Most Beautiful Shakespeare Quotes & Sayings

There is a time to study a map passionately, obsessively. To see where you've gone, where others have gone before you. To commit to memory every obstacle, every danger. Shakespeare had a term for this obsession: mappery. — Justina Chen Headley

Despite what you've read, your sadness is not beautiful. No one will see you in the bookstore, curled up with your Bukowski, and want to save you.
Stop waiting for a salvation that will not come from the grey-eyed boy looking for an annotated copy of Shakespeare,
for an end to your sadness in Keats.
He coughed up his lungs at 25, and flowery words cannot conceal a life barely lived.
Your life is fragile, just beginning, teetering on the violent edge of the world.
Your sadness will bury you alive, and you are the only one who can shovel your way out with hardened hands and ragged fingernails, bleeding your despair into the unforgiving earth.
Darling, you see, no heroes are coming for you. Grab your sword, and don your own armor. — Emily Palermo

I think there's a poet who wrote once a tragedy by Shakespeare, a symphony by Beethoven and a thunderstorm are based on the same elements. I think that's a beautiful line. — Maximilian Schell

The enthusiasm of today's youth is as pure and bright as it was in our time. Only one thing has happened: a shift of goals, the replacement of one beauty with another! The entire misunderstanding lies merely in the question of which is more beautiful: Shakespeare or a pair of boots, Raphael or petroleum? — Fyodor Dostoyevsky

'By heaven, that thou art fair, is most infallible true, that thou art beauteous truth itself, that thou art lovely. More fairer than fair, beautiful than beauteous, truer than truth itself, have commiseration on thy heroical vassal. — William Shakespeare

Shakespeare is rich and beautiful, and it can be an amazing experience to read and to watch and to work on. — Campbell Scott

I might call him. A thing divine, for nothing natural. I ever saw so noble. — William Shakespeare

Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of doom.
(Sonnet 116) — William Shakespeare

What: is the jay more precious than the lark because his feathers are more beautiful? — William Shakespeare

The Brightness of her cheek would shame those stars as daylight doth a lamp; her eyes in heaven would through the airy region stream so bright that birds would sing, and think it were not night. — William Shakespeare

I wasn't beautiful, so there were plenty of character roles. I never did any Shakespeare, I'm far too superficial for that. I just act instinctively. — Joan Hickson

Nothing is sillier than this charge of plagiarism. There is no sixth commandment in art. The poet dare help himself wherever he lists, wherever he finds material suited to his work. He may even appropriate entire columns with their carved capitals, if the temple he thus supports be a beautiful one. Goethe understood this very well, and so did Shakespeare before him. — Heinrich Heine

Mine eyes Were not in fault, for she was beautiful; Mine ears, that heard her flattery; nor my heart, That thought her like her seeming. It had been vicious To have mistrusted her. — William Shakespeare

The beautiful unruliness of literature is what makes it so much fun to wander through: you read Jane Austen and you say, oh, that is IT. And then you turn around and read Sterne, and you say, Man, that is IT. And then you wander across a century or so, and you run into Kafka, or Calvino, or Cortazar, and you say, well that is IT. And then you stroll through what Updike called the grottos of Ulysses, and after that you consort with Baldwin or Welty or Spencer, or Morrison, or Bellow or Fitzgerald and then back to W. Shakespeare, Esq; the champ, and all the time you feel the excitement of being in the presence of IT. And when you yourself spend the good time writing, you are not different in kind than any of these people, you are part of that miracle of human invention. So get to work. Get on with IT, no matter how difficult IT is. Every single gesture, every single stumble, every single uninspired-feeling hour, is worth IT. Richard Bausch — Kathy Fish

Othello is about many different kinds of love: it's about the light, beautiful side of love, and it's about the twisted, darker side of love, and it's about how, if you flip the emotional coin, love can make you do terrible things. (James Earl Jones) — Susannah Carson

