Modern Poetry Quotes & Sayings

The wonder is that communism lasted so long. But then again, modern poetry lasted a long time, too. — P. J. O'Rourke

Modern poetry is, essentially, an extension of romanticism; it is what romantic poetry wishes or finds it necessary to become. It is the end product of romanticism, all past and no future; it is impossible to go further by any extrapolation of the process by which we have arrived, and certainly it is impossible to remain where we are who could endure a century of transition ? — Randall Jarrell

Primitive times are lyrical, ancient times epical, modern times dramatic. The ode sings of eternity, the epic imparts solemnity tohistory, the drama depicts life. The characteristic of the first poetry is ingeniousness, of the second, simplicity, of the third, truth. — Victor Hugo

The celebrated opening image of 'The Love Song of J. Alfred Prufrock' is another case in point:
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherised upon a table ...
How, the reader wonders, can the evening look like an anaesthetised body? Yet the point surely lies as much in the force of this bizarre image as in its meaning. We are in a modern world in which settled correspondences or traditional affinities between things have broken down. In the arbitrary flux of modern experience, the whole idea of representation - of on thing predictably standing for another - has been plunged into crisis; and this strikingly dislocated image, one which more or less ushers in 'modern' poetry with a rebellious flourish, is a symptom of this bleak condition. — Terry Eagleton

Have so many merry little pots bubbling away in the fire of my enthusiasm: Myron, future trips, modern poetry, Yeats, Sitwell, T. S. Eliot, W. H. Auden, villanelles, maybe Mlle, maybe The New Yorker or The Atlantic (poems sent out make blind hope spring eternal - even if rejections are immanent), spring: biking, breathing, sunning, tanning. All so lovely and potential. — Sylvia Plath

people coming out of church
conversing about the sermon
sniffing at the autumn air
something in the papers about forces of popular opinion
and values which are unto our nation

what is
holding you back, Catullus?
why don't you go and die?
the stalks of the potato-plants
are rotting fast this year
only October now

this evening away
A boy comes out of the wood,
crossbow on his shoulder — Pentti Saarikoski

For it has come about, by the wise economy of nature, that our modern spirit can almost dispense with language; the commonest expressions do, since no expressions do; hence the most ordinary conversation is often the most poetic, and the most poetic is precisely that which cannot be written down. — Virginia Woolf

I do not know much about gods;but I think that the river is a strong brown god-sullen, untamed and intractable ... — T. S. Eliot

Documentary is, therefore, an approach, which makes use of the artistic faculties to give vivification to fact - to use Walt Whitman's definition of the place of poetry in the modern world. — Beaumont Newhall

He told me things about himself that should have made him sound urbane but did the opposite. He told me, for example, that he liked Steve Reich's music, modern-art museums, and Beat poetry. These words flew out of his mouth and went boomeranging back as if they knew they weren't meant to take the conversation anywhere but back to him. He also explained that he really liked interacting with different kinds of people. When I didn't immediately respond to this, he repeated it, and so I assured him I believed it. — Olivia Sudjic

As a composer I might class myself as a Neo-Romantic, inasmuch as I have always regarded music as a highly personal and emotional form of expression. I like to write music which takes its inspiration from poetry, art and nature. I do not care for purely decorative music. Although I am in sympathy with modern idioms, I abhor music which attempts nothing more than the illustration of a stylistic fad. And in using modern techniques, I have tried at all times to subjugate them to a larger idea or a grander human feeling. — Bernard Herrmann

Life goes on in the same manner,
evil wins and peace is slaughtered.
Change the channel, change the view,
tired of the same reruns on the evening news. — Susie Clevenger

The way in which modern German poetry follows theories reminds me of pupils who, scolded by their teacher for their insubordination, justify themselves by saying that they invented new rules of propriety according to which they are quite well- behaved. — Franz Grillparzer

