Modern Writers Quotes & Sayings

In our modern world, this elemental quality of storytelling is denied. We live today in a world in which everything has its place and function and nothing is left out of place. Storytelling is thus at a discount and like everything else in a world ruled by the laws of exchange value, literature is required to submit itself to the requirements of the market and must learn, like any other commodity, to adapt and serve needs that lie outside of itself and its concrete value. It is forced to stand not for itself but for an ideological cause of one sort or another, whether it be political, social or literary. It cannot exist for itself: like everything else it has to be justified. And for this very reason the power of storytelling is automatically devalued. Literature is reduced to the status of complimentary utilitarian functions: as a pastime to provide distraction and entertainment, or as a heightened activity that would claim to explore 'great truths' about the human condition. — Michael Richardson

Strunk was born in 1869, and today's writers cannot base their craft exclusively on the advice of a man who developed his sense of style before the invention of the telephone (let alone the Internet), before the advent of modern linguistics and cognitive science, before the wave of informalization that swept the world in the second half of the twentieth century. — Steven Pinker

Scott had learned much about girls when he was courting Zelda: the paradoxical mix of dependency and disdain she felt for her own beauty, the small tragedies and triumphs of her teenage life. In transferring these nuances to Rosalind, he became one of the first writers in post-war America to evoke a complex, modern heroine. — Judith Mackrell

If you look at any list of great modern writers such as Ernest Hemingway, William Faulkner, and F. Scott Fitzgerald, you'll notice two things about them: 1. They all had editors. 2. They are all dead. Thus we can draw the scientific conclusion that editors are fatal. — Dave Barry

We understand today that the physical universe is bigger and older and operates very differently than how the biblical writers, and all other ancient people, thought. Many Christians stumble over this, thinking they are showing respect for the Bible and obeying God by making the biblical story mesh with modern science, or rejecting modern science entirely in favor of God's Word. But there is no need to feel embarrassed or unfaithful by acknowledging that ancient writers wrote from an ancient mind-set. When ancient Israelites wrote as they did about the physical world, they were expressing their faith in God in ways that fit their understanding. It shouldn't get our knickers in a twist to admit that, from a scientific point of view, they were wrong. That doesn't make their faith or the God behind it all any less genuine. — Peter Enns

Modern biblical scholars have established that the bible is a wiki. It was compiled over half a millennium from writers with different styles, dialects, character names, and conceptions of God and was subjected to haphazard editing that left it with many contradictions, duplications and non-sequiturs. — Steven Pinker

Most writers flinch at the thought of being completely honest about themselves. So absolute honesty is what marks the true modern. — J.G. Ballard

I read mostly Irish, African, Japanese, South American, and African writers. You can count on Scandinavian literature for a certain kind of darkness, a modern mythic style. — Chris Abani

It is well known that geometry presupposes not only the concept of space but also the first fundamental notions for constructions in space as given in advance. It only gives nominal definitions for them, while the essential means of determining them appear in the form of axioms. The relationship of these presumptions is left in the dark; one sees neither whether and in how far their connection is necessary, nor a priori whether it is possible. From Euclid to Legendre, to name the most renowned of modern writers on geometry, this darkness has been lifted neither by the mathematicians nor the philosophers who have laboured upon it. — Bernhard Riemann

It has long been a source of wonder to me why the leading criminological writers
men like Edmund Lester Pearson, H. B. Irving, Filson Young, Canon Brookes, William Bolitho, and Harold Eaton
have not devoted more space to the Greene tragedy; for here, surely, is one of the outstanding murder mysteries of modern times
a case practically unique in the annals of latter-day crime. — S. S. Van Dine

My views on wealth redistribution were shaped largely by knowledge elites who earned their living by words and ideas
professors, writers, and movement leaders. Like most of the broadminded clergy I knew, I reasoned out of modern naturalistic premises, employing biblical narratives narrowly and selectively as I found them useful politically. The saving Grace of God on the cross was not in my mix of life changing ideas. — Thomas C. Oden

