utterly revolted by the thought that it was possible her kinsman could mean to make a speculation of her, and a mere stepping-stone to fortune. But she was not revolted. She had that personal objection to being married for her money which every woman has; but had not she herself been the heroine of the story, she would rather have felt approval than otherwise for Arthur Arden. What else could he do? she would have said to herself. He could not dig, and begging, even when one is little troubled with shame, is an unsatisfactory maintenance. And if everything could be put right by a suitable marriage, why should not he marry? It was the most natural, the most legitimate way of arranging everything. For the idea itself she had no horror. All she felt was a natural prejudice against being herself the subject of the transaction.{250} — Margaret Oliphant

These peoples probably feared death even more than we do. Our civilisation presents us with a marvellous mental machinery designed to help us forget, for most of our lives, that one day we too will die. In time we manage to push death out of our consciousness, just as we have done with the existence of God. That's what civilisation does. But for these archaic peoples nothing was more immediately apparent than death and the dead, I mean actual dead people, whose mysterious para-existence, fate, and vengeful fury constantly preoccupied them. They had a tremendous horror of death and the dead. But then of course in their minds everything was more ambiguous than it is for us. Opposites sat much closer. The fear of death and the desire for death were intimately juxtaposed in their minds, and the fear was often a form of desire, the desire a form of fear. — Antal Szerb

Your friend will pay deeply for what he's done here tonight," Chance snarled once he wiped off most of the blood. "You can tell him to run as far and as fast as he can, I'll get him. Just let him know that once this is all over, it's just gonna be you and me and a world full of corpses. — Kayla Krantz

The gravedigger knew a fine trick. When the worms looked unhappy he would leave his place in the mausoleum and go up into the sunshine. He would go empty-handed, but when he returned, with him came a most exquisite corpse. The worms would rejoice, and they would feast upon the corpse until they were fat and could feast no more. The young would come with the old to see this trick and glory in it. No worm knew where the gravedigger got his corpses, but they were always succulent and nourishing. They praised the gravedigger's generosity. -- From "Worms — L. Joseph Shosty

Even the most impassioned devotee of the ghost story would admit that the taste for it is slightly abnormal, a survival, perhaps, from adolescence, a disease of deficiency suffered by those whose lives and imaginations do not react satisfactorily to normal experience and require an extra thrill — L.P. Hartley

One day you see a man walking down the road, the next day you come to his yard and find him dead ... Why is it that he cannot do what the living do? It is because the thing that gave power to these parts is no longer there. That is the duppy, and that is the most powerful part of any man. Everybody has evil in them, and when a man is alive ... he will not abandon himself to many evil things. But when the duppy leaves the body, it no longer has anything to restrain it and it will do more terrible things than any man ever dreamed of.
- From 'Tell My Horse: Voodoo and Life in Haiti and Jamaica', Zora Neale Hurston, 1938 — Charles A. Cornell

Polite and velvety leaders, who take care to avoid bruising others, are generally not as effective at forcing change. Dozens of the colleagues whom Jobs most abused ended their litany of horror stories by saying that he got them to do things they never dreamed possible. And he created a corporation crammed with A players. — Walter Isaacson

People talk and rumors follow," I said.
"Most people claim that only a person possessed of the devil could write such horror."
"And what do you think?"
"You are an angel to me, Eddy, but never bet the devil your head."
"That would make a great title for a story," I observed. — Andrew Barger

Here are the stories written on the Book of Blood. They are a map of that dark highway that leads out of life towards unknown destinations. Few will have to take it, most will go on peacefully along lamplit streets, ushered out of living with prayers and caresses. But for a few, a chosen few, the horrors will come, skipping to fetch them off to the highway of the damned ... — Clive Barker

In most horror films, you don't really get to understand why this character is the way he is. — Barry Watson

I looked into his eyes, and I saw so much more than just him. I saw the pain, the triumphs, the love, the horror, the sorrow, the joy, but most of all, the person I was in love with. There was so much more than just him in the depths of his eyes. — Me

I wanted to write a horror story. But in some ways, I have always thought of myself as a kind of ghost-story/horror writer, though most of the time the supernatural never actually appears on stage. — Dan Chaon

I need more than anything right now what is, of course, most impossible, someone to love me, to be with me at night when I wake up in shuddering horror and fear of the cement tunnels leading down to the shock room, to comfort me with an assurance that no psychiatrist can quite manage to convey. — Sylvia Plath

Most of the laugh tracks on television were recorded in the early 1950's. These days, most of the people you hear laughing are dead. — Chuck Palahniuk

