Modern Writing Quotes & Sayings

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

Henry Gerber, writing in 1932 under the pseudonym Parisex, responded to an article in The Modern Thinker that condemned homosexuality. "Is not the psychiatrist again putting the cart before the horse in saying that homosexuality is a symptom of the neurotic style of life?" he insisted. "Would it not sound more natural to say that the homosexual is made neurotic because his style of life is beset by thousands of dangers? — George Chauncey

We have a history in country music of writing about the darker side of things - maybe not as much in modern times, but there's a lot of cheating and self-deprecation. We sort it out in song, in country music, as a genre. — Chris Stapleton

If I were a modern writing about a modern young woman I would have to do her wedding night in grisly detail. The custom of the country and the times would demand a description, preferable "comic," of foreplay, lubrication, penetration, and climax and in deference to the accepted opinions about Victorian love, I would have to abort the climax and end the wedding night in tears and desolate comfortings. But I don't know. I have a good deal of confidence in both Susan Burling and the man she married. I imagine they worked it out without the need of any scientific lubricity and with even less need to make their privacies public. — Wallace Stegner

I was willing to believe him that most modern writing was trash, on the evidence that so much old writing was trash; but I didn't put it that way to him. — Ursula K. Le Guin

Theosophy occupies a central place in the history of new spiritual movements, for the writings of Blavatsky and some of her followers have had a great influence outside of her organization. ... The importance of Theosophy in modern history should not be underestimated. Not only have the writings of Blavatsky and others inspired several generations of occultists, but the movement had a remarkable role in the restoration to the colonial peoples of nineteenth century Asia of their own spiritual heritage. — Robert S Ellwood

As the philosopher Gilles Deleuze put it, no painter ever stands before a completely blank canvas, no author ever sits before a blank page. In fact, the surface confronting the modern artist is full of inherited images that must first be cleared from the imagination before one can begin to create one's own. — Marie Luise Knott

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

Everything I write is personal, really. Even when I'm sarcastic, it's quite personal. And on this record, from the production to the singing to the performances, I got it really honest. To the modern ear, it seems soft. When you hear it against other things, it seems vulnerable. Lyrically and musically, though, this is more subtle. And, yes, it's asking a lot of someone who's used to being hit over the head with bright neon to listen to this. — Ben Folds

By all the rules of modern fiction there should have been gunsmoke mingling its acrid blue with the brown haze of corral dust. Dead men should have fallen and been trampled ...
Nothing of this sort happened. — B.M. Bower

Modern Arabic literature achieved international recognition when Mahfouz was awarded the Nobel prize in 1988 ( ... ) Mahfouz also rendered Arabic literature a great service by developing, over the years, a form of language in which many of the archaisms and cliches that had become fashionable were discarded, a language that could serve as an adequate instrument for the writing of fiction in these times. — Denys Johnson-Davies

A theme that appears repeatedly in the writings of the social critics of the second half of the 20th century is the sense of purposelessness that afflicts many people in modern society. — Theodore Kaczynski

What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry. — Gilbert K. Chesterton

If I'm writing about a modern-day suburb, there's going to be details of the home and furniture, and if I'm writing about a historical period, those details, those pieces of the world are going to be there as well, but they'll be simplified, because I'm cartooning it. — Gene Luen Yang

Bayle, when writing on "Comets," discovered this; for having collected many things applicable to his work, as they stood quoted in some modern writers, when he came to compare them with their originals, he was surprised to find that they were nothing for his purpose! the originals conveyed a quite contrary sense to that of the pretended quoters, who often, from innocent blundering, and sometimes from purposed deception, had falsified their quotations. This is an useful story for second-hand authorities! — Isaac D'Israeli

The default mode of modern writing about art is to despise any notion of singularity as so much overheated genius-fetishism. — Simon Schama

The problem with being an author in this modern world is such: computers break often; books don't — Emma Iadanza

