Modern Fiction Quotes & Sayings

The truth is, I can't help the way people perceive anything, from the role of financial industry in the economic crisis, to the place of women's fiction in the canon of modern literature, to the rank of mint chocolate chip ice cream as a favorite Baskin-Robbins flavor. — Erin Duffy

For me, wellbehaved books with neat plots and worked-out endings seem somewhat quaint in the face of the largely incoherent reality of modern life; and then again fiction, at least as I write it and think of it, is a kind of religious meditation in which language is the final enlightenment, and it is language, in its beauty, its ambiguity and its shifting textures, that drives my work. — Don DeLillo

Her constant orders for beheading are shocking to those modern critics of children's literature who feel that juvenile fiction should be free of all violence and especially violence with Freudian undertones. Even the Oz books of L. Frank Baum, so singularly free of the horrors to be found in Grimm and Andersen, contain many scenes of decapitation. As far as I know, there have been no empirical studies of how children react to such scenes and what harm if any is done to their psyche. My guess is that the normal child finds it all very amusing and is not damaged in the least, but that books like Alice's Adventures in Wonderland and The Wizard of Oz should not be allowed to circulate indiscriminately among adults who are undergoing analysis. — Martin Gardner

Worlds need those pockets, the urban closets that hide the skeletons of a modern society. — S.A. Check

If science fiction is the mythology of modern technology, then its myth is tragic. — Ursula K. Le Guin

In the temple, I sit on the cool floor next to Grandfather, beneath the stern benevolence of the goddess's glance. Grandfather is clad in only a traditional silk dhoti
no fancy modern clothes for him. That's one of the things I admire about him, how he is always unapologetically, uncompromisingly himself. His spine is erect and impatient; white hairs blaze across his chest. — Chitra Banerjee Divakaruni

The negative attitudes toward the genres - romance, science-fiction, westerns, suspense, etc. - are fallout from the academic world's long-standing fascination with existential philosophy and modern theories of psychology and sociology. — Jayne Ann Krentz

Keep in mind that in the whole long tradition of storytelling, from Greek myths through Shakespeare through King Arthur and Robin Hood, this whole notion that you can't tell stories about certain characters because someone else owns them is a very modern one - and to my mind, a very strange one. — Michael Montoure

Hopis have lived in America longer than anyone. We wanted to explore the concept of Earthly visitation through the eyes of people who have also witnessed the rapid evolution of modern culture. For us, their beliefs ring true on so many levels. Hopi prophecy speaks to the destiny of man...in a universe where we are not alone. — T.J. Wolf

By all the rules of modern fiction there should have been gunsmoke mingling its acrid blue with the brown haze of corral dust. Dead men should have fallen and been trampled ...
Nothing of this sort happened. — B.M. Bower

The best historical stories capture the modern imagination because they are, in many senses, still current - part of a continuum. — Sara Sheridan

For nearly two centuries the popular spirit of each succeeding generation has tended more and more to the view that the mysteries of life will eventually fall before the mind of man. Many modern novelists have been more concerned with the processes of consciousness than with the objective world outside the mind. In twentieth-century fiction it increasingly happens that a meaningless, absurd world impinges upon the sacred consciousness of author or character; author and character seldom now go out to explore and penetrate a world in which the sacred is reflected. — Flannery O'Connor

Modern Arabic literature achieved international recognition when Mahfouz was awarded the Nobel prize in 1988 ( ... ) Mahfouz also rendered Arabic literature a great service by developing, over the years, a form of language in which many of the archaisms and cliches that had become fashionable were discarded, a language that could serve as an adequate instrument for the writing of fiction in these times. — Denys Johnson-Davies

The lively oral storytelling scene in Scots and Gaelic spills over into the majority English-speaking culture, imbuing it with a strong sense of narrative drive that is essential to the modern novel, screenplay and even non-fiction. — Sara Sheridan

He turns off the techno-shit in his goggles. All it does is confuse him; he stands there reading statistics about his own death even as it's happening to him. Very post-modern. — Neal Stephenson

The myth of Good Guys and Bad Guys is one of the most pervasive we own, and morally grey anti-heroes are simply one of modern fiction's attempts to shake off that mythology and replace it with something a bit more honest. — Richard K. Morgan

It was a time of beautiful brutal illusions. — Mick Karabegovic

Wells is teaching us to think. Burroughs and his lesser imitators are teaching us not to think. Of course, Burroughs is teaching us to wonder. The sense of wonder is in essence a religious state, blanketing out criticism. Wells was always a critic, even in his most wondrous and romantic tales.

