Monterossos Richland Quotes & Sayings

It had butterfly wings, like flakes of patterned wax. Under the wings it had a hairy body with tiny horns. Its fur looked very dry in the hot summer rays. It had an ox's head, no bigger than her thumbnail, with a pink muzzle drawn into a grimace. A white splodge between its nostrils. The impossible detail of a scar on its bottom lip. There was warmth and a heartbeat in its body like that of a newborn chick. — Ali Shaw

People have entire relationships via text message now, but I am not partial to texting. I need context, nuance and the warmth and tone that can only come from a human voice. — Danielle Steel

We could raise prodigious cities and create nations, and explore the universe. — Jose Clemente Orozco

I never want to draw attention to myself, but that's all I do. — Slash

Are there any other missing persons living under your roof? Elvis? Jimmy Hoffa? Amelia Earhart? I'd just like full disclosure now, before we go any further. — Maggie Stiefvater

These senior claims were supposed to be very low-risk; after all, how likely was it that a large number of people would default on their mortgages at the same time? The answer, of course, is that it was quite likely in an environment where homes were worth 30, 40, 50 percent less than the borrowers originally paid for them. So a lot of supposedly safe assets, assets that had been rated AAA by Standard & Poor's or Moody's, ended up becoming "toxic waste", worth only a fraction of their face value. — Paul Krugman

The moment you betray your heart is the moment you lose everything. — J.A. Redmerski

Her first really great role, the one that cemented the "Jean Arthur character," was as the wisecracking big-city reporter who eventually melts for country rube Gary Cooper in Frank Capra's Mr. Deeds Goes to Town (1936). It was the first of three terrific films for Capra: Jean played the down-to-earth daughter of an annoyingly wacky family in Capra's rendition of Kaufman and Hart's You Can't Take It With You (1938), and she was another hard-boiled city gal won over by a starry-eyed yokel in Mr. Smith Goes to Washington (1939). "Jean Arthur is my favorite actress," said Capra, who had successfully worked with Stanwyck, Colbert and Hepburn. " ... push that neurotic girl ... in front of the camera ... and that whining mop would magically blossom into a warm, lovely, poised and confident actress." Capra obviously recognized that Jean was often frustrated in her career choice. — Eve Golden

Choose the kids. There will be plenty of time later to choose work. — Anna Quindlen