Bernard sank into a yet more hopeless misery.
"But why is it prohibited?" asked the Savage. In the excitement of meeting a man who had read Shakespeare he had momentarily forgotten everything else.
The Controller shrugged his shoulders. "Because it's old; that's the chief reason. We haven't any use for old things here."
"Even when they're beautiful?"
"Particularly when they're beautiful. Beauty's attractive, and we don't want people to be attracted by old things. We want them to like the new ones."
"But the new ones are so stupid and horrible. Those plays, where there's nothing but helicopters flying about and you feel the people kissing." He made a grimace. "Goats and monkeys!" Only in Othello's word could he find an adequate vehicle for his contempt and hatred. — Aldous Huxley

I went to the Guilford School of Music and Drama, which was affiliated with the Royal Shakespeare Company. I was lucky enough to be taught by a beautiful, wonderful teacher called Patsy Rodenberg, who works a lot with the Royal Shakespeare Company as a voice coach and technician. — Rhys Ifans

I said
"I love you so much it's killing me"
and you kept saying sorry
so I stopped explaining
for it never made sense to you
what always did to me
to let what you love
kill you
and never regret.
As Romeo is dying Juliet says
"I am willing to die to remain by your side"
and love was never a static place of rest
but the last second of euphoria
while throwing yourself out from a 20 store window
to be able to say
"I flew before I hit the ground",
and it was glorious.
Don't be sorry.
The fall was beautiful, dear.
The crash was beautiful. — Charlotte Eriksson

O serpent heart hid with a flowering face!
Did ever a dragon keep so fair a cave?
Beautiful tyrant, feind angelical, dove feather raven, wolvish-ravening lamb! Despised substance of devinest show, just opposite to what thou justly seemest - A dammed saint, an honourable villain! — William Shakespeare

All of that art-for-art's-sake stuff is BS," she declares. "What are these people talking about? Are you really telling me that Shakespeare and Aeschylus weren't writing about kings? All good art is political! There is none that isn't. And the ones that try hard not to be political are political by saying, 'We love the status quo.' We've just dirtied the word 'politics,' made it sound like it's unpatriotic or something." Morrison laughs derisively. "That all started in the period of state art, when you had the communists and fascists running around doing this poster stuff, and the reaction was 'No, no, no; there's only aesthetics.' My point is that is has to be both: beautiful and political at the same time. I'm not interested in art that is not in the world. And it's not just the narrative, it's not just the story; it's the language and the structure and what's going on behind it. Anybody can make up a story. — Toni Morrison

I'm fascinated by failure, and I'm fascinated by finality. Shakespeare's historical plays are more universal than his comedies because they relate to the finality of life. Without finality, life would not be beautiful. — George Hickenlooper

Shakespeare in Love ... such smart writing of an alternative view of history, and such beautiful acting. Like most Americans, I'm a sucker for the accent. — Anita Diament

Thou art as wise as thou art beautiful — William Shakespeare

Turn him into stars and form a constellation in his image. His face will make the heavens so beautiful that the world will fall in love with the night and forget about the garish sun. — William Shakespeare

She couldn't quite see herself in it. When they were done, I read the Shakespeare sonnet that begins "Fear no more the heat o' the Sun," partly because it was appropriate to the occasion and one of the most beautiful poems in the language, but also because I hoped it might hide from my loved ones the fact that I myself had nothing to say, that while part of me was here with them on this beloved shore, another part was wandering, as it had been for months, in a barren, uninhabited landscape not unlike the one in my dream. I realized I'd felt like this for a while. Though life had gone on since my mother's death - Kate had gotten married, I'd finally published another book and gone on tour with it - some sort of internal-pause button had been pushed, allowing another part of me, one I'd specifically kept sequestered to deal with my mother, to fall silent. Since her death, Barbara and I had gone through all her things and settled her affairs, but we'd barely spoken of her. — Richard Russo

Tis torture, and not mercy. Heaven is here Where Juliet lives, and every cat and dog And little mouse, every unworthy thing, Live here in heaven and may look on her, But Romeo may not. — William Shakespeare

She's beautiful, and therefore to be wooed; She is a woman, therefore to be won. — William Shakespeare

