Melancholy In Music Quotes & Sayings

Goth was sort of the melancholy cousin of punk that says: there's a lot of evil in this world, there's a lot of very mean spirited people and that makes me sad. — Aurelio Voltaire Hernandez

These scenes,' said Valancourt, at length, 'soften the heart, like the notes of sweet music, and inspire that delicious melancholy which no person, who had felt it once, would resign for the gayest pleasures. They waken our best and purest feelings, disposing us to benevolence, pity, and friendship. Those whom I love - I always seem to love more in such an hour as this.' His voice trembled, and he paused. — Ann Radcliffe

In my fiction, there's a lot that's borrowed from music. It's never like I'm taking a lyric, but more the mood of a particular song. 'The Boy Detective Fails' was like listening to 'Eleanor Rigby' by The Beatles, this very melancholy-but-poppy song. — Joe Meno

They have difficulty when being observed (at work, say, or performing at a music recital) or judged for general worthiness (dating, job interviews). But there were also new insights. The highly sensitive tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive (just as Aron's husband had described her). They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions - sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments - both physical and emotional - unusually deeply. They tend to notice subtleties that others miss - another — Susan Cain

He has heard, and causes those with ears to hear, even today, what we shall not see until the end of time - the whole context of Providence. As though in the light of this end, he heard the harmony of creation to which the shadow belongs but in which the shadow is not darkness, deficiency is not defeat, trouble cannot degenerate into tragedy and infinite melancholy is ultimately forced to claim undisputed sway ... Mozart causes us to hear that even on the latter side, and therefore in its totality creation praises its master and is therefore perfect. — Karl Barth

The highly sensitive [introverted] tend to be philosophical or spiritual in their orientation, rather than materialistic or hedonistic. They dislike small talk. They often describe themselves as creative or intuitive. They dream vividly, and can often recall their dreams the next day. They love music, nature, art, physical beauty. They feel exceptionally strong emotions
sometimes acute bouts of joy, but also sorrow, melancholy, and fear. Highly sensitive people also process information about their environments
both physical and emotional
unusually deeply. They tend to notice subtleties that others miss
another person's shift in mood, say, or a lightbulb burning a touch too brightly. — Susan Cain

Her voice was soft and numinous, as befitted any Aizian singer, yet it was not just bells and melody. There was something else in her tune, a strand of solemnity that no Aizian could possess, for it yearned for something far away, whereas Aizians needed only open their eyes to behold the greatest wonders. Yes, she was in Aizai now, but she hadn't always been, and for how much longer was impossible to say. — Mary-Jean Harris

There is a general place in your brain, I think, reserved for melancholy of relationships past. It grows and prospers as life progresses, forcing you finally, against your better judgment, to listen to country music. — Kary Mullis

She came naked behind him as the soft melancholy yearning of the song filled the dark. Her hand stroked his hair, gathered it tight at the nape of his neck. She swayed, and he felt her press against his back, her breasts soft now, yielding and warm through his shirt, her breath tickling his ear. Her hand rested on his shoulder briefly, then slid down inside his shirt, fingers cool on his chest. He could feel the warm hard metal of her ring on his skin, and felt a surge of possession that pulsed through him like a gulp of whisky, a heat suffusing his flesh. He ached to turn and take hold of her, but pushed the urge down, heightening anticipation. He bent his head closer to the strings, and sang until all thought left him and there was nothing left but his body and hers. He could not have said when her hand closed over his on the frets, and he rose and turned to her, still filled with the music and his love, soft and strong and pure in the dark. — Diana Gabaldon

Beside the china-cupboard and beneath Ratafee stood Emma's harp, a green harp ornamented with gilt scrolls and acanthus leaves in the David manner. When Laura was little she would sometimes steal into the empty drawing-room and pluck the strings which remained unbroken. They answered with a melancholy and distracted voice, and Laura would pleasantly frighten herself with the thought of Emma's ghost coming back to make music with cold fingers, stealing into the empty drawing-room as noiselessly as she had done. But Emma's was a gentle ghost. — Sylvia Townsend Warner

