Mind Reader Quotes & Sayings

I will only mention that the independent power of words to affect the writing of history is a thing to be watched out for. They have an almost frightening autonomous power to produce in the mind of the reader an image or idea that was not in the mind of the writer. Obviously they operate this way in all forms of writing, but history is particularly sensitive because one has a duty to be accurate, and careless use of words can leave a false impression one had not intended. — Barbara W. Tuchman

Things are either devolving toward, or evolving from, nothingness. As dusk approaches in the hinterlands, a traveler ponders shelter for the night. He notices tall rushes growing everywhere, so he bundles an armful together as they stand in the field, and knots them at the top. Presto, a living grass hut. The next morning, before embarking on another day's journey, he unknots the rushes and presto, the hut de-constructs, disappears, and becomes a virtually indistinguishable part of the larger field of rushes once again. The original wilderness seems to be restored, but minute traces of the shelter remain. A slight twist or bend in a reed here and there. There is also the memory of the hut in the mind of the traveler - and in the mind of the reader reading this description. Wabi-sabi, in its purest, most idealized form, is precisely about these delicate traces, this faint evidence, at the borders of nothingness. — Leonard Koren

What is actually happening inside readers as they read? Each reader has a unique emotional response to a story. It's unpredictable, but it's real. Readers read under the influence of their own temperaments, histories, biases, morality, likes, dislikes, and peeves. They make judgments that don't agree with yours. So how can a writer predict, never mind control, what readers feel? Psychological — Donald Maass

I'm adorable, first off. My sense of humor is stellar - obvs."
"Obvs," she echoes dryly.
"I'm extraordinarily skilled in the art of conversation."
She nods. "When it's about yourself, of course."
"Of course." I pretend to think it over some more. "Oh, and I'm a mind reader. No lie. I always know what the other person is thinking."
"Yeah? What am I thinking right now?" Allie challenges.
"That you want me to shut up and fuck you again."
She shakes her head in dismay. "Goddamn it. That's actually what I was thinking."
I smirk at her and tap my forehead. "Told ya. Mind reader. — Elle Kennedy

By appealing to his imagination, a pornographic novel brings the reader's body into play; libertine fiction appeals only to his mind. The goal of the former is erotic pleasure, or rather the desire to experience erotic pleasure, which the pornographic novel, obviously, cannot satisfy by itself. It is in this regard merely an intermediary, a stimulant, a kind of literary pimp.

With libertine fiction, the goal is that of overcoming the prejudices of some of the characters, which are assumed to be the same as those of the reader. The reader is somewhat the equivalent of the fictional object of seduction. — Jean-Marie Goulemot

Every reader, if he has a strong mind, reads himself into the book, and amalgamates his thoughts with those of the author. — Johann Wolfgang Von Goethe

When my head is in the typewriter the last thing on my mind is some imaginary reader. I don't have an audience; I have a set of standards. But when I think of my work out in the world, written and published, I like to imagine it's being read by some stranger somewhere who doesn't have anyone around him to talk to about books and writing - maybe a would-be writer, maybe a little lonely, who depends on a certain kind of writing to make him feel more comfortable in the world. — Don DeLillo

And if I'm guilty of having gratuitous sex, then I'm also guilty of having gratuitous violence, and gratuitous feasting, and gratuitous description of clothes, and gratuitous heraldry, because very little of this is necessary to advance the plot. But my philosophy is that plot advancement is not what the experience of reading fiction is about. If all we care about is advancing the plot, why read novels? We can just read Cliffs Notes.
A novel for me is an immersive experience where I feel as if I have lived it and that I've tasted the food and experienced the sex and experienced the terror of battle. So I want all of the detail, all of the sensory things - whether it's a good experience, or a bad experience, I want to put the reader through it. To that mind, detail is necessary, showing not telling is necessary, and nothing is gratuitous. — George R R Martin

I speak as an unregenerate reader, one who still believes that language and not technology is the true evolutionary miracle. I have not yet given up on the idea that the experience of literature offers a kind of wisdom that cannot be discovered elsewhere; that there is profundity in the verbal encounter itself, never mind what further profundities that author has to offer; and that for a host of reasons the bound book is the ideal vehicle for the written word. — Sven Birkerts

