Medieval Fairy Tale Quotes & Sayings

I didn't fall in love with you, Tate. I flew. — Colleen Hoover

Lots of women think that a loving relationship starts by falling in love with someone.That road, often unpaved and unmarked and at times filled with stones to easily trip on, is the road to self-love. — Barbara Becker Holstein

To take a single step beyond the boundaries specially drawn around the powers of Congress is to take possession of a boundless field of power, no longer susceptible to definition. — Thomas Jefferson

Boredom and restlessness are deeply related. Whenever you feel boredom, then you feel restlessness. Restlessness is a by-product of boredom. — Rajneesh

Yes: if only a hundredth of the efforts spent in curing diseases were spent in curing debauchery, disease would long ago have ceased to exist, whereas now all efforts are employed, not in extirpating debauchery, but in favoring it, by assuring the harmlessness of the consequences. — Leo Tolstoy

it's the way he uses language - which is nothing like the way fantasists used language before him. There's no sense of nostalgia. There's no medieval floridness. There's no fairy tale condescension to the child reader. It's very straight, and very clean - there's no Vaseline on the lens. You see everything clearly, not with sparkles or a flowery sense of wonderment, but with very specific physical details. — Joe Fassler

This? It's a feather-coin. I made it.'
'What is it for?'
'It isn't for anything. It's a toy.'
'It's for annoying people,' said Mogget from Sam's pack. 'If you don't put it away, I shall eat it. — Garth Nix

Non-violence is a very powerful weapon. Most people don't understand the power of non-violence and tend to be amazed by the whole idea. Those who have been involved in bringing about change and see the difference between violence and non-violence are firmly committed to a lifetime of non-violence, not because it is easy or because it is cowardly, but because it is an effective and very powerful way. — Cesar Chavez

For a moment in time she had been a lady, someone who was wanted ... — Melanie Dickerson

Angela Carter ... refused to join in rejecting or denouncing fairy tales, but instead embraced the whole stigmatized genre, its stock characters and well-known plots, and with wonderful verve and invention, perverse grace and wicked fun, soaked them in a new fiery liquor that brought them leaping back to life. From her childhood, through her English degree at the University of Bristol where she specialised in Medieval Literature, and her experiences as a young woman on the folk-music circuit in the West Country, Angela Carter was steeped in English and Celtic faerie, in romances of chivalry and the grail, Chaucerian storytelling and Spenserian allegory, and she was to become fairy tale's rescuer, the form's own knight errant, who seized hold of it in its moribund state and plunged it into the fontaine de jouvence itself.
(from "Chamber of Secrets: The Sorcery of Angela Carter") — Marina Warner

Because lurking somewhere beneath the surface of your brain is a vision of loneliness, and it will be a terrible moment when it breaks through, and you realise that your future is not a green pastures, but the knackers yard. We are all separate people, and we are all alone. It is a ridiculous thing to say that no man is an island. We are all islands. You can die, and Gerry won't. Gerry can die, and you won't. Our lives just go on, separate as they have always been. — Fay Weldon