The enemy of the modern woman is not women who like fashion or are writing about it. The enemy is stereotypes that come from all places and that tell you to be one way or the other. The enemy is really real sexist people, like Todd Akin, and people who are violent against women physically or sexually. — Megan Amram

Joaquin Jackson's frank and colorful account of his long career as a modern-day Texas Ranger thrills like an action novel, yet the stories are true, sometimes funny, sometimes tragic, but always gripping. I could hardly put the book down ... The writing is superb. — Elmer Kelton

In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles. Writers who have neither product utopian trash. — John Berger

Sumerian scribes invented the practice of writing in cuneiform on clay tablets sometime around 3400 B.C. in the Uruk/Warka region in the south of ancient Iraq. [The etymology of 'Iraq' may come from this region, biblical Erech. Medieval Arabic sources used the name 'Iraq' as a geographical term for the area in the south and center of the modern republic.] — John A. Halloran

When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small. — Charles Bukowski

The main reason why serious historical studies of the Rosicrucian manifestos and their influence have hitherto been on the whole lacking is no doubt because the whole subject has been bedevilled by enthusiasts for secret societies. There is a vast literature on Rosicrucianism which assumes the existence of a secret society, founded by Christian Rosencreutz, and having a continuous existence up to modern times. In the vague and inaccurate world of so-called 'occultist' writing this assumption has produced a kind of literature which deservedly sinks below the notice of the serious historian. And when, as if often the case, the misty discussion of 'Rosicrucians' and their history becomes involved with the masonic myths, the enquirer feels that he is sinking helplessly into a bottomless bog. — Frances A. Yates

I felt condemned to obscurity and to celibacy. But when one is driven by passion, one can live on almost nothing, and I was driven by passion for writing. One does not starve in modern, Western societies, and one can do without such amenities as the telephone, a car, entertainment. — Alain Robbe-Grillet

WILSON RAWLS was born on a small farm in the Oklahoma Ozarks. He spent his youth in the heart of the Cherokee nation, prowling the hills and river bottoms with his only companion, an old bluetick hound. Rawls's first writing was done with his fingers in the dust of the country roads and in the sands along the river, and his earliest stories were told to his dog. Not until Rawls's family moved to Muskogee and he could attend high school did he encounter books. Where the Red Fern Grows has become a modern classic and has been made into a widely acclaimed motion picture. — Wilson Rawls

Remember this: a simple pen is much more swift and much more precise than a camera. That's my advice to both beginning and experienced authors: don't write with a camera. A camera is slow. All these modern writers usually make the same mistake - they write books with a film in mind. When you read their works, you don't hear the voice of a real author, you hear that horribly cheesy Hollywood voice-over. Frankly, that's not a novel, it's a movie script. If you write books, use a pen. A pen is swift, it has tempo, you can kill people with it. You cannot kill people with a camera, you can only perhaps bore them to death with it. — Martijn Benders

There's no scientific definition. A hymn ... is a song of praise to God. I think there were three real goals with our hymns that made them seem more in line with traditional classical hymn writing than with the modern worship movement and differentiate us slightly. — Keith Getty

There is a difference between dramatizing your sensibility and your personality. The literary works which we think of as classicsdid the former. Much modern writing does the latter, and so has an affinity with, say, night-club acts in all their shoddy immediacy. — Paul Horgan

I think that in France, we really admire American films, we admire their drive, we admire the modernity and ellipsism in the film and the writing and the style of acting, and we look at them perhaps in a way to see what we can steal from them, too, to make our own films more modern. — Francois Cluzet

Modern reformers offer nebulous theories or write philanthropic novels. But your thief acts! He is as clear as a fact and as logical as a punch on the nose! And what a style he has! — Honore De Balzac

