Modern Fantasy Quotes & Sayings

City of prose and fantasy, of capitalist automation, its streets a triumph of cubism, its moral philosophy that of the dollar. New York impressed me tremendously because, more than any other city, it is the fullest expression of our modern age. — Leon Trotsky

The washing up liquid smells of sweeties. It tells me that it is ginger and peach. It smells of something we should still be eating. This seems wrong: it should smell of something after, whatever it is that comes after. — Joanna Walsh

Most modern fantasy just rearranges the furniture in Tolkien's attic. — Terry Pratchett

Ms. Wrack's mother, Mrs. Wrack, had been a mermaid: a proper one who lived on a rock and combed her hair and sang. But sailors had never been lured to their doom by her, partly because she looked like the back of a bus and partly because modern ships are so high out of the water that they never even saw her — Eva Ibbotson

Since middle-class Western women can best be weakened psychologically now that we are stronger materially, the beauty myth, as it has resurfaced in the last generation, has had to draw on more technological sophistication and reactionary fervor than ever before. The modern arsenal of the myth is a dissemination of millions of images of the current ideal; although this barrage is generally seen as a collective sexual fantasy, there is in fact little that is sexual about it. It is summoned out of political fear on the part of male-dominated institutions threatened by women's freedom, and it exploits female guilt and apprehension about our own liberation
latent fears that we might be going too far. — Naomi Wolf

Fantasy is more than an escape from the truths of the world and the past: it is an open acknowledgment that those truths are complex and morally difficult. It offers a different route to creating something which will resonate with readers, in a way which resists the erasure of privacy and autonomy which pervades our modern world. — Guy Gavriel Kay

Worlds need those pockets, the urban closets that hide the skeletons of a modern society. — S.A. Check

...The same folks who believe this fantasy also believe that the sole motivation for modern man's practice of science is to disprove their beliefs. How despicably arrogant of them to circumvent their burden of proof! It is plainly there for all to see that science wishes to discover and prove the answers to the very same questions that religion claims to already have answers for, whether or not they disprove former assumptions by our ancestors. The religionists should be happy that that their claims might have the chance to be proven wrong, but instead they would rather fear them disproven. I don't know about you, but I smell a guilty conscience. If they were one-hundred percent certain that their claims were of truth, they wouldn't need "faith" in them, nor would they have to dread possible invalidation. — John M. Penkal

For centuries before Google, MIT, and IDEO, modern hotbeds of innovation, we struggled to explain any kind of creation, from the universe itself to the multitudes of ideas around us. While we can make atomic bombs, and dry-clean silk ties, we still don't have satisfying answers for simple questions like: Where do songs come from? Are there an infinite variety of possible kinds of cheese? How did Shakespeare and Stephen King invent so much, while we're satisfied watching sitcom reruns? Our popular answers have been unconvincing, enabling misleading, fantasy-laden myths to grow strong. — Scott Berkun

Why are so many of us enspelled by myths and folk stories in this modern age? Why do we continue to tell the same old tales, over and over again? I think it's because these stories are not just fantasy. They're about real life. We've all encountered wicked wolves, found fairy godmothers, and faced trial by fire. We've all set off into unknown woods at one point in life or another. We've all had to learn to tell friend from foe and to be kind to crones by the side of the road ... — Terri Windling

We can trace the communitarian fantasy that lies at the root of all humanism back to the model of a literary society, in which participation through reading the canon reveals a common love of inspiring messages. At the heart of humanism so understood we discover a cult or club fantasy: the dream of the portentous solidarity of those who have been chosen to be allowed to read. In the ancient world - indeed, until the dawn of the modern nation-states - the power of reading actually did mean something like membership of a secret elite; linguistic knowledge once counted in many places as the provenance of sorcery. In Middle English the word 'glamour' developed out of the word 'grammar'. The person who could read would be thought easily capable of other impossibilities. — Peter Sloterdijk

Wells is teaching us to think. Burroughs and his lesser imitators are teaching us not to think. Of course, Burroughs is teaching us to wonder. The sense of wonder is in essence a religious state, blanketing out criticism. Wells was always a critic, even in his most wondrous and romantic tales.

