Metaphor For Art Quotes & Sayings

The Sun Tzu School (which wrote the Art of War) surely never imagined that their antiwar, pro-empire treatise would become known and accepted after the fall of the first empire as a text on military tactics. Likewise, they would have been surprised to see the Ping-fa military metaphor - an inspired teaching device - come to be seen as the message and not the medium. — David G. Jones

In a way, her strangeness, her naivete, her craving for the other half of her equation was the consequence of idle imagination. Had she paints, or clay, or knew the discipline of the dance, or strings; had she anything to engage her tremendous curiosity and her gift for metaphor, she might have exchanged the restlessness and preoccupation with whim for an activity that provided her with all she yearned for. And like any artist with no art from, she became dangerous. — Toni Morrison

Like students of art who walk around a great statue, seeing parts and aspects of it from each position, but never the whole, we must walk mentally around time, using a variety of approaches, a pandemonium of metaphor. — Robert Grudin

Dancing is surely the most basic and relevant of all forms of expression. Nothing else can so effectively give outward form to an inner experience. Poetry and music exist in time. Painting and architecture are a part of space. But only the dance lives at once in both space and time. In it the creator and the thing created, the artist and the expression, are one. Each participates completely in the other. There could be no better metaphor for an understanding of the mechanics of the cosmos. — Lyall Watson

In my art history degree course, we did a module on palimpsests - medieval sheets of parchment so costly that, once the text was no longer needed, the sheets were simply scraped clean and reused, leaving the old writing faintly visible through the new. Later, Renaissance artists used the word pentimenti, repentances, to describe mistakes or alterations that were covered with new paint, only to be revealed years or even centuries later as the paint thinned with time, leaving both the original and the revision on view.

Sometimes I have a sense that this house - our relationship in it, with it, with each other - is like a palimpsest or pentimento, that however much we try to overpaint Emma Matthews, she keeps tiptoeing back: a faint image, an enigmatic smile, stealing its way into the corner of the frame. — J.P. Delaney

Poetry is the most informative of all of the arts because everything comes down to poetry. No matter what it is we are describing, ultimately we use either a metaphor; or we say "that's poetry in motion." You drink a glass of wine and say, "that's poetry in a bottle." Everything is poetry, so I think we come down to emotional information. And that's what poetry conveys. — Nikki Giovanni

While Elstir, at my request, went on painting, I wandered about in the half-light, stopping to examine first one picture, then another.
Most of those that covered the walls were not what I should chiefly have liked to see of his work, paintings in what an English art journal which lay about on the reading-room table in the Grand Hotel called his first and second manners, the mythological manner and the manner in which he shewed signs of Japanese influence, both admirably exemplified, the article said, in the collection of Mme. de Guermantes. Naturally enough, what he had in his studio were almost all seascapes done here, at Balbec. But I was able to discern from these that the charm of each of them lay in a sort of metamorphosis of the things represented in it, analogous to what in poetry we call metaphor, and that, if God the Father had created things by naming them, it was by taking away their names or giving them other names that Elstir created them anew. — Marcel Proust

It may also be that, quite apart from any specific references one food makes to another, it is the very allusiveness of cooked food that appeals to us, as indeed that same quality does in poetry or music or art. We gravitate towards complexity and metaphor, it seems, and putting fire to meat or fermenting fruit and grain, gives us both: more sheer sensory information and, specifically, sensory information that, like metaphor, points away from the here and now. This sensory metaphor - this stands for that - is one of the most important transformations of nature wrought by cooking. And so a piece of crisped pig skin becomes a densely allusive poem of flavors: coffee and chocolate, smoke and Scotch and overripe fruit and, too, the sweet-salty-woodsy taste of maple syrup on bacon I loved as a child. As with so many other things, we humans seem to like our food overdetermined. — Michael Pollan

Life is a piece of art drawn by love on the canvas of hope with the colors of desires, wants, and needs. — Debasish Mridha

An epithet or metaphor drawn from nature ennobles art; an epithet or metaphor drawn from art degrades nature. — Samuel Johnson

