Moral Stories Quotes & Sayings

The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness
too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth. — Edith Wharton

The world is so exquisite with so much love and moral depth, that there is no reason to deceive ourselves with pretty stories for which there's little good evidence. Far better it seems to me, in our vulnerability, is to look death in the eye and to be grateful every day for the brief but magnificent opportunity that life provides. — Carl Sagan

I've tried to live my life right, just like a story. — Angela Sidney

The good were worthy of note because they battled and that battle was a great story, whereas the evil were evil because of moral laziness, or weakness, and that was ultimately a dull and uninteresting affair. — Alexander McCall Smith

In the old fairy tales, often a 'moral' was tacked on at the end of the story - say, if a book was going to be marketed to young readers. And the morals don't really suit the stories at all, which makes them super weird - part of why I love the tradition so much. I do play with this, though I am more concerned with ethics than morals. — Kate Bernheimer

The notion that we've made vast moral progress and are now a less violent species is belied by our awesome powers of destruction, our military might, police forces as well-armed as soldiers. Without the threat of such violent force behind it, all law would be meaningless. I prefer stories that remind us of that. At its core, history is a story of violence at work. It all comes down to the old saw that, however much you can gain with a kind word, you can gain more with a kind word and a gun. — James Carlos Blake

Operating by trial and error mostly, we've evolved a tacitly agreed upon list of the elements that make for a good fantasy. The first decision the aspiring fantasist must make is theological. King Arthur and Charlemagne were Christians. Siegfried and Sigurd the Volsung were pagans. My personal view is that pagans write better stories. When a writer is having fun, it shows, and pagans have more fun than Christians. Let's scrape Horace's Dulche et utile off the plate before we even start the banquet. We're writing for fun, not to provide moral instruction. I had much more fun with the Belgariad/Malloreon than you did, because I know where all the jokes are.
All right, then, for item number one, I chose paganism. (Note that Papa Tolkien, a devout Anglo-Catholic, took the same route.) — David Eddings

I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids. — Angelina Jolie

There is no use complaining about the hidden brain, or wishing it away. The telescope effect in our moral judgment is part of our nature. There is nothing we can do about it. But there is something we can do about our actions. We can choose to allow our actions to be guided by reason rather than instinct, choose to set up national and international institutions that respond instantly to humanitarian crises, rather than wait for our heartstrings to be pulled by stories of individual tragedy. If we rely on our moral telescopes, there will be people in a hundred years who ask how the world could have sat on its hands through so many genocides in the twenty-first century. Making — Shankar Vedantam

War as a moral metaphor is limited, limiting, and dangerous. By reducing the choices of action to "a war against" whatever-it-is, you divide the world into Me or Us (good) and Them or It (bad) and reduce the ethical complexity and moral richness of our life to Yes/No, On/Off. This is puerile, misleading, and degrading. In stories, it evades any solution but violence and offers the reader mere infantile reassurance. All too often the heroes of such fantasies behave exactly as the villains do, acting with mindless violence, but the hero is on the "right" side and therefore will win. Right makes might. — Ursula K. Le Guin

I guess if I had to put it into a single phrase, the moral of the Frank stories is that the hammer never really falls. — Jim Woodring

Weren't movies his generation's faith anyway- its true religion? Wasn't the theatre our temple, the one place we enter separately but emerge from two hours later together, with the same experience, same guided emotions, same moral? A million schools taught ten million curricula, a million churches featured ten thousand sects with a billion sermons- but the same movie showed in every mall in the country. And we all saw it. That summer, the one you'll never forget, every movie house beamed the same set of thematic and narrative images ... flickering pictures stitched in our minds that replaced our own memories, archetypal stories that become our shared history, that taught us what to expect from life, that defined our values. What was that but a religion? — Jess Walter

The moral of human life is never simple, and the moral of a story which aims only at being true to human life cannot be expected to be any more so. — James Anthony Froude

A good piece of fiction, in my view, does not offer solutions. Good stories deal with our moral struggles, our uncertainties, our dreams, our blunders, our contradictions, our endless quest for understanding. Good stories do not resolve the mysteries of the human spirit but rather describe and expand up on those mysteries. — Tim O'Brien