It was a cruel world though. More than half of all children died before they could reach maturity, thanks to chronic epidemics and malnutrition. People dropped like flies from polio and tuberculosis and smallpox and measles. There probably weren't many people who lived past forty. Women bore so many children, they became toothless old hags by the time they were in their thirties. People often had to resort to violence to survive. Tiny children were forced to do such heavy labor that their bones became deformed, and little girls were forced to become prostitutes on a daily basis. Little boys too, I suspect. Most people led minimal lives in worlds that had nothing to do with richness of perception or spirit. City streets were full of cripples and beggars and criminals. Only a small fraction of the population could gaze at the moon with deep feeling or enjoy a Shakespeare play or listen to the beautiful music of Dowland. — Haruki Murakami

My eyes went straight to a soft woman who sat facing the wrong way at the bar top. Soft, because I knew if I were to touch her skin, it would feel like a peach, the kind of woman you could almost smell from inside the building. Instead of facing Andy, she had her back to him, keeping an eye on the door. That must be her. Her hair was exquisite. She was really the most beautiful woman I had ever seen. A golden crown of braids and curls complimented her sun-kissed skin. Her dress draped perfectly over her body, and in that moment, I needed her more than I needed air. — Chelsie Shakespeare

Every person has one particular time in his life when he is more beautiful than he is ever going to be again. For some it is at seven, for others at seventeen or seventy, and as Laura Fleischman read out loud from Shakespeare, I remember thinking that for her it was probably just then. — Frederick Buechner

I'm not Shakespeare. I have no delusions of who I am, as a writer. I wrote a simply beautiful script that's a fun-filled, joyous fantasy, and I was fine with making changes for the actors that made them comfortable. — Steve Antin

Let me stop there, but my God, how beautiful Shakespeare is, who else is as mysterious as he is; his language and method are like a brush trembling with excitement and ecstasy. But one must learn to read, just as one must learn to see and learn to live. — Vincent Van Gogh

I've tried. He doesn't want any friend but himself. He's shut himself up tight, like a beautiful flower bud being poisoned from within. — William Shakespeare

A blind man can't forget the eyesight he lost, show me any beautiful girl. How can her beauty not remind me of the one whose beauty surpasses hers? — William Shakespeare

The longer I lived, the longer it would be until I saw him alive again, until I could taste his new lips and run my fingers through his new hair. We could be young and beautiful again ... — Chelsie Shakespeare

What is your name?" he asked softly.
She winced, knowing what was to come, "Calpurnia." She closed her eyes again, embarrassed by the extravagant name- a name with which no one but a hopelessly romantic mother with an unhealthy obsession with Shakespeare would have considered saddling a child.
"Calpurnia." He tested the name on his tongue. "As in, Caesar's wife?"
The blush flared higher as she nodded.
He smiled. "I must make it a point to better acquaint myself with your parents. That is a bold name, to be sure."
"It's a horrible name."
"Nonsense. Calpurnia was Empress of Rome- strong and beautiful and smarter than the men who surrounded her. She saw the future, stood strong in the face of her husband's assassination. She is a marvelous namesake. — Sarah MacLean

To realize life in the abstract as noble or beautiful or humane, to set it forth so with radiance upon it, that is civilization in the arts. Shakespeare is the chief modern example of this supreme faculty of mankind. — George Edward Woodberry

was yet of many accounted beautiful. — William Shakespeare

Confessions of an Anglo-Welshman For my own country's part Her lore and language I should have by heart. 'Twas she who raised me, Built me bone by bone Out of the teeming earth, the dreaming stone. Even at my christening it was she decreed Uprooted I should bleed. And yet for another's sake No wound deletes, No patriotism dulls The true and the beautiful Bequeathed to me by Blake, Shelley and Shakespeare and the ravished Keats. 1943 — R.S. Thomas

As a genius St. Paul cannot be compared with either Plato or Shakespeare, as a coiner of beautiful similes he comes pretty low down in the scale, as a stylist his name is quite obscure--and as an upholsterer: well, I frankly admit I have no idea how to place him. — Soren Kierkegaard