And there, I believe, the two poles of modern fantasy stand defined. At one pole wait Wells and his honorable predecessors such as Swift; at the other, Burroughs and the commercial producers, such as Otis Adelbart Kline, and the weirdies, and horror merchants such as H.P. Lovecraft, and so all the way past Tolkien to today's non-stop fantasy worlders. Mary Shelley stands somewhere at the equator of this metaphor. — Brian W. Aldiss

I think people should take mythology much more seriously, because it tells us an awful lot about the history of the human race. We tend to dismiss it as 'fairy tales,' when it isn't. Fairy tales in themselves are about fundamentals of human nature. And they keep being reinvented in different ways. Fantasy acknowledges that, whereas a lot of modern literature is trying to distance itself from 'story,' never mind anything else. Which is why a lot of books are read by the critics, then people buy them, put them on their shelves, and don't really read them much, because they're not very interesting! — Jan Siegel

Fairy tales and stories of fantasy bridge the gap and inspires the heart and mind wherever religious thought reaches its limits or meets a dead end. In other words, fairy tales are spiritual in nature, rising above set dogmas and traditions to provide a modern and universal spiritual nourishment for the human soul. — Alaric Hutchinson

(From the Author Note at the beginning of the book.) Dorothy L. Sayers used to say that mystery stories were the only moral fiction of the modern world
because in a mystery, you were guaranteed to see that the bad got punished, the good got rewarded and in the end all was made right.
I'd like to think that fantasy does the same thing. It reminds us that this is how it should be, and maybe if we all put our minds to it a little more, this is how it will be. The good will be rewarded. The bad will be punished. Sins will be forgiven.
And they will live happily ever after. — Mercedes Lackey

I do a lot of urban fantasy, which is modern-day cities, but you've got magic, you've got fairies running around, or cryptozoological creatures running around, and I'm pulling very heavily on my background as a folklore major and having done some animation work and all of that, and I'm pulling from the modern fairy tale narrative. — Seanan McGuire

She was tasked with guarding the doorway to the Otherworld, keeping the balance of nature (as much as anyone could in these modern times), and occasionally, helping a worthy seeker. — Deborah Blake

I am a more modern female vampire since I came just when our world was disappearing due to the intromission of this future.-Enyo — Carolina Cody Aldaz

Books allow us to escape from the pressures of modern life. By far, the best vehicles of escape are Young Adult Science Fiction or Fantasy genre allowing us to lose ourselves in worlds far away from the reality we know. This escapism works because we totally immerse ourselves and:-

We become the hero or heroine.
We are the ones who thwart evil.
We laugh as we socialise with characters we have never met but feel they are as close as our family.
We cry when we lose a good friend. — Peter Graham

I found 'Bordertown' when I was standing on the border between childhood and my teens, and it carried me past that transition. In the process, it helped to create the next step of its own evolution: the modern urban fantasy owes a lot more to 'Bordertown' than many people will ever know. — Seanan McGuire

If you cannot do it to the best of your ability, don't do it at all... — Donna Mae Smith

J. R. R. Tolkien, the near-universally-hailed father of modern epic fantasy, crafted his magnum opus The Lord of the Rings to explore the forces of creation as he saw them: God and country, race and class, journeying to war and returning home. I've heard it said that he was trying to create some kind of original British mythology using the structure of other cultures' myths, and maybe that was true. I don't know. What I see, when I read his work, is a man trying desperately to dream.
Dreaming is impossible without myths. If we don't have enough myths of our own, we'll latch onto those of others - even if those myths make us believe terrible or false things about ourselves. Tolkien understood this, I think because it's human nature. Call it the superego, call it common sense, call it pragmatism, call it learned helplessness, but the mind craves boundaries. Depending on the myths we believe in, those boundaries can be magnificently vast, or crushingly tight. — N.K. Jemisin

How old did they tell you I am?" she demanded, hurrying to match his pace.

Joel shook his head. "If my mother ever taught me anything, it was to never question a lady's age. — Deidre Huesmann

For the modern solitary, the quest for silence has vastly broader boundaries than what one's predecessors faced. Solitude is real only when it is relative to the world in which it is lived. It is unreal if attempted in fantasy--as though telephones and fax machines, the Internet and E-mail did not exist. (36) — Barbara Erakko Taylor

In the fantasy I spun for myself that night before falling asleep, those deep dark secrets were revealed. That simple touch became a violent embrace, worthy of any bodice-ripper. There were a certain number of gleeful perversions committed on Ivan's battered leather sofa. And at some point in the fantasy, Ivan was a vampire, because I was sort of weird that way. He was a real, Gothic-style, Bram Stoker sort of vampire who bit people as a metaphor for having dubious-consent, alpha-male sex with them, I should point out. None of your modern, sensitive vampires for me. I appreciated the classics. — Delphine Dryden

Cursed, he once cried in a fit of rage. His temper has always been as restless and unpredictable as the sea itself. But his words had power behind them and I felt the effects instantly. Too late to take it back. — Jennifer Silverwood

The result is that children now live in an "ethos of fantasy consumerism." Modern American childhood, says Cross, — Morris Berman