Fairy tale 'adaptations' are usually stripped of every moral and lesson the stories were originally intended to teach, and replaced with singing and dancing forest animals. I recently read that films are being created depicting Cinderella as a struggling hip-hop singer and Sleeping Beauty as a warrior princess battling zombies!" "Awesome," a student behind Alex whispered to himself. Alex — Chris Colfer

For some stories, it's easy. The moral of 'The Three Bears,' for instance, is Never break into someone else's house.' The moral of 'Snow White' is 'Never eat apples.' The moral of World War I is 'Never assassinate Archduke Ferdinand. — Lemony Snicket

My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis. I have tried to present it to the indifferent public under four of its aspects: childhood, adolescence, maturity and public life. The stories are arranged in this order. I have written it for the most part in a style of scrupulous meanness and with the conviction that he is a very bold man who dares to alter in the presentment, still more to deform, whatever he has seen and heard. — James Joyce

Scandal is great entertainment because it allows people to feel contempt, a moral emotion that gives feelings of moral superiority while asking nothing in return. With contempt you don't need to right the wrong (as with anger) or flee the scene (as with fear or disgust). And the best of all, contempt is made to share. Stories about the moral failings of others are among the most common kinds of gossip, they are a stable of talk radio, and they offer a ready way for people to show that they share a common moral orientation. — Jonathan Haidt

I figured if I write a modern thriller but spliced in the DNA of a classic western - the drifter who comes into town with secrets - I could do something interesting with both genres. Westerns are also an incarnation of the classic knight errant tale, the lone warrior with a moral code, and I love those types of stories. — Simon Toyne

Song of the South was not a malicious attempt to reinforce the foolish stereotype of the inferiority of the black race, but rather an attempt to show that children of all races and different social statuses could play together as friends, learn important moral lessons from stories, and survive times of trouble by finding a place to laugh. — Jim Korkis

Those evangelicals who have been raised and shaped by forms of Christianity that are roughly "fundamentalist" will either: a. become taken with the modern moral order and thus sort of replay the excarnational development of modernity, just now a few centuries later, sort of catching up with the wider culture; so under the guise of the "emerging church" or "progressive" evangelicalism, we'll be set on a path to something like Protestant liberalism, a new deism; or b. recognize the disenchantment and excarnation of evangelical Protestantism, and also reject the Christianized subtraction stories of liberal Christianity, and feel the pull of more incarnational spiritualities, and thus move toward more "Catholic" expressions of faith - and these expressions of faith will actually exert more pull on those who have doubts about their "closed" take on the immanent frame. — James K.A. Smith

In a true war story, if there's a moral at all, it's like the thread that makes the cloth. You can't tease it out. You can't extract the meaning without unraveling the deeper meaning. And in the end, really, there's nothing much to say about a true war story, except maybe "Oh." True war stories do not generalize. They do not indulge in abstraction or analysis. For — Tim O'Brien

A bit ridiculous, but true. The moral of this story is to separate men and women when analyzing number of sexual organs. — Des MacHale

A story with a moral appended is like the bill of a mosquito. It bores you, and then injects a stinging drop to irritate your conscience. — O. Henry

As a little girl, I didn't like stories about little girls. I liked stories about dragons and beasts and princes and princesses and fear and terror and the Four Musketeers and almost anything other than nice little girls making moral decisions about whether to tell the teacher about what the other little girl did or did not do. — A.S. Byatt

The first question we must address deals with optimism, the possibility of achieving our goal. Are we in a position where we can actually hope to effect change? Assuming we become convinced that there are reasons for optimism, we move to the next question. Are we cetain that we want change? The stories about EHMs, jackals, and suffering around the globe strike raw nerves, but now we demand absolute proof that our grievances justify the efforts change will demand. Third: Is there a unifying principle that will validate our efforts? We look to ascertain that we are not merely seeking to impose our moral, religious, or philosophical values on others but instead are intent on creating something of true and lasting universal benefit. And finally: What can we each do? You and I personally need to evaluate our talents and passions. What are our individual options and desires? How do they fit into the bigger picture? — John Perkins

