Quotes & Sayings About Mind Readers

What is actually happening inside readers as they read? Each reader has a unique emotional response to a story. It's unpredictable, but it's real. Readers read under the influence of their own temperaments, histories, biases, morality, likes, dislikes, and peeves. They make judgments that don't agree with yours. So how can a writer predict, never mind control, what readers feel? Psychological — Donald Maass

I love seeing the bookshops and meeting the booksellers
booksellers really are a special breed. No one in their right mind would take up clerking in a bookstore for the salary, and no one in his right mind would want to own one
the margin of profit is too small. So, it has to be a love of readers and reading that makes them do it
along with first dibs on the new books. — Mary Ann Shaffer

I want you to tell all these people that I wanted more time to spend with them. Tell them I meant to, tell them I wanted to hear what they said and tell them what was on my mind. — Kage Baker

If you don't go talk to your boss, if you don't go talk to your mentors, if you don't go talk to people who can influence where you want to be, then they don't know. And they're not mind readers. — Brian Krzanich

What is a writer?
A writer is a magician who can create a masterpiece
With a wave of a pencil
A writer has the key to a new world
Capturing readers and taking them on a roller coaster ride away from reality
But a writer can be a commanding tyrant
Or a hypnotist stealing minds
What is a writer?
A writer is a powerful being, an intelligent thinker
And an artist creating mind pictures through words.
A writer is a keeper of secrets
Or like a roomful of words waiting for a book
But a writer is also a puppet master taking control
With no strings attached
What is a writer?
A writer is a true friend
Using words to spread smiles to the world
A writer is ... ..
The voice of the hear — Carol Archer

Novels do not force their fair readers to sin, they only instruct them how to sin; the consequences of which are fully detailed, and not in a way calculated to seduce any but weak but weak minds; few of their heroines are happily disposed of. — Johann Georg Ritter Von Zimmermann

Alexander once made himself supremely ridiculous. Coming across Epicurus's Principal Doctrines, the most admirable of his books, as you know, with its terse presentment of his wise conclusions, he brought it into the middle of the marketplace, there burned it on a figwood fire for the sins of its author, and cast its ashes into the sea. He issued an oracle on the occasion:
"The dotard's doctrines to the flames be given."
The fellow had no conception of the blessings conferred by that book upon its readers, of the peace, tranquility, and independence of mind it produces, of the protection it gives against terrors, phantoms, and marvels, vain hopes and insubordinate desires, of the judgment and candor that it fosters, or of its true purging of the spirit, not with torches and squills and such rubbish, but with right reason, truth, and frankness. — Lucian Of Samosata

Wise Blood was written by an author congenitally innocent of theory, but one with certain preoccupations. That belief in Christ is to some a matter of life and death has been a stumbling block for readers who would prefer to think it a matter of no great consequence. For them Hazel Motes' integrity lies in his trying with such vigor to get rid of the ragged figure who moves from tree to tree in the back of his mind. For the author Hazel's integrity lies in his not being able to. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen. — Flannery O'Connor

Labels don't mean much to me one way or another
except when they close the minds of potential readers. I'd much rather we do away with genres and simply file everything under fiction. I know it can work
one of my favourite record stores (Waterloo Music in Austin) simply files everything alphabetically and no one seems to have much problem finding what they're looking for. — Charles De Lint

The reader! You, dogged, uninsultable, print-oriented bastard, it's you I'm addressing, who else, from inside this monstrous fiction. You've read me this far, then? Even this far? For what discreditable motive? How is it you don't go to a movie, watch TV, stare at a wall, play tennis with a friend, make amorous advances to the person who comes to your mind when I speak of amorous advances? Can nothing surfeit, saturate you, turn you off? Where's your shame? — John Barth

When I am composing, I try to clear my mind of having to publish, or having to sell a book or find readers. That kind of thinking gets in the way. — Maxine Hong Kingston

I made up my mind long ago to follow one cardinal rule in all my writing - to be clear. I have given up all thought of writing poetically or symbolically or experimentally, or in any of the other modes that might (if I were good enough) get me a Pulitzer prize. I would write merely clearly and in this way establish a warm relationship between myself and my readers, and the professional critics - Well, they can do whatever they wish. — Isaac Asimov

Not only was he one of history's greatest leaders, Abraham Lincoln was one of history's most devoted readers. Doris Kearns Goodwin writes of Lincoln, "Books became his academy, his college. The printed word united his mind with the great minds of generations past. — Pat Williams