Look, I don't have a problem with medieval Europe. I have a problem with modern fantasy's fetishization of medieval Europe; that's different. So many fantasy writers and fans simplify the social structure of the period, monotonize the cultural interactions, treat conflicts as binaries instead of the complicated dynamic tapestry they actually were. They're not doing medieval Europe, they're doing Simplistic British Isles Fantasy Full of Lots of Guys with Swords And Not Much Else. Not all medieval European fantasy does this, of course - but enough does that frankly, they've turned me off the setting. — N.K. Jemisin

Where love exists with self-respect and joy, where a fine environment is provided for the child, where the parents live under conditions that neither stunt the imagination nor let it run to uncontrolled fantasy, there you have the family that modern men are seeking to create. — Walter Lippmann

He remembered believing there had been a time when monsters roamed the earth. The brave hearted fought flesh-and-blood dragons instead of shadowboxing their inner demons, the sport of modern man. — Katherine Starbird

THE COLLECTED SHORT FICTION OF ORSON SCOTT CARD Experience Card's full versatility, from science fiction to fantasy, from traditional narrative poetry to modern experimental fiction. — Orson Scott Card

Paradise is not a garden of bliss and changeless perfection where the lions lie down like lambs (what would they eat?) and the angels and cherubim and seraphim rotate in endless idiotic circles, like clockwork, about an equally inane and ludicrous -- however roseate -- unmoved mover. That particular painted fantasy of a realm beyond time and space which Aristotle and the church fathers tried to palm off on us has met, in modern times, only neglect and indifference passing on into oblivion it so richly deserved, while the paradise of which I write and wish to praise is with us yet, the the here and now, the actual, tangible, dogmatically real earth on which we stand. — Edward Abbey

In modern fantasy (literary or governmental), killing people is the usual solution to the so-called war between good and evil. — Ursula K. Le Guin

Melancholy, amorous and barbaric, these tales exalted adulterous love as the only true kind, while in the real life of the same society adultery was a crime, not to mention a sin. If found out, it dishonored the lady and shamed the husband, a fellow knight. It was understood that he had the right to kill both unfaithful wife and lover. Nothing fits in this canon. The gay, the elevating, the ennobling pursuit is founded upon sin and invites the dishonor it is supposed to avert. Courtly love was a greater tangle of irreconcilables even than usury. It remained artificial, a literary convention, a fantasy (like modern pornography) more for purposes of — Barbara W. Tuchman

Consensus wisdom has it that all modern commercial fantasy novels fall into two camps: those derived from J.R.R. Tolkien and those derived from Mervyn Peake. The 'Lord of the Rings' template or the 'Gormenghast' mold. — Paul Di Filippo

It was an irresistible development of modern illustration (so largely photographic) that borders should be abandoned and the "picture" end only with the paper. This method may be suitable for for photographs; but it is altogether inappropriate for the pictures that illustrate or are inspired by fairy-stories. An enchanted forest requires a margin, even an elaborate border. To print it coterminous with the page, like a "shot" of the Rockies in Picture Post, as if it were indeed a "snap" of fairyland or a "sketch by our artist on the spot", is a folly and an abuse. — J.R.R. Tolkien

The capacity for loving strangers, whether one thinks of them as fictional beings or stars one will never meet, is a profound reflection on the new consciousness whereby every individual leads his or life while aware of all the billions of other people on Earth. Perhaps it is a fantasy or a fallacy that we can feel for so many strangers. Perhaps it is a mask for selfishness. But no matter the modern stress on special effects, there isn't a sight in movies as momentous as shots of a face as its mind is being changed. And only movies have allowed that. — Edward Jay Epstein

In a single lifetime, roughly from 1865 to 1930, one finds the pioneering and patterning works of modern fantasy, science fiction, children's literature and detective fiction, of modern adventure, mystery and romance. — Michael Dirda

The success that the Tolkien books had redefined modern fantasy. — George R R Martin

There is a fantasy as old as the modern gay rights movement that if all our skins turned lavender overnight, the majority, confounded by our numbers and our diversity, and recognising a few of our faces, would at once let go of prejudice forevermore. — Ian McKellen

Seeing that humans in modern cultures were destroying their environment for the sake of self-indulgence, the Dokkalfar focused their attention on poorer nations, whose terrain still flourished. A century of ethnic cleansing, deforestation, and war assured the land weakened and humans stayed in abject poverty. The result was a perfect contrast. In certain parts of the world, millions of children died of starvation and disease while other countries held excesses and riches never before seen. Earth became a place of greedy extremes. Societies lost the ability to relate to one another, choosing instead to focus on their own. No one noticed the one common theme every culture held.
The world itself was dying. — Elizabeth Isaacs