Although he moved away from the Midwest for good at the age of thirteen, Ray Bradbury is a prairie writer. The prairie is in his voice, and it is his moral compass. It is his years spent in Waukegan, Illinois - later rechristened by Ray as 'Green Town' in many books and stories - that forever shaped him. — Sam Weller

(From the Author Note at the beginning of the book.) Dorothy L. Sayers used to say that mystery stories were the only moral fiction of the modern world
because in a mystery, you were guaranteed to see that the bad got punished, the good got rewarded and in the end all was made right.
I'd like to think that fantasy does the same thing. It reminds us that this is how it should be, and maybe if we all put our minds to it a little more, this is how it will be. The good will be rewarded. The bad will be punished. Sins will be forgiven.
And they will live happily ever after. — Mercedes Lackey

In one recent experiment, Damasio and his colleagues had subjects listen to stories describing people experiencing physical or psychological pain. The subjects were then put into a magnetic resonance imaging machine and their brains were scanned as they were asked to remember the stories. The experiment revealed that while the human brain reacts very quickly to demonstrations of physical pain-when you see someone injured, the primitive pain centers in your own brain activate almost instantaneously- the more sophisticated mental process of empathizing with psychological suffering unfolds much more slowly. It takes time, the researchers discovered, for the brain "to transcend immediate involvement of the body" and begin to understand and to feel "the psychological and moral dimensions of a situation." (p220) — Nicholas Carr

Our best moral stories don't tell us what is right or wrong in every situation, but they show us what one character did in one situation at one time. Readers, viewers, and listeners are supposed to extrapolate the moral meaning from the story. We're not supposed to have it handed to us. — Jonathan D. Fitzgerald

Stories carry things. A lesson or moral. Information or a take-home message. — Jonah Berger

All fables, indeed, have their morals; but the innocent enjoy the story. — Henry David Thoreau

What I'm doing is writing stories about women who care about justice. They are women who think about the difference between right and wrong, what's legal and illegal, ethical and unethical, moral and immoral. — Lisa Scottoline

No moral to this story, you will be saying, and I am afraid it is true. — Joan Aiken

But the stories had made him different, too. They had shaped his appetite, his moral prejudices, who he was. — Nancy Horan

Yearning and struggle in the voices of the elders at Red Lake. They, too, had lost their identities. They, too, were no longer themselves, and it was this fate that they so wanted to help the young people avoid by sharing their stories. More than anything else I had written, Neither Wolf nor Dog had let people be themselves and see themselves. Was I breaking my own promise and abdicating my moral responsibility by refusing to tell more of Dan's story, simply because I did not want to deal with the questions and challenges that it posed? — Kent Nerburn

All holy books are, above all, great stories whose plots deal with the basic aspects of human nature, setting them within a particular moral context and a particular framework of supernatural dogma.
-Andreas Corelli — Carlos Ruiz Zafon

By imputing to human love features properly reserved for divine love, such as the unconditional and the eternal, we falsify the nature of this most conditional and time-bound and earthy emotion, and force it to labour under intolerable expectations. This divinisation of human love is the latest chapter in humanity's impulsive quest to steal the powers of its gods, and the longest-running such attempt to reach beyond our humanity. Like the others it must fail; for the moral of these stories is that the limits of the human can be ignored only at terrible cost. — Simon May

I guess the moral of these stories is that you better recruit winners. They may not always be the so-called can't-miss-stars, but a player that expects to win and wants to win helps make a championship environment. — Mal Moore With Steve Townsend

We like to have a point of view in our stories, not an obvious moral, but a worthwhile theme ... All we are trying to do is give the public good entertainment. That is all they want. — Walt Disney

The moral of the story is this: sometimes, to do nothing, to do nothing at all, is the sorriest thing ever. — Binnie Kirshenbaum

Jesus of Nazareth could have chosen simply to express Himself in moral precepts; but like a great poet He chose the form of the parable, wonderful short stories that entertained and clothed the moral precept in an eternal form. It is not sufficient to catch man's mind, you must also catch the imaginative faculties of his mind. — Dudley Nichols

