Mark Wood Quotes & Sayings

Write without pay until someone offers pay. If nobody offers within three years, the candidate may look upon this as a sign that sawing wood is what he was intended for. — Mark Twain

[The intellect of fallen man] may be compared to a buzz-saw that is sharp and shining, ready to cut the boards that come to it. Let us say that a carpenter wishes to cut fifty boards for the purpose of laying the floor of a house. He has marked his boards. He has set his saw. He begins at one end of the mark on the board. But he does not know that his seven-year-old son has tampered with the saw and changed its set. The result is that every board he saws is cut slantwise and thus unusable because too short except at the point where the saw made its first contact with the wood. As long as the set of the saw is not changed, the result will always be the same. So also whenever the teachings of Christianity are presented to the natural man, they will be cut according to the set of sinful human personality. — Cornelius Van Til

Most druids fall into two groups: sticks or stones. Wood has some wonderful properties, but it has a tendency to react too much with the user for my particular taste. Because they retain some of their own innate essence, using wands becomes almost a partnership. You have to be very nature-oriented to use them to their best advantage. — Mark Del Franco

Thence, we drove a few miles across a swamp, along a raised shell road, with a canal on one hand and a dense wood on the other; and here and there, in the distance, a ragged and angular-limbed and moss-bearded cypress, top standing out, clear cut against the sky, and as quaint of form as the apple-trees in Japanese pictures - such was our course and the surroundings of it. — Mark Twain

Don't trees swallow the fire of the sun? When wood burns, is it not surrendering all those photons of energy that the tree's leaves once snatched from sunlight and eventually stored within woody fiber? — Mark Warren

Wear it for me, the note says, though it's not the words I'm interested in. The words are a command, of the type men have given me all my life. But the question mark on the end ... the question mark is the thing I'm drawn to. I trace it with my fingers, that curve as compelling as the wood he's worked into such lovely shapes. — Charlotte Stein

My own time on earth has led me to believe in two powerful instruments that turn experience into love: holding and listening. For every time I have held or been held, every time I have listened or been listened to, experience burns like wood in that eternal fire, and I find myself in the presence of love. This has always been so. — Mark Nepo

A bar, as any good dictionary will tell you, is a rod of wood or iron that can be used to fasten a gate. From this came the idea of a bar as any let or hindrance that can stop you going where you want to; specifically the bar in a pub or tavern is the bar-rier behind which is stored all the lovely intoxicating liquors that only the bar-man is allowed to lay is hands on without forking out. — Mark Forsyth

Tolstoy does not tell us how things look to the author; he tells us how they look to the characters. In short, he does not use simile and metaphor. (That astonishing assertion in Wood's review is what got me started reading Tolstoy in the first place. How can anyone write without using metaphor and simile? That would be like - never mind.) — John Mark Reynolds

I do not think the long-range bullets I fire provide the mark of a man; I am only dimly aware that they are dehumanising me.
They are my opium tto see me through my time here. But with each hit they give, they only provide a feeling respite from the past I cannot escape from and thre present I have chosen to mire myself in. And, grounded as I am in the reality of this hill, I do not yet fully appreciate how this addiction is infecting my future with malediction.
With this clinical, psychopathically detached behaviour considered as normal, proper and expected on this hall, I cannot yet stop to think - because I cannot allow myself to here - of how hese respites may be blackening my soul in all the time I will have left on my own back Home - should I even live through the remainder of my months here, in some other corner of this Hell of a country. — Jake Wood

When people die they are sometimes put into coffins, which means that they don't mix with the earth for a very long time until the wood of the coffin rots.
But Mother was cremated. This means that she was put into a coffin and burned and ground up and turned into ash and smoke. I do not know what happens to the ash and I couldn't ask at the creamatorium because I didn't go to the funeral. But the smoke goes out of the chimney and into the air and sometimes I look up and I think that there are molecules of Mother up there, or in clouds over Africa or the Antarctic, or coming down as rain in the rain forests in Brazil, or snow somewhere. — Mark Haddon

The happier ending is Twin Peaks is still out there. Waiting, watchful, alive. Haunted, full of shivers and delights, a candle glimpsed in a log cabin window, while passing through a few and darkening wood.
Some dreams survive. — Mark Frost

I envy the table its scars, the scorch marks caused by the hot bread tins. I envy its calm sense of time, and I wish I could say: I did this five years ago. I made this mark, this ring caused by a wet coffee cup, this cigarette burn, this ladder of cuts against the wood's coarse grain. This is where Anouk carved her initials, the year she was six years old, this secret place behind the table leg. I did this on a warm day seven summers ago with the carving knife. Do you remember? Do you remember the summer the river ran dry? Do you remember? I envy the table's calm sense of place. It has been here a long time. It belongs. — Joanne Harris

Tell me this," I said. "My world. It's not like the one I read about in the oldest books. When they talk about magic, about ghosts, it's as if they are fairy-tales to frighten children. And yet I have seen the dead walk, seen a boy bring fire with just a thought."
Fexler frowned as if considering how to explain. "Think of reality as a ship whose course is set, whose wheel is locked in place by universal constants. Our greatest achievement, and downfall, was to turn that wheel, just a fraction. The role of the observer was always important - we discovered that. If a tree falls in the wood and no one hears it, then it is both standing and not standing. The cat is both alive and dead."
"Who mentioned a fecking cat? — Mark Lawrence