Agrarians are committed to preserving both communities and the material means of life, to cultivating practices that ensure that the essential means of life suffice for all members of the present generation and are not diminished for those who come after. Agrarianism in this sense is, and has nearly always been, a marginal culture existing at the edge or under the domination of a larger culture whose ideology, social system, and economy are fundamentally different. So agrarian writers, both ancient and modern, always speak with a vivid awareness of the threat posed by the culture of the powerful. — Ellen F. Davis

Modern civilization is largely devoted to the pursuit of the cult of delusion. There is no general information about the nature of mind. It is hardly ever written about by writers or intellectuals; modern philosophers do not speak of it directly; the majority of scientists deny it could possibly be there at all. It plays no part in popular culture: no one sings about it, no one talks about it in plays, and it's not on TV. We are actually educated into believing that nothing is real beyond what we can perceive with our ordinary senses. — Sogyal Rinpoche

For nearly two centuries the popular spirit of each succeeding generation has tended more and more to the view that the mysteries of life will eventually fall before the mind of man. Many modern novelists have been more concerned with the processes of consciousness than with the objective world outside the mind. In twentieth-century fiction it increasingly happens that a meaningless, absurd world impinges upon the sacred consciousness of author or character; author and character seldom now go out to explore and penetrate a world in which the sacred is reflected. — Flannery O'Connor

Much modern prose is praised for its terseness, its scrupulous avoidance of curlicue, etcetera. But I don't feel the deeper rhythm there. I don't think these writers are being terse out of choice. I think they are being terse because it's the only way they can write. — Martin Amis

There are some indications of how the character should behave based on the script, and then as actor makes it his or her own. I got to know one of the writers, Chris Terrio, and we were able to discuss things at length and figure out who this person is to create a real psychology behind what is, perhaps, in a comic book, a less than totally modern psychology. I can only say I've been asked to play an interesting role. A complicated, challenging person. — Jesse Eisenberg

According to Wallace, the expectation that art amuses is a 'poisonous lesson for a would-be artist to grow up with,' since it places all of the power with the audience, sometimes breeding resentment on the part of the author. 'I can see it in myself and in other young writers,' he told McCaffery: 'this desperate desire to please coupled with a kind of hostility to the reader.' Wallace expressed his 'hostility' by writing unwieldy sentences, refusing to fulfill readers' expectations, and 'bludgeoning the reader with data'
all strategies he used to wrestle back some of the power held by modern audiences. — Dorothy M. Kennedy

Bayle, when writing on "Comets," discovered this; for having collected many things applicable to his work, as they stood quoted in some modern writers, when he came to compare them with their originals, he was surprised to find that they were nothing for his purpose! the originals conveyed a quite contrary sense to that of the pretended quoters, who often, from innocent blundering, and sometimes from purposed deception, had falsified their quotations. This is an useful story for second-hand authorities! — Isaac D'Israeli

I really like Shakespeare a lot. The characters that he writes for females, I think, are really great and a lot more compelling than what modern writers write, which is weird because they didn't have actresses then. — Julia Stiles

What is democracy? If it is the rule of the majority, ignoring the rest, then it is not good, it is very bad! But if it is the rule of the whole citizens, caring the wills of both the majority and the rest, then it is good, then it is real democracy! And the purpose of every real democracy is to be a modern country, to be a modern structure! — Mehmet Murat Ildan

Man must spend much more time in extraordinary natural places to grasp much better how remarkable our planet is and to realise what a great privilege and what an enormous joy to be living here! — Mehmet Murat Ildan

Shakespeare is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirrour of manners and of life. His characters are not modified by the customs of particular places, unpractised by the rest of the world; by the peculiarities of studies or professions, which can operate but upon small numbers; or by the accidents of transient fashions or temporary opinions: they are the genuine progeny of common humanity, such as the world will always supply, and observation will always find. His persons act and speak by the influence of those general passions and principles by which all minds are agitated, and the whole system of life is continued in motion. In the writings of other poets a character is too often an individual; in those of Shakespeare it is commonly a species. — Samuel Johnson