Plate glass ... has no beauty of its own. Ideally, you ought not to be able to see it at all, but through it you can see all that is happening outside. That is the equivalent of writing that is plain and unadorned. Ideally, in reading such writing, you are not even aware that you are reading. Ideas and events seem merely to flow from the mind of the writer into that of the reader without any barrier between. I hope that is what is happening when you read this book — Isaac Asimov

The reader! You, dogged, uninsultable, print-oriented bastard, it's you I'm addressing, who else, from inside this monstrous fiction. You've read me this far, then? Even this far? For what discreditable motive? How is it you don't go to a movie, watch TV, stare at a wall, play tennis with a friend, make amorous advances to the person who comes to your mind when I speak of amorous advances? Can nothing surfeit, saturate you, turn you off? Where's your shame? — John Barth

If you are reading in order to become a better reader, you cannot read just any book or article. You will not improve as a reader if all you read are books that are well within your capacity. You must tackle books that are beyond you, or, as we have said, books that are over your head. Only books of that sort will make you stretch your mind. And unless you stretch, you will not learn. — Mortimer J. Adler

The reading of the word of God should be performed in solitude, in order that the whole mind of the reader might be plunged into the truths of the Holy Scripture, and that from this he might receive warmth, which in solitude produces tears; from these a man is wholly warmed and is filled with spiritual gifts, which rejoice the mind and heart more than any word. — Seraphim Of Sarov

What is reading, in the last analysis, but an interchange of thought between writer and reader? If the book enters the reader's mind just as it left the writer's -- without any of the additions and modifications inevitably produced by contact with a new body of thought -- it has been read to no purpose. — Edith Wharton

If you try to follow the language of thought in your own mind, you will not find even the simplest sentences- only shreds, fragments of sentences, scattered as after an explosion, have greater effect on the reader than the same thoughts and images arranged in regular, steady, marching ranks? ... because you meet the reader's natural instinctive need. You do not compel him to skim — Yevgeny Zamyatin

When we have a favorite writer, it's always the places where they grew up, lived, worked, and that they recreated on the page that we most want to visit and commune with. Faulkner's Mississippi, Raymond Chandler's Los Angeles, etc. The mind of the reader longs to be somewhere, not just anywhere, and certainly not nowhere. — Walter Kirn

'Dreams From My Father' reveals more about Obama than is usually known about political leaders until after they're dead. Perhaps more than it intends, it shows his mind working, in real time, sentence by sentence, in what feels like a private audience with the reader. — Jonathan Raban

I think Dr. Willis McNelly at the California State University at Fullerton put it best when he said that the true protagonist of an sf story or novel is an idea and not a person. If it is *good* sf the idea is new, it is stimulating, and, probably most important of all, it sets off a chain-reaction of ramification-ideas in the mind of the reader; it so-to-speak unlocks the reader's mind so that the mind, like the author's, begins to create. Thus sf is creative and it
inspires creativity, which mainstream fiction by-and-large does not do. We who read sf (I am speaking as a reader now, not a writer) read it because we love to experience this chain-reaction of ideas being set off in our minds by something we read, something with a new idea in it; hence the very best since fiction ultimately winds up being a collaboration between author and reader, in which both create and enjoy doing it: joy is the essential and final ingredient of science fiction, the joy of discovery of newness. — Philip K. Dick

I certainly didn't mind possibly sending the reader to a dictionary once in a while, but I tried not to do it too often. — China Mieville

Writing means organizing your thoughts. If your mind is scattered, your writing is scattered. If your mind is focused, your writing will be clear. Then your reader will say, 'Yes, I get it. — Robert Peate

For any kind of reading I think better than leaving a blank still a blank, because the mind must receive a degree of enlargement and obtain a little strength by a slight exertion of its thinking powers; besides, even the productions that are only addressed to the imagination, raise the reader a little above the gross gratification of appetites, to which the mind has not given a shade of delicacy. — Mary Wollstonecraft

Writing is a unique art-form. You are painting a detailed image in someone's mind, and it will be different for every single reader. — Giuseppe Bianco

Don't watch the redheaded mind reader whispered.
I closed my eyes. — Stephenie Meyer

An unread book does nobody any good. Stories happen in the mind of a reader, not among symbols printed on a page. — Brandon Mull