I am just coming from my visit to Japan, where I exhorted this young nation to take its stand upon the higher ideals of humanity and never to follow the West in its acceptance of the organized selfishness of Nationalism as its religion, never to gloat upon the feebleness of its neighbours, never to be unscrupulous in its behaviour to the weak, where it can be gloriously mean with impunity, while turning its right cheek of brighter humanity for the kiss of admiration to those who have the power to deal it a blow. Some of the newspapers praised my utterances for their poetical qualities, while adding with a leer that it was the poetry of a defeated people. I felt they were right. Japan had been taught in a modern school the lesson how to become powerful. The schooling is done and she must enjoy the fruits of her lessons. — Rabindranath Tagore

What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry. — Gilbert K. Chesterton

Albeit nurtured in democracy,
And liking best that state republican
Where every man is Kinglike and no man
Is crowned above his fellows, yet I see,
Spite of this modern fret for Liberty,
Better the rule of One, whom all obey,
Than to let clamorous demagogues betray
Our freedom with the kiss of anarchy.
Wherefore I love them not whose hands profane
Plant the red flag upon the piled-up street
For no right cause, beneath whose ignorant reign
Arts, Culture, Reverence, Honor, all things fade,
Save Treason and the dagger of her trade,
Or Murder with his silent bloody fee. — Oscar Wilde

But the modern critic not only permits a false practice: he absolutely prescribes false aims." A true allegory of the state of one's mind in a representative history," the poet is told, "is perhaps the highest thing that one can attempt in the way of poetry. — Matthew Arnold

The great modern heresy in poetry is to confuse the use we make of words in a poem with modalities of speech ... For true poetry is never speech but always a song. — Herbert Read

Like a speeding train
I am passing by...
I don't know
where I'm heading
with whom or why
all I know is that
I will never, ever
pass from here again
all I know is I'm skidding forward
on this track of life. — Sanober Khan

Sometimes I hear
screaming like a child
and wake up
to find it's me — Stephen Fitzsimons

A very intimate sense of the expressiveness of outward things, which ponders, listens, penetrates, where the earlier, less developed consciousness passed lightly by, is an important element in the general temper of our modern poetry. — Walter Pater

Remember The Poem ... — R.M. Engelhardt

The only way to increase it is to cultivate your own garden. And the only thing that will help you is poetry, which is the most concentrated form of style ... I don't care how clever the other professor is, one can't raise a discussion of modern prose to anything above tea-table level. — F Scott Fitzgerald

As we know, Rilke, under the influence of Auguste Rodin, whom he had assisted between 1905 and 1906 in Meudon as a private secretary, turned away from the art nouveau-like, sensitized-atmospheric poetic approach of his early years to pursue a view of art determined more strongly by the priority of the object. The proto-modern pathos of making way for the object without depicting it in a manner 'true to nature', like that of the old masters, led in Rilke's case to the concept of the thing-poem - and thus to a temporarily convincing new answer to the question of the source of aesthetic and ethical authority. From that point, it would be the things themselves from which all authority would come - or rather: from this respectively current singular thing that turns to me by demanding my full gaze. This is only possible because thing-being would now no longer mean anything but this: having something to say. — Peter Sloterdijk

If diversity is a source of wonder, its opposite - the ubiquitous condensation to some blandly amorphous and singulary generic modern culture that takes for granted an impoverished environment - is a source of dismay. There is, indeed, a fire burning over the earth, taking with it plants and animals, cultures, languages, ancient skills and visionary wisdom. Quelling this flame, and re-inventing the poetry of diversity is perhaps the most importent challenge of our times. — Wade Davis

Back home, Huxley drew from this experience to compose a series of audacious attacks against the Romantic love of wilderness. The worship of nature, he wrote, is "a modern, artificial, and somewhat precarious invention of refined minds." Byron and Wordsworth could only rhapsodize about their love of nature because the English countryside had already been "enslaved to man." In the tropics, he observed, where forests dripped with venom and vines, Romantic poets were notably absent. Tropical peoples knew something Englishmen didn't. "Nature," Huxley wrote, "is always alien and inhuman, and occasionally diabolic." And he meant always: Even in the gentle woods of Westermain, the Romantics were naive in assuming that the environment was humane, that it would not callously snuff out their lives with a bolt of lightning or a sudden cold snap. After three days amid the Tuckamore, I was inclined to agree. — Robert Moor