Haiku are meant to evoke an emotional response from the reader ... to light the spark that triggers creative rumination ... They act as literary manifestations ... visions of nature's seasonal modulations ... They're emotionally tinged words, barely perceptible sensory flickers ... literary etchings of lucid visions transposed into the minds of its readers ... They're meant to act as sensory catalysts ... like the passing of a penciled baton laid out upon a piece of paper that a reader might grasp for in their mind's eye ... all of which prompts the reader to continue exploring the sensory experience elicited from the writers pen ... This is how the literary sketching of poets are intended to function ... as creative muses with which readers can draw from and viscerally apply to their own artistic idioms ... from that lucid space within their heads ... where their minds eye can spark their own creative visions"

Bukusai Ashagawa — Bukusai Ashagawa

The Concord Coalition in Virginia complained about pork projects and wasteful spending in the federal budget. Consider the Senate chaplain's salary. As occupations go, only mind readers in Los Angeles have fewer things to do all day. — Argus Hamilton

I wasn't trying to write a corrective novel - that would just end up tasting like medicine, and I tried to stay away from polemics as best I could. I think that, if anything, Fobbit is my way of showing readers there's another side to war - the backstage of combat, if you will. If you play a word association game with Americans and say "war," what's the first thing that comes to mind? Soldiers running across a battlefield through a hail of bullets, right? Rambo, smoke, explosions. In Fobbit, I hope readers will see something a little different — Dave Abrams

The poet lives as long as his lines are imprinted on the minds of his readers. — Alan Bold

However multilingual we may be as readers, we find ourselves faced with a fundamental, inescapable responsibility. We must understand that any book & especially a great one is a complex & highly personal exchange between its writer & its readers. None of us reads precisely the same book, even if the words are identical. Readers too, are part of the ongoing process of translation that begins in the author's mind. — Michael Cunningham

Over the centuries, this interpretation and reinterpretation creates a long chain connecting a writer to all future readers- who frequently read each other as well as the original. Virginia Woolf had a beautiful vision of generations interlinked in this way: of how "minds are threaded together- how any live mind is of the very same stuff as Plato's & Euripides ... It is this common mind that binds the whole world together; & all the world is mind." This capacity for living on through readers' inner worlds over long periods of history is what makes a book like the 'Essays' a true classic. As it is reborn differently in each mind, it also brings those minds together. — Sarah Bakewell

We had come here to have a break from thoughts and the hard work that came with the constant interaction with idiots. Or at least people we considered idiots because they were not mind readers and we had to, patiently, use polite words to explain things that we were thinking when really inside we were fighting the urge to take their heads in our hands and softly and repeatedly thud their foreheads off the wall. — Cecelia Ahern

Some o' the words in this book might not be immediately pronounceable for some readers because they have foreign origins. Heck, I needed help myself. But I like learning new words and how to say them, so I'm providing a wee guide here for a few names and such in case you're of a like mind and want to know how to say them out loud. No one is going to confiscate your cake if you say them wrong, but you might score a piece of cake if you say them right. You know what? You should just have a piece of cake anyway. You deserve cake. — Kevin Hearne

Readers, after all, are making the world with you. You give them the materials, but it's the readers who build that world in their own minds. — Ursula K. Le Guin

Also bear in mind, when you're choosing your words and stringing them together, how they sound. This may seem absurd: readers read with their eyes. But in fact they hear what they are reading far more than you realize. — William Zinsser

Your writing voice is the deepest possible reflection of who you are. The job of your voice is not to seduce or flatter or make well-shaped sentences. In your voice, your readers should be able to hear the contents of your mind, your heart, your soul. — Meg Rosoff

Readers should not be loaded with more information and guidance than a lively mind needs
puzzlement can be accepted, but insulting clarity is fatal to a poem. — William Stafford

conventions hosted by the Miami Morrison. The question was, what convention was Laker Girl attending? Walt had arrived at the hotel earlier in the day to find massive banners and the entire second floor of the conference hall filling up with pictures of half-naked men and women embracing. At first, he thought the competing conference had something to do with adult film. When he asked, he was told a writers convention was dominating the hotel for the weekend. By comparison, the number of people at the conference he was attending was a drop of water in the ocean. Soon the hotel would be filled with writers, readers, publishers, and agents. The genre of choice . . . romance. Books written with nothing but happily-ever-after in mind. — Catherine Bybee

