Memory Wall Quotes & Sayings

Now that I think about it, it seems to me that's what Idiocy is: the ability to be enthusiastic all the time about anything you like, so that a drawing on the wall does not have to be diminished by the memory of the frescoes of Giotto in Padua. — Julio Cortazar

There is one other wall, of course. One we never speak of. One we never see, One which separates memory from madness. In a place no one offers flowers. THE WALL WITHIN. We permit no visitors. Mine looks like any of a million nameless, brick walls - it stands in the tear-down ghetto of my soul; that part of me which reason avoids for fear of dirtying its clothes and from atop which my sorrow and my rage hurl bottles and invectives at the rolled-up windows of my passing youth. Do you know the wall I mean? - Steve Mason, U.S. Army captain (Vietnam), poet Excerpted from the poem "The Wall Within" by Steve Mason, a decorated Vietnam combat veteran considered the unofficial poet laureate of the Vietnam War. "The Wall Within" was read at the 1984 dedication of the Vietnam Veterans Memorial in Washington, DC, and was entered in its entirety into the Congressional Record. — Kevin Sites

It's the forties look," she says to George, hand on her hip, doing a pirouette. "Rosie the Riveter. From the war. Remember her?"
George, whose name is not really George, does not remember. He spent the forties rooting through garbage bag heaps and begging, and doing other things unsuitable for a child. He has a dim memory of some film star posed on a calendar tattering on a latrine wall. Maybe this is the one Prue means. He remembers for an instant his intense resentment of the bright, ignorant smile, the well-fed body. A couple of buddies had helped him take her apart with the rusty blade from a kitchen knife they'd found somewhere in the rubble. He does not consider telling any of this to Prue. — Margaret Atwood

To recognize that mystery, we must go down deep into ourselves, into that place where the walls of our being are layered with our own memories. Remember that, as in any pool, when we cast one pebble we will see many, many concentric circles. One memory begets another and then another, building into stories. — Meinrad Craighead

I have no memory for things I have learned, nor things I have read, nor things experienced or heard, neither for people nor events; I feel that I have experienced nothing, learned nothing, that I actually know less than the average schoolboy, and that what I do know is superficial, and that every second question is beyond me. I am incapable of thinking deliberately; my thoughts run into a wall. I can grasp the essence of things in isolation, but I am quite incapable of coherent, unbroken thinking. I can't even tell a story properly; in fact, I can scarcely talk. — Franz Kafka

I watched a film with a very famous, great, great actor, I won't mention his name because everyone loves his memory, but I thought, "God he was acting a lot." Great actor, but nonstop acting. Wall to wall, fitted-carpet acting. — Anthony Hopkins

History is natural selection. Mutant versions of the past struggle for dominance; new species of fact arise,and old, saurian truths go to the wall, blindfolded and smoking last cigarettes. Only the mutations of the strong survive. The weak, the anonymous, the defeated leave few marks: field-patterns, axe-heads, folk-tales, broken pitchers, burial mounds, the fading memory of their youthful beauty. History loves only those who dominate her: it is a relationship of mutual enslavement. — Salman Rushdie

I'll Paint You A Rainbow

I'll paint you a rainbow to hang on the wall,
to brighten your heart
When the gray shadows fall,
On the canvas of joy outlasting the years,
with a soft brush of sweetness
To dry all your tears.
I'll paint you a rainbow with colors of smiles
That glow with sincerity over the miles.
On a palette of words I will tenderly blend
Tones in treasures of sunlight and wind.
I'll paint the rainbow that reaches so wide,
Your sighs and your sorrows will vanish inside,
And deep in the center of each different hue,
A memory fashioned especially for you.
So lift up your eyes, for suspended above,
A rainbow designed by the fingers of love. — Grace E. Easley

Then very haltingly at first, but afterwards more easily, he began to tell of the thing that was hidden in his life, the haunting memory of a beauty and a happiness that filled his heart with insatiable longings, that made all the interests and spectacle of worldly life seem dull and tedious and vain to him. — H.G.Wells