Before people complain of the obscurity of modern poetry, they should first examine their consciences and ask themselves with how many people and on how many occasions they have genuinely and profoundly shared some experience with another. — W. H. Auden

Poetry is not a genre in harmony with the modern world; its innermost nature is hostile or indifferent to the dogmas of modern times, progress and the cult of the future. — Octavio Paz

I do not see why the loss of faith in the known image and symbol in our time should be celebrated as a freedom. It is a loss from which we suffer, and this pathos motivates modern painting and poetry at its heart. — Philip Guston

Great Music, it said, and Great Poetry would like quieten Modern Youth down and make Modern Youth more Civilized. Civilized my syphilised yarbles. — Anthony Burgess

Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most ... are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so. — James Fenton

But Carroll's were more convoluted, and they struck me as funny in a new way:
1) Babies are illogical.
2) Nobody is despised who can manage a crocodile.
3) Illogical persons are despised.
Therefore, babies cannot manage crocodiles.
And:
1) No interesting poems are unpopular among people of real taste.
2) No modern poetry is free from affectation.
3) All of your poems are on the subject of soap bubbles.
4) No affected poetry is popular among people of taste.
5) Only a modern poem would be on the subject of soap bubbles.
Therefore, all your poems are uninteresting. — Steve Martin

One characteristic of modern poetry is that arrangement of parts which strikes many people as being violent or obscure. — Muriel Rukeyser

Nearly all our older poetry was written and read by men to whom the distinction between poetry and rhetoric, in its modern form, would have been meaningless. The 'beauties' which they chiefly regarded in every composition were those which we either dislike or simply do not notice.
This change of taste makes an invisible wall between us and them. — C.S. Lewis

It is the unspecified 'you' of modern love poems that I am mostly concerned with here. At least, the addressee is commonly a lover, and the very fact that the name is withheld is offered as a guarantee of the closeness and significance of the relationship. — John Fuller

One of the effects of modern liberal Protestantism has been gradually to turn religion into poetry and therapy, to make truth vaguer and vaguer and more and more relative, to banish intellectual distinctions, to depend on feeling instead of thought, and gradually to come to believe that God has no power, that he cannot communicate with us, cannot reveal himself to us, indeed has not done so, and that religion is our own sweet invention. — Flannery O'Connor

Horse
[Man you will find here
a new representation of the universe
at its most poetic and most modern
Man man man man man man
Give yourself up to this art where the sublime
does not exclude charm
and brilliancy does not blur the nuance
it is now or never the moment
to be sensitive to poetry for it dominates
all dreadfully
Guillaume Apollinaire] — Guillaume Apollinaire

Ah!' said Michel, tempted, 'you have modern poems?'
'Of course. For instance, Martillac's 'Electric Harmonies,' which won a prize last year from the Academic of Sciences, and Monsieur de Pulfasse's 'Meditations on Oxygen;' and we have the 'Poetic Parallelogram,' and even the 'Decarbonated Odes ... '
Michel couldn't bear hearing another word and found himself outside again, stupefied and overcome. Not even this tiny amount of art had escaped the pernicious influence of the age! Science, Chemistry, Mechanics had invaded the realm of poetry! 'And such things are read,' he murmured as he hurried through the streets, ' perhaps even bought! And signed by the authors and placed on the shelves marked 'Literature.' But not one copy of Balzac, not one work by Victor Hugo! Where can I find such things-where, if not the Library ... — Jules Verne

The scalpel is better for operations, but it is no good for anything else. Poetry confines itself more and more to what only poetry can do; but this turns out to be something which not many people want done. Nor, of course, could they receive it if they did. Modern poetry is too difficult for them. It is idle to complain; poetry so pure as this must be difficult. But neither must the poets complain if they are unread. When the art of reading poetry requires talents hardly less exalted than the art of writing it, readers cannot be much more numerous than poets. If you write a piece for the fiddle that only one performer in a hundred can play you must not expect to hear it very often performed. The musical analogy is no longer a remote one. — C.S. Lewis