As with any great literature, there are probably as many ways to read William Faulkner's writing as there are readers. There are hundreds of books devoted to interpretations of his novels, numerous biographies, and every year high school teachers and college professors guide their students through one or more of the novels. But after all is said and done, there are the books themselves, and the pleasure of reading them can be deep and lasting. The language Faulkner uses ranges from the poetically beautiful, nearly biblical to the coarse sounds of rough dialect. His characters linger in the mind, whether for their heroism or villainy, their stoicism or self-indulgence, their honesty or deceitfulness or self-deception, their wisdom or stupidity, their gentleness or cruelty. In short, like Shakespeare, William Faulkner understood what it means to be human. — William Faulkner

Write about the beauty of rainbows and the glint of reflected light that can enlighten readers' minds. — Debasish Mridha

I like delivering a message, but what I find interesting is providing those details in a different context. Then the readers can make up their minds what it means. — Jeff VanderMeer

Good writing is a mirror of the mind where readers can see themselves again and again. — Debasish Mridha

The prosperity of a book lies in the minds of readers. Public knowledge and public taste fluctuate; and there come times when works which were once capable of instructing and delighting thousands lose their power, and works, before neglected, emerge into renown. — George Henry Lewes

My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story. — J.K. Rowling

There are, however, at least two varieties of imagination in the reader's case. So let us see which one of the two is the right one to use in reading a book. First, there is the comparatively lowly kind which turns for support to the simple emotions and is of a definitely personal nature ... This lowly variety is not the kind of imagination I would like readers to use.
So what is the authentic instrument to be used by the reader? It is impersonal imagination and artistic delight. What should be established, I think, is an artistic harmonious balance between the reader's mind and the author's mind. — Vladimir Nabokov

Great journalism will always attract readers. The words, pictures and graphics that are the stuff of journalism have to be brilliantly packaged; they must feed the mind and move the heart. — Rupert Murdoch

Even the earliest silent readers recognized the striking change in their consciousness that took place as they immersed themselves in the pages of a book. The medieval bishop Isaac of Syria described how, whenever he read to himself, "as in a dream, I enter a state when my sense and thoughts are concentrated. Then, when with prolonging of this silence the turmoil of my memories is stilled in my heart, ceaseless waves of joy are sent me by inner thoughts, beyond expectation suddenly arising to delight my heart." Reading a book was a meditative act, but it didn't involve a clearing of the mind. It involved a filling, or replenishing, or the mind. Readers disengaged their attention from the outward flow of passing stimuli in order to engage it more deeply with an inward flow of words, ideas, and emotions. That was - and is - the essence of the unique mental process of deep reading. — Nicholas Carr

Books, by their very nature and variety, help us grow in empathy for others, in tolerance and awareness. But they should increase our skepticism as well as our humanity, for all good readers know how easy it is to misread. What counts is to stay receptive and open, to reserve judgment and try to foresee consequences, to avoid the facile conclusion and be ready to change one's mind. — Michael Dirda

To be sure, there exists in principle a quite simple economic mechanism that should restore equilibrium to the process: the mechanism of supply and demand. If the supply of any good is insufficient, and its price is too high, then demand for that good should decrease, which should lead to a decline in its price. In other words, if real estate and oil prices rise, then people should move to the country or take to traveling about by bicycle (or both). Never mind that such adjustments might be unpleasant or complicated; they might also take decades, during which landlords and oil well owners might well accumulate claims on the rest of the population so extensive that they could easily come to own everything that can be owned, including rural real estate and bicycles, once and for all.3 As always, the worst is never certain to arrive. It is much too soon to warn readers that by 2050 they may be paying rent to the emir of Qatar. — Thomas Piketty

At the same time, I think books create a sort of network in the reader's mind, with one book reinforcing another. Some books form relationships. Other books stand in opposition. No two writers or readers have the same pattern of interaction. — Margaret Mahy

I think people make it out to be something that's complicated, maybe because there are a million emotions involved and we all haven't become mind readers yet, but it's not, it's terribly simple. You like who you like and maybe if you're lucky they like you too. — Kayti Nika Raet

Bea says that the art of reading is slowly dying, that it's an intimate ritual, that a book is a mirror that offers us only what we already carry inside us, that when we read, we do it with all our heart and mind, and great readers are becoming more scarce by the day. — Carlos Ruiz Zafon

