Marsalis On Music Quotes & Sayings
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Top Marsalis On Music Quotes

The heart of a music is its rhythm. The heart of rhythm section music is the rhythm. — Wynton Marsalis

I've never heard anything Wynton [Marsalis] played sound like it meant anything at all. Wynton has no voice and no presence. His music sounds like a talented high-school trumpet player to me ... he's jazzy the same way someone who drives a BMW is sporty. — Keith Jarrett

The piano is the X factor. People have a tough time following the structures when there's no piano there, spelling it out. It makes it more easily understood, particularly to people who don't know as much about music. — Branford Marsalis

Louis Armstrong was the primary contributor to jazz music in the 20th century. His improvisational skills served as the principal model for all who came after him, regardless of one's chosen instrument. — Ellis Marsalis Jr.

There is not a sentence in the world that could respectfully do justice to the life and music of Jerry Garcia. — Branford Marsalis

What I really have in my head, my imagination, my understanding of music, I never really get that out. — Wynton Marsalis

The thing in jazz that will get Bix Beiderbecke out of his bed at two o'clock in the morning, pick that cornet up and practice into the pillow for another two or three hours, or that would make Louis Armstrong travel around the world for fifty plus years non stop, just get up out of his sick bed, crawl up on the bandstand and play, the thing that would make Duke Ellington, the thing that would make Thelonious Monk, Miles Davis, Charlie Parker, Mary Lou Williams, the thing that would make all of these people give their lives for this, and they did give their lives, is that it gives us a glimpse into what America is going to be when it becomes itself. And this music tells you that it will become itself. And when you get a taste of that, there's just nothing else you're going to taste that's as sweet. — Wynton Marsalis

Jazz music is America's past and its potential, summed up and sanctified and accessible to anybody who learns to listen to, feel, and understand it. The music can connect us to our earlier selves and to our better selves-to-come. It can remind us of where we fit on the time line of human achievement, an ultimate value of art. — Wynton Marsalis

We need more math classes, we need more science. It's the art of math and the art of science that creates all the innovation, and we have a tradition of great arts, great music. — Wynton Marsalis

How great musicians demonstrate a mutual respect and trust on the bandstand can alter your outlook on the world and enrich every aspect of your life, understanding what it means to be a global citizen in the most modern sense. — Wynton Marsalis

People have taken time out of their day and spent their money to come sit down at a concert. And it's jazz music-it's not easy for them to get to it. I don't want them ever to feel that I'm taking their presence lightly. — Wynton Marsalis

Jazz music celebrates life! Human life; the range of it, the absurdity of it, the ignorance of it, the greatness of it, the intelligence of it, the sexuality of it, the profundity of it. And it deals with it. In all of its ... It deals with it! — Wynton Marsalis

When it comes to songs and music, yeah, people love to sing and dance and play music and tunes, and that stream of consciousness that exists in music, nobody knows where that comes from. — Wynton Marsalis

The biggest problem with American music right now, is that kids don't listen. They come by it honestly, Americans don't listen anyway. When people go to concerts, they say I'm going to see ... not, I'm going to hear. — Branford Marsalis

I feel like a lot of the fundamental material, I've assimilated. So now the question is: Am I going to really get into my spiritual inheritance of music and really develop my abilities? — Wynton Marsalis

I travel up and down the country and I've been all around the middle of America for many years. Middle America is not one big mass of people with a proverbial beer in its hand, keeping the country down. That is not my experience of it and I don't labor under that misconception. And we have a long tradition of coming together through music in our country. — Wynton Marsalis

What I've learned how to do as I've gotten older is to take all of the information that I have, and push it aside, and try to distill each song into an emotional theme. The hardest thing that I've ever had to learn how to do in playing music is use the sound of my instrument to create an emotional effect. — Wynton Marsalis

I hope it might help players have confidence in our own ways, and not to be afraid of them, as Bernstein showed - things like hoe-downs, fiddle songs, and the art of improvisation, and the New Orleans funeral tradition, and call-and-response church singing, and the fact that the blues run through everything. And in our relationship to European music, in that we don't have to imitate it, it's a part of us, inseparable. — Wynton Marsalis

The best musicians know this music isn't about "schools" at all. Like my father says, "There's only one school, the school of 'Can you play? — Wynton Marsalis

Jazz music is the power of now. There is no script. It's conversation. The emotion is given to you by musicians as they make split-second decisions to fulfill what they feel the moment requires. — Wynton Marsalis

In the Jazz at Lincoln Center Orchestra we play such a diversity of music, with 10 arrangers in the band, we don't really worry about whether it's contemporary or not. — Wynton Marsalis