Each of these passages has faults of its own, but, quite apart from avoidable ugliness, two qualities are common to all of them. The first is staleness of imagery; the other is lack of precision. The writer either has a meaning and cannot express it, or he inadvertently says something else, or he is almost indifferent as to whether his words mean anything or not. This mixture of vagueness and sheer incompetence is the most marked characteristic of modern English prose, and especially of any kind of political writing. As soon as certain topics are raised, the concrete melts into the abstract and no one seems able to think of turns of speech that are not hackneyed: prose consists less and less of words chosen for the sake of their meaning, and more and more of phrases tacked together like the sections of a prefabricated hen-house. — George Orwell

One of the things that's amazing about reading the private writing of these folks is that they enthusiastically describe things which we have now seen, and which are widely regarded as unappealing. They'll write, "It's going to be beautiful, we're going to have a town of 1,000 stone buildings that are all identical." And we as modern readers think, we've seen that; that's bad Soviet architecture or a public housing project. Nobody fantasizes about living there. — Christine Jennings

Who was Jesus anyway? After twenty centuries, there is not much anyone can agree on. The four canonical gospels don't measure up to modern standards of biographical writing, and - outside of this material - there is precious little contemporary evidence, apart from a few glancing mentions of Jesus or the movement centered on him. — Jay Parini

As far as modern writing is concerned, it is rarely rewarding to translate it, although it might be easy. Translation is very much like copying paintings. — Boris Pasternak

Knowledge brings power. Hence writing brings power to modern societies, by making it possible to transmit knowledge with far greater accuracy and in far greater quantity and detail, from more distant lands and more remote times. Of — Jared Diamond

The only protection as a historian is to institute a process of research and writing that minimizes the possibility of error. And that I have tried to do, aided by modern technology, which enables me, having long since moved beyond longhand, to use a computer for both organizing and taking notes. — Doris Kearns Goodwin

I started writing novels while an undergraduate student, in an attempt to make sense of the city of Edinburgh, using a detective as my protagonist. Each book hopefully adds another piece to the jigsaw that is modern Scotland, asking questions about the nation's politics, economy, psyche and history ... and perhaps pointing towards its possible future. — Ian Rankin

I can think of no one more qualified to write about the modern South than Curtis Wilkie — Willie Morris

In thirty years Iraq too has gone from being among the most modern and secular of Arab countries -with women working, artists thriving, journalists writing- into a squalid playpen for a megalomaniac. — Fareed Zakaria

The modern cheap and fertile press, with all its translations, has done little to bring us nearer to the heroic writers of antiquity. — Henry David Thoreau

If you go through any newspaper or magazine and look for active, kicking verbs in the sentences, you will realize that this lack of well used verbs is the main trouble with modern English writing. Almost all nonfiction nowadays is written in a sort of pale, colorless sauce of passives and infinitives, motionless and flat as paper. — Rudolf Flesch

If this letter system works, it should be reproducible and consistent. If this letter system works, it should be demonstrated in biblical narrative - with consistency. It has. It does. It will. For instance: Daniel interpreted the handwriting on the Babylonian wall. (Da 5:1-31) The question has always been, "What method would produce the same interpretation?"
If you will pull out your Strong's Concordance and translate those same four words, you won't get the same results that Daniel got. Was Daniel using a different method than modern Christians? Yes, obviously. — Michael Ben Zehabe

Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going. — Virginia Woolf

If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers - not all of whom are modern ... I mean, if you are willing to make allowances for the way English has changed, you can go way, way back with this - becomes a source of unbelievable joy. It's like eating candy for the soul. So probably the smart thing to say is that lucky people develop a relationship with a certain kind of art that becomes spiritual, almost religious, and doesn't mean, you know, church stuff, but it means you're just never the same. — David Foster Wallace

Travel became distinguishable from pain and began to be regarded as an intellectual pleasur ... These factors
the voluntariness of departure, the freedom implicit in the indeterminancies of mobility, the pleasure of travel free from necessity, the notion that travel signifies autonomy and is a means for demonstrating what one 'really' is independent of one context or set of defining associations
remain the characteristics of the modern conception of travel.
Eric Leed — Robin Jarvis