As a male, I thought the female voice was so strong, unique, real and accessible to most females. In some way, shape or form, they felt like they could relate to it, on some level, because they went through some form of unspeakable horror like what Kilgrave did to Jessica [Jones]. That, in itself, is something that most people shy away from, even in shows that are on cable or in movies. — Mike Colter

They say a basis in fact underlies most legends. They say it all the time, all those Wise Elders in all those old horror films, the high priests, the scientists, the gypsy fortune tellers. On this single issue they agree unanimously. — Robert Dunbar

When you're talking about who is doing the most exciting and interesting horror films of the last 20 years, it's Japan. I mean, they are making amazing films. — Drew Goddard

Along with supernature and science, there is one other major source of horror movies disorder: the human psyche, most commonly homicidal psychosis. Unlike 'mad' scientists, horror-movies madmen are not visionary obsessives, glorifying in scientific reason as they single-mindedly purse their researches. They are, rather, victims of overpowering impulses that well up from within; monsters brought forth by the sleep of reason, not by its attractions. — Andrew Tudor

This episode isn't about spiders. Nor owls. It's about looking at something and thinking you understand what it is. It's about assuming the best of what you see only to find out quite suddenly that it is the worst.

This kind of misunderstanding has always been, to me, the most compelling kind of horror. The StrexPet here is that issue of Zoobooks. — Joseph Fink

For me, one of the most perfect times to watch a horror movie is when it's cold and raining outside and there's pretty much no outdoor activity to be done. It kind of sets the mood. — Kirk Hammett

For he did not, he would have said, care for women; he never felt at home or at ease with them; and that monstrous creature beginning to be talked about, the New Woman of the nineties, filled him with horror. He was a quiet, conventional person, and the world, viewed from the haven of Brookfield, seemed to him full of distasteful innovations; there was a fellow named Bernard Shaw who had the strangest and most reprehensible opinions; there was Ibsen, too, with his disturbing plays; and there was this new craze for bicycles which was being taken up by women equally with men. Chips did not hold with all this modern newness and freedom. He had a vague notion, if he ever formulated it, that nice women were weak, timid, and delicate, and that nice men treated them with a polite but rather distant chivalry. — James Hilton

You know, there was a time when childbirth was possibly the most terrifying thing you could do in your life, and you were literally looking death in the face when you went ahead with it. And so this is a kind of flashback to a time when that's what every woman went through. Not that they got ripped apart, but they had no guarantees about whether they were going to live through it or not.
You know, I recently read - and I don't read nonfiction, generally - Becoming Jane Austen. That's the one subject that would get me to go out and read nonfiction. And the author's conclusion was that one of the reason's Jane Austen might not have married when she did have the opportunity ... well, she watched her very dear nieces and friends die in childbirth! And it was like a death sentence: You get married and you will have children. You have children and you will die. (Laughs) I mean, it was a terrifying world. — Stephenie Meyer

Africa occupied a relatively blank space in the minds of most Americans, and when they stopped to think about it, aided by old and deeply ingrained habits of press coverage, all they could imagine was volcano, occupation, disease, and horror. — Howard W. French

The discovery of the horror tale at an early age was fortuitous for me. This sort of tale serves, in many ways, the very same purpose as fairy tales did in our childhood. It operates as a theater of the mind in which internal conflicts are played out. In these tales we can parade the most reprehensible aspects of our being: cannibalism, incest, parricide. It allows us to discuss our anxieties and even to contemplate the experience of death in absolute safety.
And again, like a fairy tale, horror can serve as a liberating or repressive social tool, and it is always an accurate reflection of the social climate of its time and the place where it gets birthed. — Guillermo Del Toro

I bear my witness that the worst days I have ever had have turned out to be my best days. And when God has seemed most cruel to me he has then been most kind. If there is anything in this world for which I would bless him more than for anything else it is for pain and affliction. I am sure that in these things the richest tenderest love has been manifested to me. Our Father's wagons rumble most heavily when they are bringing us the richest freight of the bullion of his grace. Love letters from heaven are often sent in black-edged envelopes. The cloud that is black with horror is big with mercy. Fear not the storm. It brings healing in its wings and when Jesus is with you in the vessel the tempest only hastens the ship to its desired haven. — Charles Haddon Spurgeon