My blood was in a ferment within me, my heart was full of longing, sweetly and foolishly; I was all expectancy and wonder; I was tremulous and waiting; my fancy fluttered and circled about the same images like martins round a bell-tower at dawn; I dreamed and was sad and sometimes cried. But through the tears and the melancholy, inspired by the music of verse or the beauty of the evening, there always rose upwards, like the grasses of early spring, shoots of happy feeling, of young and surging life. — Ivan Turgenev

I who once wrote songs with keen delight am now by sorrow driven to take up melancholy measures. Wounded Muses tell me what I must write, and elegiac verses bathe my face with real tears. Not even terror could drive from me these faithful companions of my long journey. Poetry, which was once the glory of my happy and flourishing youth, is still my comfort in this misery of my old age. — Boethius

And what does the rain say at night in a small town, what does the rain have to say? Who walks beneath dripping melancholy branches listening to the rain? Who is there in the rain's million-needled blurring splash, listening to the grave music of the rain at night, September rain, September rain, so dark and soft? Who is there listening to steady level roaring rain all around, brooding and listening and waiting, in the rain-washed, rain-twinkled dark of night? — Jack Kerouac

I believe you did not have a happy life.
I believe you were cheated.
I believe your best friends were loneliness and misery.
I believe your busiest enemies were anger and depression.
I believe joy was a game you could never play without stumbling.
I believe comfort, though you craved it, was forever a stranger.
I believe music had to be melancholy or not at all.
I believe no trinket, no precious metal, shone so bright as your bitterness.
I believe you lay down at last in your coffin none the wiser and unassuaged.
Oh, cold and dreamless under the wild, amoral, reckless, peaceful flowers of the hillsides. — Mary Oliver

As the young husband and wife lay in each other's arms, each contemplating past, present, and future, Clint recognized the music as the adagietto from Gustav Mahler's fifth symphony. It was one of the most famous movements in the entire symphonic repertoire, but it was also one of the most debated. Mahler ostensibly composed the adagietto as a love song to his wife, Alma, but when played at the much slower tempo preferred by many conductors, the music instead evokes a feeling of profound melancholy. After almost eighty years, musicologists and aficionados still couldn't agree whether the music was supposed to be happy or sad, whether it was an expression of intense love and devotion or of unmitigated despair. Clint was struck by the irony that this music would be playing at this moment in his life, and his mouth curled into an ambivalent smile. Was he happy? Was he sad? Would he ever again be certain? — William T. Prince

The quiet, melancholy music gradually gave shape to the undefined sadness enveloping his heart, as if countless microscopic bits of pollen adhered to an invisible being concealed in the air, ultimately revealing, slowly and silently it's shape. — Haruki Murakami

If you close your eyes when you sing in Latin, and if you stand right at the back so you can keep one hand against the cold stone wall of the church, you can pretend you're in the Middle Ages. That's why I did it. That's what I was in it for. — Carol Rifka Brunt

Are there not a thousand forms of sorrow? Is the sorrow of death the same as the sorrow of knowing the pain in a child's future? What about the melancholy of music? Is it the same as the melancholy of a summer dusk? Is the loss I was feeling for my father the same I would have felt for a man better-fit to the world, a man who might have thrown a baseball with me or taken me out in the mornings to fish? Both we call grief. I don't think we have words for our feelings any more than we have words for our thoughts. — Ethan Canin

I know this, that if I had the luck, or maybe the misfortune," said Dick with a melancholy smile, "to have the woman, it would not be this way with me! - and what in the wide world is a man without a wife? He's no more surely than a bottle without a drop of drink in it, or dancing without music, the left leg of a scissors, or a fishing line without a hook, or any other matter that is in no ways complete. — T. Crofton Croker

To the sound of this voice, to the music of the chessboard's evil lure, Luzhin recalled, with the exquisite, moist melancholy peculiar to recollections of love, a thousand games that he had played in the past ... There were combinations, pure and harmonious, where thought ascended marble stairs to victory; there were tender stirrings in one corner of the board, and a passionate explosion, and the fanfare of the Queen going to its sacrificial doom. — Vladimir Nabokov