The modern hero is the outsider. His experience is rootless. He can go anywhere. He belongs nowhere. Being alien to nothing, he ends up being alienated from any type of community based on common tastes and interests. The borders of his country are the sides of his skull. — Flannery O'Connor

In the modern world, in which thousands of people are dying every hour as a consequence of politics, no writing anywhere can begin to be credible unless it is informed by political awareness and principles. Writers who have neither product utopian trash. — John Berger

Roberto Calasso's survey of the renewed interest in myth demonstrates how decisive the gods' influence was on modern literature. Calasso is not only immensely learned; he is one of the most original thinkers and writers we have today. — Charles Simic

The modern writers who have suggested, in a more or less open manner, that the family is a bad institution, have generally confined themselves to suggesting, with much sharpness, bitterness, or pathos, that perhaps the family is not always very congenial. Of course the family is a good institution because it is uncongenial. It is wholesome precisely because it contains so many divergencies and varieties. It is, as the sentimentalists say, like a little kingdom, and, like most other little kingdoms, is generally in a state of something resembling anarchy. — G.K. Chesterton

When I worked on a magazine, I learned that there are many, many writers writing that can't write at all; and they keep on writing all the cliches and bromides and 1890 plots, and poems about Spring and poems about Love, and poems they think are modern because they are done in slang or staccato style, or written with all the 'i's' small. — Charles Bukowski

I go back and research, say, every reference to the Gorgons, and I find what the classical writers said about them and it's so much richer than you might get in an average Greek mythology text. I feel like an archaeologist - I'm dusting off these things that people have not seen for thousands of years and bringing them into the modern world. — Rick Riordan

Only the pun remains. The pun, beloved of Shakespeare, children and tabloid headline-writers, is normally eschewed in the modern, sophisticated circles in which I move. — Arthur Smith

I was under the influence of the early modern masters, Fitzgerald and Steinbeck and Hemingway, especially, when I was a kid. I reacted against writers like Barth and John Hawkes. I did not care for the post-modernist stuff; my allegiance was to realism. — Robert Stone

Accountants, machinists, medical technicians, even software writers that write the software for 'machines' are being displaced without upscaled replacement jobs. Retrain, rehire into higher paying and value-added jobs? That may be the political myth of the modern era. There aren't enough of those jobs. — Bill Gross

Modern writers are the moons of literature; they shine with reflected light, with light borrowed from the ancients. — Samuel Johnson

When I was younger, I would cling to life because life was at the top of the turning wheel. But like the song of my gypsy-girl, the great wheel turns over and lands on a minor key. It is then that you come of age and life means nothing to you. To live, to die, to overdose, to fall in a coma in the street ... it is all the same. It is only in the peach innocence of youth that life is at its crest on top of the wheel. And there being only life, the young cling to it, they fear death ... And they should! ... For they are in life. — Roman Payne

Journal writers record the tide of sickness, fever, and death with a matter-of-factness that is almost chilling to modern eyes. By the age of twenty everyone had witnessed dozens of deaths, very often of siblings, perhaps of one's mother in childbirth, and definitely of neighbors and friends to accidents and disease. — John F. Ross

Whatever their ideas or ideologies or religions are, always get along well with people! — Mehmet Murat Ildan

If you spend enough time reading or writing, you find a voice, but you also find certain tastes. You find certain writers who when they write, it makes your own brain voice like a tuning fork, and you just resonate with them. And when that happens, reading those writers - not all of whom are modern ... I mean, if you are willing to make allowances for the way English has changed, you can go way, way back with this - becomes a source of unbelievable joy. It's like eating candy for the soul. So probably the smart thing to say is that lucky people develop a relationship with a certain kind of art that becomes spiritual, almost religious, and doesn't mean, you know, church stuff, but it means you're just never the same. — David Foster Wallace

... I've seen the world tell us with wars and real estate developments and bad politics and odd court decisions that our lives don't matter. That may be because we are too many. Architecture and application form, modern life says that with so many of us we can best survive by ignoring identity and acting as it individual differences do not exist. Maybe the narcissism academics condemn in creative writers is but a last reaching for a kind of personal survival. Anyway, as a sound psychoanalyst once remarked to me dryly, narcissism is difficult to avoid. When we are told in dozens of insidious ways that our lives don't matter, we may be forced to insist, often far too loudly, that they do. — Richard Hugo