Toyin Falola has given us what is truly rare in modern African writing: a seriously funny, racy, irreverent package of memories, and full of the most wonderful pieces of poetry and ordinary information. It is a matter of some interest, that the only other volume A Mouth Sweeter Than Salt reminds one of is Ake, by Wole Soyinka. What is it about these Yorubas? — Ama Ata Aidoo

Too many people in the modern world view poetry as a luxury, not a necessity like petrol. But to me it's the oil of life. — John Betjeman

I appear to be embarked on the turbid waters of poetry and scholarship. And a career in poetry and knowledge is as hard to guide as Plato's horses. On the one hand I must range about discovering the fundamentals of knowledge, dipping into science, politics and other arcana, forever seeking an education that is both profound and practical; on the other, I must keep spiritually alive and brilliantly alive, for poetry is, as the moral Milton conceded in practice and precept, a sensuous, passionate, brutal thing. I put in the last adjective because I am modern and angry and puritanical ... The relevance of such schedule to poetry is obvious. I cannot think it a pedantry that a man desiring to speak (or sing) something important should also desire to speak with certainty. Also if he lack scope, such as an acquaintance with science and an acquaintance with other languages, he will be romantic and an anachronism. — Robert Lowell

Like Hamlet, Goethe's Faust offers a wide panorama of scenes from the vulgar to the sublime, with passages of wondrous poetry that can be sensed even through the veil of translation. And it also preserves the iridescence of its modern theme. From it Oswald Spengler christened our Western culture 'Faustian,' and others too have found it an unexcelled metaphor for the infinitely aspiring always dissatisfied modern self.
Goethe himself was wary of simple explanations. When his friends accused him of incompetence in metaphysics, he replied. 'I, being an artist, regard this as of little moment. Indeed, I prefer that the principle from which and through which I work should be hidden from me. — Daniel J. Boorstin

And just as he had earlier, during their lunch hour, insinuated the problem of innocence to the formalists - which had incensed them and boosted their immaturity a hundredfold - he was now making an issue of my modern legs. And there I was, listening and lapping it all up - his linking the calves of my legs with those of the new generation - and coming to feel the cruelty of youth toward old calves! And there was also a kind of leg camaraderie with the schoolgirl, plus a clandestine, voluptuous collusion of legs, plus leg patriotism, plus the impudence of young legs, plus leg poetry, plus young-blooded pride in the calf of the leg, and a cult of the calf of the leg. Oh, what a fiendish body part! — Witold Gombrowicz

The yard was a little centre of regeneration. Here, with keen edges and smooth curves, were forms in the exact likeness of those he had seen abraded and time-eaten on the walls. These were the ideas in modern prose which the lichened colleges presented in old poetry. Even some of those antiques might have been called prose when they were new. They had done nothing but wait, and had become poetical. How easy to the smallest building; how impossible to most men. — Thomas Hardy

It's called 'The Oxford Book of Modern Verse, 1892-1935'. They let a man named Yeats make the choosings. They shouldn't have. Who is he - and what does he know about verse?
I hunted through that book for poems by Wilfred Owen or Siegfried Sassoon. There weren't any - not one. And do you know why not? Because Mr Yeats said - he said, "I deliberately chose NOT to include any poems from World War I. I have a distaste for them. Passive suffering is not a theme for poetry. — Mary Ann Shaffer

We've inherited many ideas about writing that emerged in the eighteenth century, especially an interest in literature as both an expression and an exploration of the self. This development - part of what distinguishes the "modern" from the "early modern" - has shaped the work of many of our most celebrated authors, whose personal experiences indelibly and visibly mark their writing. It's fair to say that the fiction and poetry of many of the finest writers of the past century or so - and I'm thinking here of Conrad, Proust, Lawrence, Joyce, Woolf, Kafka, Plath, Ellison, Lowell, Sexton, Roth, and Coetzee, to name but a few - have been deeply autobiographical. The link between the life and the work is one of the things we're curious about and look for when we pick up the latest book by a favorite author. — James Shapiro