Serious fiction writers think about moral problems practically. They tell stories. They narrate. They evoke our common humanity in narratives with which we can identify, even though the lives may be remote from our own. They stimulate our imagination. The stories they tell enlarge and complicate - and, therefore, improve - our sympathies. They educate our capacity for moral judgment. — Susan Sontag

I love to read things that have moral messages, and I love to hear stories where it's not just a hook, you have to follow the story, you have to listen to the message of the song, and get it and use it in your everyday life. — Valerie June

I try to write stories that are thrilling and full of mystery and funny all at the same time, stories that raise moral questions but come up with very few moral answers, stories that emotionally touch readers through the characters. — William Lashner

Only a tiny percentage of people in the world care about moral theory in the sense I have been discussing, whereas 100 percent of the people in the world like stories. Most moral insights come from stories, but it is the special virtue of the philosopher to organize those insights — Anonymous

What I like best is a good story with a moral. — Oscar Micheaux

Stories can bring alive the moral universe in a very vivid, useful, engaging way. — Morris Gleitzman

Every stylistic excess and moral defect which critics conspired to ignore in the author's first books, LANARK and UNLIKELY STORIES, MOSTLY, is to be found here in concentrated form. — Alasdair Gray

To those who fought World War II, it was plain enough that Allied bombs were killing huge numbers of German civilians, that Churchill was fighting to preserve imperialism as well as democracy, and that the bulk of the dying in Europe was being done by the Red Army at the service of Stalin. It is only in retrospect that we begin to simplify experience into myth - because we need stories to live by, because we want to honor our ancestors and our country instead of doubting them. In this way, a necessary but terrible war is simplified into a "good war," and we start to feel shy or guilty at any reminder of the moral compromises and outright betrayals that are inseparable from every combat. The best history writing reverses this process, restoring complexity to our sense of the past. — Adam Kirsch

The moral of the story: perceptions are everything. During each moment you are in contact with a customer, you are the organization. — Jan Carlzon

Many people think of the Bible as a book of moral teachings with stories sprinkled through to illustrate the teachings. But it's a lot BETTER THAN THAT ... the Bible is a single true story with teachings sprinkled through to illustrate the story. — Timothy Keller

I want to have enough data, so I won't write myself into thin air, so that I can extrapolate and give you this secret human infrastructure. The only way I sate my own curiosity is to create this from scratch. There must be commanding love stories. There must be great moral cost. — James Ellroy

Dumpers are not inherently worse than Dumpees-breaking up isn't something that gets done to you; it's something that happens with you."
"And the other moral of the story is that you, Smartypants, just told an amazing story, proving that given enough time, and enough coaching, and enough hearing stories from current and former associates of Gutshot Textiles, anyone-anyone-can learn to tell a damned good story."
"Something about telling that story made my gut grow back together. — John Green

So when it comes down to it, a calorie is a calorie is a calorie: There is only one moral of the story: burn as many damn calories as possible whenever you work out. — Jillian Michaels

The reason for our confusion is that we usually read the Bible as a series of disconnected stories, each with a "moral" for how we should live our lives. It is not. Rather, it comprises a single story, telling us how the human race got into its present condition, and how God through Jesus Christ has come and will come to put things right. — Timothy Keller

Every moral has a story, every story has and end. Every battle has its glory, and its consequence. — Ben Harper

Fairy tales to me are never happy, sweet stories. They're moral stories about overcoming the dark side and the bad. — Joe Wright

It is properly said that the Devil can "quote Scripture to his purpose." The Bible is full of so many stories of contradictory moral purpose that every generation can find scriptural justification for nearly any action it proposes - from incest, slavery, and mass murder to the most refined love, courage, and self-sacrifice. And this moral multiple personality disorder is hardly restricted to Judaism and Christianity. You can find it deep within Islam, the Hindu tradition, indeed nearly all the world's religions. Perhaps then it is not so much scientists as people who are morally ambiguous. It — Carl Sagan