Men are easily threatened. And whenever a man is threatened, when he becomes uncomfortable in places within himself that he does not understand, he naturally retreats into an arena of comfort or competence, or he dominates someone or something in order to feel powerful. Men refuse to feel the paralyzing and humbling horror of uncertainty, a horror that could drive them to trust, a horror that could release in them the power to deeply give themselves in relationship. As a result, most men feel close to no one, especially not to God, and no one feels close to them. Something good in men is stopped and needs to get moving. When good movement stops, bad movement (retreat or domination) reliably develops. — Larry Crabb

Eve wasn't sure what right the clown had to butcher the poor girl like that. In fact, most horror movies made her angry. Though the 'final girl' usually got out alive, she was stripped of so much by the time the credits rolled. — Christa Carmen

With American Morons, Glen Hirshberg confidently shoulders his way through the generational pack to claim his rightful place on the summit. These stories are smart, challenging, ripe with feeling, expansive in every way: Horror as it should be writ, and as only the best and most expressive can write it. — Peter Straub

When I want to render these fine nuances, I do not find them in the subject, but in the nature of women in real life who seek unhealthy emotions and are too stupid even to understand the horror in the most appalling situations. — Gustave Moreau

Morrie talked about his most fearful moments, when he felt his chest locked in heaving surges or when he wasn't sure where his next breath would come from. These horrifying times, he said, and his first emotions were horror, fear, anxiety. But once he recognized the feel of those emotions, their texture, their moisture, the shiver down the back, the quick flash of heat that crosses your brain - then he was able to say, Okay,. This is fear. Step away from it. Step away. — Mitch Albom

It is a serious thing to live in a society of possible gods and goddesses, to remember that the dullest most uninteresting person you talk to may one day be a creature which, if you saw it now, you would be strongly tempted to worship, or else a horror and a corruption such as you now meet, if at all, only in a nightmare ... it is immortals whom we joke with, work with, marry, snub, and exploit - immortal horrors or everlasting splendors. — Justin S. Holcomb

The most racking pangs succeeded: a grinding in the bones, deadly nausea, and a horror of the spirit that cannot be exceeded at the hour of birth or death. Then these agonies began swiftly to subside, and I came to myself as if out of a great sickness. There was something strange in my sensations, something indescribably sweet. I felt younger, lighter, happier in body; within I was conscious of a heady recklessness, a current of disordered sensual images running like a millrace in my fancy, a solution of the bonds of obligation, an unknown but innocent freedom of the soul. I knew myself, at the first breath of this new life, to be more wicked, tenfold more wicked, sold a slave to my original evil and the thought, in that moment, braced and delighted me like wine. — Robert Louis Stevenson

I think the tricky balance, the most important thing more than the horror is to have a compelling story, compelling drama, a show about great characters that you care about and you want to come back every week to see what they're up to. — Oren Peli

Our sin reached its full horror and found its most awful expression in the cross. — Colin S. Smith

Spring, if it lingers more than a week beyond its span, starts to hunger for summer to end the days of perpetual promise. Summer in its turn soon begins to sweat for something to quench its heat, and the mellowest of autumns will tire of gentility at last, and ache for a quick sharp frost to kill its fruitfulness. Even winter - the hardest season, the most implacable - dreams, as February creeps on, of the flame that will presently melt it away. Everything tires with time, and starts to seek some opposition, to save it from itself. — Clive Barker

We can never change the story that made us what we are. It's a story accumulated by the manifold complexities-its capacity for astonishment and horror, for sanguinity and hopelessness, for pellucid light and the most profound darkness. We are what happened to us. And we carry everywhere all that has shaped us-all that we lacked, all that we wanted but never got; all that we got but never wanted; all that was found and lost. — Douglas Kennedy

H.P. Lovecraft is a self-admitted early influence on Ligotti's work. However, in a kind of metaphysical horror story of its own, Ligotti early on subsumed Lovecraft and left his dry husk behind, having taken what sustenance he needed for his own devices. (Most other writers are, by contrast, consumed by Lovecraft when they attempt to devour him.) — Jeff VanderMeer

We need to get you laid."
Despite the fact she couldn't see my face, my brow furrowed. "How is that going to help?"
"Rebound sex is exactly what you need right now, sweaty, dirty, work-your-frustration-out sex. In fact, I have the perfect guy in mind - "
I jolted up quickly at the sound of a firm tapping. I looked over at the window to see Kacey's sun kissed face, his shades resting at the edge of his long nose, baby blue eyes fixed on me.
I placed my hand over my thumping heart. "You ass."
"Bitch?"
"Not you, Jayne." I climbed off my bed. "Kay and Ty are here."
"Speak of the devil, and his sexy ass will most definitely appear. — Elizabeth Morgan