And there, I believe, the two poles of modern fantasy stand defined. At one pole wait Wells and his honorable predecessors such as Swift; at the other, Burroughs and the commercial producers, such as Otis Adelbart Kline, and the weirdies, and horror merchants such as H.P. Lovecraft, and so all the way past Tolkien to today's non-stop fantasy worlders. Mary Shelley stands somewhere at the equator of this metaphor. — Brian W. Aldiss

fiction has enabled us not merely to imagine things, but to do so collectively. We can weave common myths such as the biblical creation story, the Dreamtime myths of Aboriginal Australians, and the nationalist myths of modern states. Such myths give Sapiens the unprecedented ability to cooperate flexibly in large numbers. — Yuval Noah Harari

She read modern fiction too. Always fiction. She hated to hear the word 'escape' used about fiction. She might have argued, not just playfully, that it was real life that was the escape. But this was too important to argue about. — Alice Munro

The stories in Get In Trouble confirm once again that Kelly Link is a modern virtuoso of the form-playful and subversive required reading for anyone who loves short fiction. — Jeff VanderMeer

(From the Author Note at the beginning of the book.) Dorothy L. Sayers used to say that mystery stories were the only moral fiction of the modern world
because in a mystery, you were guaranteed to see that the bad got punished, the good got rewarded and in the end all was made right.
I'd like to think that fantasy does the same thing. It reminds us that this is how it should be, and maybe if we all put our minds to it a little more, this is how it will be. The good will be rewarded. The bad will be punished. Sins will be forgiven.
And they will live happily ever after. — Mercedes Lackey

This director could say many things about duty, and self-respect, and dignity, but she knew none of these meant much in the post-modern world. — B. Barmanbek

I am a more modern female vampire since I came just when our world was disappearing due to the intromission of this future.-Enyo — Carolina Cody Aldaz

Books allow us to escape from the pressures of modern life. By far, the best vehicles of escape are Young Adult Science Fiction or Fantasy genre allowing us to lose ourselves in worlds far away from the reality we know. This escapism works because we totally immerse ourselves and:-

We become the hero or heroine.
We are the ones who thwart evil.
We laugh as we socialise with characters we have never met but feel they are as close as our family.
We cry when we lose a good friend. — Peter Graham

The notion that the public accepts or rejects anything in modern art is merely romantic fiction. The game is completed and the trophies distributed long before the public knows what has happened. — Tom Wolfe

There is no doubt that the widespread consumption of antibiotic-laden meat is bad for us. Ample evidence fingers this massive drug use in our meat industries as a key contributor to one of the biggest health concerns of the modern era, the rise of drug-resistant bacteria, aka superbugs. This is not some future science fiction. It is killing people right now - lots of people. The CDC called antibiotic resistance one of the five greatest health threats facing the nation, and new drug-resistant — Larry Olmsted

Jane sneezed three hundred dollars' worth of coke into the air.

Krishna's black eyes seem to have mirrors in them. She glances at me with a smile as big as the Cheshire Cat's. — Anthea Carson

Americans expect the president to right the wrongs that plague us - and we blame him when he fails. Because we invest impossible expectations in the presidency, the presidency has become an impossible job. And once the honeymoon period inevitably fades, the modern president becomes a lightning rod for discontent, often catching blame for phenomena beyond the control of any one person, however powerful — Gene Healy

Ian Rankin's Rebus is the king of modern British crime fiction. He is dour, determined, and constantly falls foul of his seniors. For all this, we root for him. He is eminently loveable, a quixotic hero moving through the darker half of a Jekyll and Hyde Edinburgh. — Mark Billingham

This absence of literary culture is actually a marker of future blindness because it is usually accompanied by a denigration of history, a byproduct of unconditional neomania. Outside of the niche and isolated genre of science fiction, literature is about the past. We do not learn physics or biology from medieval textbooks, but we still read Homer, Plato, or the very modern Shakespeare. — Nassim Nicholas Taleb

I'm a science fiction author at heart, and what I like about the Cthulhu Mythos setting is that, at its core, it is horror science fiction. I can take ideas from modern theoretical science, manipulate them in truly bizarre and weird ways, and remain true to the Cthulhu Mythos vision. — David Conyers