The regularity of the clock was a metaphor for the accuracy of the universe. For the accuracy of God's creative achievement. So the clock was, first and foremost, a metaphor.
Like a work of art. And that is how it was. The clock has been like a work of art, a product of the laboratory, a question.
And then, at some point, this has changed. At some point the clock has stopped being a question. Instead it has become the answer. — Peter Hoeg

Woman is frequently praised as the more "creative" sex. She does not need to make poems, it is argued; she has no drive to make poems, because she is privileged to make babies. A pregnancy is as fulfilling as, say, Yeats' Sailing to Byzantium ... To call a child a poem may be a pretty metaphor, but it is a slur on the labor of art. — Cynthia Ozick

What has our culture lost in 1980 that the avant-garde had in 1890? Ebullience, idealism, confidence, the belief that there was plenty of territory to explore, and above all the sense that art, in the most disinterested and noble way, could find the necessary metaphors by which a radically changing culture could be explained to its inhabitants. — Robert Hughes

Every time some new huckster of angst-ridden metaphor is appointed by Art Forum, the congregation genuflects, stroking the catalog like a handful of Rosary beads, and starts spreading that old gospel according to Hyperbole. No questions asked ... And thus the bill of goods is sold, all along the line. An art historical snake, swallowing its own tale. — Abe Ajay

ON A DAY LATE THAT JANUARY, I READ AGAIN "EAST Coker" by the poet T. S. Eliot, and saw something that I had forgotten: the stark but beautiful metaphor by which he described God as a wounded surgeon whose bleeding hands apply a scalpel to his patients so that "Beneath the bleeding hands we feel / The sharp compassion of the healer's art. — Dean Koontz

Art was there to scratch at people's brains, to help ideas find traction in metaphor that they could not when made explicit. — Rebecca Scherm

Creativity is more about taking the facts, fictions, and feelings we store away and finding new ways to connect them. What we're talking about here is metaphor. Metaphor is the lifeblood of all art, if it is not art itself. Metaphor is our vocabulary for connecting what we are experiencing now with what we have experienced before. It's not only how we express what we remember , it's how we interpret it - for ourselves and others. — Twyla Tharp

Model building is the art of selecting those aspects of a process that are relevant to the question being asked. As with any art, this selection is guided by taste, elegance, and metaphor; it is a matter of induction, rather than deduction. High science depends on this art. — John Henry Holland

If London is a watercolor, New York is an oil painting. — Peter Shaffer

To put all this in the form of another traditional metaphor, aesthetic styles - patterns for communicating feeling and thought - become dull with use, like carving knives, and since dullness is the chief enemy of art, each generation of artists must find new ways of slicing the fat off reality. — John Gardner

A lot of the early jazz artists, of course, couldn't even walk through the front door of the hotels and clubs they were playing in and had to enter through back doors and kitchens, and I think Jean felt this was a metaphor for his place in the art world: he had entered through the back door. He broke into the white art world in a way that had never been done before by any black. — Jennifer Clement

Do you know why teachers use me? Because I speak in tongues. I write metaphors. Every one of my stories is a metaphor you can remember. The great religions are all metaphor. We appreciate things like Daniel and the lion's den, and the Tower of Babel. People remember these metaphors because they are so vivid you can't get free of them and that's what kids like in school. They read about rocket ships and encounters in space, tales of dinosaurs. All my life I've been running through the fields and picking up bright objects. I turn one over and say, Yeah, there's a story. And that's what kids like. Today, my stories are in a thousand anthologies. And I'm in good company. The other writers are quite often dead people who wrote in metaphors: Edgar Allan Poe, Herman Melville, Washington Irving, Nathaniel Hawthorne. All these people wrote for children. They may have pretended not to, but they did. — Ray Bradbury

I was born with the ability to see in metaphor. — Mark Nepo

I am a musicologist, a doctor of music. Therefore I listened to, studied and analysed a lot of music. I also enjoy metaphors, the art of quoting and of cycles. — James Horner

A critical discourse that had respect for the mystery of art would look to the sense of life which finds expression in paradox, metaphor, tautology, and syntax. — Denis Donoghue