Where do songs go when you cease to hear them? Where does the turbulence of the air disappear after thousands of birds flap their wings homeward at eventide? Where are the cries of the Rajput women who spatter their red palm prints on the wall and leap into the flames of johar? Where is my childhood, my catapult, my broken slate, my first parrot, my youth and first sin and all those that followed, where is my old age and the first time I saw the woman from Merta? Ask Gambhiree. She knows it all. — Kiran Nagarkar

Think about Tucker. Think about a good memory, she whispers in my mind. Remember a moment when you loved him. And just like that, I do.
"What did the fish say when it hit a concrete wall?" he asked me. We're sitting on the bank of a stream and he's tying a fly onto my fishing rod, wearing a cowboy hat and red lumberjack-style flannel shirt over a gray tee. So adorable.
"What?" I say, he grins. Unbelievable of how gorgeous he is. And that he's mine. He loves me and I love him.
"Dam!" he says. — Cynthia Hand

Many years have passed since that night. The wall of the staircase up which I had watched the light of his candle gradually climb was long ago demolished. And in myself, too, many things have perished which I imagined would last for ever, and new ones have arisen, giving birth to new sorrows and new joys which in those days I could not have foreseen, just as now the old are hard to understand. — Marcel Proust

If you think Wall Street has a short memory, you're dead wrong. No, the folks who work on Wall Street, regulate Wall Street - and, above all, invest in its wares, notably its hedge funds - don't have a bad memory. They don't have any memory at all. — Gary Weiss

It is the rarest thing ... that gets preserved, that does not get erased, broken down, transformed. — Anthony Doerr

Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin strippd from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. — Charles Frazier

Mom isn't content taking a stroll down memory lane. She's bought a condo and spends half the year there. — Paula Wall

Night-dreams trace on Memory's wall Shadows of the thoughts of day, And thy fortunes, as they fall, The bias of the will betray. — Ralph Waldo Emerson

what does separation look like
a wall
a wave
a body of water
a ripple of light
or a shimmer of subatomic particles parting
what does it feel like to push through
her fingers press against the rag surface of her dream
recognizing the tenacity of filaments
and know that it is paper
about to tear
but for the fibrous memory
that still lingers there
supple
vascular
and standing tall.
the tree was past
and the paper is present
and yet,
paper still remembers holding itself upright and altogether
like a dream
it remembers its sap — Ruth Ozeki

But kind of like when you move something on a wall after it's been there for a long time, and its place is bright but everything around it is faded - that's how I feel about her. She wasn't there very long, but when she left, everything around her memory sort of dimmed. — Laura Miller

If she moved her head all the way up against the wall and tilted it to the left she could just see the edge of the moon through the bars. Just a silver sliver, almost close enough to eat. A sliver of cheese, a sliver of cake, a cup of tea to be polite. Someone had given her a cup of tea once, someone with blue-green eyes and long ears. Funny how she couldn't remember his face, though. All that part was hazy, her memory of him wrapped in smoke but for the eyes and ears. And the ears were long and furry. — Christina Henry

The ants Geiser recently observed under a dripping fir tree are not concerned with what anyone might know about them; nor were the dinosaurs, which died out before a human being set eyes on them. All the papers, whether on the wall or on the carpet, can go. Who cares about the Holocene? Nature needs no names. Geiser knows that. The rocks do not need his memory. — Max Frisch

Now the police dreams that one look at the gigantic map on the office wall should suffice at any given moment to establish who is related to whom and in what degree of intimacy; and, theoretically, this dream is not unrealizable although its technical execution is bound to be somewhat difficult. If this map really did exist, not even memory would stand in the way of the totalitarian claim to domination; such a map might make it possible to obliterate people without any traces, as if they had never existed at all. — Hannah Arendt

Her official published findings were that memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain. — Jodi Picoult