I always have one or two, sometimes more, Navajo or other tribes' cultural elements in mind when I start a plot. In Thief of Time, I wanted to make readers aware of Navajo attitude toward the dead, respect for burial sites. — Tony Hillerman

Beautiful writing is more than pretty prose. It creates resonance in readers' minds with parallels, reversals, and symbols. It conjures a story world that is unique, highly detailed, and brought alive by the characters that dwell there. It offers moments of breath-catching surprise, heart-gripping insight, revelation, and self-understanding. It engages the reader's mind with an urgent point, which we might call theme. — Donald Maass

I think that an anthill is better than a nest ... that in the anthill among a hundred thousand or a million you are freer than in a nest, where all sit around and look at one another, waiting until scientists finally discover ways to make us mind readers ... the psychology of the nest is loathsome to me, and I always sympathize with one who flees his nest, even if he flees into an anthill, where it may be crowded but one can find solitude - that most natural, most worthy state of man, that precious and intense state of being conscious of the world and of oneself. — Nina Berberova

Reading activates and exercises the mind.
Reading forces the mind to discriminate. From the beginning, readers have to recognize letters printed on the page, make them into words, the words into sentences, and the sentences into concepts.
Reading pushes us to use our imagination and makes us more creatively inclined. — Ben Carson

Hi, my name is Tess Embers.
A lot of thoughts are probably running through your mind right now. Who does this person think she is? Doesn't she know that you should never begin a story with a boring phrase like,'Hi, my name is...'? Doesn't she know to use a hook at the beginning to draw readers in instead of pushing them away?
Well, sorry, but I'm just a teenage girl and I don't necessarily want everyone to know everything about my life. Maybe I don't want to hook people. — Embee

The aim of the poet is to inform or delight, or to combine together, in what he says, both pleasure and applicability to life. In instructing, be brief in what you say in order that your readers may grasp it quickly and retain it faithfully. Superfluous words simply spill out when the mind is already full. Fiction invented in order to please should remain close to reality. — Horace

Reading gives liberty to your mind. — Aman Jassal

For me it's more important that I outline all the facets of a controversial issue and let the reader make up his or her mind. I don't care if readers change their minds, but I would like readers to ask themselves why their opinion is what it is. — Jodi Picoult

I was lost in a magical mystic world as I step into the old university library. This place I would say is the birth place of the 'writer' in me and still one of my most loved places in the world. It was always peaceful there. Each and every moment I spent their searching for books or walking on unknown paths with the un-quenching thirst for knowledge, is cherished in my mind forever. The dark dusty corners all brown and the smell of old books untouched by readers for years, the quiet long walking passages between overloaded bookshelves were places where my magical world existed. — Ama H. Vanniarachchy

If I had a staff of even one person, or could tolerate a small amphetamine habit, or entertain the possibility of weekly blood transfusions, or had been married to Vera Nabokov, or had a housespouse of even minimal abilities, a literary life would be easier to bring about. (In my mind I see all your male readers rolling their eyes. But your female ones - what is that? Are they nodding in agreement? Are their fists in the air?) — Lorrie Moore

With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind. — Garth Nix

Shakespeare has surface beneath surface to an immeasurable depth, adapted to the plummet-line of every reader; his works present many phases of truth, each with a scope large enough to fill a contemplative mind. Whatever you seek in him you will surely discover, provided you seek truth. There is no exhausting the various interpretations of his symbols, and a thousand years hence a world of new readers will possess a whole library of new books, as we ourselves do, in these volumes old already. — Nathaniel Hawthorne

Not to any really influential effect, but certainly there have been comments that have surprised me. It's surprising sometimes to get particular perspectives on your work, and it's enlightening sometimes to know that non-writers and readers out there have certain assumptions about everything that I both want to keep in mind and want to forget about why I write, and about the connection between me as a private person and the stuff that I think about on the page. — Chang-rae Lee

Fiction about mining has a long tradition - Emile Zola's 'Germinal' and Upton Sinclair's 'King Coal' come to mind - and most readers will be aware of the industry's harsh conditions. — Floyd Skloot

It's not in the book or in the writer that readers discern the truth of what they read; they see it in themselves, if the light of truth has penetrated their minds. — Augustine Of Hippo

Readers of Darwin's life, for instance, and particularly of the published correspondence of Darwin, are henceforth naturalists in the making. Ever afterwards they are Darwins on a small scale, seeing animals and plants in an entirely different light and with a correspondingly keener interest. — John Steeksma

