Miyazakis Movies Quotes & Sayings
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Top Miyazakis Movies Quotes

We want the world to focus on children whose lives have been devastated by AIDS. The millions of children who are missing their parents; their childhood, their future but most importantly, they are missing YOU. Everyone can make a real difference. Your voice is needed in a global movement that can change their world. — Pierce Brosnan

To be right and overruled is not forgiven to persons in responsible positions, and Michel duly paid for his clairvoyance. — Barbara W. Tuchman

Because in some men it is in them to give up everything personal at some time, before it ferments and poisons
throw it to some human being or some human idea. They have to. — Carson McCullers

How has podcasting changed things? A lot of people ask me if I feel I should be more famous. — Paul F. Tompkins

Autumn is the eternal corrective. It is ripeness and color and a time of maturity; but it is also breadth, and depth, and distance. What man can stand with autumn on a hilltop and fail to see the span of his world and the meaning of the rolling hills that reach to the far horizon? — Hal Borland

Everyone thinks I'm a smart arse who can solve any bloody problem. I'm not. I'm just a very old businessman and a very experienced businessman who made every mistake in the book and can recognise one when I see one. — John Harvey-Jones

The greatest terror a child can have is that he is not loved, and rejection is the hell he fears. I think everyone in the world to a large or small extent has felt rejection. And with rejection comes anger, and with anger some kind of crime in revenge for the rejection, and with the crime guilt - and there is the story of mankind. I think that if rejection could be amputated, the human would not be what he is. — John Steinbeck

What I really felt was this: chopped down like a tree, a new feeling, and I was realizing that all new feelings from here on in would probably be bad ones. Surprises would no longer be good. And feelings might take on actual physical form, like those sad fish lips, a mouth speared into a gasping silence, or worse. — Lorrie Moore

The reason why so many of my photographs in the book were taken in stairwells and corridors was that that was the only bit of spare space available and, in some cases, the only place where there was enough light to see anything. Even then, it was often so dark that I couldn't tell which gender my subject was (not that I particularly cared) and too dark, before the era of autofocus, to focus. I had to find a light (or carry a torch) and pre-focus. — Derek Ridgers