Moral Of The Story Quotes & Sayings

The short story, free from the longuers of the novel is also exempt from the novel's conclusiveness
too often forced and false: it may thus more nearly than the novel approach aesthetic and moral truth. — Edith Wharton

I think a novelist must be more tender with living or 'real' people. The moral imperative of having been entrusted with their story looms before you every day, in every sentence. — Rick Bass

In the only love story he ever attempted, "Kiss Me Again," he had written, "There is no way a beautiful woman can live up to what she looks like for any appreciable length of time." The moral at the end of that story is this: "Men are jerks. Women are psychotic. — Kurt Vonnegut

The Bible is not, in other words, simply a list of true doctrines or a collection of proper moral commands - though it includes plenty of both. The Bible is not simply the record of what various people thought as they struggled to know God and follow him, though it is that as well. It is not simply the record of past revelations, as though what mattered were to study such things in the hopes that one might have one for oneself. It is the book whose whole narrative is about new creation, that is, about resurrection, so that when each of the gospels ends with the raising of Jesus from the dead, and when Revelation ends with new heavens and new earth populated by God's people risen from the dead, this should come not as a surprise but as the ultimate fulfillment of what the story had been about all along. — N. T. Wright

The good were worthy of note because they battled and that battle was a great story, whereas the evil were evil because of moral laziness, or weakness, and that was ultimately a dull and uninteresting affair. — Alexander McCall Smith

What's the moral of the story?

People Above will hurt you. People Above will break you, and devour your heart raw. — Leah Bobet

In the old fairy tales, often a 'moral' was tacked on at the end of the story - say, if a book was going to be marketed to young readers. And the morals don't really suit the stories at all, which makes them super weird - part of why I love the tradition so much. I do play with this, though I am more concerned with ethics than morals. — Kate Bernheimer

Remember that writing things down makes them real; that it is nearly impossible to hate anyone whose story you know; and, most of all, that even in our post-postmodern era, writing has a moral purpose. With twenty-six shapes arranged in varying patterns, we can tell every story known to mankind, and make up all the new ones - indeed, we can do so in most of the world's known tongues. If you can give language to experiences previously starved for it, you can make the world a better place. — Andrew Solomon

The notion that we've made vast moral progress and are now a less violent species is belied by our awesome powers of destruction, our military might, police forces as well-armed as soldiers. Without the threat of such violent force behind it, all law would be meaningless. I prefer stories that remind us of that. At its core, history is a story of violence at work. It all comes down to the old saw that, however much you can gain with a kind word, you can gain more with a kind word and a gun. — James Carlos Blake

That is the moral of this story, kids. No matter how many people try to stomp on your happiness, you have the power to do whatever you want with your life. — Carlton Mellick III

I usually make up stories for my kids.I like to tell them stories and make up any kind of crazy to involve them in characters. The kind of fairytales I don't like are the ones with happy endings, where there's just good and evil and things are perfect. I think when there's a good story for children it has a moral tale, so that's what I try to teach my kids. — Angelina Jolie

A true war story is never moral. It does not instruct, nor encourage virtue, nor suggest models of proper human behavior, nor restrain men from doing the things men have always done. If a story seems moral, do not believe it. If at the end of a war story you feel uplifted, or if you feel that some small bit of rectitude has been salvaged from the larger waste, then you have been made the victim of a very old and terrible lie. There is no rectitude whatsoever. There is no virtue. As a first rule of thumb, therefore, you can tell a true war story by its absolute and uncompromising allegiance to obscenity and evil. — Tim O'Brien

The moral of the story, Son," Pun would say, "is Don't take more on your heart than you can shake off on your heels."
Of all lessons, that one I never learned and I hope I never do. My heart daily grows new foliage, always adding people, picking up new heartaches like a wool coat collects cockleburs and beggar's-lice seeds. It gets fuller and fuller as I walk slow as a sloth, carrying all the pain Pun and Frank and so many others tried to walk from. Especially the pain of the lost forest. Sometimes there is no leaving, no looking westward for another promised land. We have to nail our shoes to the kitchen floor and unload the burden of our heart. We have to set to the task of repairing the damage done by and to us. — Janisse Ray

The moral of human life is never simple, and the moral of a story which aims only at being true to human life cannot be expected to be any more so. — James Anthony Froude

