Meaning Of Literature Quotes & Sayings

I am a keeper of flocks.
The flocks are my thoughts
and all my thoughts are sensations.
I think with my eyes and my ears,
with my hands and with my feet
and with my nose and my mouth.
For to consider a flower is to both see it and smell it
and to eat of fruit is to understand its meaning.

So when the sun is at its brightest
and I feel guilty for embracing it,
I stretch out, supine, on the grassy earth,
and close my sun drenched eyes.
I view my entire body lying firmly on reality,
I know the truth, and am content. — Alberto Caeiro

We are liable to miss the best of life if we do not know how to tingle, if we do not learn to hoist ourselves just a little higher than we generally are in order to sample the rarest and ripest fruit of art which human thought has to offer. — Vladimir Nabokov

It is naive to suppose that something that has been expressed in one form can be expressed in another without significantly changing its meaning, texture or value. Much prose translates fairly well from one language to another, but we know that poetry does not; we may get a rough idea of the sense of a translated poem but usually everything else is lost, especially that which makes it an object of beauty. The translation makes it into something it was not. — Neil Postman

Texts like the Bible and the works of the holy elders were written under the inspiration and guidance of the Holy Spirit. The person who studies them partakes of this Divine Grace in a mystical way. The soul is nourished with Grace even if the person who reads such literature does not understand the meaning of what is being read. "Just by reading this material," he claimed, "the individual becomes spiritually empowered by the Grace embedded in the words themselves. — Kyriacos C. Markides

In literature classes, you don't learn about genes; in physics classes you don't learn about human evolution. So you get a fragmented view of the world. That makes it hard to find meaning in education. — David Christian

Young earth creationists try to force modern science into a literal reading of Genesis 1. Day-age theorists try to fit Genesis 1 into modern science. Proponents of the restoration view try to have their cake and eat it too by inserting a speculative gap between verses 1 and 2 of this chapter. All three views are fundamentally misguided and are rooted in contradictory opinions about the meaning and significance of various words and phrases in Genesis 1 (e.g., "day," "formless void"). None of them have seriously considered the more fundamental question concerning the kind of literature we are dealing with in Genesis 1. More — Gregory A. Boyd

And adab towards language means the recognition and acknowledgement of the rightful and proper place of every word in a written or uttered sentence so as not to produce a dissonance in meaning, sound and concept. Literature is called adabiyat in Islam precisely because it is seen as the keeper of civilization, the collector of teachings and statements that educate the self and society with adab such that both are elevated to the rank of the cultured man (insan adabi) and society. — Wan Mohd Nor Wan Daud

The heroic books, even if printed in the character of our mother tongue, will always be in a language dead to degenerate times; and we must laboriously seek the meaning of each word and line, conjecturing a larger sense than common use permits out of what wisdom and valor and generosity we have. — Henry David Thoreau

Balzac once
terminated a long conversation about politics and the fate of the world by saying: "And now let us get
back to serious matters," meaning that he wanted to talk about his novels. The incontestable importance
of the world of the novel, our insistence, in fact, on taking seriously the innumerable myths with which
we have been provided for the last two centuries by the genius of writers, is not fully explained by the
desire to escape. Romantic activities undoubtedly imply a rejection of reality. But this rejection is not a
mere escapist flight, and might be interpreted as the retreat of the soul which, according to Hegel, creates
for itself, in its disappointment, a fictitious world in which ethics reigns alone. The edifying novel,
however, is far from being great literature; and the best of all romantic novels, Paul et Virginie, a really
heartbreaking book, makes no concessions to consolation. — Albert Camus

it seemed entirely possible to him that religion and literature and art and music were all merely side effects of a brain structure that comes into the world ready to make language out of noise, sense out of chaos. Our capacity for imposing meaning, he thought, is programmed to unfold the way a butterfly's wings unfold when it escapes the chrysalis, ready to fly. We are biologically driven to create meaning. And if that's so, he asked himself, is the miracle diminished? It — Mary Doria Russell