Can you not see, [ ... ] that fairy tales in their essence are quite solid and straightforward; but that this everlasting fiction about modern life is in its nature essentially incredible? Folk-lore means that the soul is sane, but that the universe is wild and full of marvels. Realism means that the world is dull and full of routine, but that the soul is sick and screaming. The problem of the fairy tale is-what will a healthy man do with a fantastic world? The problem of the modern novel is-what will a madman do with a dull world? In the fairy tales the cosmos goes mad; but the hero does not go mad. In the modern novels the hero is mad before the book begins, and suffers from the harsh steadiness and cruel sanity of the cosmos. — G.K. Chesterton

Most modern science fiction went to school on 'Dune.' Even 'Harry Potter' with its 'boy protagonist who has not yet grown into his destiny' shares a common theme. When I read it for the first time, I felt like I had learned another language, mastered a new culture, adopted a new religion. — Gary Ross

There's an immense dramatic possibility in describing that universe. The books, for me, were an enormous relief in that sense of how they were written to allow primary emotion, elemental emotion, to matter enormously but to give the thing an extraordinary flow so you don't notice at what point that you're actually overwhelmed by this. There's no showiness, at all. It's the opposite of showiness. I think, if it was a painting, it could be very grey abstract, almost, with some lines and very, very beautiful. But you wouldn't have a notion of where the beauty was.
(Talking about the short stories of Alistair MacLeod, who he discovered while working on The Modern Library.) — Colm Toibin

Because I write fiction that is based in the real world, it's going to lead people into some of the modern dilemmas and concerns and even catastrophes that they will think about in a new way. — Barbara Kingsolver

There is not now, nor I suspect will there ever be, a le Carre novel with ninjas in it. Most serious novelists are wary of including ninjas in their writing. That's a shame, because many much-admired works of modern fiction could benefit from a few. — Nick Harkaway

A lot of the fiction I read growing up was post-war American, and not all of it centers on Manhattan, but around people of the Mad Men generation, people like John Cheever and, in more modern times, Don DeLillo, who I always mention. — Dylan Moran

I started the movement of SF in America in 1908 through my first magazine, 'MODERN ELECTRICS.' At that time it was an experiment. Science fiction authors were scarce. There were not a dozen worth mentioning in the entire world — Hugo Gernsback

Separating fact and fiction in Inca history is impossible, because virtually all the sources available are Spanish accounts of stories that had already been vetted by the Inca emperors to highlight their own heroic roles. Imagine a history of modern Iraq written by Dick Cheney and based on authorized biographies of Sadam Hussein published in Arabic, and you'll get some idea of what historians face. — Mark Adams

What's that?' Thaniel said, curious. The postmarks and stamps weren't English or Japanese.

'A painting. There's a depressed Dutchman who does countryside scenes and flowers and things. It's ugly, but I have to maintain the estates in Japan and modern art is a good investment. — Natasha Pulley

Why is autobiography the most popular form of fiction for modern readers? — Jill Ker Conway

Even the Sun shed tears once in a while — Sheeja Jose

We've inherited many ideas about writing that emerged in the eighteenth century, especially an interest in literature as both an expression and an exploration of the self. This development - part of what distinguishes the "modern" from the "early modern" - has shaped the work of many of our most celebrated authors, whose personal experiences indelibly and visibly mark their writing. It's fair to say that the fiction and poetry of many of the finest writers of the past century or so - and I'm thinking here of Conrad, Proust, Lawrence, Joyce, Woolf, Kafka, Plath, Ellison, Lowell, Sexton, Roth, and Coetzee, to name but a few - have been deeply autobiographical. The link between the life and the work is one of the things we're curious about and look for when we pick up the latest book by a favorite author. — James Shapiro

My aunt and my mother read to me when I was three from all the old Grimm fairy tales, Andersen fairy tales, and then all the Oz books as I was growing up ... So by the time when I was ten or eleven, I was just full to the brim with these, and the Greek myths, and the Roman myths. And then, of course, I went to Sunday school, and then you take in the Christian myths, which are all fascinating in their own way ... I guess I always tended to be a visual person, and myths are very visual, and I began to draw, and then I felt the urge to carry on these myths.
If I'm anything at all, I'm not really a science-fiction writer - I'm a writer of fairy tales and modern myths about technology. — Ray Bradbury

I also read modern novels - I have just had to read 60 as I am one of the judges for the Orange Fiction Prize. — Kate Adie

Modern fiction brings out the evil in domestic lives, ordinary relations, people like you and me -- Reader! Bruder! as Humbert said. Evil in Austen, as in most great fiction, lies in the inability to "see" others, hence to empathize with them. What is frightening is that this blindness can exist in the best of us (Eliza Bennet) as well as the worst (Humbert). We are all capable of becoming the blind censor, or imposing our visions and desires on others. — Azar Nafisi

