Memoir Ending Quotes & Sayings

It's not like you can aim for a home run and hit a home run. — Hideki Matsui

When 'The Pacific' came around, I had to audition the old-fashioned way. It was the casting director and then the producer and then another producer and another producer and then Spielberg and Hanks. — Joseph Mazzello

Sometimes a soldier returns home and all he can do is share his story in the hopes that somehow, in some way, it helps another soldier make sense of things. And although the stories may not be perfect, sometimes just sharing is enough to make a difference. — Michael Anthony

Montefusco bare-hands it and throws him out. That grounder will make you a traveling salesman in a hurry! — Jerry Coleman

A lifelong movie I already knew the ending to — Jason Najum

When I was very young my mother sang to me at bedtime and my dad would often play the banjo or fiddle in the evening. I knew music was important and central to everything, most particularly it had a powerful healing value and created a sense of peace and security. This stood out to me as I always felt the world was precarious and dangerous, and music supplied those moments of real peace and safety. — Rory Block

Goldie [Hawn] is one of the sharpest ladies I've ever worked with. She doesn't miss a thing. She's my greatest audience. She laughs at all my stories and in the right places, too. — Burt Reynolds

A feminist is a person who answers 'yes' to the question 'Are women human?' Feminism is not about whether women are better than, worse than or identical with men ... It's about justice, fairness, and access to the broad range of human experience. — Katha Pollitt

I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it. — Melissa Febos

The trouble with life (the novelist will feel) is its amorphousness, its ridiculous fluidity. Look at it: thinly plotted, largely themeless, sentimental and ineluctably trite. The dialogue is poor, or at least violently uneven. The twists are either predictable or sensationalist. And it's always the same beginning, and the same ending. — Martin Amis