Well-meaning adults can easily destroy a child's love of reading. Stop them reading what they enjoy or give them worthy-but-dull books that you like - the 21st-century equivalents of Victorian 'improving' literature - you'll wind up with a generation convinced that reading is uncool and, worse, unpleasant. — Neil Gaiman

Literature destabilizes thought by breaking open language and smuggling in sound, rhythm, and image--an invasion of aesthetics. More easily than analytic writing, poetry can emancipate itself from the standard definitions of words, enabling a breakthrough to new (and perhaps wayward or even nonsensical) meaning, which can then develop after the fact--different at each new reading. Literary language is presumptuous. It dips into the unknown in order to get nearer to a truth different from that of the superficially visible. As the poet Franz Josef Czernin described it, it is as though one step after another into emptiness could become a ladder. Literary writing can take the writers themselves by surprise; it can disturb and disappoint them--for stirring up turmoil is inherent in metaphor. Thus with every flash of understanding that comes from hearing or reading a poem, the fundamental work of thinking is taken up anew. — Marie Luise Knott

During the second half of the twentieth century, cross-fertilization among the disciplines of history, literature, sociology, and psychology led to scholarly awareness that historical accounts are not direct representations of actual events; they are, instead, interpretations of the meaning of events and are thus impacted by authorial bias, cultural assumptions, and linguistic frameworks. Historical accounts are conveyed through structures of stories, or in other words through the medium of narrative. This conceptual shift calls into question the assumption that histories recount factual descriptions of real events while stories narrate the literary artifice of imagine events. — Miranda Wilcox

You can see the meaning of the statement that "Literature is a living art" most easily and clearly, perhaps, by contrasting Science and Art at their two extremes - say Pure Mathematics and Acting. Science as a rule deals with things, Art with man's thought and emotion about things. — Arthur Quiller-Couch

Oh my research. Well, I got an English Degree. And I got that degree in a certain time/at a certain place. If you add UC Berkeley + 1984 the other side of the = is "new historian" meaning that I studied with and was influenced by those who were interested in how the personal shaped the political (and literary), how science and literature might interact, and what the body got to do with it. — Laura Mullen

You can't memorize poetry and stay a fake. Sooner or later, you start to understand what these poets are saying, and it makes you feel life has something quite special, with certain layers of meaning to it. — Donald Miller

Through words to the meaning of thoughts with no words. — Dejan Stojanovic

The Russian yearning for the meaning of life is the major theme of our literature, and this is the real point of our intelligentsia's existence. — Nikolai A. Berdyaev

Mr. Langdon, I did not ask if you believe what man says about God. I asked if you believed in God. There is a difference. Holy scripture is stories ... legends and history of man's quest to understand his own need for meaning. I am not asking you to pass judgment on literature. I am asking if you believe in God. When you lie out under the stars, do you sense the divine? Do you feel in your gut that you are staring up at the work of God's hands? — Dan Brown

As graduation loomed, I had a nagging sense that there was still far too much unresolved for me, that I wasn't done studying. I applied for a master's in English literature at Stanford and was accepted into the program. I had come to see language as an almost supernatural force, existing between people, bringing our brains, shielded in centimeter-thick skulls, into communion. A word meant something only between people, and life's meaning, its virtue, had something to do with the depth of the relationships we form. It was the relational aspect of humans - i.e., "human relationality" - that undergirded meaning. Yet somehow, this process existed in brains and bodies, subject to their own physiologic imperatives, prone to breaking and failing. There must be a way, I thought, that the language of life as experienced - of passion, of hunger, of love - bore some relationship, however convoluted, to the language of neurons, digestive tracts, and heartbeats. At Stanford, I had the good — Paul Kalanithi

She liked getting hold of some book ... and keeping it to herself, and gnawing its contents in privacy, and pondering the meaning without sharing her thoughts with any one, or having to decide whether the book was a good one or a bad one. — Virginia Woolf

