Modernist Art Quotes & Sayings
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Top Modernist Art Quotes

In the modernist era the division between art and the world was close to absolute, or put another way, art was a world of its own. — Karl Ove Knausgard

Cooking is an art, but all art requires knowing something about the techniques and materials. Using modernist techniques, you get more control, and that allows you to be more artistic, not less! — Nathan Myhrvold

The two most potent post-war orthodoxies
socialist politics and modernist art
have at least one feature in common: they are bothforms of snobbery, the anti-bourgeois snobbery of people convinced of their right to dictate to the common man in the name of the common man. — Roger Scruton

As Adam Gopnik remarked in The New Yorker, "Post-modernist art is, above all, post-audience art." In — David Bayles

[ ... ] a familiar art historical narrative [ ... ] celebrates the triumph of the expressive individual over the collective, of innovation over tradition, and autonomy over interdependence. [ ... ] In fact, a common trope within the modernist tradition of the nineteenth and early twentieth centuries involved the attempt to reconstruct or recover the lost ideal of an art that is integrated with, rather than alienated from, the social. By and large, however, the dominant model of avant-garde art during the modern period assumes that shared or collective values and systems of meaning are necessarily repressive and incapable of generating new insight or grounding creative praxis. — Grant H. Kester

In the days of Prismatic Color
not in the days of Adam and Eve, but when Adam
was alone; when there was no smoke and color was
fine, not with the refinement
of early civilization art, but because
of its originality; with nothing to modify it but the
mist that went up, obliqueness was a variation
of the perpendicular, plain to see and
to account for: it is no
longer that; nor did the blue-red-yellow band
of incandescence that was color keep its stripe — Marianne Moore

The whole Modernist lie is that art is about the artist. — Thomas Kinkade

Part of the triumph of modernist poetry is, indeed, to have demonstrated the great extent to which verse can do without explicit meaning and yet not sacrifice anything essential to its effect as art. Here, as before, successful art can be depended upon to explain itself. — Clement Greenberg

I think our sensibility is not modernist anymore, that is, sensibility of people who are interested in art and literature. — Louis Menand

He pulled me up into the world of advanced literature, where you wrote essays about a line of Dante, where nothing could be made complex enough, where art dealt with the supreme, not in a high-flown sense because it was the modernist canon with which we were engaged, but in the sense of the ungraspable, which was best illustrated by Blanchot's description of Orpheus's gaze, the night of the night, the negation of the negation, which of course was in some way above the trivial and in many ways wretched lives we lived, but what I learned was that also our ludicrously inconsequential lives, in which we could not attain anything of what we wanted, nothing, in which everything was beyond our abilities and power, had a part in this world, and thus also in the supreme, for books existed, you only had to read them, no one but myself could exclude me from them. You just had to reach up. — Karl Ove Knausgard

The rock has split, the egg has hatched, the prismatically plumed bird of life has escaped from its cage. It spreads its wings and is perched now on the peak of the huge African mountain Kilimanjaro.
Strange recompense, in the depths of our despair at the unfathomable mist into which all mankind is plunging, a curious force awakens. It is Hope long asleep, aroused once more. Wilson has taken an army of advisers and sailed for England. The ship has sunk. But the men are all good swimmers. They take the women on their shoulders and buoyed on by the inspiration of the moment they churn the free seas with their sinewy arms, like Ulysses, landing all along the European seaboard.
Yes, hope has awakened once more in men's hearts. It is NEW! Let us go forward!
The imagination, freed from the handcuffs of "Art", takes the lead! Her Feet are bare and not too delicate. In fact those who come behind her have much to think of. Hm. Let it pass. — William Carlos Williams