The Story of the Rabbit and the Eggplant
Once there was a race between a rabbit and an eggplant. Now, the eggplant, as you know, is a member of the vegetable kingdom, and the rabbit is a very fast animal.
Everybody bet lots of money on the eggplant, thinking that if a vegetable challenges a live animal with four legs to a race, then it must be that the vegetable knows something.
People expected the eggplant to win the race by some clever trick of philosophy. The race was started, and there was a lot of cheering. The rabbit streaked out of sight.
The eggplant just sat there at the starting line. Everybody knew that in some surprising way the eggplant would wind up winning the race.
Nothing of the sort happened. Eventually, the rabbit crossed the finish line and the eggplant hadn't moved an inch.
The spectators ate the eggplant.
Moral: Never bet on an eggplant. — Daniel Pinkwater

So, the moral of that story, other than never underestimate an independent bookseller, was that the Continental Army and its commander in chief had a soft spot for Chief Artillery Officer Henry Knox. — Sarah Vowell

The Islamic conquest of India is probably the bloodiest story in history. It is a discouraging tale, for its evident moral is that civilization is a precious good, whose delicate complex of order and freedom, culture and peace, can at any moment be overthrown by barbarians invading from without or multiplying within. — Will Durant

The moral of the story was not to wear a red shirt. Or go on away missions when you're the only one whose name isn't on the opening credits. — John Scalzi

Because people aren't always as they seem and the moral of the story is the apple isn't always sweet. — Jasmine Sandozz

So, first, I wanted to be a part of the project because I thought it was an important story to tell. On top of that, it's rare to find roles for strong, young, feisty women, especially in a military film. And I love that Suarez ends up being the moral compass of the story, and that she's also brave enough to stand up to all these men. — Zoe Kravitz

The moral of the story is even though that seemed like the end of the world back then, right now I can look back on it and laugh. And if anyone is going through something similar right now just know it will get better. — Phil Lester

There is not a moral to every story in animal behavior. Sometimes a snake is just a snake, and sometimes snake sex is only about sex in snakes, or sex in egg-laying reptiles. Although a biologist's job in part is to interpret what organisms do in a broader context, that context does not, and should not, need to include a lesson for human beings. This is true regardless of whether the lesson is something we would like to teach, which means that using animals as vehicles for nonsexist thinking is just as out of bounds as using them to keep women barefoot and pregnant. — Marlene Zuk

Few literary depictions of the 1906 San Francisco earthquake match the intensity and visceral power of those in Flacco's gripping first novel. The author's screenwriting talent shines in this story of the earth's destructive power and humanity's moral depravity. The emerging maniacal personality, revealed in increasingly gruesome and venomous detail, rivals the Ripper.Dickens meets Hannibal Lecter. Brace yourself. — William Bernhardt

As a writer, I have a moral deal with you, the reader - if I hook you with a story, my part of the deal is to follow through and give you a satisfying outcome. — Karen Traviss

A Book I Can Put Down

I'm halfway through
and I've gotten used
to the way it wants
to be read. This writer
wants to spoon it up,
wants to watch me
swallow it. This writer
makes a point of good
deeds, clean living,
god and country,
when what I want
is sin and shame,
the rusty metal edge
of cruelty, varieties
of pain, his mother
still crying years later,
just like mine. I want
a writer who's given up
on the moral of the story,
one who'll hand me
a knife and sit back
to see what I do with it.

(Published in Anderbo) — Antonia Clark

I think the story of the Christian faith is how you can become more deeply and fully human, not how you can become religious. And I don't see any indication that being religious makes you more moral. — John Shelby Spong

The moral aspect was merely a concomitant, a coverall for some deeper, almost forgotten purpose. That histoire should be story, lie and history all in one, was of a significance not to be despised. And that a story, given out as the invention of a creative artist, should be regarded as the most effective material for getting at the truth about its author, was also significant. Lies can only be imbedded in truth. They have no separate existence; they have a symbiotic relationship with truth. A good lie reveals more than the truth can ever reveal. To the one, that is, who seeks truth. To such a person there could never be cause for anger or recrimination when confronted with the lie. Not even pain, because all would be patent, naked and revelatory. — Henry Miller