Why is contemporary China short of works that speak directly? Because we writers cannot speak directly, or rather we can only speak in an indirect way.
Why does contemporary China lack good works that critique our current situation? Because our current situation may not be critiqued. We have not only lost the right to criticise, but the courage to do so.
Why is modern China lacking in great writers? Because all the great writers are castrated while still in the nursery. — Murong Xuecun

Needless to say, the business of living interferes with the solitude so needed for any work of the imagination. Here's what Virginia Woolf said in her diary about the sticky issue: I've shirked two parties, and another Frenchman, and buying a hat, and tea with Hilda Trevelyan, for I really can't combine all this with keeping all my imaginary people going. — Virginia Woolf

The modern cheap and fertile press, with all its translations, has done little to bring us nearer to the heroic writers of antiquity. — Henry David Thoreau

Most American writers don't get asked their opinion on current affairs, whereas in Europe and England, we still do. There are writers here who are the most sophisticated commentators, but they're not asked. Like Don DeLillo, who sort of forecast most of the modern world before it happened. — Salman Rushdie

One thinks about modern academics, especially philosophers and sociologists. Their language is often voiceless and without power because it is so utterly cut off from experience and things. There is no sense of words carrying experiences, only of reflecting relationships between other words or between "concepts." There is no sense of an actual self seeing a thing or having an experience... Sociology - by its very nature? - seems to be an enterprise whose practitioners cut themselves off from experience and things and deal entirely with categories about categories. As a result sociologists, more even than writers in other disciplines, often write language which has utterly died — Peter Elbow

Henry Blodget does occasionally have a new idea. If you're making a point about aggregation or the emptiness of modern journalism, he's far from the best target. Try Huffpo - or Gawker writers whose souls have been corroded by irony. — Nick Denton

Hardboiled crime fiction came of age in 'Black Mask' magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world. — Charles Frazier

Even the Sun shed tears once in a while — Sheeja Jose

A dreadful suspicion was coming over me. Hadn't my mortal life been nothing but abysmal struggle and trivia and fear? Wasn't that the way it was for most mortals? Wasn't that the message of a score of modern writers and poets - that we wasted our lives in foolish preoccupation? Wasn't this all a miserable cliche? — Anne Rice

(the modern writer's aim is) general revelation by suggestion (and) making a very tiny part do for a whole. — Sean O'Faolain

Look, I don't have a problem with medieval Europe. I have a problem with modern fantasy's fetishization of medieval Europe; that's different. So many fantasy writers and fans simplify the social structure of the period, monotonize the cultural interactions, treat conflicts as binaries instead of the complicated dynamic tapestry they actually were. They're not doing medieval Europe, they're doing Simplistic British Isles Fantasy Full of Lots of Guys with Swords And Not Much Else. Not all medieval European fantasy does this, of course - but enough does that frankly, they've turned me off the setting. — N.K. Jemisin

I do think that the modern India does belong to writers who are living in India. — Kiran Desai

We've inherited many ideas about writing that emerged in the eighteenth century, especially an interest in literature as both an expression and an exploration of the self. This development - part of what distinguishes the "modern" from the "early modern" - has shaped the work of many of our most celebrated authors, whose personal experiences indelibly and visibly mark their writing. It's fair to say that the fiction and poetry of many of the finest writers of the past century or so - and I'm thinking here of Conrad, Proust, Lawrence, Joyce, Woolf, Kafka, Plath, Ellison, Lowell, Sexton, Roth, and Coetzee, to name but a few - have been deeply autobiographical. The link between the life and the work is one of the things we're curious about and look for when we pick up the latest book by a favorite author. — James Shapiro

virus writers lack the basic social and moral values and the "well-formed consciousness" that are the hallmarks of civilized modern societies. — Peter H. Gregory