Music is the art of all the invisible things that are real. Art, emotion, spiritual essence, consciousness - these things are hard to prove. Music helps you to focus on your sound. We understand that for very young kids. — Wynton Marsalis

My job is to write songs that have emotional meaning to me. — Branford Marsalis

I always like to play very contemporary concepts of swing right next to New Orleans music because it highlights continuum. — Wynton Marsalis

The musicians, Duke Ellington, his thing was not about separating himself from the rest of America. Louis Armstrong - go to the forefathers of our music - Jelly Roll Morton - they're not preaching a separatist agenda. They're not taking their music and saying, "This is for me." — Wynton Marsalis

I remember when I wrote a piece, "Blood on the Fields," it was a while ago, it was about slavery and about two characters, and I studied so much of music, I would always go back to the original documents, and as much as I can get original chants and slave chants and different type of beats and rhythms and ring shout. — Wynton Marsalis

I haven't heard anything new that I've liked on the show. A lot of the bands we play with are just bad, especially those alternative rock bands. They can do it in the studio but they can't play live... I see the audience applauding while they're playing, and I wonder if it's just because they're fans of the band and don't care, or out of spite. Because it certainly isn't because they sound good.
Branford Marsalis on the musical acts booked on The Tonight Show. — Branford Marsalis

We all teach from that same frame of reference. We're like neighborhood - the people who have had the opportunity through this music to gain a platform and spread the message of this music, which is basically love in a form of communication that's honest and truthful. — Wynton Marsalis

My thing is, once you start to put a backbeat on your music or something that has a machine in it, you have popularity, but you lose the flexibility. And you lose a richness. — Wynton Marsalis

You don't know what you like, you like what you know. In order to know what you like, you have to know everything. — Branford Marsalis

He [Benny Carter] is all that every jazz musician the world over wants to be. He's performed 20,000 nights. How many shoes have been shined? How much mascara put on? Rouge? How many of those impossible bowties have been tied? How many love songs have been sung? How many dances have been danced? How many have passed to the sound of his music? It's been said that a man should not be forced to live up to his art. Benny Carter is one of the rare instances when we wonder whether the great art that a man has created can live up to him. — Wynton Marsalis

We learn a language through its song, and even if you don't have music you have the song of people you love's voice, and you'll notice that song in their voice. — Wynton Marsalis

Jazz is not just 'Well, man, this is what I feel like playing.' It's a very structured thing that comes down from a tradition and requires a lot of thought and study. — Wynton Marsalis

Today you go into make a modern recording with all this technology. The bass plays first, then the drums come in later, then they track the trumpet and the singer comes in and they ship the tape somewhere. Well, none of the musicians have played together. You can't play jazz music that way. In order for you to play jazz, you've got to listen to them. The music forces you at all times to address what other people are thinking and for you to interact with them with empathy and to deal with the process of working things out. And that's how our music really could teach what the meaning of American democracy is. — Wynton Marsalis

I dress up a certain way because I respect the music. — Wynton Marsalis

Jazz is not the kind of music you are going to learn to play in three or four years or that you can just get because you have some talent for music. — Wynton Marsalis

The majority of the high schools and the public schools in N.Y.C. don't even have band programs. Hip-hop in a lot of ways is an outgrowth of a lack of instruments and a desire to play music, so we can't really fault the kids for that. — Wynton Marsalis

Because the blues is the basis of most American music in the 20th century. It's a 12-bar form that's played by jazz, bluegrass and country musicians. It has a rhythmic vocabulary that's been used by rock n' roll. It's related to spirituals, and even the American fiddle tradition. — Wynton Marsalis

Everything comes out in blues music: joy, pain, struggle. Blues is affirmation with absolute elegance. It's about a man and a woman. So the pain and the struggle in the blues is that universal pain that comes from having your heart broken. Most blues songs are not about social statements. — Wynton Marsalis

I didn't have a philosophical understanding of music until I came to New York. I didn't understand how it applied to my kind and my generation. I thought it was just old people talking. — Wynton Marsalis

I never minded giving my opinions. They are just opinions, and I had studied music and I had strong feelings. I was happy for my opinions to join all the other opinions. But you have to be prepared for what comes back, especially if you don't agree with the dominant mythology. — Wynton Marsalis

I don't care who likes it or buys it. Because if you use that criterion, Mozart would have never written Don Giovanni, Charlie Parker never would have played anything but swing music. There comes a point at which you have to stand up and say, this is what I have to do. — Branford Marsalis

Nothing else will ever capture the democratic process in sound as perfectly as Jazz. — Wynton Marsalis

So much of Jazz doesn't have an audience other than music students or musicians. — Branford Marsalis