War, I have always said, forces men to change their standards, regardless of whether their country has won or lost. Poetics and philosophies disintegrate "when the trees fall and the walls collapse ". At the point when continuity was interrupted by the first nuclear explosion, it would have been too easy to recover the formal sediment which linked us with an age of poetic decorum, of a preoccupation with poetic sounds. After the turbulence of death, moral principles and even religious proofs are called into question. Men of letters who cling to the private successes of their petty aesthetics shut themselves off from poetry's restless presence. From the night, his solitude, the poet finds day and starts a diary that is lethal to the inert. The dark landscape yields a dialogue. The politician and the mediocre poets with their armour of symbols and mystic purities pretend to ignore the real poet. It is a story which repeats itself like the cock's crow; indeed, like the cock's third crow. — Salvatore Quasimodo

A bit ridiculous, but true. The moral of this story is to separate men and women when analyzing number of sexual organs. — Des MacHale

And the moral of this story is?" asked Amber, and immediately regretted it because it didn't sound tough and bored at all, just snotty. "That everything looks small on paper," Meoraq replied. "But in Gann's world, shit happens." The — R. Lee Smith

I still have that drawing. Whenever I look at it, it makes me happy. That's the moral of the story. That's it. — David Levithan

I'm not sure what the moral of the bathroom-stool story is. Perhaps this: it's a good idea to settle for a few loose ends, because even if everything in your life is connected to everything else, that way madness lies. — Lorna Sage

Writing has always been a serious business for me. I felt it was a moral obligation. A major concern of the time was the absence of the African voice. Being part of that dialogue meant not only sitting at the table but effectively telling the African story from an African perspective - in full earshot of the world. — Chinua Achebe

Oh, what a nation of moralists the Americans are! With what fervor do they relish bringing their sexual misconduct to light! A pity that they do not bring their moral outrage to bear on their president's arrogance above the law; a pity that they do not unleash their moral zest on an administration that runs guns to terrorists. But, of course, boudoir morality takes less imagination, and can be indulged in without the effort of keeping up with world affairs - or even bothering to know "the whole story" behind the sexual adventure. — John Irving

Remember The Princess and the Pea? She could feel a single pea through dozens of mattresses, and that's how everyone knew she was of noble blood, even though she'd arrived looking bedraggled and scruffy.
It's supposed to be an example of the saying "breeding will out", meaning that you can always spot true royalty, even if that someone is dressed in rags. Am I the only one who thinks the moral of this story is all screwed up? You get caught in a storm and knock on a stranger's door in the middle of the night to ask for shelter... then when they ask how you slept, you COMPLAIN that you were uncomfortable?
Honey, that's not being a Princess. That's being a diva bitch. — Rosie Blythe

I want (the story) to be about good and evil and true love, and it should also be funny. No talking animals. Not too much fooling around with the narrative structure. The ending should be happy but still realistic, believable, you know, and there shouldn't be a moral although we should be able to think back later and have some sort of revelation. No 'and suddenly they woke up and discovered that it was all a dream.' Got that? — Kelly Link

The foreign correspondent is frequently the only means of getting an important story told, or of drawing the world's attention to disasters in the making or being covered up. Such an important role is risky in more ways than one. It can expose the correspondent to actual physical danger; but there is also the moral danger of indulging in sensationalism and dehumanizing the sufferer. This danger immediately raises the question of the character and attitude of the correspondent, because the same qualities of mind which in the past separated a Conrad from a Livingstone, or a Gainsborough from the anonymous painter of Francis Williams, are still present and active in the world today. Perhaps this difference can best be put in one phrase: the presence or absence of respect for the human person. — Chinua Achebe

The story of the decadence of the cathedral as a moral power, a spiritual energizer in civilization, is the sad but inevitable story of dogmatism. It is the story of the struggle of free thought with bigotry, religion making common cause with the wrong side. — Jenkin Lloyd Jones

Myth and fairy-story must, as all art, reflect and contain in solution elements of moral and religious truth (or error), but not explicit, not in the known form of the primary 'real' world. — J.R.R. Tolkien

And the moral of the story is I'm Thom Yorke. — Thom Yorke

The fact was, as a story - even leaving out the supernatural, especially leaving out the supernatural, taking it all as metaphor, I mean - the Bible made perfect sense to me from the very beginning. I saw a God whose nature was creative love. He made man in his own image for the purpose of forming new and free relationships with him. But in his freedom, man turned away from that relationship to consult his own wisdom and desires. The knowledge of good and evil was not some top-secret catalogue of nice and naughty acts that popped into Eve's mind when a talking snake got her to eat the magic fruit. The knowledge was built into the action of disobedience itself: it's what she learned when she overruled the moral law God had placed within her. There was no going back from that. The original sin poisoned all history. History's murders, rapes, wars, oppressions, and injustices are now the inescapable plot of the story we're in. The — Andrew Klavan