I rejected any approach which begins with the question 'What do modern children like?' I might be asked, 'Do you equally reject the approach which begins with the question "What do modern children need?"--in other words, with the moral or didactic approach?' I think the answer is Yes. Not because I don't like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question 'What do modern children need?' will not lead you to a good moral. If we ask that question we are assuming too superior an attitude It would be better to ask 'What moral do I need?' for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the questions at all. Let the pictures tell you their own moral. — C.S. Lewis

The story itself should force its moral upon you. You find out what the moral is by writing the story. — C.S. Lewis

However much I may like to talk about or be interested in a more philosophical or moral agenda, [film] is, ultimately, about narrative. And it's about telling stories that are engaging and dramatic. — Edward Zwick

I write because something inner and unconscious forces me to. That is the first compulsion. The second is one of ethical and moral duty. I feel responsible to tell stories that inspire readers to consider more deeply who they are. — David Guterson

The moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it ... some stories just don't have a happy ending. — Jodi Picoult

Take the Gospel parables: what are these stories, these narratives, if not powerful invitations to people to locate themselves within the situations of others, precisely in order to realize the moral landscapes of their life, so that they may develop their spiritual, empathetic and imaginative view of reality? — Andrew Davison

[from Some words about 'War and Peace']

In those days also people loved, envied, sought truth and virtue, and where carried away by passions; and there was the same complex mental and moral life among the upper classes, where were in some instances even more refined than now. If we have come to believe in the perversity and coarse violence of that period, that is only because the traditions, memoirs, stories, and novels that have been handed to us, record for the most part exceptional cases of violence and brutality. To suppose that the predominant characteristic of that period was turbulence, is as unjust as it would before a man, seeing nothing but the tops of trees beyond a hill, to conclude that there was nothing to be found in that locality but trees. — Leo Tolstoy

The moral of the story of the Pilgrims is that if you work hard all your life and behave yourself every minute and take no time out for fun you will break practically even, if you can borrow enough money to pay your taxes. — Will Cuppy

Parents sometimes object to the amount of humor introduced into stories that are designed to teach moral or spiritual lessons. They seem to think that simple grim lecturing of children is the best way to achieve such goals. — Mike Berenstain

Stories don't teach us to be good; it isn't as simple as that. They show us what it feels like to be good, or to be bad. They show us people like ourselves doing right things and wrong things, acting bravely or acting meanly, being cruel or being kind, and they leave it up to our own powers of empathy and imagination to make the connection with our own lives. Sometimes we do, sometimes we don't. It isn't like putting a coin in a machine and getting a chocolate bar; we're not mechanical, we don't respond every time in the same way ...
The moral teaching comes gently, and quietly, and little by little, and weighs nothing at all. We hardly know it's happening. But in this silent and discreet way, with every book we read and love, with every story that makes its way into our heart, we gradually acquire models of behaviour and friends we admire and patterns of decency and kindness to follow.
Philip Pullman from his Award Lecture, Astrid Lindgren Memorial Award Recipient 2005 — Philip Pullman

I might be asked, 'Do you equally reject the approach which begins with the question "What do modern children need?" - in other words, with the moral or didactic approach?' I think the answer is Yes. Not because I don't like stories to have a moral: certainly not because I think children dislike a moral. Rather because I feel sure that the question 'What do modern children need?' will not lead you to a good moral. If we ask that question we are assuming too superior an attitude. It would be better to ask 'What moral do I need?' for I think we can be sure that what does not concern us deeply will not deeply interest our readers, whatever their age. But it is better not to ask the question at all. Let the pictures tell you their own moral. For the moral inherent in them will rise from whatever spiritual roots you have succeeded in striking during the whole course of your life. But if they don't show you any moral, don't put one in. — C.S. Lewis

If the reader looks, I think he will find plenty of moral and political ideas in my stories. — Italo Calvino

In particular, I argue that in both evolution and creation we have rival religious responses to a crisis of faith-rival stories of origins, rival judgments about he meaning of human life, rival sets of moral dictates, and above all what theologians call rival eschatologies-pictures of the future and of what lies ahead for humankind. — Michael Ruse