Movie or no, you should never put pictures of the book's characters on the cover. That only cramps the reader's fantasy. You force him to keep seeing the faces of the actors in the movie. For someone who has seen the movie first and then, out of curiosity, goes on to read the whole book, that might not be so bad. But anyone who reads the book first is faced with a dilemma. During the reading he sees the faces of all the characters in his mind's eye. Faces he wants to assemble with his own fantasy. No matter how those faces may be described. Despite your superfluous descriptions of noses, eyes, ears, and hair color, each reader constructs his own faces in his own imagination. Three hundred thousand readers; that's three hundred thousand different faces for each character. Three hundred thousand faces that are destroyed at one fell swoop by that one face in the movie. As a reader, it's pretty tough to remember that imaginary face after seeing the actor on the screen. Two — Herman Koch

Greenwich Village always had its share of mind readers, but there are many more these days, and they seem to have moved closer to the mainstream of life in the city. What was crazy 10 years ago is now respectable, even among the best-educated New Yorkers. — Aravind Adiga

In an era when there were few options for women, she had the audacity to be herself. She lived as she pleased, which is to say that she allowed herself the same freedoms her male contemporaries assumed as their birthright. She spoke her mind. She flouted the rules. She dressed as a man when it was illegal for women to wear pants; hung out in saloons although that was unheard of for any woman who was not a prostitute; did men's work; carried guns; whooped, cursed, hollered, strutted, and smoked cigars. Eastern readers soaked up the freedom from restraints that characterized Deadwood; and Calamity, with her innate ability to draw attention to herself just by being herself, epitomized that freedom. — Linda Jucovy

Sophisticated readers understand that writers work out their anger, their conflicts, their endless grief and rolling list of loss, through their stories. That however mean-spirited or diabolical, it's only a story. That the darkness in the soul is shaped into type and lies there, brooding and inert, black on the page, and active, dangerous, only in the reader's mind. Actually, harmless. I am not harmless. — Amy Bloom

It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. I was drawn to books that had been read before, novels that girls like myself had cradled and cherished. In my mind-- I suppose in my isolation-- I seized on all those previous readers, and everyone who would read after me, as phantom companions and secret friends. — Cynthia Ozick

I like to end stories where the readers have a little room to run. They can resolve things as they like in their own mind. — Stephen King

Dellosso's cleverly plotted second Jed Patrick novel (after 2015's Centralia) finds the Afghan war vet hiding with his wife, Karen, and their eight-year-old daughter, Lilly, in a cabin in the Idaho wilderness. Two months earlier, two CIA agents gave him a thumb drive containing "every damaging piece of information about the Centralia Project," the exposure of which threatens to cause a "scandal that would be talked and read about for decades to come." Then one day Jed returns to the cabin to find Karen in tears. She tells him that three armed men burst into the cabin asking for the thumb drive, but she didn't know where it was. The men took Lilly, and vowed they would return for Karen. More shocks follow. Meanwhile, CIA technician Tiffany Stockton discovers a plot to control Jed's mind in a sophisticated update of The Manchurian Candidate. Can she stop him from becomes an unwilling assassin? Dellosso expertly misdirects readers, but they should be prepared for only serviceable prose. — Publishers Weekly

Painting and happiness. I would like my dear readers who have given close attention to my story and my fate to bear these two things in mind, as they are the genesis of my world. — Orhan Pamuk

I sincerely believe that the best criticism is the criticism that is entertaining and poetic; not a cold analytical type of criticism, which, claiming to explain everything, is devoid of hatred and love, and deliberately rids itself of any trace of feeling, but, since a fine painting is nature reflected by an artist, the best critical study, I repeat, will be the one that is that painting reflected by an intelligent and sensitive mind. Thus the best accounts of a picture may well be a sonnet or an elegy ... But that type of criticism is destined for books of poetry and for readers of poetry. As to criticism proper, I hope philosophers will understand what I am about to say: to be in focus, in other words to justify itself, criticism must be partial, passionate, political, that is to say it must adopt an exclusive point of view, provided always the one adopted opens up the widest horizons. — Charles Baudelaire

My interest is always to get as deeply as I can into the minds and spirits of the characters and let the readers empathize or judge as they will. — Adam Haslett

Tell your readers to use it or lose it. If you don't use your muscles, they get weak. If you don't use your mind it begins to fail. — John Templeton