And the moral of this story, according to Johnnie Larch, was this: don't piss off people who work in airports. "Are you sure it's not something like 'The kind of behavior that works in a specialized environment, such as prison, can fail to work and in fact become harmful when used outside such an environment'?" said Shadow, when Johnnie Larch told him the story. "No, listen to me, I'm telling you, man," said Johnnie Larch, "don't piss off those bitches in airports. — Neil Gaiman

I was recently told by a guy friend that red lipstick during the summer is distracting, and I said, "You need to shut up because I love red lips in the summer." Guys are stupid, moral of the story. — Brittany Snow

It's snowing again, and Elsa decides that even if people she likes have been shits on earlier occasions, she has to learn to carry on liking them. You'd quickly run out of people if you had to disqualify all those who at some point have been shits. She thinks that this will have to be the moral of this story. Christmas stories are supposed to have morals. — Fredrik Backman

Such revolutions in formal learning and felt experience needed new modes to express their understanding, beyond sonorous Ciceronian periods and the rigid structure of heroic couplets. It needed something looser, longer, and above all historical, which could not only link events, data, ideas, and context through time, but in which history could itself serve as an informing principle. The age craved creation stories in which the logic and moral order were manifest in and through the unfolding of the story. — Lydia Pyne

The moral of the story is not to listen to those who tell you not to play the violin but stick to the tambourine. — Jose Mourinho

Dumpers are not inherently worse than Dumpees-breaking up isn't something that gets done to you; it's something that happens with you."
"And the other moral of the story is that you, Smartypants, just told an amazing story, proving that given enough time, and enough coaching, and enough hearing stories from current and former associates of Gutshot Textiles, anyone-anyone-can learn to tell a damned good story."
"Something about telling that story made my gut grow back together. — John Green

Yearning and struggle in the voices of the elders at Red Lake. They, too, had lost their identities. They, too, were no longer themselves, and it was this fate that they so wanted to help the young people avoid by sharing their stories. More than anything else I had written, Neither Wolf nor Dog had let people be themselves and see themselves. Was I breaking my own promise and abdicating my moral responsibility by refusing to tell more of Dan's story, simply because I did not want to deal with the questions and challenges that it posed? — Kent Nerburn

The moral of the story? Don't fuck with the magical order. — Chloe Neill

The Bible is not a witness to the best people making it up to God; it's a witness to God making it down to the worst people. Far from being a book full of moral heroes whom we are commanded to emulate, what we discover is that the so-called heroes in the Bible are not really heroes at all. They fall and fail; they make huge mistakes; they get afraid; they're selfish, deceptive, egotistical, and unreliable. The Bible is one long story of God meeting our rebellion with His rescue, our sin with His salvation, our guilt with His grace, our badness with His goodness. — Tullian Tchividjian

The true historian, therefore, seeking to compose a true picture of the thing acted, must collect facts and combine facts. Methods will differ, styles will differ. Nobody ever does anything like anybody else; but the end in view is generally the same, and the historian's end is truthful narration. Maxims he will have, if he is wise, never a one; and as for a moral, if he tell his story well, it will need none; if he tell it ill, it will deserve none. — Augustine Birrell

The idea of telling a story in reverse destabilises your ordinary moral reactions. That's one of the points of art - to challenge your preconceptions. — Vincent Cassel

And now dear little children, who may this story read,
To idle, silly flattering words, I pray you ne'er give heed:
Unto an evil counsellor, close heart and ear and eye,
And take a lesson from this tale, of the Spider and the Fly. — Mary Howitt

Western Civilization was responsible for a paradigm shift in history. It created the industrial and scientific revolutions that enabled the birth of a transportation, communications and knowledge revolution unprecedented in the 5 billion year history of this planet. Unfortunately this revolution took place amidst a moral vacuum at the very top of the power structure. It is as if a three year old child had been given control over both a candy story and a shotgun. He was able to use the shotgun to get all the candy he wanted but he had no idea what to do next. Whenever somebody tried to tell him too much candy was bad for him, he shot the person who said that. — Benjamin Fulford

The giving of the Torah is a story of God seeking to provide humanity with the opportunity to make moral decisions. — Meir Soloveichik