The heart contains passion but the imagination alone contains poetry,' says Charles Baudelaire. This too was the lesson that Theophile Gautier, most subtle of all modern critics, most fascinating of all modern poets, was never tired of teaching - 'Everybody is affected by a sunrise or a sunset.' The absolute distinction of the artist is not his capacity to feel nature so much as his power of rendering it. The entire subordination of all intellectual and emotional faculties to the vital and informing poetic principle is the surest sign of the strength of our Renaissance. — Oscar Wilde

Most poetry is very formal, but when a modern poet is formal he gets more attention for it than old poets did. — Robert Lowell

High and low culture come together in all Post Modern art, and American poetry is not excluded from this. — Diane Wakoski

All the modern verse plays, they're terrible; they're mostly about the poetry. It's more important that the play is first. — Denis Johnson

Poets arguing about modern poetry: jackals snarling over a dried-up well. — Cyril Connolly

For a long time I found the celebrities of modern painting and poetry ridiculous. I loved absurd pictures, fanlights, stage scenery, mountebanks backcloths, inn-signs, cheap colored prints; unfashionable literature, church Latin, pornographic books badly spelt, grandmothers novels, fairy stories, little books for children, old operas, empty refrains, simple rhythms. — Arthur Rimbaud

Now and then I am asked as to "what books a statesman should read," and my answer is, poetry and novels - including short stories under the head of novels. I don't mean that he should read only novels and modern poetry. If he cannot also enjoy the Hebrew prophets and the Greek dramatists, he should be sorry. He ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse. — Theodore Roosevelt

Modern poets add a lot of water to their ink. — Johann Wolfgang Von Goethe

Composing computer programs to solve scientific problems is like writing poetry. You must choose every word with care and link it with the other words in perfect syntax. There is no place for verbosity or carelessness. To become fluent in a computer lnaguage demands almost the antithesis of modern loose thinking. It requires many interactive sessions, the hands-on use of the device. You do not learn a foreign language from a book, rather you have to live in the country for year to let the langauge become an automatic part of you, and the same is true for computer languages. — James Lovelock

In rereading one of the best essays I know on Dante's Paradiso, Giovanni Getto's "Aspetti della poesia di Dante" (Aspects of Dante's Poetry, 1947), one can see that there is not one single image of Paradise that does not stem from a tradition that was part of the medieval reader's heritage, I won't say of ideas, but of daily fantasies and feelings. It is from the biblical tradition and the church fathers that these radiances come from, these vortices of flame, these lamps, these suns, these brilliances and brightnesses emerging "like a horizon clearing" (Par. 14.69) ... For medieval man, reading about this light and luminosity was equivalent to when we dream about the sinuous gracefulness of a movie star, the elegant lines of a car ... It is this appeal to a poetry of understanding that can make the Paradiso fascinating even for the modern reader who has lost the reference points familiar to his medieval counterpart. — Umberto Eco

The faint hints of color in her complexion, her tawny blond hair, her extraordinary thinness, all spoke of that unearthly grace modern poets find in the medieval statues. Had she been happy, she'd have been ravishing: happiness constitutes pure poetry, for women. — Honore De Balzac

You have to really dive deep back into yourself and get rid of so much modern analytical categorization. It's one of the great things poetry does. — Robert Morgan

What the poet has to say to the torso of the supposed Apollo, however, is more than a note on an excursion to the antiquities collection. The author's point is not that the thing depicts an extinct god who might be of interest to the humanistically educated, but that the god in the stone constitutes a thing-construct that is still on air. We are dealing with a document of how newer message ontology outgrew traditional theologies. Here, being itself is understood as having more power to speak and transmit, and more potent authority, than God, the ruling idol of religions. In modern times, even a God can find himself among the pretty figures that no longer mean anything to us - assuming they do not become openly irksome. The thing filled with being, however, does not cease to speak to us when its moment has come. — Peter Sloterdijk