Now that's a ghastly moon, not ghostly. — Anthea Carson

Though a modern woman's computer is more intimate than her bed ... — Elizaveta Mikhailichenko

Hardboiled crime fiction came of age in 'Black Mask' magazine during the Twenties and Thirties. Writers like Dashiell Hammett and Raymond Chandler learnt their craft and developed a distinct literary style and attitude toward the modern world. — Charles Frazier

Now and then I am asked as to "what books a statesman should read," and my answer is, poetry and novels - including short stories under the head of novels. I don't mean that he should read only novels and modern poetry. If he cannot also enjoy the Hebrew prophets and the Greek dramatists, he should be sorry. He ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse. — Theodore Roosevelt

Writing a modern novel in a national language hence means writing with the awareness that you inhabit the same world as others around the globe. You see the same world map and the same world history as your contemporaries elsewhere, though how each of you interprets and relates the same historical events may vary greatly. — Minae Mizumura

Imagine a society that subjects people to conditions that make them terribly unhappy then gives them the drugs to take away their unhappiness. Science fiction It is already happening to some extent in our own society. Instead of removing the conditions that make people depressed modern society gives them antidepressant drugs. In effect antidepressants are a means of modifying an individual's internal state in such a way as to enable him to tolerate social conditions that he would otherwise find intolerable. — Theodore J. Kaczynski

I don't like super-descriptive modern fiction. I like, "Here's what was happening in 1582 all over the planet." Then that gets my imagination going. — Andrew Bird

You can't even read American fiction to get a sense of how actual life is lived these days. You read American fiction to learn about dysfunctional white folk doing things that are weird to normal white folks. — Chimamanda Ngozi Adichie

As technology enables us to upgrade humans, overcome old age and find the key to happiness, won't people care less about fictional gods, nations and corporations, and focus instead on deciphering the physical and biological reality? It might seem so, but in fact things are far more complicated. Modern science certainly changed the rules of the game, yet it did not simply replace myths with facts. Myths continue to dominate humankind, and science only makes these myths stronger. Instead of destroying the intersubjective reality, science will enable it to control the objective and subjective realities more completely than ever before. Thanks to computers and bioengineering, the difference between fiction and reality will blur, as people reshape reality to match their pet fictions. — Yuval Noah Harari

The brain of the modern human is no longer capable of understanding reality directly. It used to be that a person lived, looked toward the horizon, howled at the moon, and formed his conceptions, however biased, based on his own experiences and observations. There used to be this thing called independent learning. Not anymore. They crystallize our brains like ice from water. Imagine how slowly, starting in childhood, your brain is crystallized for you, forming your conception of reality. We could even determine a unit of currency for all humanity, 'the value of one concept.' Everyone would have their own change purse, so to speak, and the coins in it, though of various values, quantities, styles, and metals, would all be from a single mint. — Elizaveta Mikhailichenko

I lay off a lot modern fiction and only rely on living writers for non-fiction work. — Henry Rollins

We read about the name Jesus was given at his birth; Immanuel, meaning "God with us". This God wasn't content with dwelling in fiction, this God wasn't content living with the seraphim and this God wasn't content with bulls and goats anymore. This God wanted to dwell with you, with all of your mess, with all of your failures with all the dirtiness that is you; he wanted to sit with you. Here's the amazing thing, God doesn't care if you're a catholic, a Lutheran, Post modern or Emergent; he wants to sit with you. — Ricky Maye

The ancient historians gave us delightful fiction in the form of fact; the modern novelist presents us with dull facts under the guise of fiction. — Oscar Wilde

Some people say he engineered his own arrest to gain an insight into modern methods of policing for a thriller he had planned. But you know what happens to artistic rats in prison: they have their rectums stretched, and not by overindulgence in Michelin-star food; they have their columns examined, and not by internet humorists or a qualified medical practitioner. I'm sure Rat knew this, too. Although he likes to accumulate a wide general knowledge, he would rather have a narrow rectum. A colon comes in handy here, before examples: two dots on top of one other, like the cowboys who copulate on Brokeback Mountain, on a slope so far away you need binoculars to see them properly. In prison there are too many insights and examples. Rat would never risk it. — Graham Spaid