The media are the equivalent of yesterday's scientists, for today's scientists have seen that when they conduct an experiment they are part of it and influence results by their very being; the media can create a story, a scandal, an event, but behave as if they have nothing to do with it, as if the event or the reputation were a spontaneous happening and they haven't influenced the result, or invented it all in the first place. 'The general interest in ... continues and is growing.' Of course it is, since the journalists are fanning the flames, permitting themselves fits of moral indignation, excitement, concern. Meanwhile the public marvel at them. — Doris Lessing

I never fixed a story. I didn't make judgments, I let the listener make judgments. When I got to the end of the story, if it had a moral, I let the listener find it. — Tom T. Hall

So the moral of the story is that the primary ingredient for a successful nation is guns. — Cory O'Brien

The targets of this story are not "wayward sinners" but religious people who do everything the Bible requires. Jesus is pleading not so much with immoral outsiders as with moral insiders. H wants to show them their blindness, narrowness, and self righteousness, and how these things are destroying both their own souls and the lives of the people around them. — Timothy Keller

Theologians will protest that the story of Abraham sacrificing Issac should not be taken as literal fact, and the appropriate response is two-fold. First, many, many people, even to this day, do take the whole of their scripture to be literal fact, and they have a great deal of political power over the rest of us, especially in the United States and in the Islamic world. Secondly, how should we take the story? As an alagory? Then an alagory for what? Surely nothing praiseworthy. As a moral lesson? Then what kind of lesson could be derived from this appalling story? — Richard Dawkins

Just like in Jane Eyre, the moral of the story would be 'never forget that you're nothing but a sad sausage. — Fanny Britt

Take a guy who can walk on water, who can raise people from the dead, who can look at you and tell you what you had for breakfast ... if a guy like that can't find twelve trustworthy mates, who can? Stop at eleven and call it done, that's the moral of that story. — Liam Perrin

Don't Shoot is a work of moral philosophy that reads like a crime novel - Immanuel Kant meets Joseph Wambaugh. It's a fascinating, inspiring, and wonderfully well written story of one man's quest to solve a problem no one thought could be solved: the scourge of inner city gang violence This is a vitally important work that has the potential to usher in a new era in policing. — John Seabrook

Funny how it all turns to theological babble the more we try to identify just exactly what we're talking about with this whole law business. No wonder C.S. Lewis wrote a story instead! Sure, he tackled the issue of moral law in Mere Christianity too. But nothing sticks in our imaginations quite so clearly as the sight of the White Witch, her bare arms raised above her head, standing over the willing, innocent, self-sacrificing Lion on the Stone Table. — Sarah Arthur

Sometimes opinions should kept to ones self, but not in appropriate situations. Be the judge of the appropriate situation, and be prepared for backfire. Moral of the story; if everyone doesn't agree, then prepare for them to lash out in disagreement. — Liam McGrath

And, in this staunch little portrait, it's hard not to see the human in the finch. Dignified, vulnerable. One prisoner looking at another. But who knows what Fabritius intended? There's not enough of his work left to even make a guess. The bird looks out at us. It's not idealized or humanized. It's very much a bird. Watchful, resigned. There's no moral or story. There's no resolution. There's only a double abyss: between painter and imprisoned bird; between the record he left of the bird and our experience of it, centuries later. — Donna Tartt

The moral of the story of the Pilgrims is that if you work hard all your life and behave yourself every minute and take no time out for fun you will break practically even, if you can borrow enough money to pay your taxes. — Will Cuppy

We can embrace our whole life story in the knowledge that we have been graced and made beautiful by the providence of our past history. All the wrong turns in the past, the detours, mistakes, moral lapses, everything that is irrevocably ugly or painful, melts and dissolves in the warm glow of accepted tenderness. As theologian Kevin O'Shea writes, "One rejoices in being unfrightened to be open to the healing presence, no matter what one might be or what one might have done." - A Glimpse of Jesus — Brennan Manning

