Most Beautiful Poem Quotes & Sayings
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Top Most Beautiful Poem Quotes
The poem is the device through which the ordinary world is seen in a new way - engaging, compelling, even beautiful. — Ted Kooser
Poetry ~~ No definition of poetry is adequate unless it be poetry itself. The most accurate analysis by the rarest wisdom is yet insufficient, and the poet will instantly prove it false by setting aside its requistions. It is indeed all that we do not know. The poet does not need to see how meadows are something else than earth, grass, and water, but how they are thus much. He does not need discover that potato blows are as beautiful as violets, as the farmer thinks, but only how good potato blows are. The poem is drawn out from under the feet of the poet, his whole weight has rested on this ground. It has a logic more severe than the logician's. You might as well think to go in pursuit of the rainbow, and embrace it on the next hill, as to embrace the whole of poetry even in thought. — Henry David Thoreau
How clear, how lovely bright,
How beautiful to sight
Those beams of morning play;
How heaven laughs out with glee
Where, like a bird set free,
Up from the eastern sea
Soars the delightful day.
To-day I shall be strong,
No more shall yield to wrong,
Shall squander life no more;
Days lost, I know not how,
I shall retrieve them now;
Now I shall keep the vow
I never kept before.
Ensanguining the skies
How heavily it dies
Into the west away;
Past touch and sight and sound
Not further to be found,
How hopeless under ground
Falls the remorseful day. — A.E. Housman
I've thought of the last line of some poems for years and tried them out, It wouldn't work because the last line was much too beautiful for the poem. — Howard Nemerov
Once
There was a quiet island,
With a name.
You must believe me
When I say that sunlight,
Impure but beautiful,
Broke upon the bay, silvered
The unrepentant, burning moon. — Edwin Thumboo
Peg came over with dinner tonight and told me about this dumb schmaltzy poem she heard someone read at an AA meeting. It got me thinking. It was about how while we are on earth, our limitations are such that we can only see the underside of the tapestry that God is weaving. God sees the topside, the whole evolving portrait and its amazing beauty, and uses us as the pieces of thread to weave the picture. We see the glorious colors and shadings, but we also see the knots and the threads hanging down, the think lumpy patches, the tangles. But God and the people in heaven with him see how beautiful the portraits in the tapestry are. The poem says in this flowery way that faith is about the willingness to be used by God wherever and however he most needs you, most needs the piece of thread that is your life. You give him your life to put through his needle, to use as he sees fit. — Anne Lamott
A beautiful poem is like a beautiful sky and a beautiful sky is like a beautiful poem! — Mehmet Murat Ildan
Natalie Lyalin is writing some of the best poems in the world. There is an evil in her gorgeous poem-hearts. She must have sold her heart to the devil to write like this - so beautiful, so funny and so strange. Her images stack and stack down the page without spilling, each line such a bombshell you'll start reading backward to the first line. These poems are like babies - they will pop out of trees. — Zachary Schomburg
When they have contemplated the world, human beings have always experienced a transcendence and mystery at the heart of existence. They have felt that it is deeply connected with themselves and with the natural world, but that it also goes beyond. However we choose to define it - it has been called God, Brahman, or Nirvana - this transcendence has been a fact of human life. We have all experienced something similar, whatever our theological opinions, when we listen to a great piece of music or hear a beautiful poem and feel touched within and lifted, momentarily, beyond ourselves. We tend to seek out this experience, and if we do not find it in one setting - in a church or synagogue, for example - we would look elsewhere. — Karen Armstrong
Byron published the first two cantos of his epic poem Childe Harold's Pilgrimage, a romanticized account of his wanderings through Portugal, Malta, and Greece, and, as he later remarked, "awoke one morning and found myself famous." Beautiful, seductive, troubled, brooding, and sexually adventurous, he was living the life of a Byronic hero while creating the archetype in his poetry. He became the toast of literary London and was feted at three parties each day, most memorably a lavish morning dance hosted by Lady Caroline Lamb. Lady Caroline, though married to a politically powerful aristocrat who was later prime minister, fell madly in love with Byron. He thought she was "too thin," yet she had an unconventional sexual ambiguity (she liked to dress as a page boy) that he found enticing. They had a turbulent affair, and after it ended she stalked him obsessively. She famously declared him to be "mad, bad, and dangerous to know," which he was. So was she. — Walter Isaacson
And so the little poet poetized away his never-ending poem and even the silliest woman could poetize with him. But they couldn't be together. And maybe that was what made it so beautiful. — Nescio
Her long beautiful red hair wasn't what got me to stare. It was her beautiful heart that I heard beating when I thought no one was there. Her hugs wasn't what got me to stay, it was the thought of me being alone again and I was afraid. She completes me more than she knows. I admire her more than I show, they say true love is hard to find but, I don't believe that because once I saw her in my dreams, I knew she was mines. I've waited for this day for so long and she never knew it, I plan to give her the world. Lord please don't let me blow it. — N.I.
Siken occasionally locates a poem in loss as enacted, not implicit, event. These are among his most beautiful poems, their capitulations heartbreaking in the context of prolonged animal struggle against acknowledgement. — Louise Gluck
There's a beautiful poem at the beginning of a collection of books we call the Bible. In that poem, it is written: "Then God said, 'Let us make man.'"
God then recognized that it was not good for man to be alone.
We can all agree on that one, I think. Loneliness is one of the most excruciating pains that the human heart, or any heart, has to go through.
What did God do about it?
What was His remedy?
What was His answer?
He created marriage. He didn't create dating, He didn't create courting - He created marriage. — Cole Ryan
I wanted to write the most beautiful poem but that is impossible; the world has written its own. — Dejan Stojanovic
A beautiful dress can be as exciting as a poem. — Roberto Cavalli
If I were to agree to write the music for your beautiful poem, it would tie your poem up for some years as I have agreements and obligations which I must respect. — Jules Massenet
Sometimes I come across a tree which seems like Buddha or Jesus: loving, compassionate, still, unambitious, enlightened, in eternal meditation, giving pleasure to a pilgrim, shade to a cow, berries to a bird, beauty to its surroundings, health to its neighbors, branches for the fire, leaves for the soil, asking nothing in return, in total harmony with the wind and the rain. How much can I learn from a tree? The tree is my church, the tree is my temple, the tree is my mantra, the tree is my poem and my prayer. — Satish Kumar
She had turned thought and feeling into life, into reality, into creation. They speak of the _creations_ of the human intellect, of the human imagination! there is nothing man can do comes half so near the making of the Maker as the ordering of his way--except one thing: the highest creation of which man is capable, is to will the will of the Father. That _has_ in it an element of the purely creative, and then is man likest God. But simply to do what we ought, is an altogether higher, diviner, more potent, more creative thing, than to write the grandest poem, paint the most beautiful picture, carve the mightiest statue, build the most worshiping temple, dream out the most enchanting commotion of melody and harmony. — George MacDonald
