Memory S Door Quotes & Sayings

Then J.D. appeared at the door. He was alone. She found Sam's eyes. They were filled with defeat. She was about to go to him when his face suddenly brightened. Glancing toward J.D., she saw Michael come up from behind. He was wearing a new blazer and slacks, looking adorable and terribly grown-up. Annie felt a great swelling fullness inside as Sam excused himself and strode across the room. He stopped several yards from Michael and waited. Annie stopped, too, with her heart in her throat. Michael didn't once take his eyes from Sam. He blinked and swallowed. In a flash of Annie's memory, he was a scared little boy on his first bicycle, with Sam calling, "You can do it, Mike. Give a push off, then pedal. That's it. Good boy. Keep going. You've got it." With the videocam in one hand and his eyes filled with sudden determination, he walked forward. That was all Sam needed. He met the boy halfway in a hearty hug. "I'd just about given up hope. — Barbara Delinsky

Someone knocks at the door of an apartment to borrow salt or sugar, people run into each other in the elevator, and in this way become inscribed in the spectator's memory. — Krzysztof Kieslowski

Creff was visibly agitated by the stranger's appearance at our door. Memory calls to mind the anxious wringing of his hands, resembling two furless pink badgers wrestling for each other's throats ... — K.W. Jeter

I can't remember the words she spoke when they finally opened the garage door and yanked me inside, but I was petrified. It wasn't sound Mom's screams or the jolt of her grabbing me by the shoulders and shaking me like a rag doll that plagues my memory, but the look of her eyes- wide, wild, and unrecognizable. — Maggie Young

Now I'm just like everybody else, and it's so funny,
the way monogamy is funny, the way
someone falling down in the street is funny.
I entered a revolving door and emerged
as a human being. When you think of me
is my face electronically blurred? — Jeffrey McDaniel

Laws of silence don't work ... . When something is festering in your memory or your imagination, laws of silence don't work, it's just like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. — Tennessee Williams

I left the bed as she had left it, unmade and rumpled, coverlets awry, so that her body's print might rest still warm beside my own.
Until the next day I did not go to bathe, I wore no clothes and did not dress my hair, for fear I might erase some sweet caress.
That morning I did not eat, nor yet at dusk, and put no rouge nor powder on my lips, so that her kiss might cling a little longer.
I left the shutters closed, and did not open the door, for fear the memory of the night before might vanish with the wind. — Pierre Louis

I Remember Me
There are not enough faces. Your own gapes back
at you on someone else, but paler, then the moment
when you see the next one and forget yourself.
It must be dreams that makes us different, must be
private cells inside a common skull.
One has the other's look and has another memory.
Despair stares out from tube-trains at itself
running on the platform for the closing door.
Everyone you meet is telling wordless barefaced truths.
Sometimes the crowd yields one you put a name to,
snapping fiction into fact. Mostly your lover passes in the rain and does not know you when you speak. — Carol Ann Duffy

Idols of the injury,
dug in behind the least understood
motor plan information.
The vile abomination temporal lobes and
The four loathsome memory walls and
The four reasoning, arithmetic beasts
are found for all behind pain and planes.
Portrayed as a house,
Go in, function, cause blindness from
The house's hearing spirit, judgment and
The court's four bronze woes and
The functioning brain lobe wings,
Go in, hearing and perception,
I dig under door fronts, pain and plans. — Bill Ectric

MY MOST CONSTANT and vivid memory is not so much of the people but of the actual house in Aracataca where I lived with my grandparents. It's a recurring dream which persists even now. What's more, every single day of my life I wake up with the feeling, real or imaginary, that I've dreamed I'm in that huge old house. Not that I've gone back there but that I am there, at no particular age, for no particular reason - as if I'd never left it. Even now in my dreams that sense of night-time foreboding which dominated my whole childhood still persists. It was an uncontrollable sensation which began early every evening and gnawed away at me in my sleep until I saw dawn breaking through the cracks in the door. — Gerald Martin

What might have been and what has been Point to one end, which is always present. Footfalls echo in the memory Down the passage which we did not take Towards the door we never opened. - T. S. Eliot, "Burnt Norton — Blake Crouch

Increasingly, Sawtooth's own memories are a loud bright muddle, like opening the door on a party full of strangers. He lies awake at night, limping down the long corridors of his memory, trying to find the girl's hands, ... — Karen Russell