The real artist with no tear in his eye and no sadness in his heart, puts the pages in the fire and does it again!"
"All art is a metaphor it's by telling you one thing when your mean something else.
The Old Man in the Sea is not about fishing!"
"Writing a book is like torture that you don't know, but after it's done and there it is. It's a joy like unlike anything else, I think it's the closest that a man can come to knowing what is feels like to have a baby. — Harry Crews

It's been noted that writing about the production of art is a masquerade or metaphor for writing about writing. This may be true, there are similarities - both the verbal and the visual represent the thing or the concept. — Sarah Hall

Well, I've been blessed with good hair, or at least some people think it is. It is the way it is, sort of does what it wants to. So, yeah, I guess it is [a metaphor for your views on art and life]. — David Lynch

Invisible prose only!" rules out the sparkling style of [writers] ... For [whom] vivid prose, and the visionary mind it evinces, rich with speculation, insight, and subjectivity, is the craft and offers a unique caliber of truth. Is there any other art form one would praise by saying it's "invisible"? By definition, art transcends the ordinary, calls attention to itself, and offers virtuosity as its calling card. One that makes it possible to do what metaphor does so well: illuminate what can't be wholly understood. — Diane Ackerman

Hundreds of years ago, Indian artists created visual images of dancing Shivas in a beautiful series of bronzes. In our time, physicists have used the most advanced technology to portray the patterns of the cosmic dance. The metaphor of the cosmic dance thus unifies ancient mythology, religious art and modern physics. — Fritjof Capra

Between words and objects one can create new relations and specify characteristics of language and objects generally ignored in everyday life. — Rene Magritte

I had very literal parents and I wanted to survive with metaphor and art, and there was a real sense of shame around it. — Amanda Palmer

I once saw a small child go to an electric light switch as say, "Mamma, can I open the light?" She was using the age-old language of exploration, the language of art. It was a sort of metaphor, but she was not using it as ornamentation. — Ezra Pound

Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else. What is the other text, the original? I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat ... where in this metaphor they die and get canned and eaten in sandwiches. — Ursula K. Le Guin

Certainly, the history of my life and the works of art which have especially enriched it is precisely that: the depiction or incantation of a handful of metaphors whose spendour rests upon their intonation. — Michael Ayrton

To get from the tangible to the intangible (which mature artists in any medium claim as part of their task) a paradox of some kind has frequently been helpful. For the photographer to free himself of the tyranny of the visual facts upon which he is utterly dependent, a paradox is the only possible tool. And the talisman paradox for unique photography is to work "the mirror with a memory" as if it were a mirage, and the camera is a metamorphosing machine, and the photograph as if it were a metaphor ... . Once freed of the tyranny of surfaces and textures, substance and form [the photographer] can use the same to pursue poetic truth" (Minor White, Newhall, 281). — Minor White

Why can't a photograph be all four things at once? -be an art object; be a document, what ever that means exactly, but deal with content; be a formalist exploration; and operate on some, metaphor is not the right word but, resonant level.. — Stephen Shore

All war is based in deception (cfr. Sun Tzu, "The Art of War").
Definition of deception: "The practice of deliberately making somebody believe things that are not true. An act, a trick or device entended to deceive somebody".
Thus, all war is based in metaphor.
All war necessarily perfects itself in poetry.
Poetry (since indefinable) is the sense of seduction.
Therefore, all war is the storytelling of seduction, and seduction is the nature of war. — Pola Oloixarac

Metaphor is the lifeblood of all art. - TWYLA THARP — Daniel H. Pink

What does the novel know? It has no practical or educational aim; yet it knows what ordinary knowledge cannot seize. The novel's intricate tangle of character-and-incident alights on the senses with a hundred cobwebby knowings fanning their tiny threads, stirring up nuances and disclosures. The arcane designs and driftings of metaphor - what James called the figure in the carpet, what Keats called negative capability, what Kafka called explaining the inexplicable - are that the novel knows. — Cynthia Ozick

The emotional brain is highly attuned to symbolic meanings and to the mode Freud called the 'primary process' - the messages of metaphor, story, myth, the arts. — Daniel Goleman