And after the briefest flowering of understanding, my own generation had grown complacent. At some level, we must have started taking it for granted that the way the universe worked was now obvious to any child ... even though it went against everything innate to the species: the wild, undisciplined love of patterns, the craving to extract meaning and comfort from everything in sight.
We thought we were passing on everything that mattered to our children: science, history, literature,
art. Vast libraries of information lay at their fingertips. But we hadn't fought hard enough to pass on
the hardest-won truth of all: Morality comes only from within. Meaning comes only from within. Outside our own skulls, the universe is indifferent. — Greg Egan

The true elitists in the literary world are the ones who have become annoyed by literary ambition in any form, who have converted the very meaning of ambition so totally that it now registers as an act of disdain, a hostility to the poor common reader, who should never be asked to do anything that might lead to a pulled muscle. (What a relief to be told there's no need to bother with a book that might seem thorny, or abstract, or unusual.) The elitists are the ones who become angry when it is suggested to them that a book with low sales might actually deserve a prize ( ... ) and readers were assured that the low sales figures for some of the titles could only mean that the books had failed our culture's single meaningful literary test. — Ben Marcus

An artist is the magician put among men to gratify
capriciously
their urge for immortality. The temples are built and brought down around him, continuously and contiguously, from Troy to the fields of Flanders. If there is any meaning in any of it, it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities. What now of the Trojan War if it had been passed over by the artist's touch? Dust. A forgotten expedition prompted by Greek merchants looking for new markets. A minor redistribution of broken pots. But it is we who stand enriched, by a tale of heroes, of a golden apple, a wooden horse, a face that launched a thousand ships
and above all, of Ulysses, the wanderer, the most human, the most complete of all heroes
husband, father, son, lover, farmer, soldier, pacifist, politician, inventor and adventurer ... — Tom Stoppard

Theories about world literature, of which fairy tale is a fundamental part, emphasize the porousness of borders, geographical and inguistic: no frontiercan keep a good story from roaming. It will travel, and travel far, and travel back again in a different guise, a changed mood, and, above all, a new meaning. — Marina Warner

Our job, then, is two-fold: to focus on our own failings as writers. But also to speak more forcefully as advocates for literature. Books are a powerful antidote for loneliness, for the moral purposelessness of the leisure class. It's our job to convince the 95 percent of people who don't read books, who instead medicate themselves in front of screens, that literary art isn't some esoteric tradition, but a direct path to meaning, to an understanding of the terror that lives beneath our consumptive ennui. — Steve Almond

Another way to speak of the anxiety is in terms of the gap between information and knowledge. A barrage of data so often fails to tell us what we need to know. Knowledge, in turn, does not guarantee enlightenment or wisdom. (Eliot said that, too: "Where is the wisdom we have lost in knowledge? / Where is the knowledge we have lost in information?") It is an ancient observation, but one that seemed to bear restating when information became plentiful - particularly in a world where all bits are created equal and information is divorced from meaning. The humanist and philosopher of technology Lewis Mumford, for example, restated it in 1970: "Unfortunately, 'information retrieving,' however swift, is no substitute for discovering by direct personal inspection knowledge whose very existence one had possibly never been aware of, and following it at one's own pace through the further ramification of relevant literature." He begged for a return to "moral self-discipline. — James Gleick

He [an earnest young reporter] seemed to share the view of many intelligent, well-educated, well-meaning people that, while adult literature may aim to be art, the object of children's books is to whip the little rascals into shape. — Katherine Paterson

My heart was full and uplifted; it seemed that in my soul the question arose whether such things as Art, literature, science encompassed and completed life or whether there was still something in the distance which encompassed it even more completely and filled it with a far greater happiness. — Adalbert Stifter

Every language has a grammar, a set of rules that govern usage and meaning, and literary language is no different. It's all more or less arbitrary of course, just like language itself. — Thomas C. Foster

Children may not understand all that's happening below the surface of a story. It doesn't matter. Because even though they may not be able to define or verbalize it, they sense there's something more than meets the eye; on an almost subliminal level, they're aware of a richness of texture, or meaning and emotion
a richness that, in a great book, is inexhaustible. And the child may well come back to it again and again, perhaps long after he's stopped being a child. — Lloyd Alexander

Into the day as by dream I swim
To the music of nourished meaning. — Dejan Stojanovic