And that's why books are never going to die. It's impossible. It's the only time we really go into the mind of a stranger, and we find our common humanity doing this. So the book doesn't only belong to the writer, it belongs to the reader as well, and then together you make it what it is. — Paul Auster

I don't mind nothing happening in a book, but nothing happening in a phony way
characters saying things people never say, doing jobs that don't fit, the whole works
is simply asking too much of a reader. Something happening in a phony way must beat nothing happening in a phony way every time, right? I mean, you could prove that, mathematically, in an equation, and you can't often apply science to literature. — Nick Hornby

When you write fiction, you have an ideal reader in your mind who's sort of you but smarter. — Darin Strauss

A reader ought to be able to hold it and become familiar with its organized contents and make it a mind's manageable companion. — William Safire

My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story. — J.K. Rowling

You should be able to make a scene come alive in the reader's mind. Not everybody has this ability. It is a gift, and you either have it or you don't. — Roald Dahl

ARE YOU ASKING ME WHAT THOUGHTS YOU SHOULD THINK?? What kind of Orwellian police state do you think I'm running here? Think whatever thoughts come into your thinking device, sir. (response to a reader asking what to keep in mind while reading Warm Bodies) — Isaac Marion

The first impression of the writings of Mr. J. J. Rousseau received by a knowledgeable reader, who is reading for something more than vanity or to kill time, is that he is encountering a lucidity of mind, a noble impulse of genius and a sensitive soul of such a high level that perhaps never an author of whatever epoch or of whatever people has been able to possess in combination.
The impression that immediately follows is bewilderment over the strange and contradictory opinions, which so oppose those which are in general circulation that one can easily come to the suspicion that the author, by virtue of his extraordinary talent, wishes to show off only the force of his bewitching wit and through the magic of rhetoric make himself something apart who through captivating novelties stands out among all rivals at wit. — Immanuel Kant

Oh sober-minded reader, never sneer at such fantasies. In the quiet of your mind, when the deep night is at it's blackest, are you always so certain of what is real? — Ann Eliza Young

I would advise the curious reader to keep in mind the old adage "truth is stranger than fiction." Expect the most outlandish, fantastic and unbelievable elements of this story to be true, and the more low-key elements to be fudged. — Dan Grajek

The mind is refrigerated by interruption; the thoughts are diverted from the principle subject; the reader is weary, he suspects not why; and at last throws away the book, which he has too diligently studied. — Samuel Johnson

[The works of Archimedes] are without exception, monuments of mathematical exposition; the gradual revelation of the plan of attack, the masterly ordering of the propositions, the stern elimination of everything not immediately relevant to the purpose, the finish of the whole, are so impressive in their perfection as to create a feeling akin to awe in the mind of the reader. — Thomas Little Heath

A letter is a risky thing; the writer gambles on the reader's frame of mind. — Margaret Deland

I wish either my father or my mother, or indeed both of them, as they were in duty both equally bound to it, had minded what they were about when they begot me; had they duly considered how much depended upon what they were then doing; that not only the production of a rational Being was concerned in it, but that possibly the happy formation and temperature of his body, perhaps his genius and the very cast of his mind;-and, for aught they knew to the contrary, even the fortunes of his whole house might take their turn from the humours and dispositions which were then uppermost: Had they duly weighed and considered all this, and proceeded accordingly, I am verily persuaded I should have made a quite different figure in the world, from that, in which the reader is likely to see me. — Laurence Sterne

He was a loner with an intimate bond to humanity, a rebel who was suffused with reverence. And thus it was that an imaginative, impertinent patent clerk became the mind reader of the creator of the cosmos, the locksmith of the mysteries of the atom and the universe. — Walter Isaacson

The book is a film that takes place in the mind of the reader. That's why we go to movies and say, Oh, the book is better. — Paulo Coelho

I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to 'real life' - he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. In fact, 'Slaughterhouse-Five' seemed to be saying that our most profound experiences may require this artistic uncoupling from the actual. The black box is meant to change us. If the change will be greater via the use of invented, absurd material, so be it. — George Saunders

I've written for those who want to learn, truly learn, about a community with which they aren't familiar. Or for those who have preconceptions but can admit they may not be entirely accurate (and, in some cases, that they are completely wrong). This means my reader must possess an open mind and a certain level of curiosity. If that's you, proceed to checkout. An uncensored glimpse behind the curtain, hairy backs and all, awaits. — Daniel Stern