While I've had a great distaste for what's usually called song in modern poetry or for what's usually called music, I really don't think of speech as so far from song. — David Antin

You alone in Europe are not ancient oh Christianity
The most modern European is you Pope Pius X
And you whom the windows observe shame keeps you
From entering a church and confessing this morning
You read the prospectuses the catalogues the billboards that sing aloud
That's the poetry this morning and for the prose there are the newspapers
There are the 25 centime serials full of murder mysteries
Portraits of great men and a thousand different headlines
("Zone") — Guillaume Apollinaire

We have the ability to be the Athens of modern times as opposed to the militaristic Sparta. I remind you that the Athenians wrote poetry. The Spartans did not. — Rita Mae Brown

It is true that a mathematician who is not somewhat of a poet, will never be a perfect mathematician. — Karl Weierstrass

Angela had never really got on with modern poetry. Even stuff like Seamus Heaney, Death of a Naturalist and the other book. He seemed such a lovely man and she really did try, but it sounded like prose you had to read very slowly. Old stuff she understood. Rum-ti-tum. Now sleeps the crimson petal, now the white ... Dirty British coaster with a salt-caked smoke stack ... Something going all the way back. Memorable words, so you could hand it down the generations. But free verse made her think of free knitting or free juggling. This, for example. She extracted a book at random. Spiders by Stanimir Stoilov, translated by Luke Kennard. She flipped through the pages ... the hatcheries of the moon ... the earth in my father's mouth. — Mark Haddon

The whole history of modern poetry is a continuous commentary on the short text of philosophy: every art should become science, and every science should become art; poetry and philosophy should be united. — Karl Wilhelm Friedrich Schlegel

Sex and dominance. It's what modern humans think vampire relationships are all about," I said. "Their stories are full of crazed alpha-male vampires throwing women over their shoulders before dragging them off for dinner and a date." "Dinner and a date?" Matthew was aghast. "Do you mean . . . ?" "Uh-huh. You should see what Sarah's friends in the Madison coven read. Vampire meets girl, vampire bites girl, girl is shocked to find out there really are vampires. The sex, blood, and overprotective behavior all come quickly thereafter. Some of it is pretty explicit." I paused. "There's no time for bundling, that's for sure. I don't remember much poetry or dancing either." Matthew swore. "No wonder your aunt wanted to know if I was hungry." "You really should read this stuff, if only to see what humans think. It's a public-relations nightmare. Far worse than what witches have to overcome. — Deborah Harkness

How pleasant a world would be in which no man was allowed to operate on the Stock Exchange unless he could pass and examination in economics and Greek poetry, and in which politicians were obliged to have a competent knowledge of history and modern novels. — Bertrand Russell

In general, dividing literature into prose and poetry began with the appearance of prose, for only in prose could such a division be expressed. By its nature, by its essence, art is hierarchical, automatically, and in this hierarchy, poetry stands above prose. If only because poetry is older. Poetry really is a very strange thing, because it belongs to a troglodyte as well as to a snob. It can be produced in the Stone Age and in the most modern salon, whereas prose requires a developed society, a developed structure, certain established classes, if you like. Here you could start reasoning like a Marxist without even being wrong. The poet works from the voice, from the sound. For him, content is not as important as is ordinarily believed. For a poet, there is almost no difference between phonetics and semantics. Therefore, only very rarely does the poet give any thought to who in fact comprises his audience. That is, he does so much more rarely than the prose writer. — Joseph Brodsky

That we have ignored the lessons of modern war poetry speaks volumes to the lack of concern for that which we do not endure. — David McDonald

English poetry begins whenever we decide to say the modern English language begins, and it extends as far as we decide to say that the English language extends. — James Fenton

Neuere Poeten tun viel Wasser in die Tinte. (More recent poets put a lot of water in the ink.)
Goethe: Aus Makariens Archiv. Wilhelm Meisters Wanderjahre. III 18 — Johann Wolfgang Von Goethe