I don't like perfect people. They're usually not. — James L. Rubart

First memory: a man at the back door is saying, I have real bad news, sweat is dripping off his face, Garbert's been shot, noise from my mother, I run to her room behind her, I'm jumping on the canopied bed while she cries, she's pulling out drawers looking for a handkerchief, Now, he's all right, the man say, they think, patting her shoulder, I'm jumping higher, I'm not allowed, they think he saved old man Mayes, the bed slats dislodge and the mattress collapses. My mother lunges for me.
Many traveled to Reidsville for the event, but my family did not witness Willis Barnes's electrocution, From kindergarten through high school, Donette, the murderer's daughter, was in my class. We played together at recess. Sometimes she'd spit on me. — Frances Mayes

I opened the door of my mother's stand-alone wardrobe and let the smell of her wash over me. I loved having this one unspoiled part of her left just for me. I leaned forward, slipped my face in between the hanging silks and chiffons. Her scent was warm and possessive. If my idea of home had a smell, this would be it.
Home. Mother. Oh God, please. My face crumpled, and my knees gave out. I pitched forward into her hanging clothes, grabbing at her blouses and dresses, smelling of gardenias and dusk. I fell to the closet floor, pulling some with me. I toppled amongst her shoes; stinging eyes squeezed shut, mouth frozen open in a silent "O." They were out there somewhere, their lifeless bodies, still and cold, and they would never be coming home again. I curled my legs inside the wardrobe and pulled the door closed, shutting myself away with her memory. — Kirby Howell

That's how Ptolemy imagined the disposition of his memories, his thoughts: they were still his, still in the range of his thinking, but they were, many and most of them, locked on the other side a closed door that he's lost the key for. So his memory became like secrets held away from his own mind. But these secrets were noisy things; they babbled and muttered behind the door, and so if he listened closely he might catch a snatch of something he once knew well. — Walter Mosley

This was your mother's door. She was loyal, brilliant, beautiful, and she was my friend. I will treasure her memory forever. — E.B. White

The picture is supposed to go up just inside the front door, so it's the first thing you see when you come in. It's green. It's about the size of a barn door. It has one vertical orange stripe, and it's called 'The Temptation of Saint Anthony.' Mother wrote a letter to the paper, saying the picture was an insult to the memory of Father, and to the memory of every serious artist who ever lived. — Kurt Vonnegut

Sometimes he mulled over the idea that the next time the door opened he would take control of the family affairs as he had done in the past; these musings led him once more after such a long interval to conjure up the figures of the boss, the head clerk, the salesmen, the apprentices, the dullard of an office manager, two or three friends from other firms, a sweet and fleeting memory of a chambermaid in one of the rural hotels, a cashier in a milliner's shop whom he had wooed earnestly but too slowly- they all appeared mixed up with strangers or nearly forgotten people, but instead of helping him and his family they were each and every one unapproachable, and he was relieved when they evaporated. — Franz Kafka

There are not enough faces. Your own gapes back
at you on someone else, but paler, then the moment
when you see the next one and forget yourself.

It must be dreams that makes us different, must be
private cells inside a common skull.
One has the other's look and has another memory.

Despair stares out from tube-trains at itself
running on the platform for the closing door.
Everyone you meet is telling wordless barefaced truths.

Sometimes the crowd yields one you put a name to,
snapping fiction into fact. Mostly your lover passes in the rain and does not know you when you speak.

- I Remember Me — Carol Ann Duffy

When something is Festering on your memory or in your imagination, laws of silence don't work, it's just like shutting a door and locking it on a house on fire in hope of forgetting that the house is burning. But not facing a fire doesn't put it out. Silence about a thing just magnifies it. It grows and festers in silence, becomes malignant... — Tennessee Williams

In the lift up to Larry's apartment on the sixth floor he [Lacke] started to cry. Not quietly, no; he wailed like a kid, but worse, more. When Larry opened the lift door and pushed him out onto the landing the cry deepened, started to reverberate against the concrete walls. Lacke's scream of primal, bottomless sorrow filled te stairwell from top to bottom, streamed through the letter slots, keyholes, transformed the high rise into one big tomb erected in the memory of love, hope. — John Ajvide Lindqvist

Each time Nate saw her, Elisa's beauty struck him anew, as if in the interval the memory of what she actually looked like had been distorted by the tortured emotions she elicited since they'd broken up: in his mind, she took on the dimensions of an abject creature. What a shock when she opened the door, bursting with vibrant, almost aggressive good health. The power of her beauty, Nate had once decided, came from its ability to constantly reconfigure itself. When he thought he'd accounted for it, filed it away as a dead fact - pretty girl - she turned her head or bit her lip, and like a children's toy you shake to reset, her prettiness changed shape, its coordinates altered: now it flashed from the elegant contours of her sloping brow and flaring cheekbone, now from her shyly smiling lips. — Adelle Waldman