Stories don't teach us to be good; it isn't as simple as that. They show us what it feels like to be good, or to be bad. They show us people like ourselves doing right things and wrong things, acting bravely or acting meanly, being cruel or being kind, and they leave it up to our own powers of empathy and imagination to make the connection with our own lives. Sometimes we do, sometimes we don't. It isn't like putting a coin in a machine and getting a chocolate bar; we're not mechanical, we don't respond every time in the same way ...
The moral teaching comes gently, and quietly, and little by little, and weighs nothing at all. We hardly know it's happening. But in this silent and discreet way, with every book we read and love, with every story that makes its way into our heart, we gradually acquire models of behaviour and friends we admire and patterns of decency and kindness to follow.
Philip Pullman from his Award Lecture, Astrid Lindgren Memorial Award Recipient 2005 — Philip Pullman

The kind of juvenile story I like best to write
and read, too, for the matter of that
is a good, jolly one, "art for art's sake," or rather "fun for fun's sake," with no insidious moral hidden away in it like a pill in a spoonful of jam! — L.M. Montgomery

Tears are like lies. The more you use them, the less they're worth. The moral of the story is: STOP FUCKING CRYING. — The Betches

She is so totally absorbed in a vocation - both a gift and a mastering passion - that she has no time to be absorbed with the self's worries about itself. And that is the moral of the story: You can pursue happiness by wearing a torn jersey. You can catch it by being good at something you love. — George Will

But even if they could go home it would be difficult for me to tell you what the moral of the story is. In some stories, it's easy. The moral of "The Three Bears," for instance, is "Never break into someone else's house." The moral of "Snow White" is "Never eat apples." The moral of World War One is "Never assassinate Archduke Ferdinand." [ ... ] and as the Baudelaire orphans sat and watched the dock fill with people as the business of the day began, they figured out something that was very important to them. It dawned on them that unlike Aunt Josephine, who had lived up in that house, sad and alone, the three children had one another for comfort and support over the course of their miserable lives. And while this did not make them feel entirely safe, or entirely happy, it made them feel appreciative. — Lemony Snicket

It was an origin story pedaled to the world, but unlike the various creation stories of the old religions, there was no rich culture, no moral code, no beauty. — T.L. Zalecki

The world petroleum story is one of the most inhuman known to man: in it, elementary moral and social principles are jeered at. If powerful oil trusts no longer despoil and humiliate our country it is not because these predators have become human, but because we have won a hard-fought battle which has been going on since the beginning of the century. — Mohammed Reza Pahlavi

Well, the moral of the story, The moral of this song, Is simply that one should never be Where one does not belong. So when you see your neighbor carryin' somethin', Help him with his load, And don't go mistaking Paradise For that home across the road. — Bob Dylan

Recreation in the open is of the finest grade. The moral benefits are all positive. The individual with any soul cannot live long in the presence of towering mountains or sweeping plains without getting a little of the high moral standard of Nature infused into his being ... with eyes opened, the great story of the Earth's forming, the history of a tree, the life of a flower or the activities of some small animal will all unfold themselves to the recreationist ... — Arthur Carhart

I've never been certain whether the moral of the Icarus story should only be, as is generally accepted, 'don't try to fly too high,' or whether it might also be thought of as 'forget the wax and feathers, and do a better job on the wings. — Stanley Kubrick

True literature is more than just a story someone has told. It must provide the reader with the essence of the world on a moral, philosophical and emotional level. — Orhan Pamuk

No. The moral of the story in so far as it has one is that cannibals can study logic, and that if you are going to leave the path, you better have your wits about you and know better than to trust the first scary old lady who talks to you in public. — Nick Harkaway

The moral of the story is we're here on Earth to fart around. And, of course, the computers will do us out of that. And, what the computer people don't realize, or they don't care, is we're dancing animals. You know, we love to move around. — Kurt Vonnegut

It seems that the Parisian Oulipo group has recently constructed a matrix of all possible murder-story situations and has found that there is still to be written a book in which the murderer is the reader.
Moral: there exist obsessive ideas, they are never personal; books talk among themselves, and any true detection should prove that we are the guilty party. — Umberto Eco

I look back at this moment sometimes, the moment I accepted this job, and I have to wonder what kind of decision it was--the right decision that is the wrong one, or the wrong one that's actually right. Someday I hope this is clear to me, that I can find the right end, the right moral to this story. Am I the sort of person who makes life harder than it has to be? Did I actively invite all this trouble into my life or was I just doing the best I could? But it's as terrible as it is true: everyone has something in them they cannot yet see. — Catherine Lacey

The moral of a fable is eternal. The moral of a story is temporary to a story. — Yann Martel