The amount of meaning you get into a sentence, the dimensions and intensity of the impression you make a paragraph carry, are most extraordinary.... You once told me you were not a natural writer - my God! You have plainly mastered the craft, of course; but you needed far more than craftsmanship for this. [about The Great Gatsby] — Maxwell Perkins

It is not certain whether the effects of totalitarianism upon verse need be so deadly as its effects on prose. There is a whole series of converging reasons why it is somewhat easier for a poet than a prose writer to feel at home in an authoritarian society.[ ... ]what the poet is saying- that is, what his poem "means" if translated into prose- is relatively unimportant, even to himself. The thought contained in a poem is always simple, and is no more the primary purpose of the poem than the anecdote is the primary purpose of the picture. A poem is an arrangement of sounds and associations, as a painting is an arrangement of brushmarks. For short snatches, indeed, as in the refrain of a song, poetry can even dispense with meaning altogether. — George Orwell

No work of literature is the product of only one or two conscious ideas. A story is mysteriously dense of meaning. — Carol Bly

It often is better to ask an ancient Hebrew goatherd, instead of a so-called expert like myself, about the meaning of a particular, biblical story. — Richard Gist

Poems are surmountable. They have rhymes and rhythms to help you make meaning. They're short enough. . . to read and reread until you've made some sense of them. Short stories are a different ballgame. You read them and understand the words completely. You know what happens in each sentence. You follow the dialogue and action. at the end, you know exactly what's happened. And also you have no idea. — Laurie Frankel

Langdon, I did not ask if you believe what man says about God. I asked if you believed in God. There is a difference. Holy scripture is stories . . . legends and history of man's quest to understand his own need for meaning. I am not asking you to pass judgment on literature. I am asking if you believe in God. — Dan Brown

There is a difference between literature and just writing in your diary. I think perhaps the difference can be measured in degrees of pain. Hard work is also a factor. When I abandoned poetry there were so many questions lost to me as well. It remains astonishing to me the degree to which poetry has lost all value and meaning within the conditions of what I loosely refer to as corporate capitalism. Absolutely amazing. — Jacob Wren

Life really is a story, and every story comes to an end. At the same time, it seems we all leave in the middle of our own stories. It's who we become that gives the story body, form and meaning. — Melinda West Seifert

For better or worse, whether it is a sign of aesthetic complexity or of intellectual indecision, this novel [Frankenstein] offers equally fertile ground to those readers who like their meanings ambiguous and indeterminate and to those who prefer to discern a deeply important doctrine. — Richard T. Nash

Some Western readers commonly use the Japanese word manga to mean serious comic-book literature. According to one of my Japanese friends, this usage is wrong. The word manga means "idle picture" and is used in Japan to describe collections of trivial comic-book stories. The correct word for serious comic-book literature is gekiga, meaning "dramatic picture. — Freeman Dyson

... Like having to be able to say to yourself, 'I am pretending to sit here reading Albert Camus's The Fall for the Literature of Alienation midterm, but actually I'm really concentrating on listening to Steve try to impress this girl over the phone, and I am feeling embarrassment and contempt for him, and am thinking he's a poser, and at the same time I am also uncomfortably aware of times that I've also tried to project the idea of myself as hip and cynical so as to impress someone, meaning that not only do I sort of dislike Steve, which in all honesty I do, but part of the reason I dislike him is that when I listen to him on the phone it makes me see similarities and realize things about myself that embarrass me, but I don't know how to quit doing them - like, if I quit trying to seem nihilistic, even just to myself, then what would happen, what would I be like? — David Foster Wallace

At one magical instant in your early childhood, the page of a book - that string of confused, alien ciphers - shivered into meaning. Words spoke to you, gave up their secrets; at that moment, whole universes opened. You became, irrevocably, a reader. — Alberto Manguel

I soon realized that a student of English literature who does not know the Bible does not understand a good deal of what is going on in what he reads: the most conscientious student will be continually misconstruing the implications, even the meaning. — Northrop Frye