Like most modern people, we no longer bothered to make the distinction between events in real life and the dramas of fictional worlds, and so the cliff-hanger that inevitably, reliably ended the hour held just as much or more importance to us as the newspaper that usually went from doorstep to garbage bin unread, and we speculated about the future lives of the characters that populated decayed mansions or desert isles as if they weren't inventions of other human minds. — Dexter Palmer

In the ensuing chapters, we will look in some detail at particular manifestations of the modern scientific ideology and the false paths down which it has led us. We will consider how biological determinism has been used to explain and justify inequalities within and between societies and to claim that those inequalities can never be changed. We will see how a theory of human nature has been developed using Darwin's theory of evolution by natural selection to claim that social organization is also unchangeable because it is natural. We will see how problems of health and disease have been located within the individual so that the individual becomes a problem for society to cope with rather than society becoming a problem for the individual. And we will see how simple economic relationships masquerading as facts of nature can drive the entire direction of biological research and technology. — Richard C. Lewontin

The big thing (that really good fiction) can do is leaping over that wall of self and portraying inner experience and setting up a kind of intimate conversation between two consciousnesses ... the trick is going to be trying to find a way to do it
and for a generation
whose relation to the long sustained, linear verbal communication is fundamentally different. — David Foster Wallace

Modern science fiction is the only form of literature that consistently considers the nature of the changes that face us. — Isaac Asimov

Sin is the only real colour-element left in modern life.'
'You really must not say things like that before Dorian, Harry.'
'Before which Dorian? The one who is pouring out tea for us, or the one in the picture?'
'Before either.'
'I should like to come to the theatre with you, Lord Henry,' said the lad.
'Then you shall come; and you will come, too, Basil, won't you?'
'I can't, really. I would sooner not. I have a lot of work to do.'
'Well, then you and I will go alone, Mr. Gray.'
'I should like that awfully.'
The painter bit his lip and walked over, cup in hand, to the picture. 'I shall stay with the real Dorian,' he said, sadly. — Oscar Wilde

It allows you to say things that sound very dramatic and get away with it. If you had characters in modern fiction say the same things as they're driving down the street in an Oldsmobile they'd sound ludicrous! — Terry Goodkind

April was just beginning, and after the warm spring day it turned cooler, slightly frosty, and a breath of spring could be felt in the soft, cold air. The road from the convent to town was sandy, they had to go at a walking pace; and on both sides of the carriage, in the bright, still moonlight, pilgrims trudged over the sand. And everyone was silent, deep in thought, everything around was welcoming, young, so near - the trees, the sky, even the moon - and one wanted to think it would always be so. — Anton Chekhov

Commentators frequently blame MMORPGs for an increasing sense of isolation in modern life. But virtual worlds are less a cause of that isolation than a response to it. Virtual worlds give back what has been scooped out of modern life. The virtual world is in important ways more authentically human than the real world. It gives us back community, a feeling of competence, and a sense of being an important person whom people depend on. — Jonathan Gottschall

I searched modern fiction and poetry for clues to how we confronted and evaded reality, how we articulated our experience and turned to language not to revel ourselves but to hide. I was as sure then as I am now that by looking at contemporary Iranian fiction I could gain access to a real understanding of political and social events. (p289) — Azar Nafisi

The stories about epidemics that are told in the American press - their plots and tropes - date to the nineteen-twenties, when modern research science, science journalism, and science fiction were born. — Jill Lepore

About the only valid definition (of science fiction) that I'm willing to accept is this: all of modern, mainstream, and realistic fiction is simply a branch, a category, or a subset of science fiction. — Mike Resnick

How much the fiction of Sir Walter Scott owes to Froissart, and to Philip de Comines after Froissart, those only can understand who have read both the old chronicles and the modern romances. It was one of the congenial labors of — William Cleaver Wilkinson

In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance. — Michael Dirda

Funny as hell, searingly honest, and urgently real, Sam Pink's Rontel puts to shame most modern fiction. His writing perfectly captures the bizarre parade that is Chicago, with all its gloriously odd and wonderful people. This book possesses both the nerve of Nelson Algren and the existential comedy of Albert Camus. — Joe Meno

O put it in the modern parlance, this is a re-run. We have been here before. This is like watching TV in Bombay or Kingston or Dhaka, watching the same old British sitcoms spewed out to the old colonies in one tedious, eternal loop. Because immigrants have always been particularly prone to repetition - something to do with that experience of moving West to East or East to West or island to island. Even when you arrive, you're still going back and forth; your children are going round and round. — Zadie Smith