In old days the public didn't really mind much about accuracy, but nowadays readers take it upon themselves to write to authors on every possible occasion, pointing out flaws. — Agatha Christie

My feeling of the whole genre, of the terror tale, is this: The best thing that you can do for the readers in this field is to terrify them. It is something that is intellectual, it happens in your mind. — Stephen King

Paine knew that class tensions existed. He understood that revolutions stirred up resentments. In Common Sense, he adopted an ominous tone at a key point in his argument, warning readers that the time was ripe to declare independence and form a stable government. Or else. In the current state of things, "the mind of the multitude is left at random," he wrote, and "the property of no man is secure." Therefore, if the leadership class did not seize hold of the narrative, the broad appeal to political independence would be supplanted by an incendiary call for social leveling. — Nancy Isenberg

A lot of my work comes from what in Asia is called the 'mind of wonder.' There is not a lot of 'mind of wonder' writing in contemporary Western literature. I think that's what appeals to the readers who are my fans. — Tom Robbins

The high domed ceiling put me in mind of a skull, a brain, a mind. What did that make us, the readers? — Lia Mills

Other kids' parents wouldn't let them read magazines like 'Weird Tales,' but my folks were big readers themselves, so they didn't mind. — Robert Weinberg

I'm always astonished when readers suggest that I must write my novels while high on pot or (God forbid!) LSD. Apparently, there are people who confuse the powers of imagination with the effects of intoxication. Not one word of my oeuvre, not one, has been written while in an artificially altered state. Unlike many authors, I don't even drink coffee when I write. No coffee, no cola, no cigarettes. There was a time when I smoked big Havana cigars while writing, not for the nicotine (I didn't inhale) but as an anchor, something to hold on to, I told myself, to keep from falling over the edge of the earth. Eventually, I began to wonder what it would be like to take that fall. So one day I threw out the cigars and just let go. Falling, I must say, has been exhilarating
though I may change my mind when I hit bottom. — Tom Robbins

Now that she was asked to speak at roundtables and panels, on public radio and community radio, always identified simply as The Blogger, she felt subsumed by her blog and had become her blog. There were times, lying awake at night, when her growing discomforts crawled out from the crevices, and the many readers became, in her mind, a judgmental angry mob waiting for her, biding their time until they could attack her, unmask her. — Chimamanda Ngozi Adichie

Let us record the atoms as they fall upon the mind in the order in which they fall, let us trace the pattern, however disconnected and incoherent in appearance, which each sight or incident scores upon the consciousness. Let us not take it for granted that life exists more fully in what is commonly thought big than in what is commonly thought small. — Virginia Woolf

Embodiments know not what slavery may be where minds in shackles and chains put nature to shame
Mind, shallow or neat, are found where thoughts may run deep, a family whereacceptance is free, and readers where reception is key.
Say minds may run free. — Dew Platt

Truth, like beauty, varies its fashions, and is best recommended by different dresses to different minds; and he that recalls the attention of mankind to any part of learning which time has left behind it, may be truly said to advance the literatures of his own age. As the manners of nations vary, new topicks of persuasion become necessary, and new combinations of imagery are produced; and he that can accommodate himself to the reigning taste, may always have readers who perhaps would not have looked upon better performances. — Samuel Johnson

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken

Einstein and the Quantum is delightful to read, with numerous historical details that were new to me and cham1ing vignettes of Einstein and his colleagues. By avoiding mathematics, Stone makes his book accessible to general readers, but even physicists who are well versed in Einstein and his physics are likely to find new insights into the most remarkable mind of the modern era. — Daniel Kleppner

I think that in a lot of readers' minds the essay is a lot more utilitarian than it is art. — John D'Agata

The genius of Shakespeare lay in his power to so use the real and individual facts of life as to raise in the minds of his readers a broader and nobler conception of human life than they had conceived before. This is creative genius; this is the idealist dealing faithfully with realistic material; this is, as we should say in our day, the work of the artist as distinguished from the work of the photographer. It may be an admirable but it is not the highest work of the sculptor, the painter, or the writer, that does not reveal to the mind - that comes into relation with it something before out of his experience and beyond the facts either brought before him or with which he is acquainted. — William Shakespeare

When someone tells me to 'just relax,' I wonder why they don't hand me a book? — Richelle E. Goodrich

Most best-sellers are written for readers who are willing to be passive consumers. The blurbs on their covers often highlight the coercive, aggressive power of the text - compulsive page-turner, gut-wrenching, jolting, mind-searing, heart-stopping - what is this, electroshock torture? — Ursula K. Le Guin