I don't know. We have everything we need to be happy, but we're not happy. Something's missing. I looked around. The only thing I positively knew was gone was the books I'd burned in ten or twelve years. So I thought books might help."
"You're a hopeless romantic," said Faber. "It would be funny if it were not serious. It's not books you need, it's some of the things that once were in books. The same things could be in the "parlour families" today. The same infinite detail and awareness could be projected through the radios and televisors, but are not. No, no, it's not books at all you're looking for! Take it where you can find it, in old phonograph records, old motion pictures, and in old friends; look for it in nature and look for it in yourself. Books were only one type of receptacle where we stored a lot of things we were afraid we might forget. — Ray Bradbury

If the invention of derivatives was the financial world's modernist dawn, the current crisis is unsettlingly like the birth of postmodernism. For anyone who studied literature in college in the past few decades, there is a weird familiarity about the current crisis: value, in the realm of finance capital, parallels the elusive nature of meaning in deconstrucitonism. According to Jacques Derrida, the doyen of the school, meaning can never be precisely located; instead, it is always 'deferred,' moved elsewhere, located in other meanings, which refer and defer to other meanings - a snake permanently and necessarily eating its own tail. This process is fluid and constant, but at moments the perpetual process of deferral stalls and collapses in on itself. Derrida called this moment an 'aporia,' from a Greek term meaning 'impasse.' There is something both amusing and appalling about seeing his theories acted out in the world markets to such cataclysmic effect. — John Lanchester

There's a famous finding in the psychological literature," Ochsner explains, "showing that six months later, someone who has become a paraplegic is just as happy as someone who's won the lottery. It seems clear people are doing something to find what's positive in even the most dire of circumstances. The one thing you can always do is control your interpretation of the meaning of the situation, — David Rock

Language can't describe reality. Literature has no stable reference, no real meaning. Each reader's interpretation is equally valid, more important than the author's intention. In fact, nothing in life has meaning. Reality is subjective. Values and truths are subjective. Life itself is a kind of illusion. Blah, blah, blah, let's have another scotch. — Dean Koontz

I think that absurdity in literature looks into a lack of meaning in some important and fundamental way. It allows us to ask questions in ways that other forms can't, or in ways we can't using solely traditional means. — Laurie Foos

I did not very often consider the reasons my father died. I didn't believe his life was taken to instill some larger meaning in my character, or make me a better person. I preferred to believe that a person might be taken for no reason other than the random winds of chance, the same forces that could create a brilliant sky after a terrible storm. — Jill Bialosky

Outside theology and fantastic literature, few can doubt that the main features of our universe are its dearth of meaning and lack of discernible purpose. And yet, with bewildering optimism, we continue to assemble whatever scraps of information we can gather in scrolls and books and computer chips, on shelf after library shelf, whether material, virtual or otherwise, pathetically intent on lending the world a semblance of sense and order, while knowing perfectly well that, however much we'd like to believe the contrary, our pursuits are sadly doomed to failure. — Alberto Manguel

The function of a writer is to call a spade a spade. If words are sick, it is up to us to cure them. Instead of that, many writers live off this sickness. In many cases modern literature is a cancer of words ... There is nothing more deplorable than the literary practice which, I believe, is called poetic prose and which consists of using words for the obscure harmonics which reosund about them and which are made up of vague meanings which are in contradiction with the clear meaning ... That is not all: we are living in an age of mystifications. Some are fundamental ones which are due to the structure of society; some are secondary. At any rate, the social order today rests upon the mystification of consciousness, as does disorder as well. — Jean-Paul Sartre

A book isn't a single, static thing with one unarguable meaning. Each reader who comes to it brings his own special knowledge, habits and attitudes. Each reader reads a different book. Each reader imagines a different story.
A few years ago, for instance, a friend of my mother's sent me a copy of a test on Rite of Passage that she had given her students. The first question read: "True or False? The theme of Rite of Passage is ... " I can't tell you what the presumed themed was, but I can tell you that I didn't recognize it. Beads of sweat leaped out of my forehead. After two more questions, I had to put the test aside. I didn't know the "right" answers. — Alexei Panshin