The proposition that primitive dream imagery might reproduce, albeit imperfectly, the experience of one's ancestors, including their terrors, was rather too existentially charged for post-modern sensitivities, for which the meaningless hypothesis of memory de-junking was much more appealing. Even worse, the notion that one's own ideation, one's own monsters, or indeed oneself as a monster, might be transmitted forward to future generations threatened deeply assumptions about the privacy of the mind and an individual's discretionary power of inviolable concealment over unedifying thoughts. — Robert Edeson

In post-modern finance, everybody took a risk when lending or borrowing. — B. Barmanbek

The winters were getting colder, starting earlier, lasting longer, with more snows than he could remember from childhood. As soon as man stopped adding his megatons of filth to the atmosphere each day, he thought, the atmosphere had reverted to what it must have been long ago, moister weather summer and winter, more stars than he had ever seen before, and more, it seemed, each night than the night before: the sky a clear, endless blue by day, velvet blue-black at night with blazing stars that modern man had never seen. — Kate Wilhelm

In modern physics, there is no such thing as "nothing." Even in a perfect vacuum, pairs of virtual particles are constantly being created and destroyed. The existence of these particles is no mathematical fiction. Though they cannot be directly observed, the effects they create are quite real. The assumption that they exist leads to predictions that have been confirmed by experiment to a high degree of accuracy. — Richard Morris

The most watched programme on the BBC, after the news, is probably 'Doctor Who.' What has happened is that science fiction has been subsumed into modern literature. There are grandparents out there who speak Klingon, who are quite capable of holding down a job. No one would think twice now about a parallel universe. — Terry Pratchett

The principle of analogy is so simple, so natural, that everyone uses it in daily life. Imagine someone sitting down in front of the television after a long day at work. The first image he sees is that of a giant reptile squashing tall buildings. Is one's first hunch, "Oh! The news channel!"? Probably not. More likely one surmises the TV set had been left on the science fiction channel. Why? Because one's world of contemporary experience does not include newscasts of giant dinosaurs wreaking havoc in modern cities, but one has seen monster movies in which such disasters are quite typical. Which analogy does the TV screen image fit? — Robert M. Price

I think of science fiction as being part of the great river of imaginative fiction that has flowed through English literature, probably for 400 or 500 years, well predating modern science. — J.G. Ballard

And if we can imagine the art of fiction come alive and standing in our midst, she would undoubtedly bid us break her and bully her, as well as honour and love her, for so her youth is renewed and her sovereignty assured. — Virginia Woolf

They do think the world is some kind of science-fiction novel, then. Do you realize how fervently most people will believe in the promises of technology, even when those promises fly in the face of common sense? — Dexter Palmer

Seeing that humans in modern cultures were destroying their environment for the sake of self-indulgence, the Dokkalfar focused their attention on poorer nations, whose terrain still flourished. A century of ethnic cleansing, deforestation, and war assured the land weakened and humans stayed in abject poverty. The result was a perfect contrast. In certain parts of the world, millions of children died of starvation and disease while other countries held excesses and riches never before seen. Earth became a place of greedy extremes. Societies lost the ability to relate to one another, choosing instead to focus on their own. No one noticed the one common theme every culture held.
The world itself was dying. — Elizabeth Isaacs

By and large, the kind of science fiction which makes tomorrow's headlines as near as this morning's coffee has enlarged popular awareness of the modern, miraculous world of science we live in. It has helped generations of young people feel at age with a changing world.
But fashions change, old loves return, and now that Sputniks clutter up the sky with new and unfamiliar moons, the readers of science fiction are willing to wait to read tomorrow's headlines. Once again, I think, there is a place, a wish, a need for the wonder and color of the world way out. The world beyond the stars. The world we won't live to see. That is why I wrote The Door Through Space. — Marion Zimmer Bradley

THE COLLECTED SHORT FICTION OF ORSON SCOTT CARD Experience Card's full versatility, from science fiction to fantasy, from traditional narrative poetry to modern experimental fiction. — Orson Scott Card

The secret of genius is to suffer no fiction to exist for us; to realize all that we know; in the high refinement of modern life,in arts, in sciences, in books, in men, to exact good faith, reality, and a purpose; and first, last, midst, and without end, to honor every truth by use. — Ralph Waldo Emerson

I just saved your fucking life, Mom ... It's like, if you
people of a certain age
would make some effort to just stay in touch with sort of basic, modern-day events, then your kids wouldn't have to take these drastic measures. — Neal Stephenson

Science fiction writers missed the most salient feature of our modern era: the Internet. — Jack McDevitt