I glanced in the first open door and stopped short. Desks. Four tiny desks. A wall of faded posters of alphabet animals. A blackboard, still showing the ghost of numbers. I blinked, certain I was seeing wrong.
Derek nudged my legs, telling me to get moving. I looked at him, and I looked at the classroom.
This was where Derek had grown up. Four tiny desks. Four little boys. Four young werewolves.
For a second, I could see them - three boys working at the three clustered desks, Derek alone at the fourth, pushed slightly away, hunched over his work, trying to ignore the others.
Derek nudged me again, whining softly, and I looked down to see him eyeing the room, every hair on his neck on end, anxious to get away from this place. — Kelley Armstrong

This was many years ago. The staircase wall on which I saw the rising glimmer of his candle has long since ceased to exist. In me, too, many things have been destroyed that I thought were bound to last forever and new ones have formed that have given birth to new sorrows and joys which I could not have foreseen then, just as the old ones have been difficult for me to understand. It was a very long time ago, too, that my father ceased to be able to say to Mama, "Go with the boy." The possibility of such hours will never be reborn for me. — Marcel Proust

Finally he looked north. He saw the Wall shining like blue crystal, and his bastard brother Jon sleeping alone in a cold bed, his skin growing pale and hard as the memory of all warmth fled from him. — George R R Martin

These beautiful days ... do not exist as mere pictures - maps hung upon the walls of memory to brighten at times when touched by association or will ... They saturate themselves into every part of the body and live always. — John Muir

When Sebastian reached his room, the Black Earl stood by his bed. Sebastian turned away, fingering the cufflink in his pocket. He didn't need the Black Earl's help in debauching Olivia anymore, he had apparently at last managed that well enough all on his own. He threw himself onto a chair, full of his memory of his hands on Olivia. Cold air sent a prickle along the backs of his arms. He opened his eyes and saw the Black Earl again. In one hand, he gripped a sword of unearthly silver, but held downward so that the point of the weapon touched the floor. He wept as if his heart were broken. "Aidez-la" Help her.
Sebastian heard nothing but the roar of those words tearing through his soul. Help her.
The Black Earl, weeping still, turned to the stone wall. A rent marred his crimson tunic, the edges jagged and blackened, and then he, too, vanished and left behind him nothing but an aching, unfillable emptiness.
Help her. — Carolyn Jewel

I remember a cartoon depicting a chimney sweep falling from the roof of a tall building and noticing on the way that a signboard had one word spelled wrong, and wondering in his headlong flight why nobody had thought of correcting it. In a sense, we all are crashing to our death from the top story of our birth to the flat stones of the churchyard and wondering with an immortal Alice in Wonderland at the patterns of the passing wall. This capacity to wonder at trifles - no matter the imminent peril - these asides of the spirit, these footnotes in the volume of life are the highest forms of consciousness, and it is in this childishly speculative state of mind, so different from common sense and its logic, that we know the world to be good. — Vladimir Nabokov

Then there were the negatives. How he missed negatives. They were the actual rays of light, bounced straight off a landscape, an object, a person, and scarred on to the film. Photographic negatives were the hardest evidence you could get of your memories. They were the char left by the fire, the bruise left on your skin. The same light that carried to your eyes, on the day of your photograph, that image of your mother, or your father, or your close friend, had recorded itself on the film. And now, staring at the photo on the wall of Ida's transparent toes against the bed sheets, he thought how similar her feet were to negatives: both subjects of that half-world between memory and the present. These were not real, flexible, treading toes, but a play of light that showed where toes had been. — Ali Shaw

Come into my lap and sit in the center of your soul. Drink the living waters of memory and give birth to yourself. What you unearth with stun you. You will paint the walls of this cave in thanksgiving. — Meinrad Craighead

Women are like posters. One is stuck on top of another and covers it completely. Perhaps just for a moment, when the paste is still soft and the paper still wet and slightly transparent, you may still catch a vague impression of the splashes of color of the first, but soon there's no more trace of it. Then, when the second one is removed, both come away together, leaving your memory and your heart as blank as a wall. — Pitigrilli