I do not know by what extraordinary mental accident modern writers so constantly connect the idea of progress with the idea of independent thinking. Progress is obviously the antithesis of independent thinking. For under independent or individualistic thinking, every man starts at the beginning, and goes, in all probability, just as far as his father before him. But if there really be anything of the nature of progress, it must mean, above all things, the careful study and assumption of the whole of the past. — G.K. Chesterton

I think most serious writers, certainly in the modern period, use their own lives or the lives of people close to them or lives they have heard about as the raw material for their creativity. — Chaim Potok

The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills. — George Orwell

Modern tragic writers have to write short stories; if they wrote long stories ... cheerfulness would creep in. Such stories are like stings; brief, but purely painful. — G.K. Chesterton

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions. — J.G. Ballard

I believe that the phrase 'obligatory reading' is a contradiction in terms; reading should not be obligatory. Should we ever speak of 'obligatory pleasure'? Pleasure is not obligatory, pleasure is something we seek. 'Obligatory happiness'! [...] If a book bores you, leave it; don't read it because it is famous, don't read it because it is modern, don't read a book because it is old. If a book is tedious to you, leave it, even if that book is 'Paradise Lost' - which is not tedious to me - or 'Don Quixote' - which also is not tedious to me. But if a book is tedious to you, don't read it; that book was not written for you. Reading should be a form of happiness, so I would advise all possible readers of my last will and testament - which I do not plan to write - I would advise them to read a lot, and not to get intimidated by writers' reputations, to continue to look for personal happiness, personal enjoyment. It is the only way to read. — Jorge Luis Borges

I lay off a lot modern fiction and only rely on living writers for non-fiction work. — Henry Rollins

Honest and earnest criticism from those whose interests are most nearly touched,- criticism of writers by readers, of government by those governed, of leaders by those led, - this is the soul of democracy and the safeguard of modern society — W.E.B. Du Bois

Nowadays, the Internet decides if you're good, not the big man in the big office. No matter how important that man thinks he is, everyone else knows that he's not important anymore, and the Internet decides these things, here in the modern age. — Alexei Maxim Russell

I would say that the writers I like and trust have at the base of their prose something called the English sentence. An awful lot of modern writing seems to me to be a depressed use of language. Once, I called it "vow-of-poverty prose." No, give me the king in his countinghouse. Give me Updike. — Martin Amis

Today the crime novelist has one advantage denied to writers of 'straight' or 'literary' novels. Unlike them he can range over all levels of society, for crime can easily breach the barriers that exist in our stratified society. Because of these barriers the modern literary novel, unlike its 19th-century predecessors, is often confined to the horizontal, dealing only with one class. But crime runs through society from top to bottom, and so the crime novelist can present a fuller picture of the way we live now. — Allan Massie

Luke would have had no idea what we in the modern world even mean when we say the word "history." The notion of history as a critical analysis of observable and verifiable events in the past is a product of the modern age; it would have been an altogether foreign concept to the gospel writers for whom history was not a matter of uncovering facts, but of revealing truths. — Reza Aslan

Let us cease treating the Evangelists as men on trial whose every word is suspect. When one of them is alone in stating something, certain modern critics who pride themselves on their independence reject his testimony as isolated; when several say the same thing, it seems, we are told, that they must have copied from one another, and their testimony is equally worthless. Were such radical norms applied to profane writers, history could not be written". — Ferdinand Prat

The making of miracles to edification was as ardently admired by pious Victorians as it was sternly discouraged by Jesus of Nazareth. Not that the Victorians were unique in this respect. Modern writers also indulge in edifying miracles though they generally prefer to use them to procure unhappy endings, by which piece of thaumaturgy they win the title of realists. — Dorothy L. Sayers

Except for two or three older writers, all modern literature seems to me not literature but some sort of handicraft, which exists only so as to be encouraged, though one is reluctant to use its products. — Anton Chekhov

I love new writing, new blood, modern works by unknown writers. — Joseph Fiennes

Modern English, especially written English, is full of bad habits which spread by imitation and which can be avoided if one is willing to take the necessary trouble. If one gets rid of these habits one can think more clearly, and to think clearly is a necessary first step toward political regeneration: so that the fight against bad English is not frivolous and is not the exclusive concern of professional [or scholarly] writers. — George Orwell