Human beings do not live forever, Reuven. We live less than the time it takes to blink an eye, if we measure our lives against eternity. So it may be asked what value is there to a human life. There is so much pain in the world. What does it mean to have to suffer so much if our lives are nothing more than the blink of an eye?
I learned a long time ago, Reuven, that a blink of an eye in itself is nothing. But the eye that blinks, that is something. A span of life is nothing. But the man who lives that span, he is something. He can fill that tiny span with meaning, so its quality is immeasurable though its quantity may be insignificant. Do you understand what I am saying? A man must fill his life with meaning, meaning is not automatically given to life.
It is hard work to fill one's life with meaning. That I do not think you understand yet. A life filled with meaning is worthy of rest. I want to be worthy of rest when I am no longer here. — Chaim Potok

In the multiplicity of writing, everything is to be disentangled, nothing deciphered; the structure can be followed, 'run' (like the thread of a stocking) at every point and at every level, but there is nothing beneath: the space of writing is to be ranged over, not pierced; writing ceaselessly posits meaning ceaselessly to evaporate it, carrying out a systematic exemption of meaning. In precisely this way literature (it would be better from now on to say writing), by refusing to assign a 'secret', an ultimate meaning, to the text (and to the world as text), liberates what may be called an anti-theological activity, an activity that is truly revolutionary since to refuse to fix meaning is, in the end, to refuse God and his hypostases
reason, science, law. — Roland Barthes

The literary experience extends impression into discourse. It flowers to thought with nouns, verbs, objects. It thinks. Film implodes discourse, it deliterates thought, it shrinks it to the compacted meaning of the preverbal impression or intuition or understanding. You receive what you see, you don't have to think it out ... Fiction goes everywhere, inside, outside, it stops, it goes, its action can be mental. Nor is it time-driven. Film is time-driven, it never ruminates, it shows the outside of life, it shows behavior. It tends to the simplest moral reasoning. Films out of Hollywood are linear. The narrative simplification of complex morally consequential reality is always the drift of a film inspired by a book. Novels can do anything in the dark horrors of consciousness. Films do close-ups, car drive-ups, places, chases and explosions. — E.L. Doctorow

I never asked Tolstoy to write for me, a little colored girl in Lorain, Ohio. I never asked [James] Joyce not to mention Catholicism or the world of Dublin. Never. And I don't know why I should be asked to explain your life to you. We have splendid writers to do that, but I am not one of them. It is that business of being universal, a word hopelessly stripped of meaning for me. Faulkner wrote what I suppose could be called regional literature and had it published all over the world. That's what I wish to do. If I tried to write a universal novel, it would be water. Behind this question is the suggestion that to write for black people is somehow to diminish the writing. From my perspective there are only black people. When I say 'people,' that's what I mean. — Toni Morrison

I think it is an important question of our lives - what is the meaning of literature to us as humans. — Robert Dessaix

Like many works of literature, Hollywood chooses for its villains people who strive for social dominance through the pursuit of wealth, prestige, and power. But the ordinary business of capitalism is much more egalitarian: It's about finding meaning and enjoyment in work and production. — Alex Tabarrok

Over recent years I had increasingly lost faith in literature. I read and thought this is something someone has made up. Perhaps it was because we were totally inundated with fiction and stories... All these millions of paperbacks, hardbacks, DVDs and TV series, they were all about made-up people in a made-up, though realistic, world. And news in the press, TV news and radio news had exactly the same format, documentaries had the same format, they were also stories, and it made no difference whether what they told had actually happened or not...