But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of "The Three Bears," for instance, is "Never break into someone else's house." The moral of "Snow White" is "Never eat apples." The moral of World War One is "Never assassinate Archduke Ferdinand." [ ... ] and as the Baudelaire orphans sat and watched the dock fill with people as the business of the day began, they figured out something that was very important to them. It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative. — Lemony Snicket

It was an origin story pedaled to the world, but unlike the various creation stories of the old religions, there was no rich culture, no moral code, no beauty. — T.L. Zalecki

But most of all he liked to listen to stories of real life. He smiled gleefully as he listened to such stories, putting in words and asking questions, all aiming at bringing out clearly the moral beauty of the action of which he was told. Attachments, friendships, love, as Pierre understood them, Karataev had none, but he loved and lived on affectionate terms with every creature with whom he was thrown in life, and especially so with man- not with any particular man, but with the men that happened to be before his eyes.
But his life, as he looked at it, had no meaning as a separate life. It only had meaning as part of a whole, of which he was at all times conscious. — Leo Tolstoy

Deeds, rather than words, express my concept of the part religion should play in everyday life. I have watched constantly that in our movie work the highest moral and spiritual standards are upheld, whether it deals with fable or with stories of living action. — Walt Disney Company

We live in a culture bound by sin like bands of iron. Moral stories, quaint maxims, and life lessons shared from the heart of a beloved pulpiteer or spiritual life coach have no real power against such darkness. We need preachers of the gospel of Jesus Christ who know the Scriptures, and by God's grace face any culture with the cry, 'Thus saith the Lord!' — Paul Washer

Perhaps the most remarkable thing I found about the Bible was how flexible it is. Here we have a book written 3,000 years ago, with bizarre stories, peculiar laws, erratic deity, and yet we are able - through argument, selective reading, and desire - to find a powerful framework of laws and moral reasoning that have built a very successful society. So this Bible, for all its oddities and flaws, serves us beautifully after all these years. — David Plotz

Such revolutions in formal learning and felt experience needed new modes to express their understanding, beyond sonorous Ciceronian periods and the rigid structure of heroic couplets. It needed something looser, longer, and above all historical, which could not only link events, data, ideas, and context through time, but in which history could itself serve as an informing principle. The age craved creation stories in which the logic and moral order were manifest in and through the unfolding of the story. — Lydia Pyne

I'm really interested in the pleasure we get from stories and the pleasure we get from movies, and certainly the pleasure we get from virtual experiences. My complaint is against empathy as a moral guide. But as a source of pleasure, it can't be beat. — Paul Bloom

When I ask him if he thinks there's a moral to his story, he says he's sure there must be, but doesn't know exactly what it is. "Maybe," he says after a short pause, "it's that this world is full of lizards, and even though there's nothing we can do about it, it is always helpful to find out how big they are. — Etgar Keret

If you spend any amount of time doing media analysis, it's clear that the most frenzied moral panic surrounding young women's sexuality comes from the mainstream media, which loves to report about how promiscuous girls are, whether they're acting up on spring break, getting caught topless on camera, or catching all kinds of STIs. Unsurprisingly, these types of articles and stories generally fail to mention that women are attending college at the highest rates in history, and that we're the majority of undergraduate and master's students. Well-educated and socially engaged women just don't make for good headlines, it seems. — Jessica Valenti

All stories teach, whether the storyteller intends them to or not. They teach the world we create. They teach the morality we live by. They teach it much more effectively than moral precepts and instructions. — Philip Pullman

And the moral of the story is I'm Thom Yorke. — Thom Yorke

It's snowing again, and Elsa decides that even if people she likes have been shits on earlier occasions, she has to learn to carry on liking them. You'd quickly run out of people if you had to disqualify all those who at some point have been shits. She thinks that this will have to be the moral of this story. Christmas stories are supposed to have morals. — Fredrik Backman

The Book of Revelation is the strangest book in the Bible, and the most controversial. Instead of stories and moral teaching, it offers only visions - dreams and nightmares, the Four Horsemen of the Apocalypse, earthquakes, plagues and war. — Elaine Pagels

Only that type of story deserves to be called moral that shows us that one has the power within oneself to act, out of the conviction that there is something better, even against one's own inclination. — Johann Wolfgang Von Goethe