Portraits of the Mind is a remarkable book that combines beautifully reproduced illustrations of the nervous system as it has been visualized over the centuries, as well as lively and authoritative commentaries by some of today's leading neuroscientists. It will be enjoyed by professionals and general readers alike. — Dale Purves

The library smells like old books - a thousand leather doorways into other worlds. I hear silence, like the mind of God. I feel a presence in the empty chair beside me. The librarian watches me suspiciously. But the library is a sacred place, and I sit with the patron saint of readers. Pulsing goddess light moves through me for one moment like a glimpse of eternity instantly forgotten. She is gone. I smell mold, I hear the clock ticking, I see an empty chair. Ask me now and I'll say this is just a place where you can't play music or eat. She's gone. The library sucks. — Laura Whitcomb

But, it is well known, what strikes the capricious mind of the poet is not always what affects the mass of readers. — Alexandre Dumas

I write because it's a way of puzzling out answers to situations in the world that I don't understand. The act of writing a book gives me the same experience that I hope reading it gives readers. It forces me to sort through the various points of view on a given issue or situation and ultimately come to a conclusion. Doing that might not change my mind, but it almost always gives me a stronger sense of why my opinion is what it is - a question we rarely ask ourselves. — Jodi Picoult

Fiction supplies the only philosophy that may readers know; it establishes their ethical, social, and material standards; it confirms them in their prejudices or opens their minds to a wider world. — Dorothea Brande

A writer creates wings of words and lets them fly in the sky of readers' minds. — Debasish Mridha

What can I recommend? Trust your story; trust yourself; trust your readers - but wisely. Trust watchfully, not blindly. Trust flexibly, not rigidly. The whole thing, writing a story, is a high-wire act - there you are out in midair walking on a spiderweb line of words, and down in the darkness people are watching. What can you trust but your sense of balance? — Ursula K. Le Guin

You might think it's better to prove to your reader that your book is unlike anything else out there - that this is a totally unique reading experience that doesn't have any similarity to any other story. I hate to break it to you, but that's a losing game. Even readers who think they only want to read 100% original fiction, totally unlike anything else that's ever been done before, are mistaken. The human mind is drawn like a magnet to established story patterns. That's why the "hero's journey" pattern of ancient myth has persisted throughout all of human history. — Libbie Hawker

Maybe there's a sense that technology isn't necessarily the answer to a lot of our problems. Fantasy offers readers a less radically alienated world - a world where desires and feelings that normally are trapped inside your mind are made real in the form of magic. — Lev Grossman

I've always been drawn to writing for young readers. The books that I read growing up remain in my mind very strongly. — Meg Wolitzer

This is that which I think great readers are apt to be mistaken in. Those who have read of every thing are thought to understand every thing too; but it is not always so. Reading furnishes the mind only with materials of knowledge; it is thinking makes what we read ours. We are of the ruminating kind, and it is not enough to cram ourselves with a great load of collections; unless we chew them over again, they will not give us strength and nourishment. — John Locke

Whatever your sexual orientation, whatever your ethnicity, whatever your age or personal experience, it is my hope you will find a hero somewhere here you can relate to, that speaks to the world as you see it. Even better: there is a good chance you will find some heroes who are deeply, fundamentally different from yourself. I don't have much patience with readers who yearn to explore incredible worlds and mind-bending situations but grow cold at the idea of imagining their way into different political ideas, different faiths, a different gender, a different skin, a different life. — Joe Hill

All of us introverts aspire to be more outgoing, but it's not in our nature. When I was nearly 50, I discovered that the best thing to do was to tell everyone I worked with that I'm just shy. People are not mind readers - you need to let them know. — Douglas Conant

Once a book is published, it no longer belongs to me. My creative task is done. The work now belongs to the creative mind of my readers. I had my turn to make of it what I would, now it is their turn. — Katherine Paterson

I have vowed to heal in the name of all beings. This vow is being fulfilled, Sofia, with the testimony of this book. I have shared this life experience with you in order to help my readers better recognize the power of their own mind. — Phakyab RINPOCHE

WHy bother to write if it isn't disturbing, banal, beautiful, hardcore, cutting edge and savage, and melts a readers mind because they see something in your work they never knew existed, and hopefull after reading it, want nothihng to do with it ever in real life, because it is so beautifully depraved. — Jane Brooke