[S]torytelling, in ancient and modern practice, is always a contemplation of the experience of time passing. A story depends on things not standing still, on the built-in condition of impermanence. — Joan Silber

Freud elevated unconscious processes to the throne of the mind, imbuing them with the power to guide our every thought and deed, and to a significant extent writing free will out of the picture.
Decades later, neuroscience has linked genetic mechanisms to neuronal circuits coursing with a multiplicity of neurotransmitters to argue that the brain is a machine whose behavior is predestined, or at least determined, in such a way as seemingly to leave no room for the will. It is not merely that will is not free, in the modern scientific view; not merely that it is constrained, a captive of material forces. It is, more radically, that the will, a manifestation of the mind, does not even exist, because a mind independent of brain does not exist. — Jeffrey M. Schwartz

The word "snobbery" came into use for the first time in England during 1820s. It was said to have derived from the habit of many Oxford and Cambridge colleges of writing sine nobilitate (without nobility) , or "s.nob", next to the names of the ordinary students on examinations lists in order to distinguish them from their aristocratic peers. In the word's earliest days, a snob was taken to mean someone without high status, but it quickly assumed its modern and almost diametrically opposed meaning: someone offended by a lack of high status in others, a person who believes in a flawless equations between social rank and human worth — Alain De Botton

I take pride in using fountain pens. They represent craftsmanship and a love of writing. Biros, on the other hand, represent the throwaway culture of modern society, which exists on microwave ready-meals and instant coffee. — Fennel Hudson

Anyone who claims that weapons like semi-automatics are so modern and unique that the Second Amendment doesn't apply to them would also have to believe that the First Amendment protects only writing done with quill pens on parchment paper, since those were the norm back then. How could we expect the Founders to have ever imagined the world we live in today? — Glenn Beck

Because I write fiction that is based in the real world, it's going to lead people into some of the modern dilemmas and concerns and even catastrophes that they will think about in a new way. — Barbara Kingsolver

Funny as hell, searingly honest, and urgently real, Sam Pink's Rontel puts to shame most modern fiction. His writing perfectly captures the bizarre parade that is Chicago, with all its gloriously odd and wonderful people. This book possesses both the nerve of Nelson Algren and the existential comedy of Albert Camus. — Joe Meno

Cramming the stories of Israel into a modern mold of history writing not only makes the Bible look like utter nonsense; it also obscures what the Bible models for us about our own spiritual journey. On that journey, what matters most is not simply where we've been - the triumphs or the tragedies - but where we are with God now in the moment. All great spiritual leaders will tell us that living in the moment is key to vibrant communion with God. The now is where God's presence is found, where neither past memories nor the future with its idle speculations dominates. — Peter Enns

Men must speak English who can write Sanskrit; they must speak a modern language who write, perchance, an ancient and universal one. — Henry David Thoreau

Film writing and concert writing are two very different things. In film writing I am serving the film and it tells you what to write. I have to stay within the parameters of the film. In writing concert music for the stage I can write anything I want and in this day and modern age rules can be broken. — Aaron Zigman

Unlike modern military codes, ancient texts are almost never purposely misleading, purposely scrambled ... indeed, literacy was so uncommon until classical times that the very writing of a message sufficed to keep it from almost everybody. — E. J. W. Barber

Modern tragic writers have to write short stories; if they wrote long stories ... cheerfulness would creep in. Such stories are like stings; brief, but purely painful. — G.K. Chesterton

Though this child came in with nothing but excess baby fat, chemical brain waves, and mother and son bodily toxins on his legs, he had a fate fit for a modern day demigod. — David Scheier

In any case, it seems to me that all over the world people nowadays prefer to judge rather than to understand, to answer rather than to ask, so that the voice of the novel can hardly be heard over the noisy foolishness of human certainties. — Milan Kundera