The rational scientists - and "new atheists" - believe the "sensitive, caring" postmodern Pluralists are loopy and "woo-woo," and that the traditional religious fundamentalists are archaic, childish, and dangerous. The postmodern Pluralists think that both the Rational scientists and the traditional fundamentalists are caught up in "socially constructed" modes of knowing, which are culturally relative and have no more binding power than poetry or fashion styles; this "knowledge" gives the Pluralist an enormous sense of superiority (although in their worldview, nothing is supposed to be superior). And the traditional fundamentalists think that both the modern Rational scientists and the postmodern Pluralists are all unbelieving heathens, bound for an everlasting hell, so who cares what they think anyway? — Ken Wilber

A book is sent out into the world, and there is no way of fully anticipating the responses it will elicit. Consider the responses called forth by the Bible, Homer, Shakespeare - let alone contemporary poetry or a modern novel. — Chaim Potok

Most poetry in the modern age has retreated to the private sphere, turning its back on the political realm. — Terry Eagleton

I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289) — Azar Nafisi

The reason modern poetry is difficult is so that the poet's wife cannot understand it. — Wendy Cope

This is that CONSOLATION DES ARTS which is the key-note of Gautier's poetry, the secret of modern life foreshadowed - as indeed what in our century is not? - by Goethe. You remember what he said to the German people: 'Only have the courage,' he said, 'to give yourselves up to your impressions, allow yourselves to be delighted, moved, elevated, nay instructed, inspired for something great.' The courage to give yourselves up to your impressions: yes, that is the secret of the artistic life - for while art has been defined as an escape from the tyranny of the senses, it is an escape rather from the tyranny of the soul. But only to those who worship her above all things does she ever reveal her true treasure: else will she be as powerless to aid you as the mutilated Venus of the Louvre was before the romantic but sceptical nature of Heine. — Oscar Wilde

The Offices rerooted me in a tradition where, monk or not, I would always be at home. From long ago I knew the power of their repetition, the incantatory force of the Psalms. But they had an added power now. As a kid, the psalmist (or psalmists) had seemed remote to me, the Psalms long prayers which sometimes rose to great poetry but often had simply to be endured. For a middle-aged man, the psalmists' moods and feelings came alive. One of the voices sounded a lot like a modern New Yorker, me or people I knew: a manic-depressive type A personality sometimes up, more often down, sometimes resigned, more often pissed off, railing about his sneaky enemies and feckless friends, always bitching to the Lord about the rotten hand he'd been dealt. That good old changelessness. — Tony Hendra

The wonderful poems interpreting with equal magic the romance of strange lands and times, or the modern soul, naked and unashamed, as if clothed in its own complexity; the humorous-tragic questionings of the universe; the delicious travel-pictures and fantasies; the lucid criticisms of art, and politics, and philosophy, informed with malicious wisdom, shimmering with poetry and wit. — Israel Zangwill

One's-Self I Sing
One's-self I sing, a simple separate person,
Yet utter the word Democratic, the word En-Masse.
Of physiology from top to toe I sing,
Not physiognomy alone nor brain alone is worthy for the Muse, I say
the Form complete is worthier far,
The Female equally with the Male I sing.
Of Life immense in passion, pulse, and power,
Cheerful, for freest action form'd under the laws divine,
The Modern Man I sing. — Walt Whitman

Modern evangelicals like to compare holy things to soft drinks, designer clothes, [and other products in] our modern consumerist culture. The problem with this is not ... the comparison to a created thing. The problem is that it is ... bad poetry. The Bible compares God to very mundane things, but does so with poetic wonder. God shall come down like rain upon the mown grass; as showers that water the earth. — Douglas Wilson

There is no real way to categorize McLean's 'American Pie' for its hybrid of modern poetry and folk ballad, beer-hall chant and high-art rock. — Douglas Brinkley

It is true that short forms of poetry have been cultivated in the Far East more than in modern Europe; but in all European literature short forms of poetry are to be found - indeed quite as short as anything in Japanese. — Lafcadio Hearn