The news, when it leaked out, caused outrage and horror in Rome. The Republic was never so dangerous as when it believed that its security was at stake. The Romans rarely went to war, not even against the most negligible foe, without somehow first convincing themselves that their preemptive strikes were defensive in nature. — Tom Holland

The first fruit of love is the musing of the mind on God. He who is in love, his thoughts are ever upon the object. He who loves God is ravished and transported with the contemplation of God. "When I awake, I am still with thee" (Psalm 139:18). The thoughts are as travelers in the mind. David's thoughts kept heaven-road. "I am still with Thee." God is the treasure, and where the treasure is, there is the heart. By this we may test our love to God. What are our thoughts most upon? Can we say we are ravished with delight when we think on God? Have our thoughts got wings? Are they fled aloft? Do we contemplate Christ and glory? ... A sinner crowds God out of his thoughts. He never thinks of God, unless with horror, as the prisoner thinks of the judge. — Dallas Willard

Now that she was in the secret, now that she knew something that so much concerned her and the eclipse of which had made life resemble an attempt to play whilst with an imperfect pack of cards, the truth of things, their mutual relations, their meaning, and for the most part their horror, rose before her with a kind of architectural vastness. — Henry James

AS I TELL MY PATIENTS, your skin, hair, and nails are repairable and replaceable, and most of your organs can be revitalized. But the brain is the one organ you can't replace (no matter what you've seen in horror movies). The brain is where your life resides. It governs all aspects of your health as well as your emotional state. And while you can't get a new brain, you can improve the one you have. There are many different ways to literally make your brain younger which can enhance every facet of your health. This chapter will show how you can lose weight permanently once you balance your brain. Without taking the brain into account, you can diet for the rest of your life and never be happy with the results. — Eric R. Braverman

You go on, I presume, with your latin Exercises: and I wish to hear of your beginning upon Sallust who is one of the most polished and perfect of the Roman Historians, every Period of whom, and I had almost said every Syllable and every Letter is worth Studying.
In Company with Sallust, Cicero, Tacitus and Livy, you will learn Wisdom and Virtue. You will see them represented, with all the Charms which Language and Imagination can exhibit, and Vice and Folly painted in all their Deformity and Horror.
You will ever remember that all the End of study is to make you a good Man and a useful Citizen. - This will ever be the Sum total of the Advice of your affectionate Father,
John Adams — John Adams

with every lithe action of the girl, with every turn of her wrist, perhaps most of all with her look of dread or horror; they were things of usage. 'Keep — Charles Dickens

The most classic horror tale of this latter type is the Old Testament story of Job, who becomes human Astro-Turf in a kind of spiritual Superbowl between God and Satan. — Stephen King

It's very important to me to find ways to relate the audience to the characters. This is the first thing to go in most mainstream horror films. — Ti West

From "Lady In Waiting" in the anthology The Morgue :

Now I have yet to meet the corpse could hold up its end of a conversation, so at most I might whistle while fixin' one up 'stead of engagin' myself in any small talk that's goin' to be so one-sided anyways. But Cindy Flowers' corpse weren't no ordinary body when it walked upright, and it sure weren't ordinary just because it was lyin' before me in a pine wood box. So for the first time I felt the need to get a few things said to one of our visitors, and I leaned down to get myself real close to her face. Her eyes was closed 'cause Pa had already sewed her lids shut. — Kenneth C. Goldman

When it comes to horror there's a strange need to analyze. When "evil children" fad happened, there was The Exorcist and The Other and The Omen. People would say, "What this really means is that Americans don't want to have kids anymore. They feel hostility towards their own children. They feel they're being tied down and dragged down." In fact, in most cases, what those books are about is nice children who are beset by forces beyond their control. — Stephen King

The zombie looks like a man, walks like a man, eats and otherwise functions fully, yet is devoid of the spark. It represents the nagging doubt that lays deep in the heart of even the most zealous believer: behind all of your pretty songs and stained glass, this is what you really are. Shambling meat. Our true fear of the zombie was never that its bite would turn us into one of them. Our fear is that we are already zombies. — David Wong

That thing of briefly losing sight of a child happened to me when the kids were younger, and you can't see them in the supermarket or wherever. It's a terrible, terrible moment ... the most unimaginable horror. — James Nesbitt

The American id could not be educated, Spinks thought. It needed horror in order to stay awake and to justify its most pleasureful pursuit, the destruction of helpless people who had never done anything wrong. — Paul La Farge