It is rarely remembered now that socialism in its beginnings was frankly authoritarian. It began quite openly as a reaction against the liberalism of the French Revolution. The French writers who laid its foundation had no doubt that their ideas could be put into practice only by a strong dictatorial government. The first of modern planners, Saint-Simon, predicted that those who did not obey his proposed planning boards would be 'treated as cattle'. — Friedrich August Von Hayek

A precious performance, Blaine had called it, in that gently forbearing tone he used when they talked about novels, as though he was sure that she, with a little more time and a little more wisdom, would come to accept that the novels he liked were superior, novels written by young and youngish men and packed with things, a fascinating, confounding accumulation of brands and music and comic books and icons, with emotions skimmed over, and each sentence stylishly aware of its own stylishness. She had read many of them, because he recommended them, but they were like cotton candy that so easily evaporated from her tongue's memory. — Chimamanda Ngozi Adichie

The Inklings were comrades who have been touched by war, who view life through the lens of war, yet who look for hope and found it, in fellowship, where so many other modern writers and intellectuals saw only broken narratives, disfigurement, and despair. — Philip Zaleski

Art translates human souls. Each passing eon's public display of sophisticated hieroglyphics cast a unique depiction upon the rudimentary art of survival. Humankind cannot exist without the makeshift paradigm of innovative art, which genuine amoeba expresses elusive and unsayable thoughts. Humankind's gallery of artistic impressions ranges from the starkness of personified cave drawings to the free ranging lexis of modern art. Collection of multihued stories of the ages portrays the vivid panoply of enigmatic vitas etched by humankind's self-imposed sense of urgency. Each passing generation's effusion of trope offerings seamlessly folds its shared renderings into the shimmering panorama of the cosmos, the sparkling nightscape that houses the intangible life force all communal souls. — Kilroy J. Oldster

No man sings as beautifully as when his song is accompanied by a woman's voice. — Roman Payne

Writers brought up in Africa have many advantages - being at the center of a modern battlefield; part of a society in rapid, dramatic change. But in a long run it can also be a handicap: to wake up every morning with one's eyes on a fresh evidence of inhumanity; to be reminded twenty times a day of injustice, and always the same brand of it, can be limiting. — Doris Lessing

Though this child came in with nothing but excess baby fat, chemical brain waves, and mother and son bodily toxins on his legs, he had a fate fit for a modern day demigod. — David Scheier

To love their country has been considered as virtue in men, whose love could not be otherwise than blind, because their preference was made without, a comparison; but it has never been my fortune to find, either in ancient or modern writers, any honourable mention of those, who have, with equal blindness, hated their country. — Samuel Johnson

But it is these four heroes, whom I will discuss from time to time in this book, whose poems, novels, stories, articles, memoirs, and encyclopedias opened my eyes to the soul of the city in which I live. For these four melancholic writers drew their strength from the tensions between the past and the present, or between what Westerners like to call East and West; they are the ones who taught me how to reconcile my love for modern art and western literature with the culture of the city in which I live. — Orhan Pamuk

Remember this: a simple pen is much more swift and much more precise than a camera. That's my advice to both beginning and experienced authors: don't write with a camera. A camera is slow. All these modern writers usually make the same mistake - they write books with a film in mind. When you read their works, you don't hear the voice of a real author, you hear that horribly cheesy Hollywood voice-over. Frankly, that's not a novel, it's a movie script. If you write books, use a pen. A pen is swift, it has tempo, you can kill people with it. You cannot kill people with a camera, you can only perhaps bore them to death with it. — Martijn Benders

We teach young kids from 8 to 14 or 15 about their musical heritage through great songs written by American songwriters. We don't do too many modern composers, although we include songs from Billy Joel and other writers like him. — Margaret Whiting