What is it that binds us to this place as to no other? It is not the well, or the bell, or the stone walls, or the crisp October nights or the memory of dogwoods blooming. Our loyalty is not only to William Richardson Davie though we are proud of what he did 200 years ago today. Nor even to Dean Smith, though we are proud of what he did last March. No, our love for this place is based on the fact that it is as it was meant to be, the University of the people. — Charles Kuralt

No one ever knew they were old-fashioned; everyone always thought they were up-to-the-minute: Rickety Model T cars weren't rickety when they were invented, scratchy radio wasn't scratchy until television, and silent movies weren't a feeble precursor of talkies until there were talkies. Your two-piece telephone that demanded that you hold a cylinder to your ear while you screeched into the wall demanding a particular exchange of a harried, plug-juggling operator was the highest of high-tech. To know it was anything less would have been like acknowledging you were going to die and life was transient and you were already halfway to being a memory or worse. The real and worst tragedy of twentieth-century East Europeans: They had known they were old-fashioned before they could do anything about it. — Arthur Phillips

Hate isn't the opposite of love, apathy is. Hating doesn't free you from feeling anything. You have to carry it around, using every scar, every little memory like a building block. Like a stone in a wall, until you've created a new person, a new life that you can live with. — Rasmenia Massoud

Our stories say that of all the plants, wiingaashk, or sweetgrass, was the very first to grow on the earth, its fragrance a sweet memory of Skywoman's hand. Accordingly, it is honored as one of the four sacred plants of my people. Breathe in its scent and you start to remember things you didn't know you'd forgotten. Our elders say that ceremonies are the way we "remember to remember — Robin Wall Kimmerer

I cannot decide whether it is an illness or a sin, the need to write things down and fix the flowing world in one rigid form. Bear believed writing dulled the spirit, stilled some holy breath. Smothered it. Words, when they've been captured and imprisoned on paper, become a barrier against the world, one best left unerected. Everything that happens is fluid, changeable. After they've passed, events are only as your memory makes them, and they shift shapes over time. Writing a thing down fixes it in place as surely as a rattlesnake skin stripped from the meat and stretched and tacked to a barn wall. Every bit as stationary, and every bit as false to the original thing. Flat and still and harmless. Bear recognized that all writing memorializes a momentary line of thought as if it were final.
But I was always word-smitten. — Charles Frazier

The afternoon is bright, with spring in the air, a mild March afternoon, with the breath of April stirring, I am alone in the quiet patio looking for some old untried illusion - some shadow on the whiteness of the wall some memory asleep on the stone rim of the fountain, perhaps in the air the light swish of some trailing gown. — Antonio Machado

I must have been very young, but I have a clear memory of drawing on a cream brick wall ... with wax crayons. — Robert Ingpen

He hangs on now, pressing his hand lightly against the wall, below the window, waiting for the familiar arrow of pain. Only there is none. An oddly pleasant swell of memory, a wave of warmth flooding over him, sliding back, slowly. It is a first — Judith Guest

ANTHONY DOERR is the author of the story collections Memory Wall and The Shell Collector, the novel About Grace, and the memoir Four Seasons in Rome. He has won numerous prizes both in the United States and overseas, including four O. Henry Prizes, three Pushcart Prizes, the Rome Prize, the New York Public Library's Young Lions Fiction Award, the National Magazine Award for fiction, a Guggenheim Fellowship, and the Story Prize. Raised in Cleveland, Doerr lives in Boise, Idaho, with his wife and two sons. — Anthony Doerr

Tom Walls and his cohort are wolves in sheep's clothing who will besmirch the memory of some genuine historic figures by the next full moon. — Dionne Warwick

The last person who wrote about me for the Wall Street Journal didn't even know the difference between machine memory and a floppy! — Brent Schlender