Churchill used words for different purposes: to argue for moral and political causes, to advocate courses of action in the social, national and international spheres, and to tell the story of his own life and that of Britain and its place in the world. — Winston S. Churchill

Children being children, however, the grotesque Hopping Pot had taken hold of their imaginations. The solution was to jettison the pro-Muggle moral but keep the warty cauldron, so by the middle of the sixteenth century a different version of the tale was in wide circulation among wizarding families. In the revised story, the Hopping Pot protects an innocent wizard from his torch-bearing, pitchfork-toting neighbours by chasing them away from the wizard's cottage, catching them and swallowing them whole. — J.K. Rowling

Moral of the story: try to get things right, figure out what's going wrong with the scenario, and don't give up. — Cody Lundin

The story of the betrayal of Jesus by Judas gave a moral and religious rationale to anti-Jewish sentiment, and that's what made it persistent and vicious. — Elaine Pagels

At forty-five, I feel grateful almost daily to be the adult I wished I could be when I was seventeen. I work on my arm strength at the gym; I've become pretty good with tools. At the same time, almost daily, I lose battles with the seventeen-year-old who's still inside me. I eat half a box of Oreos for lunch, I binge on TV, I make sweeping moral judgments. I run around in torn jeans, I drink martinis on a Tuesday night, I stare at beer-commercial cleavage. I define as uncool any group to which I can't belong. I feel the urge to key Range Rovers and slash their tires; I pretend I'm never going to die.
You never stop waiting for the real story to start, because the only real story, in the end, is that you die. — Jonathan Franzen

But here in my hometown, history was like a fine dust that settled out on everything. There was nothing to counter it. The culture had been hardened by a religion suspect of joy, yet fascinated by sin. Its moral acceptance of slavery eroded compassion. And gentility became a necessary pretense to cover the resentment created long ago when the North's industrial prestige trumped the agrarian South. It was not an easy place to feel lighthearted or triumphant. Nor was it an easy place to remember the beauty of wonder and awe. — Christina Carson

Only that type of story deserves to be called moral that shows us that one has the power within oneself to act, out of the conviction that there is something better, even against one's own inclination. — Johann Wolfgang Von Goethe

For as 'Wright's Ninth Rule of Writing' states, every story teaches a moral, whether intended by the author or not. — John C. Wright

The moral of the story was that if you can talk, it's better not to tell the truth. — Louis De Bernieres

My life is my life and I will live it my way.
Time has failed to limit me
My faith and perseverance
Has defined New-found happiness and success for me .
Moral of the story
Dare to live your dreams — Ilika Ranjan

There is also a widespread assumption that the Bible is supposed to provide us with role models and give us precise moral teaching, but this was not the intention of the biblical authors. The Eden story is certainly not a morality tale; like any paradise myth, it is an imaginary account of the infancy of the human race. — Karen Armstrong

When romances do really teach anything, or produce any effective operation, it is usually through a far more subtle process than the ostensible one. The author has considered it hardly worth his while, therefore, relentlessly to impale the story with its moral as with an iron rod-or, rather, as by sticking a pin through a butterfly-thus at once depriving it of life, and causing it to stiffen in an ungainly and unnatural attitude. — Nathaniel Hawthorne

Epictetus has had a long-standing resonance in the United States; his uncompromising moral rigour chimed in well with Protestant Christian beliefs and the ethical individualism that has been a persistent vein in American culture. His admirers ranged from John Harvard and Thomas Jefferson in the seventeenth and eighteenth centuries to Ralph Waldo Emerson and Henry David Thoreau in the nineteenth. More recently, Vice-Admiral James Stockdale wrote movingly of how his study of Epictetus at Stanford University enabled him to survive the psychological pressure of prolonged torture as a prisoner of war in Vietnam between 1965 and 1973. Stockdale's story formed the basis for a light-hearted treatment of the moral power of Stoicism in Tom Wolfe's novel A Man in Full (1998).52 — Epictetus

The moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it ... some stories just don't have a happy ending. — Jodi Picoult

The moral of this story is simple. Some moms are equipped by the hand of God to be "that mom." They have been formed with the three-C gene - Cooking, Crafting, and Cleaning come easily and naturally to them. Others of us have been delightfully chosen to provide the comic relief necessary to keep this world entertained. And to keep future therapists in business. — Lysa TerKeurst

The reason I met my husband was because I remembered a friend's birthday. The moral of the story is: Remember people's birthdays. — Julianna Margulies