A map in the hands of a pilot is a testimony of a man's faith in other men; it is a symbol of confidence and trust. It is not like a printed page that bears mere words, ambiguous and artful, and whose most believing reader - even whose author, perhaps - must allow in his mind a recess for doubt. A map says to you, 'Read me carefully, follow me closely, doubt me not.' It says, 'I am the earth in the palm of your hand. Without me, you are alone and lost. — Beryl Markham

In addition to what has been already said of Catherine Morland's personal and mental endowments, when about to be launched into all the difficulties and dangers of a six weeks' residence in Bath, it may be stated, for the reader's more certain information, lest the following pages should otherwise fail of giving any idea of what her character is meant to be; that her heart was affectionate, her disposition cheerful and open, without conceit or affectation of any kind - her manners just removed from the awkwardness and shyness of a girl; her person pleasing, and, when in good looks, pretty - and her mind about as ignorant and uninformed as the female mind at seventeen usually is. — Jane Austen

Someone who was just nice didn't remain on your mind an hour after they'd left. — S.A. Tawks

Imbuing fiction with a life that extends beyond the last word is in some ways the goal: the ending that goes beyond the ending in the reader's mind, so invested are they in the story. — Jeff VanderMeer

Nancy carried a cardboard boxes loaded with books toward the moving van that Saturday morning. Our eyes met and we shared a smile. "You didn't have as much stuff when you moved in," she pointed out wryly. "How many boxes of books is this? Seriously. It's like you're living in a freaking library." I shrugged. "You know me. I have a bit of a book fetish." "I wouldn't mind the books if you'd join us in the 21st century and get an e-reader already. Then when you move a thousand books from place to place, I don't risk throwing my back out. — Anonymous

If a writer is any good, what he makes will have its source in a realm much larger than that which his conscious mind can encompass and will always be a greater surprise to him than it can ever be to his reader. — Flannery O'Connor

Before the magisterial mess of Trevor Thomas's house, the orderly houses that most of us live in seem meagre and lifeless
as, in the same way, the narratives called biographies pale and shrink in the face of the disorderly actuality that is a life. The house also stirred my imagination as a metaphor for the problem of writing. Each person who sits down to write faces not a blank page but his own overfilled mind. The problem is to clear out most of what is in it ... The goal is to make a space where a few ideas and images and feelings may be so arranged that a reader will want to linger awhile among them, rather than to flee, as I wanted to flee from Thomas's house. — Janet Malcolm

Is it not miraculous, reader, the power of the mind to believe and not believe at once? — Ada Palmer

No mind ever grew fat on a diet of novels. The pleasure which they occasionally offer is far too heavily paid for: they undermine the finest characters. They teach us to think ourselves into other men's places. Thus we acquire a taste for change. The personality becomes dissolved in pleasing figments of imagination. The reader learns to understand every point of view. Willingly he yields himself to the pursuit of other people's goals and loses sight of his own. Novels are so many wedges which the novelist, an actor with his pen, inserts into the closed personality of the reader. The better he calculates the size of the wedge and the strength of the resistance, so much the more completely does he crack open the personality of the victim. Novels should be prohibited by the State. — Elias Canetti

Mind your words, dear writer for you are holding a delicate reader in them. — Maria Stoica

The ways in which a book, once read, stays (and changes) in the reader's mind are unpredictable. — Julian Barnes

I hope you liked them, Reader; that they did for you what any good story should do
make you forget the real stuff weighing on your mind for a little while and take you away to a place you've never been. It's the most amiable sort of magic I know. — Stephen King

The purpose of a work of fiction is to appeal to the lingering after-effects in the reader's mind as differing from, say, the purpose of oratory or philosophy which respectively leave people in a fighting or thoughtful mood. — F Scott Fitzgerald

This modern interpretation of Machiavelli's landmark work is perhaps more useful for the modern reader than the original text. His dense ideas have been boiled down to their essence and presented in language that can be easily grasped by the modern mind. — Brandon Musk