I saw it all suddenly while I was reading Howards End . . . Forster's the only one who understands what the modern novel ought to be . . . Our frightful mistake was that we believed in tragedy: the point is, tragedy's quite impossible nowadays . . . We ought to aim at being essentially comic writers . . . The whole of Forster's technique is based on the tea-table: instead of trying to screw all his scenes up to the highest possible pitch, he tones them down until they sound like mothers'-meeting gossip . . . In fact, there's actually less emphasis laid on the big scenes than on the unimportant ones: that's what's so utterly terrific. It's the completely new kind of accentuation - like a person talking a different language . . . . — Christopher Isherwood

The proper worldview context for interpreting the Bible is not evangelicalism, Catholicism, the Protestant Reformation, the Puritans - or even the modern world. The proper context for interpreting the Bible is the context in which it was written - that of the ancient biblical writers. — Michael S. Heiser

If the decline of Christianity created the modern political zealot - and his crimes - so the evaporation of religious faith among the educated left a vacuum in the minds of Western intellectuals easily filled by secular superstition. There is no other explanation for the credulity with which scientists, accustomed to evaluating evidence, and writers, whose whole function was to study and criticize society, accepted the crudest Stalinist propaganda at its face value. They needed to believe; they wanted to be duped. — Paul Johnson

Those who have not learned to read the ancient classics in the language in which they were written must have a very imperfect knowledge of the history of the human race; for it is remarkable that no transcript of them has ever been made into any modern tongue, unless our civilization itself may be regarded as such a transcript. Homer has never yet been printed in English, nor Aeschylus, nor Virgil even, works as refined, as solidly done, and as beautiful almost as the morning itself; for later writers, say what we will of their genius, have rarely, if ever, equaled the elaborate beauty and finish and the lifelong and heroic literary labors of the ancients. They only talk of forgetting them who never knew them. — Henry David Thoreau

When modern writers gave up telling stories, they gave up the greatest thing we had. — Howard Nemerov

Put a very clever man next to a genius, his brightness will immediately turn to dullness! — Mehmet Murat Ildan

The function of a writer is to call a spade a spade. If words are sick, it is up to us to cure them. Instead of that, many writers live off this sickness. In many cases modern literature is a cancer of words ... There is nothing more deplorable than the literary practice which, I believe, is called poetic prose and which consists of using words for the obscure harmonics which reosund about them and which are made up of vague meanings which are in contradiction with the clear meaning ... That is not all: we are living in an age of mystifications. Some are fundamental ones which are due to the structure of society; some are secondary. At any rate, the social order today rests upon the mystification of consciousness, as does disorder as well. — Jean-Paul Sartre

ABC's intelligently hilarious sitcom 'Modern Family' depicts a gay-male marriage in which both partners are refreshingly dimensional, believable human beings. The writers dare to make them flawed and thus fully delineated, but they're not flawed in the silly, stereotypical ways that once dominated such portrayals. — Tom Shales

When one would ask most modern artists, poets, writers and other status quo fueled semi-intellectuals who Machiavelli was - was that an opera singer? — Martijn Benders

In our modern age, there are writers who have heaped scorn on the very idea of the primacy of story. I'd rather warm my hands on a sunlit ice floe than try to coax fire from the books they carve from glaciers. — Pat Conroy

Always do the things fast in your life, because some things are coming from the future towards you; they may separate you forever from doing the things you want to do! Never forget, some things are coming from the future, be fast! — Mehmet Murat Ildan

The cases of great mathematicians with mental illness have enormous resonance for modern pop writers and filmmakers. This has to do mostly with the writers'/directors' own prejudices and receptivities, which in turn are functions of what you could call our era's particular archetypal template. It goes without saying that these templates change over time. The Mentally Ill Mathematician seems now in some ways to be what the Knight Errant, Mortified Saint, Tortured Artist, and Mad Scientist have been for other eras: sort of our Prometheus, the one who goes to forbidden places and returns with gifts we all can use but he alone pays for. That's probably a bit overblown, at least in some cases. But Cantor fits the template better than most. And the reason for this are a lot more interesting than whatever his problems and symptoms were. — David Foster Wallace

Science fiction writers missed the most salient feature of our modern era: the Internet. — Jack McDevitt