Though you forget the way to the Temple,
There is one who remembers the way to your door:
Life you may evade, but Death you shall not.
You shall not deny the Stranger. — T. S. Eliot

Maybe it was teleportation. The Spirit took you there."
"That might explain my visit to the soccer game, but it doesn't elucidate why I was in two different editions of the bakery."
"Elucidate?"
"Clarify, expound, explicate ... "
"You should have stopped at expound."
"Brandon! I need assistance here. — James L. Rubart

Neither man spoke, both lost in thought. Lucien was visited by the awful memory of the day when Cedric's parents died.
Lucien knew that Cedric had been watching over Audrey at the Sheridan townhouse on Curzon Street when a footman had come running. Cedric once told him that everything seemed to slow from that moment on. The footman was flushed and sputtered about a carriage accident and finally blurted out, "Dead, sir. Both Lord and Lady Sheridan are dead. Your sister suffered a broken arm, but is alive. Lord Rochester was nearby and helped in rescuing your sister."
Lucien would never forget that moment when he'd brought Horatia home after the accident. Cedric had taken two steps towards the door and his legs gave out, sinking to his knees.

-His Wicked Seduction — Lauren Smith

We became a tribe recalling the founding
two. Ducked in thru a door, we ate food
from Reunion, island in an ocean some-
where, we forgot which, ducked in, not a
trace
of them there. . . We clutched bodies, rubbed
each other's limbs, less in love with skin than
the memory of skin, skin's image, all the
more
extolling skin. . . Sexed insinuance, nixed
insistence in retreat. . . Would-be what-if,
what
if. . . We wanted it back, big promise, portent,
apocalypse,
urgency, plummet,
plunge — Nathaniel Mackey

We show hospitality to strangers not merely because they need it, but because we need it, too. The stranger at the door is the living symbol and memory that we are all strangers here. This is not our house, our table, our food, our lodging; this is God's house and table and food and lodging. We were pilgrims and wanderers, aliens and strangers, even enemies of God, but we, too, were welcomed into this place. To show hospitality to the stranger is, as Gordon Lathrop has observed, to say, We are beggars here together. Grace will surprise us both. — Thomas G. Long

Both the children were looking up into the Lion's face as he spoke these words. And all at once (they never knew exactly how it happened) the face seemed to be a sea of tossing gold in which they were floating, and such a sweetness and power rolled about them and over them and entered into them that they felt they had never really been happy or wise or good, or even alive and awake, before. And the memory of that moment stayed with them always, so that as long as they both lived, if ever they were sad or afraid or angry, the thought of all that golden goodness, and the feeling that it was still there, quite close, just round some corner or just behind some door, would come back and make them sure, deep down inside, that all was well. — C.S. Lewis

January. It was all things. And it was one thing, like a solid door. Its cold sealed the city in a gray capsule. January was moments, and January was a year. January rained the moments down, and froze them in her memory: [ ... ]Every human action seemed to yield a magic. January was a two-faced month, jangling like jester's bells, crackling like snow crust, pure as any beginning, grim as an old man, mysteriously familiar yet unknown, like a word one can almost but not quite define. — Patricia Highsmith

Time, I think, is like walking backward away from something: say, from a kiss. First there is the kiss; then you step back, and the eyes fill up your vision, then the eyes are framed in the face as you step further away; the face then is part of a body, and then the body is framed in a doorway, then the doorway framed in the trees beside it. The path grows longer and the door smaller, the trees fill up your sight and the door is lost, then the path is lost in the woods and the woods lost in the hills. Yet somewhere in the center still is the kiss. That's what time is like. — John Crowley

Gretel in Darkness:


This is the world we wanted.
All who would have seen us dead
are dead. I hear the witch's cry
break in the moonlight through a sheet
of sugar: God rewards.
Her tongue shrivels into gas....

Now, far from women's arms
And memory of women, in our father's hut
we sleep, are never hungry.
Why do I not forget?
My father bars the door, bars harm
from this house, and it is years.

No one remembers. Even you, my brother,
summer afternoons you look at me as though
you meant to leave,
as though it never happened.
But I killed for you. I see armed firs,
the spires of that gleaming kiln--

Nights I turn to you to hold me
but you are not there.
Am I alone? Spies
hiss in the stillness, Hansel
we are there still, and it is real, real,
that black forest, and the fire in earnest. — Louise Gluck

Footfalls echo in the memory, down the passage we did not take, towards the door we never opened, into the rose garden. — T. S. Eliot