There are so many works of the mind, so much humanity, that to disburden ourselves of ourselves is an understandable temptation. Open a book and a voice speaks. A world, more or less alien or welcoming, emerges to enrich a reader's store of hypotheses about how life is to be understood. As with scientific hypotheses, even failure is meaningful, a test of the boundaries of credibility. So many voices, so many worlds, we can weary of them. If there were only one human query to be heard in the universe, and it was only the sort of thing we were always inclined to wonder about
Where did all this come from? or, Why could we never refrain from war?
we would hear in it a beauty that would overwhelm us. So frail a sound, so brave, so deeply inflected by the burden of thought, that we would ask, Whose voice is this? We would feel a barely tolerable loneliness, hers and ours. And if there were another hearer, not one of us, how starkly that hearer would apprehend what we are and were. — Marilynne Robinson

If only you'd remember before ever you sit down to write that you've been a reader long before you were ever a writer. You simply fix that fact in your mind, then sit very still and ask yourself, as a reader, what piece of writing in all the world Buddy Glass would most want to read if he had his heart's choice. The next step is terrible, but so simple I can hardly believe it as I write it. You just sit down shamelessly and write the thing yourself. I won't even underline that. It's too important to be underlined. — J.D. Salinger

When you wrote it didn't matter if hysteria sometimes came up in your face and voice (unless, of course, you let it find its way into your "literary voice") because writing was done in merciful privacy and silence. Even if you were partly out of your mind it might turn out to be all right: you could try for control even harder than Blanche Dubois was said to have tried, and with luck you could still bring off a sense of order and sanity on the page for the reader. Reading, after all, was a thing done in privacy and silence too. — Richard Yates

If you don't write with the reader in mind, you are not a writer, period. — Tom Grimes

Now I began to understand art as a kind of black box the reader enters. He enters in one state of mind and exits in another. The writer gets no points just because what's inside the box bears some linear resemblance to "real life"
he can put whatever he wants in there. What's important is that something undeniable and nontrivial happens to the reader between entry and exit. — George Saunders

Authors may have very good reasons for staying out of character's minds. What is in their mind ought to be out in the world of their action anyway, just as in Real Life. Inside is already out there, and visible. It is also a reader's responsibility to imaginatively project the inner-lives of characters just as we have to imaginatively project the inner-lives of those most dear to us in Real Life. — Nathan "N.R." Gaddis

In all summaries, the problems seem simpler than they actually are. In the following conclusions, anxiety may sound again like an abnormal condition affecting only unfortunate individuals. I would like to emphasize again that anxiety is a life-long challenge. The tradegy of Brown is that his anxiety, which was severe enough at times to remove almost all possibilities from his existence, is mainly destructive and paralyzingly rather than challenging and enlivening. I hope the reader will keep in mind the essential humanness of anxiety. — Rollo May

Meaning lies as much in the mind of the reader as in the Haiku. — Douglas Hofstadter

When writing is great, Mitchell told me of the books he loved as a reader, your mind is nowhere else but in this world that started off in the mind of another human being. There are two miracles at work here. One, that someone thought of that world and people in the first place. And the second, that there's this means of transmitting it. Just little ink marks on squashed wood fiber. Bloody amazing. — David Mitchell

Authors can only soft sell the environment. Create a wonderful story around the environment involving the characters that leaves a lasting impression on the reader's mind. — Wilbur Smith

The first person who is on your mind the moment you open your eyes after a long sleep is the reason either of your happiness or pain. — Reader's Digest Association

It's not what happens to people on the page; it's about what happens to a reader in his heart and mind. — Gordon Lish

Tales of ordinary characters would appeal to a larger class , but I have no wish to make such an appeal . The opinions of the masses are of no interest to me , for praise can truly gratify only when it comes from a mind sharing the author's perspective . There are probably seven persons in all , who really like my work and they are enough . I should write even if I were the only patient reader , for my aim is merely self expression . I could not write about ' ordinary people ' because I am not in the least interested in them . Without interest there can be no art . Man's relations to man do not captivate my fancy . It is man's relations to the cosmos - to the unknown - which alone arouses in me the spark of creative imagination . — H.P. Lovecraft

In 1941, Dorothy L. Sayers provided a detailed analysis of that creative process in The Mind of the Maker. She developed the relevance of the imago Dei for understanding artistic creation in explicitly trinitarian terms. In every act of creation there is a controlling idea (the Father), the energy which incarnates that idea through craftsmanship in some medium (the Son), and the power to create a response in the reader (the Spirit). These three, while separate in identity, are yet one act of creation. So the ancient credal statements about the Trinity are factual claims about the mind of the maker created in his image. Sayers delves into the numerous literary examples, in what is one of the most fascinating accounts ever written both of the nature of literature and of the imago Dei. While some readers may feel she has a tendency to take a good idea too far, The Mind of the Maker remains an indispensable classic of Christian poetics. — Leland Ryken