We pass and leave you lying. No need for rhetoric, for funeral music, for melancholy bugle-calls. No need for tears now, no need for regret.
We took our risk with you; you died and we live. We take your noble gift, salute for the last time those lines of pitiable crosses, those solitary mounds, those unknown graves, and turn to live our lives out as we may.
Which of us were fortunate
who can tell? For you there is silence and cold twilight drooping in awful desolation over those motionless lands. For us sunlight and the sound of women's voices, song and hope and laughter, despair, gaiety, love
life.
Lost terrible silent comrades, we, who might have died, salute you. — Richard Aldington

Like an attack this melancholy comes from time to time. I don't know at what intervals, and slowly covers my sky with clouds. It begins with an unrest in the heart, with a premonition of anxiety, probably with my dreams at night. People, houses, colors, sounds that otherwise please me become dubious and seem false. Music gives me a headache. All my mail becomes upsetting and contains hidden arrows. At such times, having to converse with people is torture and immediately leads to scenes ... Anger, suffering, and complaints are directed at everything, at people, at animals, at the weather, at God, at the paper in the book one is reading, at the material of the very clothing one has on. But anger, impatience, complaints and hatred have no effect on things and are deflected from everything, back to myself. — Hermann Hesse

What are our conductors giving us year after year? Only fresh corpses. Over these beautifully embalmed sonatas, toccatas, symphonies and operas the public dance the jitterbug. Night and day without let the radio drowns us in a hog-wash of the most nauseating, sentimental ditties. From the churches comes the melancholy dirge of the dead Christ, a music which is no more sacred than a rotten turnip. — Henry Miller

They danced slow circles in the sand, Javier singing the words to the Spanish version of the song, the melancholy music putting a strange ache in his chest, an ache he saw reflected in her eyes. Was she feeling what he was feeling? — Pamela Clare

When I write, I tend toward melancholy, and the few times that I've tried pure joy in music, it doesn't really work that well. The joy can be through catharsis. I think that's what I do well, and observation. — Michael Stipe

It's true, there's a lot of melancholy in my music. I don't know why, I'm not a melancholy person. I've always been drawn to it. Ever since I was a kid, if I had an album I would play the ballads on repeat. — Norah Jones

My melancholy wants to rest in the hiding places and abysses of perfection: that is why I need music. — Friedrich Nietzsche

The terms good and bad indicate no positive quality in things regarded in themselves, but are merely modes of thinking or notions, which we form from the comparison of things one with another. Thus one and the same thing can be at the same time good, bad, and indifferent. For instance, music is good for him that is melancholy, bad for him that mourns; for him that is deaf; it is neither good nor bad. — Baruch Spinoza

I was a very devout boy and one day I heard the music of an Egyptian Koran singer in the mosque. The melancholy of this music touched me so deeply that it brought me to tears. — Shahin Najafi

It is this admirable, this immortal, instinctive sense of beauty that leads us to look upon the spectacle of this world as a glimpse, a correspondence with heaven. Our unquenchable thirst for all that lies beyond, and that life reveals, is the liveliest proof of our immortality. It is both by poetry and through poetry, by music and through music, that the soul dimly descries the splendours beyond the tomb; and when an exquisite poem brings tears to our eyes, those tears are not a proof of overabundant joy: they bear witness rather to an impatient melancholy, a clamant demand by our nerves, our nature, exiled in imperfection, which would fain enter into immediate possession, while still on this earth, of a revealed paradise. — Charles Baudelaire

Whenever she was asked to play something, this piece was the one she most often chose. "Le mal du pays." The groundless sadness called forth in a person's heart by a pastoral landscape. Homesickness. Melancholy. As he lightly shut his eyes and gave himself up to the music, Tsukuru felt his chest tighten with a disconsolate, stifling feeling, as if, before he'd realized it, he'd swallowed a hard lump of cloud. — Haruki Murakami

God has given us music so that above all it can lead us upwards. Music unites all qualities: it can exalt us, divert us, cheer us up, or break the hardest of hearts with the softest of its melancholy tones. But its principal task is to lead our thoughts to higher things, to elevate, even to make us tremble ... The musical art speaks in sounds more penetrating than the words of poetry, and takes hold of the most hidden crevices of the heart ... Song elevates our being and leads us to the good and the true. If, however, music serves only as a diversion or as a kind of vain ostentation it is sinful and harmful. — Friedrich Nietzsche