The last thing I remember is the look of horror on the faces of the audience. But what had caused me to feel the most humiliation was when I noticed Blake Jansen, the coolest boy in our class, staring down at me in disbelief. — Katrina Kahler

She was as lovely as ever, my Jessie Anne. I paused for a moment, taking her beauty in, laying up this vision of her in the deepest and most secret place of my mind, allowing the sight of her to renew my spirit. I stepped slowly down to the platform, never allowing my gaze to drift from her. Jessie Anne was looking toward the front of the car, and it was a moment or two before she turned and spotted me.
The bright and hopeful smile I had so expected and longed for darkened, just for a moment to be sure, but long enough for me to recognize a fleeting glimpse of shock and anguish, possibly of horror. No longer did she see the man she had known, the man she had given her life to. No, she saw me for the man I truly was, the man with blood on his hands. — Karl A. Bacon

Inside, there was a bed, and upon the bed there was a woman. More beautiful was she even than the damask rose while her scent, drifting through the open window, was that of the night dew. Her hair was silken as the raven's wing. Quite naked, she lay, so still upon the bed, her eyes closed in reverie.

The young man looked first upon her breasts, where her hand rested. And upon each breast, there was a rosebud nipple. Upon each nipple there was a tip most tender. Upon each tip there was a milky drop.

Chin lifted, lips parted, she milked her maiden breast.

'What I would give to suckle at that teat,' thought he.

from 'Against Faithlessness' in Cautionary Tales — Emmanuelle De Maupassant

The class, on the other hand, buzzed and hummed with the anticipated pleasure of writing it up, one day. They were vindicated. Miss Fox belonged after all in the normal world of their writings, the world of domestic violence, torture and shock-horror. They would write what they knew, what had happened to Cicely Fox, and it would be most satisfactorily therapeutic. — A.S. Byatt

I love when you go to a horror film with real horror fans and everybody's there watching, getting involved and screaming. That's when it's most alive and exciting for me. — David Arquette

I have never written a book that I wouldn't want to read. The trouble is, I love to read horror, sf, fantasy, mysteries, hero pulps - romantic fiction, in the original, traditional meaning of that term, as opposed to mimetic fiction. But most of all, I love thrillers. — F. Paul Wilson

I'm a fan of short horror fiction ... in fact, the most memorable horror I've read is of the short variety ... but I have a hard time pulling it off myself. — George Stephen

Most horror films fail to scare me. — Martin Henderson

Luke grabs my hand. I turn to see a look of pure horror on his face. "This," he says, "is a dance?" "You were expecting what?" I say. "Why are they not dancing?" I look around the gym again. "Well, most people are dancing." I nod at the freshman boys, who have resorted to doing the robot. "They're dancing." Luke looks completely unconvinced. "And the music," he says, "is it always this.....loud?" I laugh. "You sound like you're forty. You have been to a dance before, right?" Luke looks offended. "Yes. Of course. But it was more..." he surveys the gyrating bodies around us "....civilised that this." He turns to me accusatory. "And you. Have you been to a dance? — Laura Bradley Rede

It's all over everywhere. I don't know what I could call it. It's like I can't get enough outside it to call it anything. It's like horror more than sadness. It's more like horror. It's like something horrible is about to happen, the most horrible thing you can imagine - no, worse than you can imagine because there's the feeling that there's something you have to do right away to stop it but you don't know what it is you have to do, and then it's happening, too, the whole horrible time, it's about to happen and also it's happening, all at the same time.'
I fear this feeling more than I fear anything, man. More than pain, or my mom dying, or environmental toxicity. Anything. — David Foster Wallace

I think most character people that you talk to, it's like, whatever they offer us, we are thrilled to do. I won't do anything that's immoral or illicit. I did turn down eating a dead body once. I turned down a few really creepy horror movies. For the most part, I can usually find a way into whatever character. — Beth Grant

Horror writers can write about everything in the real world that a mainstream novelist can
plus the supernatural, which is the most fertile field for metaphor imaginable. — Bentley Little

It was indeed terrible. And to rid myself of the terror I wished to kill myself. I experienced terror at what awaited me -- knew that that terror was even worse than the position I was in, but still I could not patiently await the end. However convincing the argument might be that in any case some vessel in my heart would give way, or something would burst and all would be over, I could not patiently await that end. The horror of darkness was too great, and I wished to free myself from it as quickly as possible by noose or bullet. that was the feeling which drew me most strongly towards suicide. — Leo Tolstoy