You can overcome the things that are done to you, but you cannot escape the things that you have done.
Here is the truth: It matters, what you do at war. It matters more than you ever want to know. Because countries, like people, have collective consciences and memories and souls, and the violence we deliver in the name of our nation is pooled like sickly tar at the bottom of who we are. The soldiers who don't die for us come home again. They bring with them the killers they became on our national behalf, and sit with their polluted memories and broken emotions in our homes and schools and temples. We may wish it were not so, but action amounts to identity. We become what we do.You can tell yourself all the stories you want, but you can't leave your actions over there. You can't build a wall and expect to live on the other side of memory. All of the poison seeps back into our soil. — Megan K. Stack

In Udi's vocabulary, Jewish was equated with the ills of exile: rootless parasitic, superstitious. Yet here, in the Western Wall's solitary dignity, was beauty. In this world of stone, he felt softness; in this quarry of memory, peace. — Yossi Klein Halevi

He'd done this hundreds of times: done a job, been drugged with a narcotic that erased his short term memory, and dumped in a seedy hole in the wall locale, where when he climbed out, he would have to figure out where he was, find a payphone, and call in for his next job. — Jennifer Arnett

Memory is linked to strong emotion, and that negative moments are like scribbling with permanent marker on the wall of the brain. But there's a fine line between a negative moment and a traumatic one. Negative moments get remembered. Traumatic ones get forgotten, or so warped that they are unrecognizable, — Jodi Picoult

My father was famous for his photographic memory. He was in the OSS. They trained him to be captured on purpose and to read upside down and backwards and commit to memory every document in Germany he saw as he was being interrogated - every schedule on every wall. So, that photographic memory somehow made its way to me when I was young. — Mark Helprin

Adaptation is always the same process for me, which is some version of throwing the book at the wall and seeing what pages fall out. It is trying to imagine, remember the story, read it, put it down, and then write sort of an outline without the book in front of you with some hope that what you like about it will be filtered and distilled out through your memory and then that will be similar to what other people like about it. — Akiva Goldsman

Fascinating,' said Darvin. 'The mystery of life. The miracle of reproduction. I don't know why I didn't learn all this in school.' 'I did not,' said Orro. 'I read it in an imaginative but broadly accurate illustrated treatise inscribed, if memory serves, on the wall of a municipal pissery. — Ken MacLeod

Darkness just loosens the mask. Sharpens the mind's eye. Makes the color of a remembered pencil, or a tick of waxy red on a cracked plaster wall, as vivid as that taillight a few feet away. — Garth Risk Hallberg

It was murder - strangulation - but one need not say that the claw-mark on Mrs. Suydam's throat could not have come from her husband's or any other human hand, or that upon the white wall there flickered for an instant in hateful red a legend which, later copied from memory, seems to have been nothing less than the fearsome Chaldee letters of the word 'LILITH'. One need not mention these things because they vanished so quickly - as for Suydam, one could at least bar others from the room until one knew what to think oneself. The doctor has distinctly assured Malone that he did not see IT. The open porthole, just before he turned on the lights, was clouded for a second with a certain phosphorescence, and for a moment there seemed to echo in the night outside the suggestion of a faint and hellish tittering; — H.P. Lovecraft

Consider it this way. The present is a split second, so tiny and trivial as to be immaterial. Everything else, everything real and substantial, is a coral reef of dead split seconds, forming the islands and continents of our reality. Every moment is a brick in the wall of the past, building enormous structures that have identity and meaning, cities we live in. The future is wet shapeless clay, the present is so brief it barely exists, but the past houses and shelters us, gives us a home and a name; and the mortar that binds those bricks, that stops them from sliding apart into a nettle-shrouded ruin, is memory. — K.J. Parker

Well, hey, let's just make everything into a closure, and then we'll have our general garbage collector, installed by 'use less memory'. — Larry Wall