In the long ago, in the gentle days, Brother Grumlow carved wood, worked with saw and chisel. When hard times come carpenters are apt to get nailed to crosses. Grumlow took up the knife and learned to carve men. He looks soft, my brother of the blade, slight in build, light in colour, weak chin, sad eyes, all of him drooping like the moustache that hangs off his lip. Yet he has fast hands and no fear of a sharp edge. Come against him with just a dagger for company and he will cut you a new opinion. — Mark Lawrence

Places remained and time flowed through them like wind through the grass. Right now. This was the future turning into the past. One thing becoming another. Like a flame on the end of a match. Wood turning into smoke. If only we could burn brighter. A barn roaring in the night. — Mark Haddon

Above the altar is suspended the horrifically detailed model of a dying man, who, like the stained-glass version of his mother during The Annunciation, is wearing an expression too serene for such surprising circumstance. Jesus looks like he's thinking, Well, here I am, nailed to some wood. — Mark Crutchfield

The name potash is derived from the process used for making potassium carbonate, cooking down water and wood ash in earthen pots. — Mark Kurlansky

A slumpbuster is when you have to take one for the team. It's finding the biggest, nastiest, fattest broad, and you put the wood to her to come out of your slump. Also known as 'jumping on a grenade for the team'. — Mark Grace

Mark felt the Berg descending. He leaned his head against the wall and closed his eyes, for a moment wanting nothing but to fall asleep and never wake up again, or to do the opposite and kneel, bashing his head against the floor until it was over. But there was still that small sliver of clarity in his mind. He held on to it like a man clinging to a root on the side of a sheer cliff. Eyes open again. With a grunt, he forced himself to his feet, leaning against the window. The small city of Asheville lay spread out before them. Walls had been constructed out of wood, — James Dashner

Dad, youre so far off the mark I can't even ... Lincoln hasn't pressured me at all!" I grabbed my bag and heaved it onto my back. "WE'RE JUST FRIENDS! He's not even interested in me like that - and thanks to you," I shook my head at him in utter disbelief, "he never will now. — Jessica Shirvington

Beverly had thought how strange and wonderful it would be if the earth were hurled far from its orbit, into the cold extremes of black space where the sun was a faint cool disc, not even a quarter-moon, and night was everlasting. Imagine the industry, she thought, as every tree, every piece of coal, and every scrap of wood were burned for heat and light. Though the sea would freeze, men would go out in the darkness and pierce it's glassy ice to find the stilled fish. But finally all the animals would be eaten and their hides and wool stitched and woven, all the coal would be burned, and not a tree would be left standing. Silence would rule the earth, for the wind would stop and the sea would be heavy glass. People would die quietly, buried in their furs and down. — Mark Helprin

I can call back the solemn twilight and mystery of the deep woods, the earthy smells, the faint odors of the wild flowers, the sheen of rain-washed foliage, the rattling clatter of drops when the wind shook the trees, the far-off hammering of wood-peckers and the muffled drumming of wood-pheasants in the remotenesses of the forest, the snap-shot glimpses of disturbed wild creatures skurrying through the grass, - I can call it all back and make it as real as it ever was, and as blessed. I can call back the prairie, and its loneliness and peace, and a vast hawk hanging motionless in the sky, with his wings spread wide and the blue of the vault showing through the fringe of their end-feathers. — Mark Twain

The way I played music there was the way I wanted to farm, chop wood, cook, make love, raise children. Everything. A lo of it had to do with things I felt while I played. If only I could feel that sense of total absorption in what I was doing when I was doing other things. It was more than absorption, it was spontaneity, competence, a sense of grace and playfulness, of being in touch with an inexhaustible source of energy and beauty. — Mark Vonnegut

We saw also an autograph letter of Lucrezia Borgia, a lady for whom I have always entertained the highest respect, on account of her rare histrionic capabilities, her opulence in solid gold goblets made of gilded wood, her high distinction as an operatic screamer, and the facility with which she could order a sextuple funeral and get the corpses ready for it. — Mark Twain

Joel Tippie, as well as Amy Ryan and Barb Fitzsimmons, for making these books so gorgeous Every. Single. Time. The amazing Brenna Franzitta, Josh Weiss, Mark Rifkin, Valerie Shea, Christine Cox, and Joan Giurdanella, for taking such good care of my words. Lauren Flower, Alison Lisnow, Sandee Roston, Diane Naughton, Colleen O'Connell, Aubry Parks-Fried, Margot Wood, Patty Rosati, Molly Thomas, Megan Sugrue, Onalee Smith, and Brett Rachlin, for all your marketing and publicity efforts, which are far too substantial to name. — Veronica Roth

Over the green squares of the fields and the low curves of a wood there rose in the distance a grey, melancholy hill, with a strange jagged summit, dim and vague in the distance like some fantastic landscape in a dream. Baskerville sat for a long time, his gaze fixed upon it, and I read upon his eager face how much it meant to him, this first sight of that strange spot where the men of his blood had held sway so long and left their mark so deep. — Arthur Conan Doyle

I met Evan Rachel Wood, James Woods, Kevin Bacon at Sundance. Steve Buscemi is pretty laid-back. I met Judy Greer in Vegas, and she was cool. — Mark Zupan

Blood oozed from deep puncture wounds at his neck and shoulder. His right arm flopped unnaturally. From the middle of his back to his waist, the bear's raking claws left deep, parallel cuts. It reminded Harris of tree trunks he had seen where bears mark their territory, only these marks were etched in flesh instead of wood. On the back of Glass's thigh, blood seeped through his buckskin breeches. Harris — Michael Punke