The theory of behavior is useful to the life of man only as the index is useful to him who goes through it before reading the book itself; when he has read it, all that he has learned is the subject matter. Such is the moral teaching that we receive from the discourses, the precepts, and the stories we are treated to by those who bring us up. We listen to it all attentively; but when we have an opportunity to profit by the various advice we have been given, we become possessed by a desire to see if the thing will turn out to be what we have been told it will; we do it, and we are punished by repentance. What recompenses us a little is that in such moments we consider ourselves wise and hence entitled to teach others. Those whom we teach do exactly as we did, from which it follows that the world always stands still or goes from bad to worse. — Giacomo Casanova

It seems that the Parisian Oulipo group has recently constructed a matrix of all possible murder-story situations and has found that there is still to be written a book in which the murderer is the reader.
Moral: there exist obsessive ideas, they are never personal; books talk among themselves, and any true detection should prove that we are the guilty party. — Umberto Eco

The Bible is filled with intriguing stories about complex and flawed human beings who ponder immense moral questions and engage in colossal clashes with evil. — David Harsanyi

You have to pick the stories that you want to be involved with and the end game is you'd like to be a part of a hit. But I think your moral obligation is to follow your own heart. — Kevin Costner

Storytelling still matters in the digital age, because commencing in adolescences and continuing through adulthood, people receive training in using stories to describe the human contestants, organize the facts, communicate the moral message behind the messy human conflict, evaluate competing ethical issues, and render a final value judgment. — Kilroy J. Oldster

I just want to make stories. They don't have to have a moral or a reason. There might be some mild cautionary notes, but they're not moral. They don't impart any Judeo-Christian ethic of any kind. — Neko Case

A science fiction story is just an attempt to solve a problem that exists in the world, sometimes a moral problem, sometimes a physical or social or theological problem. — Ray Bradbury

A friend once asked me why it was that stories about animals and their heroism ... are so compelling.
... we love them because they're the closest thing we have to material evidence of an objective moral order
or, to put it another way, they're the closest thing we have to proof of the existence of God. They seem to prove that the things that matter to and move us the most
things like love, courage, loyalty, altruism
aren't just ideas we made up from nothing. To see them demonstrated in other animals proves they're real things, that they exist in the world independently of what humans invent and tell each other in the form of myth or fable. — Gwen Cooper

I will continue to write moral stories in rhymed couplets. But I should be thrice a fool if I did it for aught but my own entertainment. — W. Somerset Maugham

Just as creativity enables us to envision novel solutions to tough problems, it can also enable us to develop original paths around rules, all the while allowing us to reinterpret information in a self-serving way. Putting our creative minds to work can help us come up with a narrative that lets us have our cake and eat it too, and create stories in which we're always the hero, never the villain. If the key to our dishonesty is our ability to think of ourselves as honest and moral people while at the same time benefitting from cheating, creativity can help us tell better stories - stories that allow us to be even more dishonest but still think of ourselves as wonderfully honest people. — Dan Ariely

Now, 'that sort of Bear' is of course a bear who wants to be flattered, and it is plain that the Christophoric ear is using Pooh to make its own devious request that it (the ear's projection, 'Christopher Robin') be made the center of attention. The Milnean voice, however, in its didactic-paternal role, is unprepared simply to feed the self-love of the Christophoric ear; it (the voice) must also see that it (the ear) is properly edified in a moral sense. The stories, therefore, will express a vector of the two forces pleasing and teaching the Christophoric ear. — Frederick C. Crews

I like the idea of young readers using my stories as a sort of moral gym, where they can flex and develop their newly developed moral muscle. — Morris Gleitzman

All stories come to an end. That moment when we sigh and close the book, perhaps sit back in our chair and rest our palm over the cover, is met with quixotic emotions. On the one hand, we're satisfied if the author successfully tied up loose ends, turned a memorable phrase and rewarded the hero's moral choice with his heart's desire. Yet we're also saddened that the adventure is over. Sometimes when we see that we only have a few pages left we slow down, savoring each word, staving off the — Mary Alice Monroe