Her steel blue eyes captivated him at first glance and along with the alluring scent of jasmine surrounding her presence, he lost all sense of time and rhythm, and barely remembered the ensuing conversation. Thinking he had died and gone to heaven, the only thing that stuck in his memory, as they found themselves pressed urgently against the wall of her hotel room, was her name; Ginny. — Virginia Alison

You can't hold someone who
Wants to leave
You can't clutch a memory
As if it were today
You can't take an insult
Close to heart
You can't grasp for glory
From your chair
You can't seize life
Thinking only of loss
And you can't grab a laser pointer dot
On the wall
No matter how much you try
These hard-earned truths I give to you — Francesco Marciuliano

Something about the fall, the freshness of the pain, had been restorative. It was honest pain, clear pain, a pain without shame or filth, and it was a different sensation than he had felt in years ... before he was conscious of what he was doing, he was tossing himself against the brick wall, and as he did so, he imagined he was knocking out of himself every piece of dirt, every trace of liquid, every memory of the past few years. He was resetting himself; he was returning himself to something pure; he was punishing himself for what he had done. After that, he felt better, energized. — Hanya Yanagihara

Hang on the walls of your mind the memory of your successes. Take counsel of your strength, not your weakness. Think of the good jobs you have done. Think of the times when you rose above your average level of performance and carried out an idea or a dream or a desire for which you had deeply longed. Hang these pictures on the walls of your mind and look at them as you travel the roadway of life. — James Whistler

He was aggregating memory like a wall against extinction and the little boxes of slides were his bricks. — Peter Heller

If he closed his eyes he could dwell in the circuit of air that had once held her, he could hold his breath and be inside her again, within the close and burning borders of her- she stood here, washed her hair in this sink, wrote upon this wall, ate roasted chicken at this table. There was no place he could enter where she had not also been, her echoes hanging in the air like pages hung to dry. No place that did not suppurate in her absence, which was not ringed with the light of her old selves, like film burned with a cigarette. — Catherynne M Valente

All the wild sweetness of the flower
Tangled against the wall.
It was that magic, silent hour ...
The branches grew so tall
They twined themselves into a bower.
The sun shown ... and the fall
Of yellow blossom on the grass!
You feel that golden rain?
Both of you could not hold, alas,
(both of you tried, in vain)
A memory, stranger. So I pass ...
It will not come again. — Katherine Mansfield

As if it were important, he strained his memory; beside the sofa there had been a large lamp with a round milk-white base encircled by a chain of painted roses, and beyond that, on the wall, neatly framed, was a series of water colors done by a forgotten aunt during her Grand Tour. But — John Edward Williams

Now he laughs for real, cackling with the wicked innocence of the bright and easily bored. Staff Sergeant David Dime is a twenty-four-year-old college dropout from North Carolina who subscribes to the Wall Street Journal, the New York Times, Maxim, Wired, Harper's, Fortune, and DicE Magazine, all of which he reads in addition to three or four books a week, mostly used textbooks on history and politics that his insanely hot sister sends from Chapel Hill. There are stories that he went to college on a golf scholarship, which he denies. That he was a star quarterback in high school, which he claims not to remember, though one day a football surfaced at FOB Viper, and Dime, caught up in the moment, perhaps, nostalgia triggering some long-dormant muscle memory, uncorked a sixty-yard spiral that sailed over Day's head into the base motor pool. — Ben Fountain

The zipper hung, caught, as he opened the French fatigues, the coils of toothed nylon clotted with salt. He broke it, some tiny metal parts shooting off against the wall of salt-rotten cloth gave, then was in her, effecting the transmission of the old message. Here, even here, in a place he knew for what it was, a coded model of some stranger's memory, the drive held. — William Gibson

The following evening as they rode up onto the western rim they lost one of the mules. It went skittering off down the canyon wall with the contents of the panniers exploding soundlessly in the hot dry air and it fell through sunlight and through shade, turning in that lonely void until it fell from sight into a sink of cold blue space that absolved it forever of memory in the mind of any living thing that was. — Cormac McCarthy