Quotes & Sayings About Media Production

I had known David Ham and Marco Santiago from having met and worked with them on The Cross and the Switchblade which we worked on together at Times Square Church. We joined together as Trace Life Media to be a directing/producing team to be able to assist churches in the production of a play in their own community or to bring a fully-produced productions - something that will be ministering to the Body of Christ. — Patricia Mauceri

Well, you know, News Corp is the only real media global - that has a global presence that's involved in TV production, in movies, in publishing, in newspapers, digital media, et cetera. So for a company like that to function, clearly it does not depend only on Rupert Murdoch or James Murdoch. — Al-Waleed Bin Talal

We have power as consumers. We can exercise that power all the time by not choosing to invest time, energy or funds to support the production of mass media images that do not reflect life-enhancing values, that undermine a love ethic. — Bell Hooks

Contrastingly to the new model of distribution, we shot Hand of God using the traditional format of film. I myself use very few apps and tend not to engage in social media. I do use Instagram under my production company's name, but that's it. — Marc Forster

What is needed for a sound expansion of production is additional capital goods, not money or fiduciary media. The credit expansion is built on the sands of banknotes and deposits. It must collapse. — Ludwig Von Mises

Advertising is a tax paid for being unremarkable.*" If that is true, then this tax is rising fast, which is good news for the government - not to mention production companies, media sellers, and agencies - — Joseph Jaffe

Writing one's first novel, getting it sold, and shepherding it through the labyrinths of editing, production, marketing, journalism, and social media is an arduous and nerve-wracking process. — Paul Di Filippo

Nature as a means of reproduction is important for these intellectual workers because the specialisation and one-sidedness of their work generates psychological instability and requires periods of complete relaxation without jarring sensorial stimuli (noise, media, social contacts). Nature is the most efficient compensation for intellectual stress since it represents the unity of body and mind against the capitalist division of labour. Extensive consumption of nature has traditionally been an element of the re-production of intellectual workers. (It started with Rousseau, then came the Romantics, Thoreau, the early tourists, Tolstoi, artists' colonies in the Alps, etc). The ecological movement responds directly to the class interests of the intellectual sector of the proletariat and the struggle against nuclear power plants is a mere extension of this struggle. — Anonymous

All of our media is made of language: our films, our music, our images, and of course our words. How different this is from analog production, where, if you were somehow able to peel back the emulsion from, say, a photograph, you wouldn't find a speck of language lurking below the surface. — Kenneth Goldsmith

I have a production company where we create socially conscious media and content. — Justin Baldoni

I always said I'm just an instrument; I'm transparent, like a medium, the language passes through me. Which is a bit like saying I'm a recording device, I start and I go. I had a real connection to ongoing, language production in real time. — Constance Dejong

The pace of innovation continues to increase, and the Information Revolution holds a hint of what may lie ahead. Taken together, the parallels between APM-based production and digital information systems suggest that change in an APM era could be swift indeed - not stretched out over millennia, like the spread of agriculture, nor over centuries, like the rise of industry, nor even over decades, like the spread of the Internet's physical infrastructure. The prospect this time is a revolution without a manufacturing bottleneck, with production methods akin to sharing a video file. In other words, APM holds the potential for a physical revolution that, if unconstrained, could unfold at the speed of new digital media. — K. Eric Drexler

An eerie aspect of social media is the way the dead's account lingers in digital space as a floating memorial. Friends post emotional farewells as if the departed will read them. But we all know that those words are for the rest of the world as if to flaunt their bond with the deceased like a new car or engagement ring. Just like any material possession that ceases production, a person's value amplifies when they are dead. They have no future. They have no present. Their past becomes a limited resource that everyone is desperate to snag a piece of. — Maggie Young

Chapter 4,'Organised abuse and the pleasures of disbelief', uses Zizek's (1991) insights into cite political role of enjoyment to analyse the hyperbole and scorn that has characterised the sceptical account of organised and ritualistic abuse. The central argument of this chapter is that organised abuse has come to public attention primarily as a subject of ridicule within the highly partisan writings of journalists, academics and activists aligned with advocacy groups for people accused of sexual abuse. Whilst highlighting the pervasive misrepresentations that characterise these accounts, the chapter also implicates media consumers in the production of ignorance and disdain in relation to organised abuse and women's and children's accounts of sexual abuse more generally. — Michael Salter

Nowadays films and television are what I like to call "Microwave Media". I like mine in the oven, giving the production time to simmer; get the juices flowing, and cooked to perfection. And that takes time. Slow, precious, tempered time. A script is a film's recipe. It's just a piece of paper to the novice cook, but even a recipe needs time to be perfected before it's given to the masses. — Solange Nicole

Dutch beaches were known to me as man-made territories, as part of various land reclamation projects. But I was also interested in the media reality of the Moon landing. I wanted to use that event as a measure of time, to see what had happened in those thirty years - which happens to be my lifetime as well. I was born in 1967 and I remember seeing the Moon landing on TV when I was two. All those things were in play. Then it became a big production. It took five months to gather up the goodwill and make it happen. — Aleksandra Mir

Despite recent speculation in the media, and after difficult but sincere consideration, I have decided not to direct 'Catching Fire.' As a writer and a director, I simply don't have the time I need to write and prep the movie I would have wanted to make, because of the fixed and tight production schedule. — Gary Ross

Right, we've got these institutions of media, these financial institutions, we have the means of distribution, we have the means of production, we have all these markets and maxims in place. How do we alter the consciousness, the fundamental unifying field? How do we influence change on that level to all of the world? — Russell Brand

Just as like the music industry still wishes for the days when it controlled its own production and distribution, the media and marketing world still yearns for the silver bullet of the thirty-second spot on 'Seinfeld,' even as it knows those days are over. — John Battelle

Cynicism is something that is part of the media production of a certain type of subjectivity or consciousness that is passive and disempowered, cynical, fatalistic, pessimistic. — Daniel Pinchbeck

The Second Wave Society is industrial and based on mass production, mass distribution, mass consumption, mass education, mass media, mass recreation, mass entertainment, and weapons of mass destruction. You combine those things with standardization, centralization, concentration, and synchronization, and you wind up with a style of organization we call bureaucracy. — Alvin Toffler

I play Sun-Hi, a Korean-American girl who is a social media expert and dreams of becoming a worldwide star. Being on Make It Pop is so much fun because we get to sing dance and act all in one production which is a dream come true! Working with the cast and crew is also a blast! — Megan Lee

Technology has already opened the door a bit wider for filmmakers, with smaller digital cameras making production less cumbersome. Social media is allowing self-distribution, and girl groups like Spark Summit are leading the way in calling for fewer Photoshop image alterations of girls in print media. — Sharon Lawrence

I've taken the leap of faith to stop punching the company time clock and start working for myself. I'm now the CEO of Starfish Media Group, my production company, in New York City. — Soledad O'Brien