Markus Papa Quotes & Sayings

Liesel and Papa made their way through the book, this man was traveling to Amsterdam on business and the snow was shivering outside. The girl loved that- the shivering snow. "That's exactly what it does when it comes down," she told Hans Hubermann. — Markus Zusak

Papa!" she whispered. "I have no eyes!"
He patted the girl's hair. She'd fallen into his trap. "With a smile like that," Hans Hubermann said, "you don't need eyes. — Markus Zusak

Goodbye, Papa, you saved me. You taught me to read. No one can play like you. I'll never drink champagne. No one can play like you.
-Liesel — Markus Zusak

Papa would say a word and the girl would have to spell it aloud and then paint it on the wall, as long as she got it right. After a month, the wall was recoated. A fresh cement page. — Markus Zusak

Papa grinned and pointed at the girl. "Book, sandpaper, pencil," he ordered her, "and accordion!" once she was already gone. Soon, they were on Himmel Street, carrying the words, the music, the washing. — Markus Zusak

Keep playing, Papa.
Papa stopped. — Markus Zusak

The table. That Saukerl, that filthy pig - you call him Papa, verstehst? Understand? — Markus Zusak

Sometimes she sat against the wall, longing for the warm finger of paint to wander just once more down the side of her nose, or to watch the sandpaper texture of her papa's hands. If only she could be so oblivious again, to feel such love without knowing it, mistaking it for laughter and bread with only the scent of jam spread out on top of it. It was the best time of her life. — Markus Zusak

She remained on the steps, waiting for Papa, watching the stray ash and the corpse of collected books. Everything was sad. Orange and red embers looked like rejected candy, and most of the crowd had vanished. She'd seen Frau Diller leave (very satisfied) and Pfiffikus (white hair, a Nazi uniform, the same dilapidated shoes, and a triumphant whistle). Now there was nothing but cleaning up, and soon, no one would ever imagine it had happened.
But you could smell it. — Markus Zusak

At this point, I couldn't help it. I walked around to see her better, and from the moment I witnessed her face again, I could tell that this was who she loved the most. Her expression stroked the man on his face. It followed one of the lines down his cheek. He had sat in the washroom with her and taught her how to roll a cigarette. He gave bread to a dead man on Munich Street and told the girl to keep reading in the bomb shelter. Perhaps if he didn't, she might not have ended up writing in the basement. Papa - the accordionist - and Himmel Street. One could not exist without the other, because for Liesel, both were home. Yes, that's what Hans Hubermann was for Liesel Meminger. — Markus Zusak

Possibly the only good to come out of these nightmares was that it brought Hans Hubermann, her new papa, into the room, to soothe her, to love her.
He came every night and sat with her. The first couple of times, he simply stayed - a stranger to kill the aloneness. A few nights after that, he whispered, "Shhh, I'm here, it's all right." After three weeks he held her. Trust was accumulated quickly, due primarily to the brute strength of the man's gentleness, his thereness. The girl knew from the outset that Hans Hubermann would always appear midscream, and he would not leave. (36) — Markus Zusak

Did you learn?"
The face in the corner watched the flames. "I did." There was a considerable pause. "Until I was nine. At that age, my mother sold the music studio and stopped teaching. SHe kept only the one instrument but gave up on me not long after I resisted the learning. I was foolish."
"No," Papa said. "You were a boy. — Markus Zusak

Jesus, Mary, and Joseph." Papa's hands tightened on the splintery wood. "I'm an idiot."
No, Papa.
You're just a man. — Markus Zusak

Sometimes I think my papa is an accordion. When he looks at me and smiles and breathes, I hear the notes. — Markus Zusak

Sitting in the water, she imagined the smell of it, mapped out on her papa's clothes. More than anything, it was the smell of friendship, and she could find it on herself, too. Liesel loved that smell. She would sniff her arm and smile as the water cooled around her. — Markus Zusak

Cigarette, flipped it on the table, and began on another. "Just like this." That was when Mama finished her soup with a clank, suppressed a cardboard burp, and answered for him. "That Saukerl," she said. "You know what he did? He rolled up all of his filthy cigarettes, went to the market when it was in town, and traded them with some gypsy." "Eight cigarettes per book." Papa shoved one to his mouth, in triumph. He lit up and took in the smoke. "Praise the Lord for cigarettes, huh, Mama?" Mama only handed him one of her trademark looks of disgust, followed by the most common ration of her vocabulary. "Saukerl." Liesel swapped a customary wink with her papa and finished eating her soup. As always, one of her books was next to her. She could not deny that the answer to her — Markus Zusak

They were eating in the kitchen. Looking at the spoonfuls of pea soup entering Mama's mouth, she decided to shift her focus to Papa. "There's something — Markus Zusak

a letter to her for? You have to put up with her every day." Papa was schmunzel — Markus Zusak

The book thief lay in bed that night, and the boy only came before she closed her eyes. He was one member of a cast, for Liesel was always visited in that room. Her papa stood and called her half a woman. Max was writing The Word Shaker in the corner. Rudy was naked by the door. Occasionally her mother stood on a bedside train platform. And far away, in the room that stretched like a bridge to a nameless town, her brother, Werner, played in the cemetery snow. — Markus Zusak

Earlier, I'd held her papa in one arm and her mama in the other. Each soul was so soft. — Markus Zusak

They walked on in silence for a while, until Rudy said, "I just wish I was like Jesse Owens, Papa." This time, Mr. Steiner placed his hand on Rudy's head and explained, "I know, son - but you've got beautiful blond hair and big, safe blue eyes. You should be happy with that; is that clear?" But nothing was clear. — Markus Zusak

I ... " He struggled to answer. "When everything was quiet, I went up to the corridor and the curtain in the livingroom was open just a crack ... I could see outside. I watched, only for a few seconds." He had not seen the outside world for twenty-two months.
There was no anger or reproach.
It was Papa who spoke.
How did it look?"
Max lifted his head, with great sorrow and great astonishment. "There were stars," he said. "They burned by eyes. — Markus Zusak

In mid-February, when she turned ten, Liesel was given a used doll that had a missing leg and yellow hair. "It was the best we could do," Papa apologized. "What are you talking about? She's lucky to have that much," Mama corrected him. — Markus Zusak

Son, you can't go around painting yourself black, you hear?"
"Why not, Papa?"
"Because they'll take you away."
"Why?"
"Because you shouldn't want to be like black people or Jewish people or anyone who is ... not us."
"Who are Jewish people?"
"You know my oldest customer, Mr. Kaufmann? Where we bought your shoes?"
"Yes."
"Well, he's Jewish."
"I didn't know that. Do you have to pay to be Jewish? Do you need a license?"
...
" ... you've got beautiful blond hair and big safe blue eyes. You should be happy with that; is that clear? — Markus Zusak

**** A 2 A.M. CONVERSATION****
"Is this yours?"
"Yes, Papa."
"Do you want to read it?"
Again, "Yes,Papa."
A tired smile.
Metallic eyes, melting.
"Well, we'd better read it, then. — Markus Zusak

Papa was a man with silver eyes, not dead ones.
Papa was an accordion!
But his bellows were all empty.
Nothing went in and nothing came out. — Markus Zusak

A small sample of some girl-written words
That summer was a new beginning, a new end.
When I look back, I remember my slippery hands of paint and the sound of Papa's feet on Munich Street, and I know that a small piece of the summer of 1942 belonged to only one man. Who else would do some paintwork for the price of half a cigarette? That was Papa, that was typical, and I loved him. — Markus Zusak

Papa- the accordionist- and Himmel Street.

One could not exist without the other, because for Liesel, both were home. — Markus Zusak