Fictional writing has no value, documentary narrative has no value. The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? — Karl Ove Knausgard

Literature boils with the madcap careers of writers brought to the edge by the demands of living on their nerves, wringing out their memories and their nightmares to extract meaning, truth, beauty. — Herbert Gold

Writing, to me, is the meaning of life. My life became something special because of writing. My desk is for me what the phone booth is for Clark Kent: Here I become Superman. I can do anything I want when I'm writing. I'm not afraid anymore. I can take anything from my imagination. I can save the world when I'm writing. But as soon as I leave the desk, I become Clark Kent again. Trust me, I am the most ordinary person in the world. I'm a good husband, I don't yell at anyone, never lose it. But I don't have a single idea for my literature in everyday life. When I run, cook or relax on the beach, there is absolutely nothing on my mind. — Haruki Murakami

It is worth noting that a wrong folkoric definition of an Inertial Frame in the Popular Science literature (even in text books) reads that 'it is a frame in uniform motion'. We know very well by now that the idea of motion requires a frame of reference, so that such a definition of an Inertial Frame has no meaning whatsoever, confusing the reader because it tacitly reaffirms the idea of absolute motion
when the goal of every didactic exposition of Relativity Theory should be precisely the opposite. — Felix Alba-Juez

Stories are the only things that give any meaning to our pointless, shapeless lives."
"Literature above all is a mode of transport. It lifts you up out of whatever situation you're in and it puts you down somewhere else. It fucking escapes you. That's what literature is."
-Jumping Off a Cliff: An Interview with Kevin Barry, the Paris Review. November 2013 — Kevin Barry

Great art projects a sense of inexhaustibility. In literature, particularly in poetry, this may be accomplished through ambiguity: Beneath each and every meaning that I can descry lie others, so that rereading holds out the prospect of new subtleties, inversions, secret codes and ineffabilities — William T. Vollmann

Music and literature, the two temporal arts, contrive their pattern of sounds in time; or, in other words, of sounds and pauses. Communication may be made in broken words, the business of life be carried on with substantives alone; but that is not what we call literature; and the true business of the literary artist is to plait or weave his meaning, involving it around itself; so that each sentence, by successive phrases, shall first come into a kind of knot, and then, after a moment of suspended meaning, solve and clear itself.
-ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE — Robert Louis Stevenson

Science may explain how humans came into being, but it has no answer to the slippery question of how humans should live. Only literature makes it possible to pose such questions in the first place. And if there is no answer, only literature can point to the impossibility of ever finding one. — Minae Mizumura

Still, the frequent absence of happiness is what keeps us pursuing it, and thus makes us productive."10 This is a curious notion of productivity - at once overtly political and yet presented innocently enough, as if there were only one possible meaning of "productivity." This perspective on life incorporates the Protestant work ethic (that "productivity" is what makes an animal "effective") and echoes the Old Testament notion that life must be endured, not enjoyed. These assumptions are embedded throughout the literature of evolutionary psychology. Ethologist/primatologist Frans de Waal, one of the more open-minded philosophers of human nature, calls this Calvinist sociobiology. — Christopher Ryan

I am always coming up with architectural metaphors when I think about writing. But I think one of the things that draw us to literature is that it gives us this very attractive illusion that there is meaning in the world - things connect. — Nicole Krauss

Those who read the Scriptures as magnificent literature, breath-taking poetry, or history and overlook the story of salvation miss the Bible's real meaning and message. — Billy Graham

We learn words by rote, but not their meaning; that must be paid for with our life-blood, and printed in the subtle fibres of our nerves. — George Eliot

In other words, we may, by fixing our attention almost fiercely on the facts actually before us, force them to turn into adventures; force them to give up their meaning and fulfill their mysterious purpose. — G.K. Chesterton

The only genres I saw value in, which still conferred meaning, were diaries and essays, the types of literature that did not deal with narrative, that were not about anything, but just consisted of a voice, the voice of your own personality, a life, a face, a gaze you could meet. What is a work of art if not the gaze of another person? Not directed above us, nor beneath us, but at the same height as our own gaze. Art cannot be experienced collectively, nothing can, art is something you are alone with. You meet its gaze alone. — Karl Ove Knausgard

I did not ask if you believe what man says about God. I asked if you believed in God. There is a difference. Holy scripture is stories . . . legends and history of man's quest to understand his own need for meaning. I am not asking you to pass judgment on literature. I am asking if you believe in God. When you lie out under the stars, do you sense the divine? Do you feel in your gut that you are staring up at the work of God's hand? — Dan Brown