The making of miracles to edification was as ardently admired by pious Victorians as it was sternly discouraged by Jesus of Nazareth. Not that the Victorians were unique in this respect. Modern writers also indulge in edifying miracles though they generally prefer to use them to procure unhappy endings, by which piece of thaumaturgy they win the title of realists. — Dorothy L. Sayers

but on Hegel, his "idealist" predecessor who was the first philosopher to answer Kant's challenge of writing a Universal History. For Hegel's understanding of the Mechanism that underlies the historical process is incomparably deeper than that of Marx or of any contemporary social scientist. For Hegel, the primary motor of human history is not modern natural science or the ever expanding horizon of desire that powers it, but rather a totally non-economic drive, the struggle for recognition. Hegel's Universal History complements the Mechanism we have just outlined, but gives us a broader understanding of man - "man as man" - that allows us to understand the discontinuities, the wars and sudden eruptions of irrationality out of the calm of economic development, that have characterized actual human history. — Francis Fukuyama

Writing a novel is one of those modern rites of passage, I think, that lead us from an innocent world of contentment, drunkenness, and good humor, to a state of chronic edginess and the perpetual scanning of bank statements. — J.G. Ballard

Imagine a day when all plants and trees go on a strike, a bandh just for a day. All of us will die for want of oxygen." Reading this, I was instantly reminded of Bolivia's recent legislation (in December 2010) to grant all nature equal rights as humans. Justice William O. Douglas, writing against a 1972 decision by the United States Supreme Court, wrote, "Inanimate objects are sometimes parties in litigation ... So it should be as respects valleys, alpine meadows, rivers, lakes, estuaries, beaches, ridges, groves of trees, swampland, or even air that feels the destructive pressures of modern technology and modern life ... The voice of the inanimate object, therefore, should not be stilled. — Anonymous

Now that I have made this catalogue of swindles and perversions, let me give another example of the kind of writing that they lead to. This time it must of its nature be an imaginary one. I am going to translate a passage of good English into modern English of the worst sort. Here is a well-known verse from Ecclesiastes:
I returned and saw under the sun, that the race is not to the swift, nor the battle to the strong, neither yet bread to the wise, nor yet riches to men of understanding, nor yet favour to men of skill; but time and chance happeneth to them all.
Here it is in modern English:
Objective considerations of contemporary phenomena compel the conclusion that success or failure in competitive activities exhibits no tendency to be commensurate with innate capacity, but that a considerable element of the unpredictable must invariably be taken into account. — George Orwell

With pantheism ... the deity is associated with the order of nature or the universe itself ... when modern scientists such as Einstein and Stephen Hawking mention 'God' in their writing, this is what they seem to mean: that God is Nature. — Victor J. Stenger

Writing is both bomb and bomb disposal-a necessary shattering of cliche and assumption, and a powerful defusing of the soul-destroying messages of modern life (that nothing matters, nothing changes, money is everything, etc). Writing is a state of being as well as an act of doing. — Jeanette Winterson

Forcing modern speakers of English to not - whoops, not to split an infinitive because it isn't done in Latin makes about as much sense as forcing modern residents of England to wear laurels and togas. — Steven Pinker

Cloud-flying requires practice, even if you have every modern instrument, and unless you keep calm and collected you will get into trouble after you have been inside a really thick one for a few minutes. In the very early days of aviation, 1912 to be correct, I emerged from a cloud upside down, much to my discomfort, as I didn't know how to get right way up again. I found out somehow, or I wouldn't be writing this. — Charles Rumney Samson

There's this whole post-modern, nuevo beatnik, retro-bohemian thing going on, you know what I mean? You walk into some coffee shops, and it feels like you're an ex-patriot in Paris in the 20s. You're like, 'Hey, isn't that a young Ernest Hemingway over there? Yeah, I think it is! Hey, let's go have a look and see what he's writing ... It's a Gap application.' — Marc Maron