Reading books makes us more attentive to our personage and the aesthetic world that we live in. Writers that we idolize use language, logic, and nuance to paint physical and emotional scenes with refined precision. A writer's use of vivid language creates lingering aftereffects that work their wonder on the reader's malleable mind. A stirred mind resurrects our semiconscious memories; it causes us to summon up enduring images of our family, friends, and acquaintances. Just as importantly, inspirational writing makes us recognize our own telling character traits and identify our formerly unexpressed thoughts and feelings. — Kilroy J. Oldster

The bond between a book reader and a book writer has always been a symbiotic one, a means of intellectual and artistic cross-fertilization. The words of the writer act as a catalyst in the mind of the reader, inspiring new insights, associations, and perceptions, sometimes, even epiphanies. And the very existence of the attentive, critical reader provides the spur for the writer's work. It gives the author the confidence to explore new forms of expression, to blaze difficult and demanding paths of thought, to venture into uncharted and sometimes hazardous territory. — Nicholas Carr

I exercised my mental muscles in the library, and lo and behold, I transformed myself from a casual reader into a focused one. So it was more than just free books, but also free space and a culture that reinforced settling down, deep reading, thinking, imagining, and exploring with my mind. I am no doubt a writer today because I had a place to go as a kid, where I knew stories were essential, and where everybody also reveled in the wonder within books. — Sergio Troncoso

I would like to please the reader, and I think that surprise has to be an element of this, and that may necessitate a certain amount of teasing. To shock the reader is something else again. That has to be handled with great care if you're not going to alienate and hurt him, and I'm firmly against that, just as I disapprove of people who dress with that in mind
dye their hair blue and stick safety pins through their noses and so on. — John Ashbery

Each reader needs to bring his or her own mind and heart to the text. — Dean Koontz

Ideas, of course, have a place in fiction, and any writer of fiction needs a mind. But ideas are not the best subject matter for fiction. They do not dramatize well. They are, rather, a by-product, something the reader himself is led to formulate after watching the story unfold. The ideas, the generalizations, ought to be implicit in the selection and arrangement of the people and places and actions. They ought to haunt a piece of fiction as a ghost flits past an attic window after dark. — Wallace Stegner

The mind of the experienced book reader is a calm mind, not a buzzing one. When it comes to the firing of our neurons, it's a mistake to assume that more is better. — Nicholas Carr

But metre itself implies a passion , i.e. a state of excitement, both in the Poet's mind, & is expected in that of the Reader. — Samuel Taylor Coleridge

The world is like a sheet of paper on which something is typed. The reading and the meaning will vary with the reader, but the paper is the common factor, always present, rarely perceived. When the ribbon is removed, typing leaves no trace on the paper. So is my mind - the impressions keep on coming, but no trace is left. — Sri Nisargadatta Maharaj

What lasts in the reader's mind is not the phrase but the effect the phrase created: laughter, tears, pain, joy. If the phrase is not affecting the reader, what's it doing there? Make it do its job or cut it without mercy or remorse. — Isaac Asimov

Thoroughly to unfold the labyrinths of the human mind is an arduous task ... In order to dive into those recesses and lay them open to the reader in a striking and intelligible manner, 'tis necessary to assume a certain freedom in writing, not strictly perhaps within the limits prescribed by rules. — Sarah Fielding

I wish you were a mind-reader. I want you to know everything but I don't want to have to tell you. Because there are some things I don't want to say out loud. — Lisa Kleypas

A film presents images; a book creates them inside the reader, with the reader's active participation. Books are good for your brain. Neurologists have found that, when watching television or film, the viewer's eyes remain idle, straight ahead, but when reading, the actual physical movement of scanning the page from left to right (or right to left, or up and down, depending) stimulates and conditions the brain, a Stairmaster of the mind. — Lewis Buzbee

The meaning of a work is not what the author had in mind at some point, nor is it simply a property of the text or the experience of a reader. Meaning is an inescapable notion because it is not something simple or simply determined. It is simultaneously an experience of a subject and a property of a text. It is both what we understand and what in the text we try to understand. — Jonathan Culler