From my music training, I knew that, some Spanish rhythms apart, 5/4 is a time signature used only in the modern era. Holst's Mars from the Planets is 5/4. But if you speak lines of poetry in that pattern you just end up hitting the off-beats. It's only when you add a rest - a sixth beat - that it sounds as it surely should sound. — Nicholson Baker

I do not know of anything in modern poetry as violently hostile to contemporary life as was the poetry of T. S. Eliot, which so perfectly fitted the mood of the young people between the two wars. I also find much more benevolence towards humanity in younger historians than there was in Spengler or in Toynbee. Still, it is not difficult to sense the disgust of the intellectuals at the new prosperous working class, 'with their eyes glued to the television screen,' who have become indifferent to radical ideas. — Dennis Gabor

The great watershed of modern poetry is French, more than English. — Robert Morgan

There are tons of people in the West who love fiddles, banjos and mandolins. If you got to any cowboy poetry and music gathering those are the instruments they use. It's acoustic music. We don't do that much modern country that has electric guitars and a lot of volume. It's a gentler form of music. It's from the land and comes from the ranchers and farmers. — Michael Martin Murphey

I had art as a major, along with English, French and History. I had dance, modern dance. In English I was allowed to write my own poetry, which I eventually got published. — Sally Kirkland

Rhime being no necessary Adjunct or true Ornament of Poem or good Verse, in longer Works especially, but the Invention of a barbarous Age, to set off wretched matter and lame Meeter ... the troublesom and modern bondage of Rimeing — John Milton

Over and over again I am struck by the wordiness of modern poetry, as if language had replaced experience and must be more and more extreme, intricate and in a way divorced from life itself. It seems as if what we all need is a great purification - but how will that come about? — May Sarton

THE COLLECTED SHORT FICTION OF ORSON SCOTT CARD Experience Card's full versatility, from science fiction to fantasy, from traditional narrative poetry to modern experimental fiction. — Orson Scott Card

I think that one possible definition of our modern culture is that it is one in which nine-tenths of our intellectuals can't read any poetry. — Randall Jarrell

When we study Shakespeare on the page, for academic purposes, we may require all kinds of help. Generally, we read him in modern spelling and with modern punctuation, and with notes. But any poetry that is performed - from song lyric to tragic speech - must make its point, as it were, without reference back. — James Fenton

Modern poetry, for me, began not in English at all but in Spanish, in the poems of Lorca. — W.S. Merwin

More modern poetry is written than read. — P. J. O'Rourke

When the modern movement began, starting perhaps with the paintings of Manet and the poetry of Baudelaire and Rimbaud, what distinguished the modern movement was the enormous honesty that writers, painters and playwrights displayed about themselves. The bourgeois novel flinches from such notions. — J.G. Ballard

T. S. Eliot and Jean-Paul Sartre, dissimilar enough as thinkers, both tend to undervalue prose and to deny it any imaginative function. Poetry is the creation of linguistic quasi-things; prose is for explanation and exposition, it is essentially didactic, documentary, informative. Prose is ideally transparent; it is only faute de mieux written in words. The influential modern stylist is Hemingway. It would be almost inconceivable now to write like Landor. Most modern English novels indeed are not written. One feels they could slip into some other medium without much loss. It takes a foreigner like Nabokov or an Irishman like Beckett to animate prose language into an imaginative stuff in its own right. — Iris Murdoch

As Popa penetrates deeper into his life, with book after book, it begins to look like a Universe passing through a Universe. It is one of the most exciting things in modern poetry, to watch this journey being made. — Ted Hughes

What exactly is the new verse movement? The New Verse Movement of the 1910's was to make poetry relevant again by immersing it into the spaces, technologies, and social dynamics of the modern city.
And Now In The Present And Future ?
The New Verse Movement of the 21st Century follows these same beliefs. To somehow ignite the spark and to help make poetry relevant again in a new age of technologies (The Internet) and to support new & experimental as well as older poetic forms. The New Verse Movement of the 21st Century is all about change and free expression of the creative mind. — R.M. Engelhardt