We are living in a renaissance of personal writing. People are rebalancing the impersonalization endemic to modern society with an increase in personal introspection. We have enough common psychology under our belts to know that psychology doesn't explain or heal everything and that it isn't the fulfillment of awareness, but its beginning. We are undergoing a shift in paradigms in which we are trying to develop new models for humanness and human responsibility. This is no small task. Our individual lives are placed under increasing pressure to respond adequately to both inner and outer change. — Christina Baldwin

The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction. — Oscar Wilde

Another indulgence...by Mo Ali, is the most complex writing of the magazine. The narration and dialogue is obscure and tangential while remaining utterly modern..."
"...The opening piece...by Mo Ali, is a lyrical account of a surreal apocalypse and is some of the most beautiful writing of the issue." - Miranda Siemienowicz, HorrorScope — Miranda Siemienowicz

You don't understand that one can be an atheist, one can not know whether God exists or why, and at the same time know that man does not live in nature but in history, and that in present-day understanding it was founded by Christ, that its foundation is the Gospel. And what is history? It is the setting in motion of centuries of work at the gradual unriddling of death and its eventual overcoming. Hence the discovery of mathematical infinity and electromagnetic waves, hence the writing of symphonies. It is impossible to move on in that direction without a certain uplift. These discoveries call for spiritual equipment. The grounds for it are contained in the Gospel. They are these. First, love of one's neighbor, that highest form of living energy, overflowing man's heart and demanding to be let out and spent, and then the main component parts of modern man, without which he is unthinkable
namely, the idea of the free person and the idea of life as sacrifice. — Boris Pasternak

I love new writing, new blood, modern works by unknown writers. — Joseph Fiennes

When I used to teach creative writing, I would tell the students to make their characters want something right away - even if it's only a glass of water. Characters paralyzed by the meaninglessness of modern life still have to drink water from time to time. — Stephen Koch

Writing is the Latin of our times. The modern language of the people is video and sound. — Lawrence Lessig

Based on the experience of history and civilization of mankind, which is more important for Muslims today, to no longer busy discussing the greatness that Muslims achieved in the past, or debating who first discovered the number zero, including the number one, two, three and so on, as the contribution of Muslims in the writing of numbers in this modern era and the foundation and development of civilizations throughout the world. But how Muslims will regained the lead and control of science and technology, leading back and become a leader in the world of science and civilization, because it represents a real achievement. — Bacharuddin Jusuf Habibie

My writing is called exotic or avant-garde because I write about rural places. Has it really come to this, that if you write about the country you are avant-garde? How did this happen? Modern agriculture and spaces are still so relevant. — Sarah Hall

Art translates human souls. Each passing eon's public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind's gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind's self-imposed sense of urgency. Each passing generation's effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls. — Kilroy J. Oldster

The important thing is not what we write but how we write, and in my opinion the modern writer must be an adventurer above all, willing to take every risk, and be prepared to founder in his effort if need be. In other words we must write dangerously — James Joyce

The gargantuan, ever-growing, ever-less-accountable, impossible-to-uproot federal bureaucracy is actually the sleeper issue of our time. It's at the heart of the conservative critique of modern government: faceless bureaucrats writing incomprehensible regulations that complicate our lives for no good reason. — Jim Geraghty

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers. — Pat Conroy

I don't have any of the modern electronics at all. I know the Internet would be a distraction. I would see things that interested me and never get back to writing. — Elmore Leonard

J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I've heard it said that he was trying to create some kind of original British mythology using the structure of other cultures' myths, and maybe that was true. I don't know. What I see, when I read his work, is a man trying desperately to dream.
Dreaming is impossible without myths. If we don't have enough myths of our own, we'll latch onto those of others - even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it's human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight. — N.K. Jemisin