I'll now fall back a furlong or two in me chair, while me larned but misguided collagues r-read th' Histhry iv Iceland to show ye how wrong I am. But mind ye, what I 've said goes. I let thim talk because it exercises their throats, but ye 've heard all th' decision on this limon case that'll get into th' fourth reader.' A voice fr'm th' audjeence, ' Do I get me money back ? ' Brown J. : ' Who ar-re ye ? ' Th' Voice : ' Th' man that ownded th' limons.' Brown J. : ' I don't know.' (Gray J., White J., dissentin' an' th' r-rest iv th' birds concurrin' but fr entirely diff'rent reasons.) — Finley Peter Dunne

But the operation of writing implies that of reading as its dialectical correlative and these two connected acts necessitate two distinct agents. It is the joint effort of author and reader, which brings upon the scene that concrete and imaginary object which is the work of the mind. There is no art except for and by others. — Jean-Paul Sartre

With the confidence and peace of mind native to true genius, I lay my life story before the world, so that the reader may learn how to educate himself to be a great tomcat, may recognize the full extent of my excellence, may love, value, honour and admire me- and worship me a little.
Should anyone be audacious enough to think of casting doubt on the sterling worth of this remarkable book, let him reflect that he is dealing with a tomcat possessed of intellect, understanding, and sharp claws. — E.T.A. Hoffmann

My advice to the reader approaching a poem is to make the mind still and blank. Let the poem speak. This charged quiet mimics the blank space ringing the printed poem, the nothing out of which something takes shape. — Camille Paglia

Verbal imagery (such as a simile or a description of a place or an event) is more physical, more bodily, than thinking or feeling, but less physical, more internal, than the actual sounds of the words. Imagery takes place in "the imagination," which I take to be the meeting place of the thinking mind with the sensing body. What is imagined isn't physically real, but it feels as if it were: the reader sees or hears or feels what goes on in the story, is drawn into it, exists in it, among its images, in the imagination (the reader's? the writer's?) while reading. — Ursula K. Le Guin

Reading, therefore, is a co-production between writer and reader. The simplicity of this tool is astounding. So little, yet out of it whole worlds, eras, characters, continents, people never encountered before, people you wouldn't care to sit next to in a train, people that don't exist, places you've never visited, enigmatic fates, all come to life in the mind, painted into existence by the reader's creative powers. In this way the creativity of the writer calls up the creativity of the reader. Reading is never passive. — Ben Okri

The Reader [10w]
A poem cannot be greater than the mind examining it. — Beryl Dov

The cold reader exploits that the human mind is a whiz at making senses of information, shaping faces out of leaves, finding religious icons on pieces of toast, and letting us believe general sentences and uncertain questions add up to prophesy. — Thomm Quackenbush

The law does not require you to be a mind-reader — Richard Harris

Books are a weird collaboration between author and reader: You trust me to tell a good story, and I trust you to bring it to good life in your mind. — John Green

The world was a grand confusion. Finally, when I was drunk, and my mind couldn't do what I wanted it to do, I went home. I would lie alone In the dark, feeling that I was a character in a story that had lost its plot."
Sann "Don't ever use the word tragedy again. You tell what happened, and let the reader say it's a tragedy. If you're crying, the reader won't. — Pete Hamill

A good sentence is a key . It unlocks the mind of the reader. — Eric Hoffer

The motives to actions and the inward turns of mind seem in our opinion more necessary to be known than the actions themselves; and much rather would we choose that our reader should clearly understand what our principal actors think than what they do. — Sarah Fielding

I think the danger with using the term 'trilogy' is that it sets up particular expectations in the reader's mind. — Alastair Reynolds

ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection. — Ambrose Bierce

Jane Austen is thus a mistress of much deeper emotion than appears upon the surface. She stimulates us to supply what is not there. What she offers is, apparently, a trifle, yet is composed of something that expands in the reader's mind and endows with the most enduring form of life scenes which are outwardly trivial. Always the stress is laid upon character... The turns and twists of the dialogue keep us on the tenterhooks of suspense. Our attention is half upon the present moment, half upon the future...Here, indeed, in this unfinished and in the main inferior story, are all the elements of Jane Austen's greatness. — Virginia Woolf