In the glad old days, before the rise of modern morbidities ... it used to be thought a disadvantage to be misunderstood. — G.K. Chesterton

I don't think you should try to be loyal to your century or your opinions, because you are being loyal to them all the time. You have a certain voice, a certain kind of face, a certain way of writing, and you can't run away from them even if you want to. So why bother to be modern or contemporary, since you can't be anything else? — Jorge Luis Borges

I wanted to write a book that showed how the subjectification of the "the murderer" has changed little in over a hundred years, and to argue that this "exceptional figure" serves a conservative function in modern culture that bears closer interrogation than it has commonly received. — Richard Marshall

The higher processes are all processes of simplification. The novelist must learn to write, and then he must unlearn it; just as the modern painter learns to draw, and then learns when utterly to disregard his accomplishment, when to subordinate it to a higher and truer effect. — Willa Cather

The brain of the modern human is no longer capable of understanding reality directly. It used to be that a person lived, looked toward the horizon, howled at the moon, and formed his conceptions, however biased, based on his own experiences and observations. There used to be this thing called independent learning. Not anymore. They crystallize our brains like ice from water. Imagine how slowly, starting in childhood, your brain is crystallized for you, forming your conception of reality. We could even determine a unit of currency for all humanity, 'the value of one concept.' Everyone would have their own change purse, so to speak, and the coins in it, though of various values, quantities, styles, and metals, would all be from a single mint. — Elizaveta Mikhailichenko

I've always tried to insert consciousness and spirituality in my records, interpreting the writings of all cultures and religions and how they apply to life in modern times. — Rakim

It is as difficult to suppose a person intending to write a modern English, as to suppose him writing an ancient English, novel; that is a label which begs the question. One writes the novel, one paints the picture, of one's language and of one's time, and calling it modern English will not, alas! make the difficult task any easier. — Henry James

When all is said and done, the invention of writing must be reckoned not only as a brilliant innovation but as a surpassing good for humanity. And assuming that we survive long enough to use their inventions wisely, I believe the same will be said of the modern Thoths and Prometheuses who are today devising
computers and programs at the edge of machine intelligence. — Carl Sagan

Nowadays, the Internet decides if you're good, not the big man in the big office. No matter how important that man thinks he is, everyone else knows that he's not important anymore, and the Internet decides these things, here in the modern age. — Alexei Maxim Russell

F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. — Chuck Klosterman

The writer is the Faust of modern society, the only surviving individualist in a mass age. To his orthodox contemporaries he seems a semi-madman. — Boris Pasternak

Generations cometh and generations passeth, but the earth abideth forever. While successive generations live and die, and all things change, man can never rest until death claims us. I choose to use my time alone to contemplate human existence, probe the human condition, and trace what it means to be one man in our modern world. There can be no profit from my labor, no lasting yield realized from this laborious and painful sojourn. We will leave everything behind. The earth shall dissolve all of our acquisitions and obliterate all traces of our petty affections. Passage of time shall alter, not annihilate the products of any artistic labors. The substance of our artistic enterprises shall continue forward in a renewed and redefined state. — Kilroy J. Oldster

What exactly is the new verse movement? The New Verse Movement of the 1910's was to make poetry relevant again by immersing it into the spaces, technologies, and social dynamics of the modern city.
And Now In The Present And Future ?
The New Verse Movement of the 21st Century follows these same beliefs. To somehow ignite the spark and to help make poetry relevant again in a new age of technologies (The Internet) and to support new & experimental as well as older poetic forms. The New Verse Movement of the 21st Century is all about change and free expression of the creative mind. — R.M. Engelhardt

I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike. — Martin Amis

I say decisively that nothing is so marked in modern writing as the prediction of such ideals in the future combined with the ignoring of them in the past. Anyone — G.K. Chesterton

I get fed up with all this nonsense of ringing people up and lighting cigarettes and answering the doorbell that passes for action in so many modern plays. — Graham Greene